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Searchers After Horror Understanding H
Mats Nyholm Mats Nyholm Searchers After Horror Understanding H. P. Lovecraft and His Fiction // Searchers After Horror Horror After Searchers // 2021 9 789517 659864 ISBN 978-951-765-986-4 Åbo Akademi University Press Tavastgatan 13, FI-20500 Åbo, Finland Tel. +358 (0)2 215 4793 E-mail: [email protected] Sales and distribution: Åbo Akademi University Library Domkyrkogatan 2–4, FI-20500 Åbo, Finland Tel. +358 (0)2 -215 4190 E-mail: [email protected] SEARCHERS AFTER HORROR Searchers After Horror Understanding H. P. Lovecraft and His Fiction Mats Nyholm Åbo Akademis förlag | Åbo Akademi University Press Åbo, Finland, 2021 CIP Cataloguing in Publication Nyholm, Mats. Searchers after horror : understanding H. P. Lovecraft and his fiction / Mats Nyholm. - Åbo : Åbo Akademi University Press, 2021. Diss.: Åbo Akademi University. ISBN 978-951-765-986-4 ISBN 978-951-765-986-4 ISBN 978-951-765-987-1 (digital) Painosalama Oy Åbo 2021 Abstract The aim of this thesis is to investigate the life and work of H. P. Lovecraft in an attempt to understand his work by viewing it through the filter of his life. The approach is thus historical-biographical in nature, based in historical context and drawing on the entirety of Lovecraft’s non-fiction production in addition to his weird fiction, with the aim being to suggest some correctives to certain prevailing critical views on Lovecraft. These views include the “cosmic school” led by Joshi, the “racist school” inaugurated by Houellebecq, and the “pulp school” that tends to be dismissive of Lovecraft’s work on stylistic grounds, these being the most prevalent depictions of Lovecraft currently. -
INSIDE THIS ISSUE Fashion Lion
the Albright College FAshion DepArtment neWsletter • FAll 2011 FASHION LION What’s Hot at Albright? African Textile Design INSIDE THIS ISSUE Designers and Mass Marketing Meet the Faculty: Kendra Meyer, M.F.A. Letter from the Editor EVERYTHI NG by Mary Rose Davis ’15 Dear Readers, Welcome to our first issue of the Fashion OLD Lion! Previously, the fashion newsletter was Incorporating vintage fashion into modern looks is easy. called Seventh on Thirteenth, a play on words that mimicked Seventh on Sixth where “Thanks, it’s vintage,” is possibly one of the coolest things you can say when New York City’s Fashion Week was held receiving a compliment on your outfit. for many years. With the relocation of the With fashion trends from the past becoming more popular, it’s important to fashion week events uptown to the Lincoln know how to incorporate these trends into your style without looking “dated.” Center, we held a contest this semester to come up with a new Once you do, you’ll have a whole new — or old as the case may be — look. name for the newsletter. Congratulations to fashion design and First, you can’t wear it if you don’t own it. So get your fashionable self to the merchandising major Monica Tulay ’12 for the winning entry. closest thrift store or just raid your parents’ closet and find that perfect piece for For me, this change in name serves as a symbol of my years you. One thing to keep in mind is that it’s always easier to start with smaller items at Albright. -
Sankofaspirit
SankofaSpirit Looking Back to Move Forward (770) 234-5890 ▪ www.sankofaspirit.com P.O Box 54894 ▪ Atlanta, Georgia 30308 Movies with a Mission 2009 Season The APEX Museum, 135 Auburn Avenue, Atlanta Gallery Walk, Screening and Dialogue Schedule Subject to Change Season Premiere, Saturday, February 7, 6:00-8:00pm “Traces of the Trade: A Story From the Deep North” A unique and disturbing journey of discovery into the history and "living consequences" of one of the United States' most shameful episodes — slavery. In this bicentennial year of the U.S. abolition of the slave trade, one might think the tragedy of African slavery in the Americas has been exhaustively told. Katrina Browne thought the same, until she discovered that her slave-trading ancestors from Rhode Island were not an aberration. Rather, they were just the most prominent actors in the North's vast complicity in slavery, buried in myths of Northern innocence. Browne — a direct descendant of Mark Anthony DeWolf, the first slaver in the family — took the unusual step of writing to 200 descendants, inviting them to journey with her from Rhode Island to Ghana to Cuba and back, recapitulating the Triangle Trade that made the DeWolfs the largest slave-trading family in U.S. history. Nine relatives signed up. Traces of the Trade: A Story from the Deep North is Browne's spellbinding account of the journey that resulted. Thursday, March 5, 6:00-8:00pm “500 Years Later” Beautifully filmed with compelling discussions with the world's leading scholars, 500 Years Later explores the collective atrocities that uprooted Africans from their culture and homeland, and scattered them into the vehement winds of the New World, 500 years ago. -
