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Scarica La Brochure .06 .10 .2013 .26 .10 .2012 Istruzioni per l’uso Il 2012, a dieci anni dalla sua inaugurazione, è stato per il Mart un anno cruciale di mutazioni profonde. Cristiana Collu, alla guida del Mart, ha invitato lo staff museale a curare una grande mostra “La magnifica ossessione”, in cui vecchio e nuovo si mescolano, opere contemporanee e realizzate due secoli or sono convivono nelle stesse sale, dipinti sconosciuti e capolavori stanno accanto sulle pareti, i preziosi documenti conservati in archivio escono dai loro confini designati e si inseriscono a pieno titolo nel museo a fianco delle opere vere e proprie, in un percorso che attraversa un secolo, il XX, e mostra l’invisibile, il movimento, il lavoro museale, esponendo quasi 3000 oggetti (2784 per l’esattezza), recuperando così vitalità, risvegliando nel visitatore lo stupore, il divertimento, il gusto di attraversare, in un chilometro di cammino, un’area di circa 3.800 mq e vedere in 34 sale e opere di 275 artisti, 418 dipinti, 144 disegni, 100 incisioni, 70 sculture , 11 film e video, 6 installazioni, 6 arazzi, 70 vasellame in ceramica e smalto, 103 manifesti, 328 fotografie, 217 documenti, 1074 mail art, 64 libri d’artista, 20 modelli di architettura, 75 riviste, 78 multipli. Questo modo di concepire la collezione, il suo allestimento, l’intervento degli artisti nel tessuto della mostra, il lavoro corale dei curatori sono la metafora della mostra stessa. L’aspetto ossessivo dell’atto di collezionare mostra i suoi aspetti maniacali, ma al tempo stesso prepara il visitatore anche a visioni inconsuete, il Mart funziona dunque non solo come uno strumento di conservazione del patrimonio ma anche e soprattutto come un laboratorio di idee e un luogo operoso di valorizzazione, produzione, ricerca e formazione culturale. Franco Bernabè Presidente del Mart Gipsoteca Gipsoteca 19 18 20 17 16 12 13 11 9 15 7 6 14 Foyer Andrea Malfatti Tritone, (1865 - 1873) Mart 8 10 4 Andrea Malfatti 5 Mart 1 L’egizia, (1889) 12 Figura allegorica femminile: 17 Ignoto la Pittura, (1890) 3 Vaso medici, (1820) 2 Cavallo marino con tritone Milano, Accademia di Brera 2 (1865-1873) 13 Giovane zampognaro (Il pifferaio, I girovaghi), 1876 18 Francesco Hayez 3 Tritone, (1865-1873) Venere che scherza 14 Ritratto di bambino con due colombe 4 Putto a cavallo di un delfino con medaglione, (1880) (Ritratto della ballerina (1865-1873) Carlotta Chabert), 1830 15 Ritratto virile, (1880) Mart, Deposito Fondazione 5 Bacchino, (1862-1870) Cassa di Risparmio 16 Lettura d’amore di Trento e Rovereto 6 Figura allegorica femminile: (Lettera d’amore), (1881) l’Emancipazione, 1870 19 Luca Pozzi Supersymmetric Partner. 7 Figura allegorica femminile: Paolo Veronese, Ultima Cena. il Canto, 1890 1 Pinacoteca di Brera, Milano, 2007-2009 8 Figura allegorica femminile: Mart l’Attesa, 1870 20 Alcide Davide Campestrini 9 Dante Alighieri, (1891) Ritratto di Andrea Malfatti, 1912 Mart 10 Figura allegorica femminile: l’Industria, 1890 11 Figura allegorica femminile: il Suono, (1890) Gipsoteca Gipsoteca 19 18 20 17 16 12 13 11 9 15 7 6 14 Foyer Andrea Malfatti Tritone, (1865 - 1873) Mart 8 10 4 Andrea Malfatti 5 Mart 1 L’egizia, (1889) 12 Figura allegorica femminile: 17 Ignoto la Pittura, (1890) 3 Vaso medici, (1820) 2 Cavallo marino con tritone Milano, Accademia di Brera 2 (1865-1873) 13 Giovane zampognaro (Il pifferaio, I girovaghi), 1876 18 Francesco Hayez 3 Tritone, (1865-1873) Venere che scherza 14 Ritratto di bambino con due colombe 4 Putto a cavallo di un delfino con medaglione, (1880) (Ritratto della ballerina (1865-1873) Carlotta Chabert), 1830 15 Ritratto virile, (1880) Mart, Deposito Fondazione 5 Bacchino, (1862-1870) Cassa di Risparmio 16 Lettura d’amore di Trento e Rovereto 6 Figura allegorica femminile: (Lettera d’amore), (1881) l’Emancipazione, 1870 19 Luca Pozzi Supersymmetric Partner. 7 Figura allegorica femminile: Paolo Veronese, Ultima Cena. il Canto, 1890 1 Pinacoteca di Brera, Milano, 2007-2009 8 Figura allegorica femminile: Mart l’Attesa, 1870 20 Alcide Davide Campestrini 9 Dante Alighieri, (1891) Ritratto di Andrea Malfatti, 1912 Mart 10 Figura allegorica femminile: l’Industria, 1890 11 Figura allegorica femminile: il Suono, (1890) Il corpo in posa Il corpo in posa 1 2 6 13 3 7 9 4 12 14 15 10 8 5 17 11 16 1 Leonardo Bistolfi 6 Pubblicità di studi fotografici 9 Dario Wolf 12 Dario Wolf 17 Andrea Malfatti Allegoria, 1906-1907 presenti sul retro di fotografie Accademia La cacciata Schiava ribelle, (1883) Mart in vari formati, (175-1925) (nudo maschile dei Titani (trittico), (1932) Mart Mart, Archivio del ’900 di profilo con asta) Mart 2 Gustav Klimt Fondi Grubicy e Ciocca (1927) Figura femminile seduta collezione privata 13 Dario Wolf (Auf einem Hocker Sitzende 7 Macchina fotografica I Titani, 1927 von vorne), (1914-16) di fine ’800 10 Dario Wolf Trento, Provincia Mart, Collezione L.F. Riva del Garda Accademia autonoma di Trento MAG, Museo Alto Garda (nudo maschile 3 Egon Schiele in piedi con asta) 14 Luigi Bonazza Nudo, 1918 8 Vincenzo Jerace (1927) La leggenda di Orfeo / Mart, deposito Busto di giovane donna collezione privata Rinascita d’Euridice / Collezione privata 1916 Morte d’Orfeo, 1905 Mart, Deposito 11 Dario Wolf Mart 4 Egon Schiele collezione privata Accademia Nudo (torso femminile), 1911 (nudo maschile seduto) 15 Luigi Bonazza Mart (1927) Notte d’estate, collezione privata (1920) 5 Leonardo Bistolfi Mart La bellezza liberata dalla materia, (1908) 16 Luigi Bonazza Mart Contributo dell’operaio all’esercito combattente, (1914-1915) Mart Il corpo in posa Il corpo in posa 1 2 6 13 3 7 9 4 12 14 15 10 8 5 17 11 16 1 Leonardo Bistolfi 6 Pubblicità di studi fotografici 9 Dario Wolf 12 Dario Wolf 17 Andrea Malfatti Allegoria, 1906-1907 presenti sul retro di fotografie Accademia La cacciata Schiava ribelle, (1883) Mart in vari formati, (175-1925) (nudo maschile dei Titani (trittico), (1932) Mart Mart, Archivio del ’900 di profilo con asta) Mart 2 Gustav Klimt Fondi Grubicy e Ciocca (1927) Figura femminile seduta collezione privata 13 Dario Wolf (Auf einem Hocker Sitzende 7 Macchina fotografica I Titani, 1927 von vorne), (1914-16) di fine ’800 10 Dario Wolf Trento, Provincia Mart, Collezione L.F. Riva del Garda Accademia autonoma di Trento MAG, Museo Alto Garda (nudo maschile 3 Egon Schiele in piedi con asta) 14 Luigi Bonazza Nudo, 1918 8 Vincenzo Jerace (1927) La leggenda di Orfeo / Mart, deposito Busto di giovane donna collezione privata Rinascita d’Euridice / Collezione privata 1916 Morte d’Orfeo, 1905 Mart, Deposito 11 Dario Wolf Mart 4 Egon Schiele collezione privata Accademia Nudo (torso femminile), 1911 (nudo maschile seduto) 15 Luigi Bonazza Mart (1927) Notte d’estate, collezione privata (1920) 5 Leonardo Bistolfi Mart La bellezza liberata dalla materia, (1908) 16 Luigi Bonazza Mart Contributo dell’operaio all’esercito combattente, (1914-1915) Mart Il corpo in posa Il corpo in posa 28 29 30 31 32 44 1 2 3 4 41 27 17 18 33 45 5 6 7 8 26 34 42 46 19 20 25 35 47 9 10 11 12 43 21 22 48 24 36 23 Guglielmo Plüshow 32 František Drtikol 41 Luigi Ratini Senza titolo, s.d. Senza titolo, (1912) Le chat, 1921 13 14 15 16 Mart, Fondo Thayaht Mart, Collezione M. Trevisan Mart 37 23 40 39 38 49 24 Vincenzo Galdi 33 Louis Bonnard 42 Luigi Ratini Senza titolo, s.d. Studio per dipinto Le chien, 1921 Mart, Fondo Thayaht "Souvenirs" di C. Chaplin, Mart 1881 Luigi Ratini 8 Iliade: Le refus de Paris, 1923 Luigi Bonazza 25 Wilhelm von Gloeden Mart, Collezione M. Trevisan 43 Luigi Ratini Mart Mart Senza titolo, 1904 Rhododendro, 1921 9 La leggenda di Orfeo: Mart, Fondo Thayaht 34 Vincenzo Galdi Mart 1 Iliade: Le rêve par ordre La chante dans 17 Jovis Amores: Senza titolo, s.d. de Yupiter descend dans l’hades, 1921 il Dio ferito, 1912 26 Vincenzo Galdi Mart, Fondo Thayaht 44 Vincenzo Galdi la tende d’Agamemnon, 1921 Senza titolo, s.d. Senza titolo, s.d. 10 La leggenda di Orfeo: 18 Jovis Amores: Mart, Fondo Thayaht 35 Auguste Belloc Mart, Fondo Thayaht 2 Iliade: La lachete de Paris. Eurydice est rendue Europa, 1912 Senza titolo, 1853 Paris recule a l’aspect a Orphee, 1921 27 Vincenzo Galdi Mart, Collezione M. Trevisan 45 Wilhelm von Gloeden de Menelas, 1921 19 Jovis Amores: Senza titolo, s.d. Senza titolo, 1901 11 La leggenda di Orfeo: Danae, 1912 Mart, Fondo Thayaht 36 Anonimo Mart, