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Remix Ensemble CASA DA MÚSICA 21:00 SALA SUGGIA 16 JUN | 2012 remix ensemble CAsA DA mÚsiCA 21:00 SALA SUGGIA Wolfgang Mitterer direcção musical, teclados e electrónica Wolfgang Mitterer remix surround, para 14 músicos e electrónica [2012; c.62min.; encomenda da casa da música em estreia mundial] Concerto sem intervalo. Nota ao Programa O título remix surround desvenda um pouco sobre a obra há sempre um músico que lidera os restantes nos diferen- que vamos ouvir. Remix Ensemble é o agrupamento de tes momentos da peça. A partitura utiliza uma grande varie- música contemporânea da Casa da Música, que estreia dade de notação, oscilando esta entre uma grande precisão a peça e que esteve na origem da encomenda. Mas remix e a quase indefinição gráfica. Mas o controlo do desenrolar pode também significar o nome de uma técnica de reuti- do tempo é muito cuidado, até porque a electrónica faz par- lização e mistura de material prévio. A palavra surround te do processo de construção da peça, bem como a indica- descreve a emissão sonora num plano espacial a três di- ção de quem toca em cada momento. mensões na qual os ouvintes estão rodeados pelas fontes Falta ainda falar da forma, ou da estrutura. Para a po- sonoras, neste caso os instrumentos e as colunas de som dermos percepcionar, está implícita a utilização de ideias que emitem a parte de electrónica. Temos já a ideia de um temáticas e elas, de facto, existem. São ideias que se re- cenário em que o público está rodeado pelos músicos e petem em momentos diferentes, como os clusters nos por colunas, sabemos que alguma da matéria sonora po- dois pianos que iniciam e encerram a peça. Na verdade, derá ser reutilizada numa dimensão espacial e de sobre- ela está organizada em forma de espelho, progredindo até posição, mas sabemos ainda muito pouco sobre a músi- um clímax que sucede exactamente a meio e a partir do ca propriamente dita ou o seu processo de composição. qual a peça procede em sentido contrário. Mas como todo Sendo Wolfgang Mitterer organista, é natural que domine o processo está dependente da improvisação dos músi- a arte da improvisação e que esta tenha um papel determi- cos, a segunda parte nunca soará da mesma maneira. nante na sua obra. Mitterer é também um músico extrema- No geral, está implícito um sentido de diversão ao criar mente versátil que tem tocado com bandas de jazz e que já a música, de surpresa, de partilha colectiva dos músicos tem utilizado a improvisação em diversas obras. No entan- que ao longo dos ensaios também puderam dar as suas to, não estamos aqui perante uma improvisação tradicional, sugestões musicais. Por outro lado, sente-se igualmente com base num tema dado, como acontece no jazz tradicio- uma certa ironia sobre o processo compositivo e os mo- nal ou até na música clássica. Em remix surround, Mitterer delos estereotipados da criação contemporânea. O resul- estende a ideia da improvisação, gérmen da própria peça, a tado, esse, é sempre novo em cada abordagem; e ao públi- um colectivo de 14 instrumentistas. Na partitura estão escri- co cabe apreciá-lo com a consciência de estar a assistir a tas notas e ritmos em forma de sugestão musical, padrões e um processo criativo quase instantâneo. texturas, e cabe aos músicos criar a música no seu desenro- lar. Claro que este não é um procedimento incontrolado e rui pereira [2012] MECENAS CASA DA MÚSICA APOIO INSTITUCIONAL MECENAS PRINCIPAL CASA DA MÚSICA Wolfgang Mitterer remix ensemble casa da música Peter Rundel maestro titular Wolfgang Mitterer nasceu em 1958 em Lienz, Tirol Este. Os primeiros anos da sua vida foram preenchidos com Desde a sua formação em 2000, o Remix Ensemble apre- instrumentos de sopro e música de igreja. No final dos sentou em estreia absoluta mais de setenta obras e foi di- anos setenta frequenta a Escola Superior de Música de rigido pelos maestros Stefan Asbury, Ilan Volkov, Kasper Viena. Estuda órgão com Herbert Tachezi e composição de Roo, Pierre-André Valade, Rolf Gupta, Peter Rundel, com Heinrich