Como Eu Sobrevivi Aos Anos 90 : Histórias Reais De Uma Década Surreal / Danilo Nogy
Copyright © Danilo Nogy, 2018 Copyright © Editora Planeta do Brasil, 2018 Todos os direitos reservados. Preparação: Fernanda Guerriero Antunes Revisão: Laura Vecchioli e Project Nine Editorial Diagramação, projeto gráfico e ilustração: Sergio Rossi Capa: Luiz Sanches Junior Ilustrações de capa: Shutterstock Fotografia de capa: Luiz Ipolito Fotos de miolo: Arquivo pessoal do autor Adaptação para eBook: Hondana Dados Internacionais de Catalogação na Publicação (CIP) Angélica Ilacqua CRB-8/7057 Nogy, Danilo Como eu sobrevivi aos anos 90 : histórias reais de uma década surreal / Danilo Nogy. - São Paulo : Planeta do Brasil, 2018. 240 p. ISBN: 978-85-422-1507-6 1. Anos 1990 - Brasil - Nostalgia 2. Infância - Nostalgia 3. Nogy, Danilo - Narrativas pessoais I. Título 18-1848 CDD 909.829 Índices para catálogo sistemático: 1. Anos 1990 - Brasil Aviso: As marcas registradas, os nomes de empresas, os personagens e os produtos mencionados neste livro são utilizados apenas para critérios de identificação e pertencem aos respectivos proprietários. Todos os direitos desta edição reservados à EDITORA PLANETA DO BRASIL LTDA. Rua Padre João Manuel, 100 – 21º andar Ed. Horsa II – Cerqueira César 01411-000 – São Paulo-SP www.planetadelivros.com.br [email protected] À MINHA MÃE LUDIMILA E AO MEU PAI MARCOS, PELO AMOR INCONDICIONAL E POR TODOS OS ANOS QUE ME FORAM DEDICADOS. PELOS ENSINAMENTOS E ESFORÇOS, PELA LUZ E PELA VIDA. AMO VOCÊS. A DÉCADA DO FIM DO MUNDO CAPÍTULO 1 BRINCAR É PRECISO, VIVER NÃO É PRECISO CAPÍTULO 2 AQUELES ANOS EM QUE -
Defining Ethnomusicology
10 1. THE HARMLESS DRUDGE : DEFINING ETHNOMUSICOLOGY DEFINITIONS. For years, people have been asking me the question: "You're an ethnomusicologist?" Shortly after 1950 it was likely to be accompanied by expressions of wonder and of the belief that I was somehow involved with "folk" music, with "primitive music," and particularly with "ancient music," and also that I must have a great deal of companionship with a tape recorder. By 1960 the questioner would likely bring up participation in an Indonesian gamelan, or perhaps an ability to "play" many of the world's odd instruments. In the 1970s, the conversation might well include the term "ethnic" music or even the etymologically outrageous "ethnomusic," and in the eighties and nineties, free association might lead to “diversity” and “world music.” I have always found it difficult to come to a precise, concise, and readily intelligible definition. Dictionaries differ considerably but espouse limited views. In the 120 years in which modern ethnomusicology can be said to have existed, since pioneer works such as those of Ellis (1885), Baker (1882), and Stumpf (1886), attitudes and orientations have changed greatly, and so has the name, from something very briefly called “Musikologie” (in the 1880s), to “comparative musicology” (through about 1950), then to “ethno- musicology” (1950–ca. 1956), quickly to “ethnomusicology” (removing the hyphen actually was an ideological move trying to signal disciplinary independence), with suggestions such as “cultural musicology” (Kerman 1985) and “socio-musicology” (Feld 1984) occasionally thrown in. The changes in name paralleled changes in intellectual orientation and emphasis. It is difficult to find a single, simple definition, to which most people in this field would subscribe, and thus ethnomusicologists have been perhaps excessively concerned with defining themselves. -
World Against Apartheid
World Against Apartheid http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1971_09 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org World Against Apartheid Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 10/71 Author/Creator United Nations Centre against Apartheid Publisher Department of Political and Security Council Affairs Date 1971-03-00 Resource type Reports Language English Subject Coverage (spatial) South Africa, Zambia, Australia, Japan, New Zealand Coverage (temporal) 1971 Source Northwestern University Libraries Description CONTENTS. INTERNATIONAL. South Africa again excluded from Davis Cup. ISMUN Southern Africa campaign. World Council of Churches reaffirms support for programme to combat racism. -
An Introduction to Cultural Anthropology
