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Recall Sculpture L’Art Actuel

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Recall Sculpture L’Art Actuel L’exposition Recall Sculpture l’art actuel. En outre, différentes s’articule autour de quarante villes européennes ont créé des et une petites sculptures des parcs de sculptures qui, chemin années 50 aux années 70 – des faisant, ont évolué en musées œuvres qui présagent l’art de sculpture. En raison de leur contemporain d’aujourd’hui. création récente, les musées étaient en somme contraints à De 1953 jusqu’en 1973, le l’acquisition d’art contemporain Musée Royal des Beaux-Arts pour la constitution de leur d’Anvers (KMSKA) a collec- collection. tionné des sculptures d’artistes contemporains à l’œuvre en L’attention portée aux expé- Belgique, Allemagne, Autriche, riences individuelles dans l’art Croatie, Espagne, Italie, Hon- contemporain par la politique grie, Argentine. culturelle après 1945 se situe à Au cours de ces années, l’opposé de la politique cultu- activement collectionner des relle fasciste du national-so- œuvres s’inscrit sous le signe cialisme allemand (1933-1945) de l’attitude changeante de et du parti nationaliste italien l’univers muséal européen (1922-1945) qui ont offi ciel- Sculptures de la collection du KMSKA face à l’art actuel. Différents lement décrété un réalisme RECALL SCULPTURE musées européens, comme « idéalisé » comme unique le Stedelijk Museum d’Ams- forme d’expression plastique terdam, le Van Abbemuseum à acceptable pour la propagande Eindhoven et le Musée National de leur idéologie. d’Art Moderne de la Ville de Paris ont opté après la fi n de la Seconde Guerre mondiale en 1945 pour une orientation sur Walther Vanbeselaere, la fondation du musée en 1951. laquelle contribuent les grandes Koenig, Camarque, VIII (1957) ; SCULPTURE ABSTRAITE Verlee sont des constructions INFORMATION PRATIQUE : nommé conservateur en chef du En 1953, la deuxième biennale manifestations artistiques Gabriele Marwede, Moeder de formes tridimensionnelles KMSKA en 1948, fait d’emblée est organisée. Pour le KMSKA, comme les Biennales de Venise en kind; les Italiens Marcello En 1958, le KMSKA acquiert sa simples, quasi architectoniques; Accès GRATUIT au musée et à l’exposition face à la question de l’acqui- ces biennales constituent une et de Sao Paulo et la Docu- Mascherini, Suzanna (1950), première sculpture abstraite. des synthèses plastiques sition d’art actuel pour son source d’information impor- menta de Kassel, qui refont la Marino Marini, Grote dan- Gesprek met de tijd (1957) d’observations subjectives et ACCESSIBILITY Utilisation gratuite d’un fauteuil roulant électrique sur réservation. musée. Jusqu’aux années 60, tante en matière de tendances part belle aux modernistes. Les seres (1952) ; l’Autrichien Heinz du sculpteur italien Pietro de concepts spirituels, sans il aspire à une « section d’art courantes dans l’art sculptural premières sculptures fi guratives Leinfellner, Vegetatief hoofd Consagra représente la aucune référence à la réalité. HEURES D’OUVERTURE actuel » pour le KMSKA, avec sur le plan international. Aussi, acquises, et celles réalisées par et le Croate Kosta Angeli sculpture informelle (ou infor- D’octobre à mars : 10h00 – 17h00, une salle d’exposition et une la plupart des sculptures pré- la suite aussi, se caractérisent Radovani, Zittende vrouw. malisme, l’une des nombreuses On est en outre frappé par Les visiteurs sont admis jusqu’à une demi-heure avant la fermeture. commission d’achat spécifi ques sentées dans cette exposition par leurs sujets traditionnels et tendances abstraites dans l’art le fait que la subdivision des Nous vous prions de bien vouloir quitter le parc à temps : les portes ferment à l’heure ! à cet égard (une commission, sont-elles des acquisitions du le lien entre propriétés stylis- EXPRESSIONISME d’après 1945). Assemblage, artistes en différents courants composée de défenseurs et KMSKA suite à une visite à ces tiques de cultures archaïques EXISTENTIEL entailles et couleur obtenus par artistiques n’est pas si linéaire : JOURS DE FERMETURE de connaisseurs des toutes Biennales. et formes d’expression indi- différentes manipulations du les artistes ne peuvent être Fermé le lundi (ouvert le lundi de Pâques et le lundi de Pentecôte) nouvelles tendances, qui serait vidualisées, contemporaines Dans ces sculptures fi guratives, matériau, se font l’expression catalogués comme appartenant Fermé le 1er novembre, le 25 décembre, le 1er janvier, le 1er mai, le jeudi de l’Ascension responsable des acquisitions NOUVELLE FIGURATION – et fi guratives. L’infl uence des les sculpteurs expriment de d’une pensée abstraite. à un seul mouvement, sachant dont la valeur historique s’avé- EXPRESSION FIGURATIVE cultures archaïques découle de façon implicite leurs expériences qu’ils ont tous créé des œuvres Exposition en partenariat avec le Musée Royal des Beaux-Arts d’Anvers rera plus tard). la connaissance révélée par les et leurs réactions à la barbarie Grote Gewonde (1960) de aussi bien fi guratives qu’abs- Commissaire de l’exposition : Greta Van Broeckhoven Les premières acquisitions du découvertes archéologiques en de la guerre qu’ils viennent de l’Italien Francesco Somaini traites. Conservation et restauration: Cleo Cafmeyer en collaboration avec Derek Biront, Lode Craeybeckx, bourg- KMSKA sont des sculptures Égypte et autour de la Méditer- vivre. Agenore Fabbri crée un est une sculpture résolument Nicky Vergouwen, Elisabeth Am Zehnhoff et Ian Grosfeld mestre d’Anvers et président fi guratives d’une génération de ranée exhumées depuis la fi n du langage plastique expression- informelle, fruit d’impulsions Les œuvres de cette exposition Scénographie : Pieter Boons et Maurane Colson (www.heimat.be) e du conseil d’administration du sculpteurs née aux alentours XIX siècle. niste à travers lequel il dénonce intérieures en résonance avec seront exposées à partir de la Réalisation : SB/BOF/DECO sous la direction de Tom Huybrechts et Yelko KMSKA, était son plus grand de 1900 ayant construit une explicitement les angoisses un monde déchiré d’après- fi n de l’année 2019 à un empla- Clemente Alonso partisan. En 1950, à l’emplace- véritable carrière entre les deux Dans cette exposition, vous existentielles engendrées, guerre. cement fi xe du KMSKA, qui pouvez admirer des œuvres Fausto Melotti, De dans (détail), sans date - KMSKA - Lukas-Art in Flanders vzw, Photo: Hugo Maertens ment actuel du Musée Mid- guerres (la période entre la entre autres, par les bombarde- rouvrira alors ses portes après © SABAM Belgium 2017. delheim, se tient l’exposition Première et la Seconde Guerre d’artistes ayant été actifs dans ments atomiques de l’aviation Les sculptures constructivistes une réfection et un réaménage- Le Musée Middelheim bénéfi cie du soutien de Middelheim