Retail Product Merchandising: Retail Buying-Selling Cycle
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Back Alexis Carrington
WEDNESDAY, FEBRUARY 1 8 , 2 0 0 9 PAGE 1 3 Welcome back Alexis Carrington It was bound to happen sooner or later — power dressing a la ‘Dynasty’ hit the catwalks at Fashion Week. Expect the look in a store near you soon BY SAMANTHA CRITCHELL AP, NEW YORK audience wanting more after a glimpse of MISS SIXTY bareness from a back-closure keyhole opening or Miss Sixty kicked off its show Sunday with a a slit on the back of a skirt. black, acid-wash denim romper with a low-slung There was very little that was overtly sexy waist with a chain detail, with a strapless acid- — and that’s what was so tantalizing: The clothes wash jumpsuit right on its heels. draped the models just the right way and were Designer Wichy Hassan followed those looks made of slinky-yet-sophisticated fabrics. Karan up with nylon puffer pieces and a colorful pop-art captured strength that has become a trend here, print of fashion-magazine covers that was best but there was also a womanliness that not every designer has embraced this season. used on a windbreaker that was worn with skinny The crowd included White House social jeans and a tank top covered in “peace” graphics. secretary Desiree Rogers, who had one of the Most of the jeans had the skinniest of legs, best seats in the house next to Vogue Editor in some looking painted on the models. The lower Chief Anna Wintour. waist was in most instances refreshing, but the dropped-crotch trousers that almost hung to CAROLINA HERRERA knees were silly and unflattering. -
Macy's and G-III Sign Exclusive Agreement for DKNY Women's
March 27, 2017 Macy’s and G-III Sign Exclusive Agreement for DKNY Women’s Apparel and Accessories NEW YORK--(BUSINESS WIRE)-- Macy’s, Inc. (NYSE:M), one of the nation’s premier retailers, and G-III Apparel Group, Ltd., a leading manufacturer and distributor of apparel and accessories under licensed brands, owned brands and private label brands, today announced an agreement under which Macy’s will serve, beginning February 2018, as the exclusive U.S. department store for sales of DKNY women’s apparel and accessories. Under the agreement, Macy’s exclusivity covers DKNY women’s apparel, handbags and shoes, in addition to women’s and men’s outerwear and swim, which will be available at Macy’s locations nationwide and on macys.com. Macy’s and G-III will work closely on brand extensions and exclusive products that build upon the founding principles of the iconic New York–based brand. The agreement also plans for increased and enhanced DKNY shop-in- shops in Macy’s stores. “We want to create partnerships that offer our customers products and experiences that they can find only at Macy’s, and DKNY is a fashion-first brand we know our customers love,” said Jeff Gennette, president and chief executive officer of Macy’s, Inc. “By offering exclusive access in key categories, we are confident that DKNY will quickly become one of our top brands. Their remarkable global recognition combined with our expansive footprint make Macy’s and DKNY a perfect partnership.” “We believe that Macy’s is the ideal partner as we implement our strategy for DKNY to be the premier brand in the world for women’s apparel and accessories,” said Morris Goldfarb, chairman and chief executive officer of G-III. -
February 16, 2010 • $3.00
WWDTUESDAYFebruary 16, 2010 • $3.00 5th AVE AT 54th ST shop online diesel.com S NEW YORK TEXTILES: FASHION WEEK: NEWS: Michelle The trends for 3FWJFXTPG 0CBNBEFTJHOFS spring 2011 at Maria Pinto to $BSPMJOB)FSSFSB Première close, page 24. 5IPN#SPXOF Vision, page 22. Zac Posen and more, BTXFMMBT'BTIJPO Scoops, pages 10 to 20. SECTION II: collections/fall ’10 WWDMagic NEW 8PNFOT8FBS%BJMZt5IF3FUBJMFST%BJMZ/FXTQBQFSt'FCSVBSZ t YORK WWDTUESDAY Ready-to-Wear/Textiles Collar Me Beautiful NEW YORK — Donna Karan celebrated her 25th year at her house with a chic, urbane fall collection, which was mostly black. Highlights included great furs and terrific coats. Here, one striking example in a play of fur and leather textures with a bold collar, a leading motif in the collection. For more on the shows, see pages 10 to 20. A New Material Girl: Madonna Said in Talks To Launch Fashion Line By David Lipke */5)&(308*/(-07&"''"*3 CFUXFFODFMFCSJUZBOEGBTIJPO POFPGUIF CJHHFTUOBNFTPVUUIFSFJTDMPTFUPHFUUJOHJOUP the groove: Madonna. 5IFQPQJDPOJTJOUBMLTUPMBVODIB DPOUFNQPSBSZXPNFOTDPMMFDUJPOXJUI BHSPVQPGMJDFOTFFTUIBUXPVMECFTPME FYDMVTJWFMZBU.BDZT BDDPSEJOHUPTPVSDFT 5IFNFSDIBOEJTFXPVMEJODMVEFBQQBSFM BDDFTTPSJFT JOUJNBUFTBOEGPPUXFBS-BCFM OBNFTVOEFSTFSJPVTDPOTJEFSBUJPOGPSUIF QSPEVDUMJOFTJODMVEF.BUFSJBM(JSMGPSUIF BQQBSFMBOE5SVUIPS%BSFGPSUIFMJOHFSJFBOE VOEFSXFBS i5SVUIPS%BSFwXBTUIFUJUMFPGBGJMN XIJDIEPDVNFOUFE.BEPOOBTHSPVOECSFBLJOH #MPOEF"NCJUJPOXPSMEXJEFDPODFSUUPVS See Madonna, Page4 PHOTO BY THOMAS IANNACCONE PHOTO BY 2 WWD, TUESDAY, FEBRUARY 16, 2010 WWD.COM Scorsese -
INSIDE THIS ISSUE Fashion Lion
the Albright College FAshion DepArtment neWsletter • FAll 2011 FASHION LION What’s Hot at Albright? African Textile Design INSIDE THIS ISSUE Designers and Mass Marketing Meet the Faculty: Kendra Meyer, M.F.A. Letter from the Editor EVERYTHI NG by Mary Rose Davis ’15 Dear Readers, Welcome to our first issue of the Fashion OLD Lion! Previously, the fashion newsletter was Incorporating vintage fashion into modern looks is easy. called Seventh on Thirteenth, a play on words that mimicked Seventh on Sixth where “Thanks, it’s vintage,” is possibly one of the coolest things you can say when New York City’s Fashion Week was held receiving a compliment on your outfit. for many years. With the relocation of the With fashion trends from the past becoming more popular, it’s important to fashion week events uptown to the Lincoln know how to incorporate these trends into your style without looking “dated.” Center, we held a contest this semester to come up with a new Once you do, you’ll have a whole new — or old as the case may be — look. name for the newsletter. Congratulations to fashion design and First, you can’t wear it if you don’t own it. So get your fashionable self to the merchandising major Monica Tulay ’12 for the winning entry. closest thrift store or just raid your parents’ closet and find that perfect piece for For me, this change in name serves as a symbol of my years you. One thing to keep in mind is that it’s always easier to start with smaller items at Albright. -
The Mini Skirt Danielle Hueston New York City College of Technology Textiles
The Mini Skirt Danielle Hueston New York City College of Technology Textiles When I was six my mother and I took one of our weekly day shopping trips to the mall. On our way back we stopped at this local thrift store. This being one of the first times I had ever experienced one, everything seemed so different and weird, in a good way. I wasn’t used to there only being one of everything, or one store that sold clothes, books, toys, home decor and shoes.Walking down the ‘bottoms aisle’ is where I first came across it. It was black and flowy, probably a cotton material, with a black elastic band around the waist. I wanted it, I needed it. It was the perfect mini skirt. It reminded me of the one I saw Regina George wear in the Hallway Scene in the movie ‘Mean Girls’ a few months prior and had to get it, even though it was a “little” big. There was only one, I was going to make it work. When Monday came I wasted no time showing off my new skirt at school. It made me feel like a whole new person. At some point of the day however my teacher had stepped out of the room to talk to another teacher, in conjunction one of my classmates playfully grabbed my pencil out of my hand, to which I decided to chase him around the room to retrieve it back. I tripped and my skirt fell right to my ankles, in front of the entire class. -
A Kennedy Black Fashion Design 1 Overview
A Kennedy Black Fashion Design 1 Overview: What is fashionable is a subjective subject; ask five different people what makes something fashionable, and the answers will likely be five different ideas. Mainstream, dominant American fashion is dominated by names like Ralph Lauren, Calvin Klein, Ann Taylor, Michael Kors, Donna Karan, Tommy Hilfiger, and Betsey Johnson. These powerhouses of fashion design all have one common denominator—they are all white. The question of how and where black fashion designers find their fit in America’s capitalist, entrepreneurial society is compelling to anyone interested in fashion, but it is also one that is engaging and relevant to high school students. A historical perspective must start with the first African-American “fashion designers”—black women of the 19th and 20th centuries who made their living as seamstresses and dressmakers. A particularly interesting account is found at the National Humanities Center Website (2007). In their first hand account of her story: ““The Making of African American Identity: Vol. I, 1500-1865”, readers learn about Elizabeth Keckly, dressmaker to Mary Todd Lincoln. Keckly was born into slavery in Virginia in 1818, and remained a slave until she was granted manumission, freed from slavery by her owner, in St. Louis in 1855. Keckly had a reputation for being an excellent dressmaker, and upon her arrival in Washington DC in 1860 she quickly found work with the wife of then Senator Jefferson Davis. Through her reputation as a skilled and efficient dress-maker, Keckly was employed by multiple wives of military officials to make dresses for them. -