An Introduction to Cultural Anthropology An Introduction to Cultural Anthropology By C. Nadia Seremetakis An Introduction to Cultural Anthropology By C. Nadia Seremetakis This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by C. Nadia Seremetakis All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7334-9 ISBN (13): 978-1-4438-7334-5 To my students anywhere anytime CONTENTS Introduction ................................................................................................. 1 Part I: Exploring Cultures Chapter One ................................................................................................. 4 Redefining Culture and Civilization: The Birth of Anthropology Fieldwork versus Comparative Taxonomic Methodology Diffusion or Independent Invention? Acculturation Culture as Process A Four-Field Discipline Social or Cultural Anthropology? Defining Culture Waiting for the Barbarians Part II: Writing the Other Chapter Two .............................................................................................. 30 Science/Literature Chapter Three ........................................................................................... -
Government, Civil Society and Private Sector Responses to the Prevention of Sexual Exploitation of Children in Travel and Tourism
April 2016 Government, civil society and private sector responses to the prevention of sexual exploitation of children in travel and tourism A Technical Background Document to the Global Study on Sexual Exploitation of Children in Travel and Tourism Child Protection Section, Programme Division, UNICEF Headquarters ACKNOWLEDGEMENTS ‘ The paper was prepared by Clara Sommarin (Child Protection Specialist, Programme Division, UNICEF Headquarters), Frans de Man and Amaya Renobales (independent consultants) and Jeanette Trang (intern Child Protection Section, Programme Division, UNICEF Headquarters) and copyedited by Alison Raphael. FRONT COVER: On 14 March 2016, a young vendor walks along a highly trafficked street in the heart of the city of Makati’s “red light district,” in Metro Manila, Philippines. Makati is considered the financial and economic centre of Manila, and is also a hub for sexual exploitation in the context of travel and tourism. © UNICEF/UN014913/Estey FACING PAGE: [NAME CHANGED] Rosie, 16, in Dominica in the eastern Caribbean on 8 July 2017. Rosie was 15 yrs old when she underwent sexual abuse. © UNICEF/UN0142224/Nesbitt i CONTENTS 1. INTRODUCTION ....................................................................................................................... 1 2. INTERNATIONAL FRAMEWORK FOR ACTION .................................................................... 3 2.1 International Human Rights Standards ................................................................................... 3 2.2 Global Political Commitments -
Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances
Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances Amira Jarmakani American Quarterly, Volume 63, Number 4, December 2011, pp. 895-928 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/aq.2011.0061 For additional information about this article http://muse.jhu.edu/journals/aq/summary/v063/63.4.jarmakani.html Access provided by Georgia State University (4 Sep 2013 15:38 GMT) Racing the Sheikh in Desert Romances | 895 Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances Amira Jarmakani Cultural fantasy does not evade but confronts history. — Geraldine Heng, Empire of Magic: Medieval Romance and the Politics of Cultural Fantasy n a relatively small but nevertheless significant subgenre of romance nov- els,1 one may encounter a seemingly unlikely object of erotic attachment, a sheikh, sultan, or desert prince hero who almost always couples with a I 2 white western woman. In the realm of mass-market romance novels, a boom- ing industry, the sheikh-hero of any standard desert romance is but one of the many possible alpha-male heroes, and while he is certainly not the most popular alpha-male hero in the contemporary market, he maintains a niche and even has a couple of blogs and an informative Web site devoted especially to him.3 Given popular perceptions of the Middle East as a threatening and oppressive place for women, it is perhaps not surprising that the heroine in a popular desert romance, Burning Love, characterizes her sheikh thusly: “Sharif was an Arab. To him every woman was a slave, including her. -
Early History of South Africa