Promotors et Ackermans & van Haaren, Argo internationale en plein air de mondiale, donc entre 1918 ce courant : les Allemands états-unienne sur le Japon et d’Arnaldo et Gio Pomodore ment complet. Law, BASF, BNP Paribas Fortis, CMB, Cordeel, Delen Private Bank, Deloitte, Deme, EY, Grant Thornton, Hubo, Hugo Ceusters, inno.com, KBC, Leasinvest Real Estate, Pamica, Port of Antwerp, SipWell, Soudal, Vanbreda la sculpture de 1900 à 1950, la et 1940). Dans les premières Joseph Jaekel, Sebastiaan; le développement d’un arsenal constituent en Italie une Antwerpen 2020 Middelheimlaan 61, Weyns, Sara V.U. Risk & Benefi ts première biennale de sculpture années de l’après-guerre, leur Bernhard Heiliger, De nucléaire dans le cadre de la réaction au caractère spontané contemporaine. Le succès de œuvre connaît à nouveau une kleine veerman, (1956) ; Toni guerre froide entre le monde de l’art informel. Les sculptures www.middelheimmuseum.be cette manifestation donne lieu à reconnaissance à part entière, à Stadler, Masker (1953) ; Fritz communiste et capitaliste. de Willy Anthoons et de Luc +32 (0)3 288 33 60 ŒUVRES EXPOSÉES : 1. Willy ANTHOONS, Malines 1911 – 1982, Immanent teken, 1959, bois (poirier) OFFRE AU PUBLIC PENDANT L’EXPOSITION : 2. Giacomo BENEVELLI, Reggio nell’Emilia 1925 – Pavie 2011, Aggregaat in wording 2 en 5, 1964, bronze • Publication Catalogue de l’exposition, en néerlandais, avec des textes de la com- 3. Venancio BLANCO, Matilla de los Caños del Rio 1923, , 1964, bronze et pierre Ekster missaire de l’exposition, Greta Van Broeckhoven. Édité par BAI, 24,50 €. 4. Floriano BODINI, Gemonio 1933 – Milan 2005, De vermoorde, 1960, bronze En vente à la boutique du musée, au château. 5. Pietro CONSAGRA, Mazaro del Vallo 1920 – Milan 2005, Gesprek met de tijd, 1957, bronze et bois • Film d’introduction dans le hall du château, NL/EN, peut aussi être visionné sur le site du musée et sur la chaîne vidéo ARTtube.be 6. Remy CORNELISSEN, Turnhout 1913 – Anvers 1990, Hooglied, 1977, acier chromé 7. Roel D’HAESE, Grammont 1921 – Bruges 1996, Bronzen toren, 1955, bronze • Visites guidées gratuites, pour visiteurs individuels, sans réser- 8. Agenore FABBRI, Barba 1911 – Savone 1998, Dans met steltloper, 1958, bronze vation, en NL. Le dimanche après-midi (2e dimanche du mois) : 12 novembre, 10 décembre 2017, 14 janvier, 11 février, 11 mars 2018, 9. Julio GERO , Arad 1910 – ? 1977, Saturne, 1962, fer 14h00 – 16 h00. 10. Georges GRARD, Tournai 1901 – Coxyde 1984, De Afrikaanse, 1957-1958, bronze Chaque fois, 1 guide pour adultes et 1 guide pour familles avec enfants 11. Bernhard HEILIGER, Stetin 1915 – Berlin 1995, De kleine veerman naar het brugbeeld de 6 à 12 ans. van Esslingen, 1956, bronze et pierre 34 12. Joseph JAEKEL, Walmenroth 1907 – Cologne 1985, Heilige Sebastianus van Rome, • Visites guidées et/ou ateliers créatifs pour groupes (adultes, 1949-1950, laiton ciselé jeunes, enfants, aussi pour les écoles) sur demande, en NL/FR/EN/DE/ ES/IT. 13. Fritz KOENIG, Würzburg 1924 – Altdorf 2017, Vogel, 1951, bronze 75 € pour une visite guidée de deux heures, 15 pers. par guide, max. 4 14. Fritz KOENIG, Camarque VIII, 1957, bronze guides à la fois. 85 € pour un atelier de deux heures, 15 pers. par guide, max. 3 guides 15. Frans LAMBERECHTS, Molenbeek-Saint-Jean 1909 – Jette 1988, Deemstering, 36 polyester et médias variés à la fois.
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