Yves Saint Laurent: the Perfection of Style: Educator Resource Guide
EDUCATOR RESOURCE GUIDE OVERVIEW ABOUT THE EXHIBITION Organized by the Seattle Art Museum in partnership with the Fondation Pierre Bergé – Yves Saint Laurent, Yves Saint Laurent: The Perfection of Style highlights the legendary fashion designer’s 44-year career. Known for his haute couture designs, Yves Saint Laurent’s creative process included directing a team of designers working to create his vision of each garment. He would often begin by sketching the clothing he imagined, then a team would work to sew and create his designs. After the first version of the garment was created with simple fabric called muslin, Saint Laurent would select the final fabric for the garment. Under Saint Laurent’s direction, his team would piece the garment together—first on amannequin , next on a model. Working collaboratively, the team made changes according to Saint Laurent’s decisions, sewing new parts before the final garment was finished. Taking inspiration from changes in society around him, Saint Laurent adapted his designs over the years. Starting his career designing custom-made clothing worn by upper-class women, he shifted his focus to create clothing that more people would want to wear and could afford. He responded to contemporary changes of the time and pushed gender, class, and expressive boundaries of fashion. He created innovative, glamorous pantsuits for women, ready-to-wear clothing for the wider population, and high fashion inspired by what he saw young people wearing on the street. In 1971 Yves Saint Laurent summed this up with one sentence, “What I want to do is shock people, force them to think.” The exhibition features over 100 haute couture and ready-to-wear garments. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Fashion Design Studio
PRECISION EXAMS Fashion Design Studio EXAM INFORMATION DESCRIPTION Exam Number This course explores how fashion influences everyday life 355 and introduces students to the fashion industry. Topics Items covered include: fashion fundamentals, elements and 59 principles of design, textiles, consumerism, and fashion Points related careers, with an emphasis on personal 69 application. FCCLA and/or DECA may be an integral Prerequisites part of this course. NONE Recommended Course Length ONE SEMESTER National Career Cluster ARTS, A/V TECHNOLOGY & COMMUNICATIONS HUMAN SERVICES EXAM BLUEPRINT MARKETING STANDARD PERCENTAGE OF EXAM Performance Standards 1 - Fashion Fundamentals 37% INCLUDED (OPTIONAL) 2 - Principles & Elements 27% Certificate Available 3 - Textiles 16% YES 4 - Consumer Strategies 11% 5 - Personal Fashion Characteristics 9% Fashion Design Studio STANDARD 1 STUDENTS WILL EXPLORE THE FUNDAMENTALS OF FASHION Objective 1 Identify why we wear clothes. 1. Protection – clothing that provides physical safeguards to the body, preventing harm from climate and environment. 2. Identification – clothing that establishes who someone is, what they do, or to which group(s) they belong. 3. Modesty – covering the body according to the code of decency established by society. 4. Status – establishing one’s position or rank in relation to others. 5. Adornment – using individual wardrobe to add decoration or ornamentation. Objective 2 Define common terminology. 1. Common Terminology. 1. Accessories – articles added to complete or enhance an outfit. Shoes, belts, handbags, jewelry, etc. 2. Apparel – all men's, women's, and children's clothing. 3. Avant-garde – wild and daring designs that are unconventional and startling. Usually disappear after a few years. 4. Classic – item of clothing that satisfies a basic need and continues to be in fashion acceptance over an extended period of time. -
Course Syllabus & Itinerary, THTR 216, Maymester 2015 the Art
Course Syllabus & Itinerary, THTR 216, Maymester 2015 The Art, History, & Business of London Fashion We will explore many facets of the business of style that make London one of the most cutting-edge and influential fashion capitals of the world. Our study will begin with an overview of fashion history and its connection to the fine and decorative arts. We will learn about the origins of Haute Couture, from its roots in England and France in the 19th century, to today’s well known designers and trendsetters who have kept this cosmopolitan city at the forefront of the industry. Dynamic British designers from the 20th and 21st century at the heart of our study, who have continually pushed boundaries and changed rules of etiquette in their quest for fashion to mirror political, economic, and sociopolitical changes in society, include: Charles Frederick Worth, considered to be the father of Haute Couture; Mary Quant and her mini-skirt revolution; Vivienne Westwood and her influence on the world of punk fashion; Alexander McQueen and his creation of artful garments; and Stella McCartney and her ethical, sustainable approach to design. Excursions will include trips to: world renowned museums, to study works of fine and decorative art and historic examples of clothing; theatrical performances, to compare the theatricality of stage costumes and the principles of stage design to both runway and everyday fashion; the Making of Harry Potter, to see how designers create artful film designs; and a variety of commercial fashion venues, in which contemporary -
Department of Art & Design
Whitburn Academy Department of Art & Design Art & Design Studies Learners Higher: Art & Design Studies Design Analyse the factors influencing designers and design practice by Booklet Fashion 1.1 Describing how designers use a range of design materials, techniques and technology in their work 1.2 Analysing the impact of the designers’ creative choices in a range of design work 1.3 Analysing the impact of social and cultural influences on selected designers and their design practice. A study of Coco Chanel Day dress, ca. 1924 Gabrielle Theater suit, 1938, Gabrielle Evening dress, ca. 1926–27 "Coco" Chanel (French, 1883–1971) "Coco" Chanel (French, 1883– Attributed to Gabrielle "Coco" Wool 1971) Silk Chanel (French, 1883–1971) Silk, metallic threads, sequins What is Fashion Design? Fashion design is a form of art dedicated to the creation of clothing and other lifestyle accessories. Modern fashion design is divided into two basic categories: haute couture and ready-to-wear. The haute couture collection is dedicated to certain customers and is custom sized to fit these customers exactly. In order to qualify as a haute couture house, a designer has to be part of the Syndical Chamber for Haute Couture and show a new collection twice a year presenting a minimum of 35 different outfits each time. Ready-to-wear collections are standard sized, not custom made, so they are more suitable for large production runs. They are also split into two categories: designer/creator and confection collections. Designer collections have a higher quality and finish as well as an unique design. They often represent a certain philosophy and are created to make a statement rather than for sale. -
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PRINT THIS SAVINGS OFFER AND REDEEM IT AT YOUR NEAREST LORD & TAYLOR STORE. HOLIDAY SPECTACULAR GO GREEN HAVE OUR OFFERS SENT DIRECTLY TO YOUR PHONE Simply text PASS to 95555** By texting PASS to 95555 you agree to receive up to 10 autodialed marketing text messages per month from 95555 (Lord & Taylor) to the phone number provided at opt-in. Consent is not a condition of purchase. Message & data rates may apply. Text HELP to 95555 for help. Text STOP to 95555 to cancel. Terms & Conditions and Privacy Policy at LordandTaylor.com % REGULAR, SALE & 20OFF CLEARANCE ITEMS* PRESENT THIS SAVINGS PASS TO YOUR SALES ASSOCIATE WEDNESDAY, NOVEMBER 29 - SUNDAY, DECEMBER 3 15% off home department*NOT VALID ON SMART VALUE ITEMS, DRESS EVENT, RED BOX SPECIALS, KIDS’ & TOYS BUY MORE SAVE MORE, MEN’S DRESS SHIRTS & TIES, MEN’S SHOE EVENT AND SELECT MEN’S & KIDS’ CLEARANCE. This Lord & Taylor Savings Pass also excludes:REGULAR-PRICE ITEMS from Alex and Ani, Alex Woo, Annabel Ingall, APL, Aquatalia, BCBGMaxAzria sportswear, Brahmin, Brika, Chanel Sublimage, Coach, Coach 1941, Cole Haan handbags, Dansko, DianeVon Furstenberg sportswear & shoes, Donna Karan activewear, shoes handbags, Dooney Bourke, Dyson, Eileen Fisher, Eleventy, Eric Javits, FitFlop, Fjällräven, Free People shoes, Gentle Souls, Gigi NewYork, Gucci sunglasses, Hammitt, Hanky Panky, Helen Kaminski, Helly Hansen shoes, Hugo Boss, JennyPackham, Kate Spade New York, Lafayette 148 New York, Lauren/Polo/Ralph Lauren, Levi’s, Louise et Cie handbags, LXR Co., Mac Duggal, Mantu, Marc Jacobs, Marchesa jewelry, Maui Jim, Michael Kors accessories, Michael Kors Collection, Miss Selfridge, Nadri, Nanette Lepore, New Balance, NYDJ, Oakley,Paper Crown, Paul Green, Ray-Ban, Rebecca Minkoff, Smeg, Sorel, St.