Types of Minne in Hartmann Von Aue's Erec and Iwein
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Сest Romanz Fist Crestïens Chrétien De Troyes and the Birth of the French Novel
Natalia M. Dolgorukova СEST ROMANZ FIST CRESTÏENS CHRÉTIEN DE TROYES AND THE BIRTH OF THE FRENCH NOVEL BASIC RESEARCH PROGRAM WORKING PAPERS SERIES: LITERARY STUDIES WP BRP 24/LS/2017 This Working Paper is an output of a research project implemented at the National Research University Higher School of Economics (HSE). Any opinions or claims contained in this Working Paper do not necessarily reflect the views of HSE Natalia M. Dolgorukova1 СEST ROMANZ FIST CRESTÏENS CHRÉTIEN DE TROYES AND THE BIRTH OF THE FRENCH NOVEL2 The paper addresses three controversial issues in two romances by Chrétien de Troyes - Yvain, or the Knight with the Lion and Lancelot, or the Knight of the Cart. Both romances were written around 1176-1180 and because of their narrative continuity and complementarity could be considered as a diptych. First, we examine the evolution of Chretien’s conception of love, “mysteriously” changing from his first romances to Lancelot; then we enter into the debate between celtisants and their critics about the Celtic influence in Chretien and consider Celtic sources of the two romances; we conclude the article, tracing out the fairy tale paradigm in both romances, which helps us reveal new meanings of the cart and the lion, operating as magic agents in the romances. Keywords: Chrétien de Troyes, “Yvain, or the Knight with the Lion”, “Lancelot, or the Knight of the Cart”, fin’amors, Breton Cycle, Celtic material, troubadours, trouvères, V. Propp, Mabinogion, parody Jel: Z 1 National Research University Higher School of Economics. Faculty of Humanities, School of Philology. Senior Lecturer. E-mail: [email protected]. -
Abstracts Massimiliano Bampi
3 (2011) (Poesia del Medioevo Tedesco / Medieval German Poetry) Comitato di Redazione / Editorial Board Fabrizio D. Raschellà (Università di Siena) – Direttore responsabile / Editor-in-chief Fulvio Ferrari (Università di Trento) – Presidente dell’AIFG Lucia Sinisi (Università di Bari) – Consigliere dell’AIFG Alessandro Zironi (Università di Bologna) – Consigliere dell’AIFG Comitato Scientifico / Scientific Committee Maria Grazia Saibene (Università di Pavia) – Coordinatore / Coordinator Maria Grazia Cammarota (Università di Bergamo) Christoph Huber (Eberhard-Karls-Universität Tübingen) Maria Vittoria Molinari (Università di Bergamo) Verio Santoro (Università di Salerno) ABSTRACTS MASSIMILIANO BAMPI, ‘Ein heiden was der erste man / den got machen began: der narrative Aufbau des Toleranz-Begriffs im Willehalm Wolframs von Eschenbach’, Filologia Germanica – Germanic Philology 3 (2011), pp. 1-22. ‘EIN HEIDEN WAS DER ERSTE MAN / DEN GOT MACHEN BEGAN’: THE NARRATIVE CONSTRUCTION OF THE CONCEPT OF TOLERANCE IN WOLFRAM VON ESCHENBACH’S ‘WILLEHALM’. Over the past few years, scholars have been devoting increasingly more attention to Wolfram’s Willehalm, primarily because of Gyburg’s so-called Toleranzrede and its theological implications. The aim of the present paper is to analyse the narrative construction of the concept of tolerance by examining how the figure of Gyburg and its interaction with other narrative instances (i.e. the narrator and other characters) in Wolfram’s work are constructed on the diegetic level to articulate a complex discourse on religious alterity from different standpoints, both within and outside the Christian world. MARIA GRAZIA CAMMAROTA, ‘L’alterità religiosa in Die Heidin’, Filologia Germanica – Germanic Philology 3 (2011), pp. 23-46. RELIGIOUS OTHERNESS IN ‘DIE HEIDIN’. In the age of the Crusades the antagonistic encounter between Christian Europe and the Muslim Near East gave rise to a wealth of literary production in which the image of the ‘pagans’ oscillates from demonization to idealization. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
The Portrayal of Zorn in Hartmann Von Aue's
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Regulski, Carol Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Author: Carol Regulski The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. -
Archivi Di Studi Indo-Mediterranei X(2020) Issn 2279-8803
ARCHIVI DI STUDI INDO-MEDITERRANEI X(2020) http://archivindomed.altervista.org/ ISSN 2279-8803 Der Lanzelet des Ulrich von Zatzikhoven im Kontext der zeitgenössischen Artusromane des 13. Jahrhunderts Danielle BUSCHINGER Traditionell gliedert man die Epik des deutschen Mittelalters in (1) „frühhöfische Epik“ (1170-1190), deren Hauptvertreter der Straßburger Alexander, Eilharts von Oberg Tristrant, Graf Rudolf, Heinrichs von Veldeke Eneasroman sind, (2) „hochhöfische Epik“ (1170-1210), mit Hartmann von Aue (Erec, Der Arme Heinrich, Gregorius, Iwein), Gottfried von Straßburg (Tristan und Isolde), Wolfram von Eschenbach (Parzival, Titurel, Willehalm), (3) „späthöfische Epik“ (1210-1300), unter deren Vertretern ich Wigalois des Wirnt von Gravenberg, die Fortsetzungen von Gottfrieds Tristanroman, die Krône des Heinrich von dem Türlin, Rudolf von Ems, den Jüngeren Titurel des Albrecht, der sich die Maske des berühmten Wolfram angelegt hat, Konrad von Würzburg, den Stricker und den Pleier aufzählen möchte, sowie Lanzelet des Ulrich von Zatzikhoven. Während die erstgenannten zum großen Teil und die zweiterwähnten Dichter ausschließlich auf französische Texte zurückgriffen, die sie ins Deutsche übertrugen bzw. adaptierten, knüpften die meisten deutschen Dichter der dritten Generation an Dichtern der ersten oder zweiten Generation an. Aus diesem Grund hat man zuweilen behauptet, es seien Epigonen. Eine 1 Ausnahme bildet jedoch Heinrich von dem Türlin, der direkt Chrétien de Troyes benutzte. Um das schwierige Problem des Epigonentums und des Plagiats, -
Direct Discourse and Female Archetypes in Chrétien De Troyes's Romances
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Direct Discourse and Female Archetypes in Chrétien de Troyes's Romances Raquelle A. Crotty University of Central Florida Part of the French and Francophone Literature Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Crotty, Raquelle A., "Direct Discourse and Female Archetypes in Chrétien de Troyes's Romances" (2019). Honors Undergraduate Theses. 569. https://stars.library.ucf.edu/honorstheses/569 DIRECT DISCOURSE AND FEMALE ARCHETYPES IN CHRÉTIEN DE TROYES’S ROMANCES by RAQUELLE ARACELI CROTTY A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in French in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Summer Term 2019 Thesis Chair: Dr. Geri Smith ABSTRACT The purpose of this thesis is to examine the role of the female messenger archetype in Chrétien de Troyes’s romances within the context of the rising courtly literature written in France throughout the early twelfth century. The romances by Chrétien that will serve as cases in point for this thesis are Érec et Énide, Lancelot, and Yvain. I analyze the various courtly ladies of the lower nobility to whom Chrétien attributes direct discourse and study how their verbal influence over the plot and the extent to which they are directly involved in the action of that plot correlate to one another. -
Reclams Buch Der Deutschen Gedichte
1 Reclams Buch der deutschen Gedichte Vom Mittelalter bis ins 21. Jahrhundert Ausgewählt und herausgegeben von Heinrich Detering Reclam 2 3 Reclams Buch der deutschen Gedichte Band i 4 4., durchgesehene und erweiterte Auflage Alle Rechte vorbehalten © 2007, 2017 Philipp Reclam jun. GmbH & Co. KG, Stuttgart Gestaltung bis S. 851: Friedrich Forssman, Kassel Gestaltung des Schubers: Rosa Loy, Leipzig Satz: Reclam, Ditzingen Druck und buchbinderische Verarbeitung: GGP Media GmbH, Pößneck Printed in Germany 2017 reclam ist eine eingetragene Marke der Philipp Reclam jun. GmbH & Co. KG, Stuttgart isbn 978-3-15-011090-4 www.reclam.de Inhalt 5 Vorwort 9 [Merseburger Zaubersprüche] 19 • [Lorscher Bienensegen] 19 • Notker iii. von St. Gallen 20 • Der von Kürenberg 20 • Albrecht von Johansdorf 21 • Dietmar von Aist 23 • Friedrich von Hausen 24 • Heinrich von Morungen 25 • Heinrich von Veldeke 28 • [Du bist mîn, ich bin dîn] 29 • Hartmann von Aue 30 • Reinmar 30 • Walther von der Vogelweide 34 • Wolfram von Eschenbach 46 • Der Tannhäuser 48 • Neidhart 52 • Ulrich von Lichtenstein 55 • Mechthild von Magdeburg 57 • Konrad von Würzburg 59 • Frauenlob 61 • Johannes Hadloub 62 • Mönch von Salzburg 63 • Oswald von Wolkenstein 65 • Hans Rosenplüt 71 • Martin Luther 71 • Ulrich von Hutten 74 • Hans Sachs 77 • Philipp Nicolai 79 • Georg Rodolf Weckherlin 81 • Martin Opitz 83 • Simon Dach 85 • Johann Rist 91 • Friedrich Spee von Lan- genfeld 93 • Paul Gerhardt 96 • Paul Fleming 104 • Johann Klaj 110 • Andreas Gryphius 111 • Christian Hoffmann von Hoffmannswaldau -
Hartmann Von Aue, Michel Foucault, and the Uses of the Past TRANSIT Vol
Schultz: Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the… Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past TRANSIT vol. 10, no. 1 James A. Schultz The studies that follow . are the record of a long and tentative exercise that needed to be revised and corrected again and again. It was a philosophical exercise. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, and so enable it to think differently. – Michel Foucault, The Use of Pleasure In these words from the introduction to the second volume of his history of sexuality,1 Foucault suggests that a certain kind of engagement with the past might enable us to think differently. The volume that follows, a history of sexuality, would represent then an effort to engage with the past in a way that might enable us to think differently about sexuality. Writing at the end of the twelfth century, Hartmann von Aue does something similar. He uses the Arthurian past to enable him to think differently about what he calls love but which includes much of what we would call sexuality. In an attempt to make this claim plausible, I will first review some medieval views about the use of history and then explore the extent to which Hartmann, in Iwein, claims to be writing a history. Second, I will try to show how, in both Erec and Iwein, Hartmann uses the Arthurian past to think about sexuality in ways that might provoke his readers and auditors to think differently. -
Yvain-Corpus
‘Cuer me rendés…’ THE EMOTIONAL INVOLVEMENT OF THE CONTEMPORARY AUDIENCE IN THE YVAIN-CORPUS Master thesis RMA Medieval Studies by Chloé Vondenhoff Utrecht University, 08-02-2013 Student number: 3168662 Supervisor, first reader: Dr. F.P.C. Brandsma Second reader: Dr. A. Auer Word count: 35263 2 Table of Contents 1 INTRODUCTION .............................................................................................................. 3 1.1 EMOTION RESEARCH ....................................................................................................... 5 1.2 RESEARCH QUESTION .................................................................................................... 12 2 METHODOLOGY ........................................................................................................... 14 2.1 APPROACH .................................................................................................................... 14 2.2 METHODOLOGICAL COMMENTS .................................................................................... 16 2.3 YVAIN–CORPUS ............................................................................................................ 23 3 EPISODE I: THE PRELUDE ......................................................................................... 40 3.1 PROLOGUE .................................................................................................................... 40 3.2 CALOGRENANT’S TALE ................................................................................................ -
Erec, Iwein, Parzival, Tristan
Anette Sosna FIKTIONALEIDENTITÄT IM HÖFISCHEN ROMAN UM 1200: Erec, Iwein, Parzival, Tristan S. Hirzel Verlag 2003 INHALT I . Zur Interpretation mittelalterlicher Texte aus identitätsanalytischer Perspektive: Konzepte ................................................................................ 11 1. Einleitende Überlegungen, geistes- und sozialgeschichtlicher Kon- text ......................................................................................................... 11 2 . Identität und Individualität ................................................................... 16 3 . Fiktionale Identität ............................................................................... 28 4 . Perspektiven der Forschung ................................................................. 36 I1. Hartmann von Aue: Erec ............................................................................ 55 1. Erec ....................................................................................................... 55 1.1. Der Artushof (I) ........................................................................... 56 1.2. Koralus ......................................................................................... 60 1.3. Iders .............................................................................................. 65 1.4. Der Artushof (11) .......................................................................... 66 Zusammenfassung ....................................................................................... 70 2 . Erec und Enite -
Concealment and Construction of Knightly Identity in Chretien's Romances and Malory's Le Morte Darthur
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur. Taylor Lee Gathof University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the English Language and Literature Commons, and the European Languages and Societies Commons Recommended Citation Gathof, Taylor Lee, "Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur." (2014). College of Arts & Sciences Senior Honors Theses. Paper 88. http://doi.org/10.18297/honors/88 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. Concealment and Construction of Knightly Identity in Chretien’s Romances and Malory’s Le Morte Darthur By Taylor Lee Gathof Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville May, 2014 Gathof 2 1. Introduction This paper will discuss the phenomenon of -
Mouvance and Authorship in Heinrich Von Morungen
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Songs of the Self: Authorship and Mastery in Minnesang Permalink https://escholarship.org/uc/item/87n0t2tm Author Fockele, Kenneth Elswick Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Songs of the Self: Authorship and Mastery in Minnesang by Kenneth Elswick Fockele A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and Medieval Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Niklaus Largier, chair Professor Elaine Tennant Professor Frank Bezner Fall 2016 Songs of the Self: Authorship and Mastery in Minnesang © 2016 by Kenneth Elswick Fockele Abstract Songs of the Self: Authorship and Mastery in Minnesang by Kenneth Elswick Fockele Doctor of Philosophy in German and Medieval Studies University of California, Berkeley Professor Niklaus Largier, Chair Despite the centrality of medieval courtly love lyric, or Minnesang, to the canon of German literature, its interpretation has been shaped in large degree by what is not known about it—that is, the lack of information about its authors. This has led on the one hand to functional approaches that treat the authors as a class subject to sociological analysis, and on the other to approaches that emphasize the fictionality of Minnesang as a form of role- playing in which genre conventions supersede individual contributions. I argue that the men who composed and performed these songs at court were, in fact, using them to create and curate individual profiles for themselves.