Gattermeyer. Em 1983 inicia estudos em Jonathan Stockhammer, Jurjen Hempel, Matthias Pints- música electroacústica na ems em Estocolmo. Em 1988, cher, Franck Ollu, Reinbert de Leeuw, Diego Masson, em Roma, recebe uma bolsa do Ministério da Educação. Emilio Pomàrico e Paul Hillier, entre outros. Por esta altura, já se empenha na exploração de música No plano internacional, apresentou-se em Valência, experimental fazendo parte de diversos grupos, tocando Roterdão, Huddersfield, Barcelona, Estrasburgo, Paris, uma variedade de estilos: jazz, música popular, new wave Orleães, Bourges, Reims, Antuérpia, Madrid, Budapeste, e noise. Trabalhou com grupos como Hirn mit Ei, Call Norrköping, Viena, Witten, Berlim, Amesterdão e Bruxe- Boys Inc., Pat Brothers, Dirty Tones, Matador e músicos las. Em 2011 apresentou-se no Wiener Festwochen (Vie- como Linda Sharrock, Gunter Schneider, Wolfgang Rei- na) e no Festival Agora (ircam – Paris). Entre as obras singer, Klaus Dickbauer, Hozan Yamamoto, Tscho Theis- interpretadas em estreia mundial incluíram-se duas en- sing e Tom Cora. comendas a Wolfgang Rihm, Compositor em Residência A força criativa da qual a música de Wolfgang Mitterer 2011 na Casa da Música. No último trimestre do ano, o emerge encontra-se no imprevisível e inesperado. Junta projecto The Ring Saga, com música de Richard Wagner ensembles vocais com instrumentação electrónica, asso- adaptada por Jonathan Dove, levou o Remix Ensemble ao cia sons captados em serrações com órgãos de igreja an- Festival Musica de Estrasburgo, Cité de la Musique em tigos ou coros de mil vozes com vários instrumentos de Paris, Saint-Quentin-en-Yvelines, Théâtre de Nîmes, Le sopro. Foram-lhe encomendadas obras pela Wiener Fes- Théâtre de Caen, Grand Théâtre du Luxembourg e Grand twochen, Steirischen Herbst, Wien Modern, Wiener Kon- Théâtre de Reims. Em 2012 apresenta-se na Fundação zerthaus, Tiroler Festspielen Erl, Klangspuren Schwaz, Gulbenkian em Lisboa, no Berliner Festspiele/MaerzMu- orf, wdr e srg. sik e toma parte no programa de encerramento do Festi- Recebeu vários prémios pela sua obra como músico e val Musica de Estrasburgo. como compositor: o SchallplattenKritik para melhor gra- O Remix tem oito discos editados com obras de Pauset, vação, o Ars Electronica Award, o Max Brand Award, o Fu- Azguime, Côrte-Real, Peixinho, Dillon, Jorgensen, Staud, tura Berlin Award e o Emil Berlanda Award, entre muitos Nunes, Bernhard Lang, Pinho Vargas e Wolfgang Mitterer. outros. A obra de Wolfgang Mitterer contém mais de 160 com- posições, incluindo Amusie (para seis músicos, altifalan- Violino Fagote tes e órgão de igreja avariado), Crushrooms, String Quartet Angel Gimeno Roberto Erculiani 1.3, Brachialsinfonie (escritas para o Quarteto de cordas José Pereira Klangforum Wien), Und träumte seltsam (para soprano, Trompa pequeno coro e ensemble), Ka und der Pavian (para coro, Viola Nuno Vaz treze músicos e instalação sonora), Net-Words 1-5 (para Trevor McTait onze músicos e 8-pistas), Fisis (orquestra sinfónica) e a Percussão ópera Massacre, apresentada recentemente numa nova Violoncelo Mário Teixeira produção com o Remix Ensemble Casa da Música no Te- Oliver Parr Manuel Campos atro Nacional de São João do Porto, no Grand Théâtre de Reims, no Théâtre de Nîmes e na Cité de la Musique em Contrabaixo Piano Paris. A Orquestra Sinfónica do Porto Casa da Música es- António A. Aguiar Jonathan Ayerst treou a sua peça 15 minutes for 13 morphs na Konzerthaus Victor Pinho de Viena, em Setembro de 2010. Flauta A sua discografia inclui Coloured noise com o Klan- Stephanie Wagner gforum Wien (Kairos), Das Tapfere schneiderlein, Sopop com Birgit Minichmayr e In Sturm com Georg Nigl, Mu- Oboé sic for checking e-mails e Massacre (Col Legno), entre José Fernando Silva outros registos. Wolfgang Mitterer leccionou a disciplina de “Música e Clarinete Computador” na Universidade de Música de Viena. Vítor J. Pereira MECENAS PROGRAMAS DE SALA MECENAS EDIÇÕES A CASA DA MÚSICA É MEMBRO DE CASA DA MÚSICA.
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