THE EARLY HISTORY OF SOUTH AFRICA EVOLUTION OF AFRICAN SOCIETIES . .3 SOUTH AFRICA: THE EARLY INHABITANTS . .5 THE KHOISAN . .6 The San (Bushmen) . .6 The Khoikhoi (Hottentots) . .8 BLACK SETTLEMENT . .9 THE NGUNI . .9 The Xhosa . .10 The Zulu . .11 The Ndebele . .12 The Swazi . .13 THE SOTHO . .13 The Western Sotho . .14 The Southern Sotho . .14 The Northern Sotho (Bapedi) . .14 THE VENDA . .15 THE MASHANGANA-TSONGA . .15 THE MFECANE/DIFAQANE (Total war) Dingiswayo . .16 Shaka . .16 Dingane . .18 Mzilikazi . .19 Soshangane . .20 Mmantatise . .21 Sikonyela . .21 Moshweshwe . .22 Consequences of the Mfecane/Difaqane . .23 Page 1 EUROPEAN INTERESTS The Portuguese . .24 The British . .24 The Dutch . .25 The French . .25 THE SLAVES . .22 THE TREKBOERS (MIGRATING FARMERS) . .27 EUROPEAN OCCUPATIONS OF THE CAPE British Occupation (1795 - 1803) . .29 Batavian rule 1803 - 1806 . .29 Second British Occupation: 1806 . .31 British Governors . .32 Slagtersnek Rebellion . .32 The British Settlers 1820 . .32 THE GREAT TREK Causes of the Great Trek . .34 Different Trek groups . .35 Trichardt and Van Rensburg . .35 Andries Hendrik Potgieter . .35 Gerrit Maritz . .36 Piet Retief . .36 Piet Uys . .36 Voortrekkers in Zululand and Natal . .37 Voortrekker settlement in the Transvaal . .38 Voortrekker settlement in the Orange Free State . .39 THE DISCOVERY OF DIAMONDS AND GOLD . .41 Page 2 EVOLUTION OF AFRICAN SOCIETIES Humankind had its earliest origins in Africa The introduction of iron changed the African and the story of life in South Africa has continent irrevocably and was a large step proven to be a micro-study of life on the forwards in the development of the people. -
Ethnographic Works by Jean Comaroff and Michael Taussig, Two Texts That Attempt to Incorporate Both an Interpretive and a World-Systems Perspective
* 21 HERMENEUTICS AND ETHNOGRAPHY: AN INTERPRETATIONOF TWOTEXTS Daniel M0 Goldstein ABSTRACT: The postmodern approach to the writing of ethnographic texts is characterized byauthorialself-reflection and a "dialogic" approach to anthropological fieldwork, techniques derived from the philosophical method of hermeneutics. But this method is problematic when confronting issues of political economy in ethnography. This paper presents an analysis of ethnographic works by Jean Comaroff and Michael Taussig, two texts that attempt to incorporate both an interpretive and a world-systems perspective. The paper examines the value of a hermeneutic method for anthropology, suggesting that while self-reflection is useful in cultural analysis, the hermeneutic method cannot be applied wholesale to the practice of anthropology. As the so-called world-system paradigm has become more central in the discipline of anthropology, certain ethnographies have begun to focus on the "colonial encounter" as an important historical process in the development of local cultures. At the same time, "post- modern" ethnography has felt the influence of the interpretive perspective, with an S orientationtowards authorial self-reflection and symbolic analysis. Two recent ethnographic texts, Jean Comaroff's Body of Power, Spirit of Resistance (1985) and Michael Taussig's The Devil and Commodity Fetishism in South America (1980) study the clash of Western capitalist and traditional cultures, placing particular emphasis on the role of symbolic ritual as mediator of the cultural contradictions which this clash engenders. In this sense, both works can be regarded as attempts to unite the world-system and interpretive approaches to ethnography in a single text. However, a consideration of this attempt which focuses on the hermeneutic aspect of the two works reveals the inherent difficulty in uniting these two approaches. -
Linda Lucero Collection on La Raza Silkscreen Center/La Raza Graphics 1971-1990 CEMA 40
http://oac.cdlib.org/findaid/ark:/13030/kt396nc691 No online items Guide to the Linda Lucero collection on La Raza Silkscreen Center/La Raza Graphics 1971-1990 CEMA 40 Finding aid prepared by Alexander Hauschild, 2006 UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections 2006 CEMA 40 1 Title: Linda Lucero collection on La Raza Silkscreen Center/La Raza Graphics Identifier/Call Number: CEMA 40 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 5.0 linear feet(103 silkscreen prints and 558 slides) Date (inclusive): 1971-1990 Abstract: Linda Lucero collection on La Raza Silkscreen Center/La Raza Graphics [1971-1990]. As early as 1970, La Raza Silkscreen/La Raza Graphics Center was producing silkscreen prints by Chicano and Latino artists. The organizers and artists of what was originally called La Raza Silkscreen Center designed and printed posters in a makeshift studio in the back of La Raza Information Center (CEMA 40). Physical location: Del Norte creator: Lucero, Linda Access restrictions The collection is open for research. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained.