New Chapter for the 27Th Annual Jewish
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Baal Shem-Toy Ballads of Shimshon Meltzer
THE BAAL SHEM-TOY BALLADS OF SHIMSHON MELTZER by SHLOMO YANIV The literary ballad, as a form of narrative metric composition in which lyric, epic, and dramatic elements are conjoined and whose dominant mood is one of mystery and dread, drew its inspiration from European popular ballads rooted in oral tradition. Most literary ballads are written in a concentrated and highly charged heroic and tragic vein. But there are also those which are patterned on the model of Eastern European popular ballads, and these poems have on the whole a lyrical epic character, in which the horrific motifs ordinarily associated with the genre are mitigated. The European literary ballad made its way into modern Hebrew poetry during its early phase of development, which took place on European soil; and the type of balladic poem most favored among Hebrew poets was the heroico-tragic ballad, whose form was most fully realized in Hebrew in the work of Shaul Tchernichowsky. With the appearance in 1885 of Abba Constantin Shapiro's David melek yifrii.:>e/ f:tay veqayyii.m ("David King of Israel Lives"), the literary ballad modeled on the style of popular ballads was introduced into Hebrew poetry. This type of poem was subsequently taken up by David Frischmann, Jacob Kahan, and David Shimoni, although the form had only marginal significance in the work of these poets (Yaniv, 1986). 1 Among modern Hebrew poets it is Shimshon Meltzer who stands out for having dedicated himself to composing poems in the style of popular balladic verse. These he devoted primarily to Hasidic themes in which the figure and personality of Israel Baal Shem-Tov, the founder of Hasidism, play a prominent part. -
Writers and Palestine Review: When Bearing Witness Becomes a Challenge
AFOPA Media Report – 4 Aug 2017 www.afopa.com.au Contents Writers and Palestine review: When bearing witness becomes a challenge ...................................................... 1 James Packer tightens virtual reality ties with Inception investment ................................................................. 3 Israel losing the public relations war against Palestinians .................................................................................. 4 Middle East debate sparks Labor warfare ........................................................................................................... 6 Queensland Labor conference to back Palestinian recognition .......................................................................... 7 SYDNEY MORNING HERALD, 04AUG2017, http://www.smh.com.au/entertainment/books/writers-and- palestine-review-when-bearing-witness-becomes-a-challenge-20170727-gxk0i5.html Writers and Palestine review: When bearing witness becomes a challenge Jeff Sparrow, Published: August 4 2017 - 12:15AM, MIDDLE EAST Kingdom of Olives and Ash: Writers Confront the Occupation Eds., Michael Chabon & Ayelet Waldman ,4th Estate, $27.99 This Is Not a Border: Reportage and Reflection from the Palestine Festival of Literature Eds., Ahdaf Soueif & Omar Robert Hamilton, Bloomsbury, $24.99 In 1937, the poet and heiress Nancy Cunard sent a message (signed by a galaxy of literary stars) to "the writers and poets of England, Scotland, Ireland and Wales" inquiring about their attitudes to the Spanish Civil War. "Are you for, or -
Echoes of Memory Volume 9
Echoes of Memory Volume 9 CONTENTS JACQUELINE MENDELS BIRN MICHEL MARGOSIS The Violins of Hope ...................................................2 In Transit, Spain ........................................................ 28 RUTH COHEN HENRY MARKOWICZ Life Is Good ....................................................................3 A Letter to the Late Mademoiselle Jeanne ..... 34 Sunday Lunch at Charlotte’s House ................... 36 GIDEON FRIEDER True Faith........................................................................5 ALFRED MÜNZER Days of Remembrance in Rymanow ..................40 ALBERT GARIH Reunion in Ebensee ................................................. 43 Flory ..................................................................................8 My Mother ..................................................................... 9 HALINA YASHAROFF PEABODY Lying ..............................................................................46 PETER GOROG A Gravestone for Those Who Have None .........12 ALFRED TRAUM A Three-Year-Old Saves His Mother ..................14 The S.S. Zion ...............................................................49 The Death Certificate That Saved Vienna, Chanukah 1938 ...........................................52 Our Lives ..................................................................................... 16 SUSAN WARSINGER JULIE KEEFER Bringing the Lessons Home ................................. 54 Did He Know I Was Jewish? ...................................18 Feeling Good ...............................................................55 -
