INSIDE THIS ISSUE Fashion Lion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Back Alexis Carrington
WEDNESDAY, FEBRUARY 1 8 , 2 0 0 9 PAGE 1 3 Welcome back Alexis Carrington It was bound to happen sooner or later — power dressing a la ‘Dynasty’ hit the catwalks at Fashion Week. Expect the look in a store near you soon BY SAMANTHA CRITCHELL AP, NEW YORK audience wanting more after a glimpse of MISS SIXTY bareness from a back-closure keyhole opening or Miss Sixty kicked off its show Sunday with a a slit on the back of a skirt. black, acid-wash denim romper with a low-slung There was very little that was overtly sexy waist with a chain detail, with a strapless acid- — and that’s what was so tantalizing: The clothes wash jumpsuit right on its heels. draped the models just the right way and were Designer Wichy Hassan followed those looks made of slinky-yet-sophisticated fabrics. Karan up with nylon puffer pieces and a colorful pop-art captured strength that has become a trend here, print of fashion-magazine covers that was best but there was also a womanliness that not every designer has embraced this season. used on a windbreaker that was worn with skinny The crowd included White House social jeans and a tank top covered in “peace” graphics. secretary Desiree Rogers, who had one of the Most of the jeans had the skinniest of legs, best seats in the house next to Vogue Editor in some looking painted on the models. The lower Chief Anna Wintour. waist was in most instances refreshing, but the dropped-crotch trousers that almost hung to CAROLINA HERRERA knees were silly and unflattering. -
Macy's and G-III Sign Exclusive Agreement for DKNY Women's
March 27, 2017 Macy’s and G-III Sign Exclusive Agreement for DKNY Women’s Apparel and Accessories NEW YORK--(BUSINESS WIRE)-- Macy’s, Inc. (NYSE:M), one of the nation’s premier retailers, and G-III Apparel Group, Ltd., a leading manufacturer and distributor of apparel and accessories under licensed brands, owned brands and private label brands, today announced an agreement under which Macy’s will serve, beginning February 2018, as the exclusive U.S. department store for sales of DKNY women’s apparel and accessories. Under the agreement, Macy’s exclusivity covers DKNY women’s apparel, handbags and shoes, in addition to women’s and men’s outerwear and swim, which will be available at Macy’s locations nationwide and on macys.com. Macy’s and G-III will work closely on brand extensions and exclusive products that build upon the founding principles of the iconic New York–based brand. The agreement also plans for increased and enhanced DKNY shop-in- shops in Macy’s stores. “We want to create partnerships that offer our customers products and experiences that they can find only at Macy’s, and DKNY is a fashion-first brand we know our customers love,” said Jeff Gennette, president and chief executive officer of Macy’s, Inc. “By offering exclusive access in key categories, we are confident that DKNY will quickly become one of our top brands. Their remarkable global recognition combined with our expansive footprint make Macy’s and DKNY a perfect partnership.” “We believe that Macy’s is the ideal partner as we implement our strategy for DKNY to be the premier brand in the world for women’s apparel and accessories,” said Morris Goldfarb, chairman and chief executive officer of G-III. -
February 16, 2010 • $3.00
WWDTUESDAYFebruary 16, 2010 • $3.00 5th AVE AT 54th ST shop online diesel.com S NEW YORK TEXTILES: FASHION WEEK: NEWS: Michelle The trends for 3FWJFXTPG 0CBNBEFTJHOFS spring 2011 at Maria Pinto to $BSPMJOB)FSSFSB Première close, page 24. 5IPN#SPXOF Vision, page 22. Zac Posen and more, BTXFMMBT'BTIJPO Scoops, pages 10 to 20. SECTION II: collections/fall ’10 WWDMagic NEW 8PNFOT8FBS%BJMZt5IF3FUBJMFST%BJMZ/FXTQBQFSt'FCSVBSZ t YORK WWDTUESDAY Ready-to-Wear/Textiles Collar Me Beautiful NEW YORK — Donna Karan celebrated her 25th year at her house with a chic, urbane fall collection, which was mostly black. Highlights included great furs and terrific coats. Here, one striking example in a play of fur and leather textures with a bold collar, a leading motif in the collection. For more on the shows, see pages 10 to 20. A New Material Girl: Madonna Said in Talks To Launch Fashion Line By David Lipke */5)&(308*/(-07&"''"*3 CFUXFFODFMFCSJUZBOEGBTIJPO POFPGUIF CJHHFTUOBNFTPVUUIFSFJTDMPTFUPHFUUJOHJOUP the groove: Madonna. 5IFQPQJDPOJTJOUBMLTUPMBVODIB DPOUFNQPSBSZXPNFOTDPMMFDUJPOXJUI BHSPVQPGMJDFOTFFTUIBUXPVMECFTPME FYDMVTJWFMZBU.BDZT BDDPSEJOHUPTPVSDFT 5IFNFSDIBOEJTFXPVMEJODMVEFBQQBSFM BDDFTTPSJFT JOUJNBUFTBOEGPPUXFBS-BCFM OBNFTVOEFSTFSJPVTDPOTJEFSBUJPOGPSUIF QSPEVDUMJOFTJODMVEF.BUFSJBM(JSMGPSUIF BQQBSFMBOE5SVUIPS%BSFGPSUIFMJOHFSJFBOE VOEFSXFBS i5SVUIPS%BSFwXBTUIFUJUMFPGBGJMN XIJDIEPDVNFOUFE.BEPOOBTHSPVOECSFBLJOH #MPOEF"NCJUJPOXPSMEXJEFDPODFSUUPVS See Madonna, Page4 PHOTO BY THOMAS IANNACCONE PHOTO BY 2 WWD, TUESDAY, FEBRUARY 16, 2010 WWD.COM Scorsese -
Retail Product Merchandising: Retail Buying-Selling Cycle
Retail Product Merchandising: Retail Buying-Selling Cycle SECTION 2: Establishing the Retail Merchandise Mix Part 1: The Basics of the Retail Merchandise Mix Part 1: 1-2 Industry Zones in the Apparel Industry Fashion products, especially in the women’s wear industry, are categorized by the industry zone in which they are produced and marketed. Industry has designated these zones as a) Haute Couture or couture, b) designer, c) bridge, d) contemporary, e) better, f) moderate, g) popular price/budget/mass, and g) discount/off price. Often the industry emphasizes the wholesale costs or price points of the merchandise in order to define the zone. However, price alone is not the major factor impacting the placement of the merchandise in the zone. Major factors impacting the zone classifications include the following criteria: . fashion level of the design (i.e., degree of design innovation inherent or intrinsic to the merchandise) . type and name of designer creating and developing the design concept . wholesale cost and retail price of product . types and quality of fibers and fineness of fabrications, trims, and findings . standards of construction quality or workmanship quality. In summary, the classification of a zone is based on the type of designer creating the product, design level of the product, type and quality of fabrications, standards of the workmanship, and the price range of the merchandise. Therefore, depending upon the lifestyle of the target consumer, the fashion taste level of that consumer (i.e., position of product on the fashion curve), and the current fashion trend direction in the market, the retailer, when procuring the merchandise mix, selects the industry zone(s) which offer(s) the product characteristics most desired by the target consumer. -
Linda Lucero Collection on La Raza Silkscreen Center/La Raza Graphics 1971-1990 CEMA 40
http://oac.cdlib.org/findaid/ark:/13030/kt396nc691 No online items Guide to the Linda Lucero collection on La Raza Silkscreen Center/La Raza Graphics 1971-1990 CEMA 40 Finding aid prepared by Alexander Hauschild, 2006 UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections 2006 CEMA 40 1 Title: Linda Lucero collection on La Raza Silkscreen Center/La Raza Graphics Identifier/Call Number: CEMA 40 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 5.0 linear feet(103 silkscreen prints and 558 slides) Date (inclusive): 1971-1990 Abstract: Linda Lucero collection on La Raza Silkscreen Center/La Raza Graphics [1971-1990]. As early as 1970, La Raza Silkscreen/La Raza Graphics Center was producing silkscreen prints by Chicano and Latino artists. The organizers and artists of what was originally called La Raza Silkscreen Center designed and printed posters in a makeshift studio in the back of La Raza Information Center (CEMA 40). Physical location: Del Norte creator: Lucero, Linda Access restrictions The collection is open for research. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Humor Y Nuevas Formas De Circulación Del Sentido)
Universidad de San Andrés Departamento de Ciencias Sociales Licenciatura en Comunicación CUANDO LA INTIMIDAD SE VUELVE HUMOR PÚBLICO (HUMOR Y NUEVAS FORMAS DE CIRCULACIÓN DEL SENTIDO) Autora: Luciana Conti Legajo: 26282 Mentor: Mario Carlón Buenos Aires, diciembre 2018 Índice 1. Introducción, problemática y preguntas de investigación..............................................3 1.2 Organización del trabajo .............................................................................................................................. 9 2. Marco teórico ............................................................................................................................ 10 2.1 Mediatización y los cambios de escala: facilidad tecnológica de circulación..................... 10 2.2 Humor y nuevos tipo de humor en la era de Instagram ............................................................... 13 2.3 El pase de lo privado a lo público sin consentimiento ................................................................... 17 3. Estado de la cuestión: revisión de antecedentes ............................................................ 22 3.1 Chicas Bondi ...................................................................................................................................................... 22 3.2 La gente anda diciendo ................................................................................................................................ 25 3.2.1 Humor, privacidad y circulación en LGAD ............................................................................ -
Altona Middle School 2Nd Quarter 2020-2021 Honor Roll 6Th Grade 7Th Grade 8Th Grade 4.0 4.0 4.0 Mason Agena Katherine Aaron Madi
Altona Middle School 2nd Quarter 2020-2021 Honor Roll 6th Grade 7th Grade 8th Grade 4.0 4.0 4.0 Mason Agena Katherine Aaron Madison Ackerman Nevaeh Aguilar Isabel Ammerman Zoe Anderson Miguel Ayon Navarro Sophia Asbury Maria Arrece Garcia Kora Ballingham Connor Bain Isabella Ayer Rex Baxter Benjamin Barnett Claire Barbarow Gavin Beam Nathen Canfield Noah Bassoff Samson Bertele Kaelyn Cannell River Beam Clive Besen Cameron Churchich Audrey Besen Connor Beshore Ryan Courtney Garrett Beshore Carly Bonial Brandon Cox Pierce Bimson Callie Bowman Dagny Dash Leo Brotelande Marcus Boykin Erin Davis Taylor Brown Katelyn Brown Mundo Delatorre Isabelle Casas Parker Brown Jared Dettlebach Rosalinda Cervantes Eldon Budiman Aidan Dodge Lydia Chaney Ellie Buehler Hailey Donahue Cassie Chen True Campbell Hayden Duckworth Adam Cirne Cody Campomanes Gibson Even Bianca Cirne Mason Castle Alyssa Fazzino Gabrielle Clark Bodhi Churchill Mariah Fletemeyer Bridget Curry Evan Coniglio Justice Fore Lucia de La Lama Isabella D'Angelo Natelise Frea Quincy Deibert Aidan Dancy Jack Fry Tyler DeMattio Gabriel de La Lama Nolan Gaccetta Rune Denolf Margaret-Ann Dean Clare Gaddis Justine Dong William DeJana Aanshi Gandhakwala Elizabeth Dupre Chance DeMattio Casper Garcia Bordes Elizabeth Fay Chase DeMattio Shiva Garuda Diamari Flores Zachary Dominguez Daniel Gawrych Carlynn Foley Madison Donahue Justin Ge Amelia Fullmer Brenton Draper George Gerakos Mallory Gahn Tanvi Dua Quinn Ghosh Brooklynn Goldstone Nathan Dudas Blake Gorr Allison Gosline Ryan Falls Jonas Gutierrez -
Vogue Magazine the Glossy Has Spawned an Industry of Imitators, Two Documentaries, a Major Hollywood Film And, Perhaps Most Enduringly, a Modern Dance Craze
Lookout By the Numbers Vogue Magazine The glossy has spawned an industry of imitators, two documentaries, a major Hollywood film and, perhaps most enduringly, a modern dance craze. Itís also gone through some serious changes over the course of its 121 years in print. In recent years, the fashion bible has traded willowy models for celebrities of all kinds, a trend that reached its apex in April when the left-leaning, Chanel-shaded Brit Anna Wintour (the magazineís seventh editor in chief) decided to put ó gasp! ó a reality star on its cover. But even with young upstarts nipping at its Manolos, the periodical that popularized tights and the L.B.D. continues to thrive under its time-tested principle. That is, while other magazines 15 teach women whatís new in fashion, Vogue teaches them whatís in vogue. Approx. age at which Anna Wintour Here, a look at the facts and figures behind fashionís foremost franchise. — JEFF OLOIZIA established her signature bob $200,000 13% Wintour’s rumoredored annual clothing allowance of covers featuring celebrities during Wintour’s first five years 916 PagesP in the Favorite cover model by editor: SeptemberSepte 2012 issue, Anna Wintour: Vogue’sVogue largest to date 93% AMBER VALLETTA Vogue’sVoVogue’gue’ longest tenuredd editors:editors: of covers featuringg celebritiesc 17x over the last five years (still on the masthead)d) Diana Vreeland: Anna Wintour – 29 years A samplingsampling BRIGITTE BAUER Phyllis Posnick – 27 years of the 19 exotic exotic & animalsanimalsimals in fashionfashi on JEAN SHRIMPTON Grace Coddington – 26 years 19x each spreadsspreads Hamish Bowles – 22 years alongsideala ongside famous famous Reigning cover queen ladies:ladies:dies: 37 CheetahC (Kim Basinger, April ‘88) Number of years the longest ElephantEle (Keira Knightley, June ‘07) 26 reigning editor in chief served (Edna Woolman Chase, 1914-1951) SkunkSk (Reese Witherspoon, June ‘03) Number of times Lauren Hutton has fronted the magazine GibbonGi (Marisa Berenson, March ‘65) 8 (Nastassja Kinski, Oct. -
A Kennedy Black Fashion Design 1 Overview
A Kennedy Black Fashion Design 1 Overview: What is fashionable is a subjective subject; ask five different people what makes something fashionable, and the answers will likely be five different ideas. Mainstream, dominant American fashion is dominated by names like Ralph Lauren, Calvin Klein, Ann Taylor, Michael Kors, Donna Karan, Tommy Hilfiger, and Betsey Johnson. These powerhouses of fashion design all have one common denominator—they are all white. The question of how and where black fashion designers find their fit in America’s capitalist, entrepreneurial society is compelling to anyone interested in fashion, but it is also one that is engaging and relevant to high school students. A historical perspective must start with the first African-American “fashion designers”—black women of the 19th and 20th centuries who made their living as seamstresses and dressmakers. A particularly interesting account is found at the National Humanities Center Website (2007). In their first hand account of her story: ““The Making of African American Identity: Vol. I, 1500-1865”, readers learn about Elizabeth Keckly, dressmaker to Mary Todd Lincoln. Keckly was born into slavery in Virginia in 1818, and remained a slave until she was granted manumission, freed from slavery by her owner, in St. Louis in 1855. Keckly had a reputation for being an excellent dressmaker, and upon her arrival in Washington DC in 1860 she quickly found work with the wife of then Senator Jefferson Davis. Through her reputation as a skilled and efficient dress-maker, Keckly was employed by multiple wives of military officials to make dresses for them. -
Andrews University Commencement Weekend Pioneer Memorial Church Berrien Springs, Michigan May 7–9, 2021
Andrews University Commencement Weekend Pioneer Memorial Church Berrien Springs, Michigan May 7–9, 2021 Inclusion of a candidate’s name in this commencement booklet may not be used as evidence of having completed the requirements for the degree for which he/she is listed. An official list of graduates will be posted on the Andrews University website. SPECIAL MESSAGE TO GRADUATES Dear Graduates, It has been a challenging year for all of you. Learning has been different; community has had to be formed in new ways; we have all had to discover new ways to do old things, and creative ways to do what is new. But you have succeeded! All of us at Andrews University are proud of you. I am proud of you. We are particularly proud of your achievement in reaching this point of graduation. You have faced challenges with courage and determination. You have grown academically and personally. You have also shared with us your story, your lives. That has been a gift to us and we are the better for having had you as a student at Andrews University. Thank you too for engaging with us as a community of faith. The journey of faith means constant learning as we deepen our understanding of the gospel. You have done that alongside us, and our hope is that as you graduate you do so with a deepened commitment to your God and to being an active part of a faith community. I want to thank you too for being a class that has taken to heart the phrase, World Changers Made Here. -
Fashion Design Merchandising Strands and Standards
STRANDS AND STANDARDS FASHION DESIGN MERCHANDISING Course Description The Fashion Merchandising course is an introductory class that teaches the concepts of entry- level business and fashion fundamentals. The following list of skill strands prepares the student in fashion merchandising in the fundamentals of basic fashion concepts and marketing terminology, fashion cycles, key components of the fashion industry shuc a s fashion designers, fashion capitals and fashion week, retail merchandise categories, fashion promotion including advertising and social media, and fashion careers. Student leadership and competitive events (FCCLA and/or DECA) may be an integral part of the course. Intended Grade Level 10-12 Units of Credit .50 Core Code 34.01.00.00.145 Concurrent Enrollment Core Code NA Prerequisite Fashion Design Studio Skill Certification Test Number 405 Test Weight 0.5 License Type CTE and/or Secondary Education 6-12 Required Endorsement(s) Endorsement 1 Family & Consumer Sciences Endorsement 2 Fashion/Textiles/Apparel ADA Compliant: April 2021 FASHION DESIGN MERCHANDISING STRAND 1 Students will recognize basic fashion concepts and terminology. Standard 1 Review fashion terms. (Fashion Design Studio Standard 1) Accessories, apparel, avant-garde, classic, composite, design detail, draped, fad, fashion, fashion cycle, fit, garment type, haute couture, ready to wear, silhouette, style, tailored, trend, wardrobe. Standard 2 Identify fashion products. • Goods – tangible items that are made, manufactured, or grown. They include apparel, textiles, accessories, and other fashion products. • Services – intangible things that people do, such as tasks performed for customers. They include tailoring, cosmetology services, and stylist. STRAND 2 Students will examine the basics of fashion marketing and associated careers.