Starts Mon April 10 9Pm
April 2017 WWI...AMERICA COMES OF AGE A SPECIAL 3-NIGHT EVENT TUNE IN OR STREAM STARTS MON APRIL 10 9PM Season 6 Sundays at 8pm 5.1 • 5.2 • 5.3 • knpb.org • 775.784.4555 5.1 • 5.2 • 5.3 • knpb.org • 775.784.4555 IMPECCABLE TIMING SALES EVENT $ $ $ Cash Due Down First 0At Signing 0Payment 0Payment 2017 JAGUAR XE $441.00 plus tax 39 months @ $441.00 plus tax. MSRP $50,320.00 7,500 miles a year. O.A.C. Offer includes $1,000.00 Impeccable Timing Sales Event Rebate. Stock #SVC044R. Management reserves all rights. 5 YEARS 60, 000 MILES New Vehicle Limited Warranty Complimentary Scheduled Maintenance 24-Hour Roadside Assistance Jaguar InControl® Remote & Protect™ BEST IN CLASS COVERAGE* Jaguar Land Rover Reno 9150 S. Virginia Street, Reno, NV 89511 2 April 2017 775.332.4000 www.jlrreno.com Help Shape the Local Stories We Tell As northern and central Nevada’s PBS Member Station, KNPB has the opportunity and responsibility to spotlight relevant stories unique to our region. We also have the ability to tell these stories in way that only public television can. Since the station began in 1983, highlighting issues important to our region and state has been a focus of the work we do. The Work of Art Through the Partnership Grant Fund from the Community Foundation of Western Nevada, KNPB is expanding our evaluation efforts. The results of this work will allow KNPB to plan, build and properly fund our local production pipeline — filling it with stories that are most interesting to you and all in our community. -
Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
Sherith Israel
the Jewish bserver www.jewishobservernashville.org Vol. 82 No. 10 • October 2017 11 Tishrei-11 Cheshvan 5778 Holocaust With ‘Violins of Hope,’ community Memorial, examines Holocaust, social issues art events By KATHY CARLSON intage musical instru- ments that were lovingly on Oct. 8 restored after surviving or more than 10 years, the Holocaust will give Nashville has had a site ded- all of Nashville a focus for icated to remembering those better understanding how who lost their lives through Vpeople confront injustice and hatred. the institutionalized evil The instruments – collectively called of the Holocaust. On Oct. the Violins of Hope – will be played F8, the Jewish community will gather by Nashville Symphony musicians and at the Nashville Holocaust memorial exhibited at the Nashville Library next on the grounds of the Gordon Jewish spring as the city’s Jewish, arts and com- Community Center to remember those munity organizations come together with who were killed as well as Holocaust a host of related programs. survivors, including those who made the Mark Freedman, executive director Nashville memorial possible. of the Jewish Federation and Foundation “So much has changed over the of Nashville and Middle Tennessee, years since the Memorial was complet- spoke at a news conference detailing ed,” said Felicia Anchor, who helped upcoming programs. He thanked the organize the memorial. The community many partner organizations and individu- has lost several survivors who were als who have worked to bring the Violins instrumental in establishing the memo- of Hope to Nashville. rial, including Elizabeth Limor and He recalled how he visited Yad At a news conference at the Schermerhorn Symphony Center, Mark Freedman, Esther Loeb. -
The Image of Streetwalkers in Itzik Manger's and Debora Vogel's
The Image of Streetwalkers in Itzik Manger’s and Debora Vogel’s Ballads by Ekaterina Kuznetsova and Anastasiya Lyubas In geveb: A Journal of Yiddish Studies (December 2020) For the online version of this article: http://ingeveb.org/articles/the-image-of-streetwalkers In geveb: A Journal of Yiddish Studies (December 2020) THE IMAGE OF STREETWALKERS IN ITZIK MANGER’S AND DEBORA VOGEL’S BALLADS Ekaterina Kuznetsova and Anastasiya Lyubas Abstract: This article focuses on three ballads by Itzik Manger ( Di balade fun der zind, Di balade fun gasn-meydl, Di balade fun der zoyne un dem shlankn husar ) and two ballads by Debora Vogel ( Balade fun a gasn-meydl I un II ). We argue that Manger and Vogel subvert the ballad genre and gender hierarchies by depicting promiscuous female embodiment, theatricality, and the valuation of “lowbrow” culture of shund in their sophisticated poetic practices. These polyphonous texts integrate theatrical and folkloric song elements into “highbrow” Modernist aesthetics. Furthermore, these works by Manger and Vogel draw from both European influences and Jewish cultural traditions; they contend with urban modernity, as well as the resultant changes in the structures of Jewish life. By considering the image of the streetwalker in Manger’s and Vogel’s work, we deepen the understanding of Yiddish creativity as ultimately multimodal and interconnected. 1. Itzik Manger’s and Debora Vogel’s Ballads: Points of Contact Our study aims to bring two Yiddish authors—Itzik Manger and Debora Vogel—into dialogue. Manger and Vogel wrote numerous ballads where they integrated Eastern European folklore and interwar popular Jewish culture into this European literary genre. -
A Surgeon's Story
8 † FTWeekend 3 June/4 June 2017 Six days and 50 years Essay |AmilestoneinIsrael’shistoryis promptingare-examinationofthe1967war and its consequences, writes John Reed sraelis remember the Six Day War The Six-Day War: Israeli as one of their finest moments — a The Breaking of the Middle East paratroopers national emergency when they by Guy Laron beside fought a lightning offensive on Yale University Press £20/$28, 384 pages Jerusalem’s three fronts against Egypt, Syria Western Wall Iand Jordan, destroying the Arab states’ Kingdom of Olives and Ash: in June 1967 airforceswithinhoursandthenpushing Writers Confront the Occupation Getty Images deep into Sinai and the West Bank. A by Michael Chabon and Ayelet Waldman defining image shows three Israeli para- Fourth Estate £12.99/Harper $16.99 448 pages troopers gazing up beside Jerusalem’s WesternWall,theJewishsiteofdevotion City on a Hilltop: American Jews that had until then been under Jorda- and the Israeli Settler Movement nianrule.Takenfrombelow,DavidRub- by Sara Yael Hirschhorn inger’s picture cast the men in heroic Harvard £31.95/$39.95, 368 pages light, capturing their awe at the sacred, disputedterritorynowinIsrael’sgift. The Only Language They Though dizzyingly swift, the war had Understand: Forcing Compromise been a long time coming. Tensions in Israel and Palestine betweenIsraelanditsneighbours,rising by Nathan Thrall since the 1956 Suez crisis, had deepened Metropolitan Books $28, 336 pages with the emergence of a Syrian- supported Palestinian guerrilla move- ment capable of attacking Israel from With the occupation now in ripe mid- thefamiliarone:Israelactsswiftly,reck- a long back story and complex legal and soundbites from settlers with Brooklyn cliché often heard on both sides — Jordanian territory in the West Bank. -
Hoofdstuk 2. the Yiddish Policemen's Union
Faculteit Letteren & Wijsbegeerte The Promised Land of salmon and furs Counterfactual history and Michael Chabon's The Yiddish Policemen's Union Evelien Corveleyn Promotor: Dr. Pieter Vermeulen Masterpaper voorgedragen tot het bekomen van de graad van Master in de Vergelijkende Moderne Letterkunde 2011 Acknowledgements First of all, I would like to thank my promoter Dr. Pieter Vermeulen for his interesting ideas, constructive criticism, useful comments and corrections. With his guiding hand I travelled back to counterfactual history, explored the difficult relations between Israel and the Palestinian people, and had the opportunity to analyze the extraordinary novel and mind of a magician of words. Secondly, I would also like to thank Prof. Dr. Philippe Codde, whose inspiring course and contagious enthusiasm have convinced me to conduct further research in the field of Jewish American Literature. And thirdly, I would like to thank everyone else who has advised and encouraged me while I was writing this dissertation. iii Table of Contents Introduction....................................................................................................................... 7 Hoofdstuk 1. Michael Chabon and his Maps and Legends ........................................... 10 1.1 Genre fiction ....................................................................................................... 11 1.2 Epic fantasy ........................................................................................................ 13 1.3 Science fiction ................................................................................................... -
The Yiddishists
THE YIDDISHISTS OUR SERIES DELVES INTO THE TREASURES OF THE WORLD’S BIGGEST YIDDISH ARCHIVE AT YIVO INSTITUTE FOR JEWISH RESEARCH From top: Illustration from Kleyne Mentshelekh (Tiny Little People), a Yiddish adaptation of Gulliver’s Travels published in Poland, 1925. The caption reads, “With great effort I liberated my left hand.”; cover page for Kleyne Mentshelekh Manger was not the only 20th-century Yiddish-speaking Jew to take an interest in Swift’s 18th-century works. Between 1907 and 1939, there were at least five Yiddish translations and adaptations of Gulliver’s Travels published in the United States, Poland and Russia. One such edition, published in 1925 by Farlag Yudish, a publishing house that specialised in Yiddish translations of literary classics, appeared in their Kinder-bibliotek (Children’s Library) series alongside other beloved books such as Harriet Beecher GULLIVER IN YIDDISHLAND Stowe’s Uncle Tom’s Cabin, Edith Nesbit’s The Enchanted Castle and fairytales by the Jonathan Swift, Oscar Wilde and Samuel Beckett were just some brothers Grimm. Literature and journals THE YIDDISHISTS of the Anglo-Irish and Irish writers whose work was translated and for children and youth, both those written specifically in Yiddish and those translated adapted by 20th-century Yiddishists, says Stefanie Halpern into the language, were a lucrative branch of Yiddish publishing in the interwar n his 1942 poem ‘A Song of the Dean of Stella’s golden brooch, a reference to ‘A period. Such material became especially Jonathan Swift and the Yiddish Journal to Stella’, Swift’s 1766 work based important with the establishment of a IRhyme-maker Itzik Manger’, the poet on letters he sent to his real-life lover Yiddish secular school network across and playwright Itzik Manger imagines a Esther Johnson. -
Jewish Humor
Jewish Humor Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Arie Sover All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6447-9 ISBN (13): 978-1-5275-6447-3 With love to my parents, Clara (Zipkis) and Aurel Sober, and my grandmother, Fanny Zipkis: Holocaust survivors who bequeathed their offspring with a passion for life and lots of humor. TABLE OF CONTENTS Acknowledgements .................................................................................. xii Preface ..................................................................................................... xiii Introduction ................................................................................................ 1 Literacy and critical Jewish thought ........................................................... 2 The sources of Jewish humor ..................................................................... 6 The Bible .............................................................................................. -
Violinen Der Hoffnung Begleitheft RZ.Indd
„Violinen der Hoffnung” © Weinstein ZEICHEN GEGEN DAS VERGESSEN „Violinen der Hoffnung” In den 1980er Jahren öffnete Amnon Weinstein aus Neugierde einen alten Violinenschrank seines Vaters und entdeckte in einer der eingelagerten Instrumente edle Gravierungen. Die Leidenschaft für seinen Beruf war größer als das Unwohlsein, das er beim Öffnen des Schrankes verspürte. Er recherchierte und fand heraus, dass der Besitzer der Violine in Auschwitz interniert war und im Männerorchester des Vernichtungslagers spielen musste. Weinstein kam zu der Einsicht. „Ich musste die Violinen wieder zum Klingen bringen – auch als Zeichen gegen das Vergessen“. © Weinstein VORWORT Hoffnung & Versöhnung Die „Violinen der Hoff- nung“ haben sich den Weg von Israel nach Dresden gebahnt – darüber freue ich mich außerordentlich und heiße insbesondere den initiativreichen israelischen Geigenbauer Amnon Wein- stein sehr herzlich in der sächsischen Landeshaupt- stadt willkommen! Die Idee ist faszinierend wie inhaltsschwer: Historische Violinen, die in der Nazizeit angesichts millionenfachen Todes in den Konzentrations- und Vernichtungslagern gespielt wurden, erklingen aufs Neue und mahnen zugleich: Denn jeder 9. November erinnert uns an das dunkelste Kapitel unserer Vergangenheit. Auch in Dres- den wurden jüdische Mitbürger verfolgt, vertrieben und in die Lager deportiert. Auch hier brannten Geschäfte, Wohnhäuser und die Synagoge. Niemand konnte danach noch sagen, von nichts gewusst zu haben. Wir können zwar nicht das Leid und Unrecht von 1938 und später wiedergutmachen, wir können nur immer wieder Zeichen guten Willens und der Versöhnung setzen. Eines dieser Zeichen sind die „Violinen der Hoffnung“, die zu neuem Leben erwacht sind. Ich danke den Initiatoren und Unterstützern und nicht zuletzt den Musikern ganz herz- lich dafür, dass das in dieser Zeit möglich wurde.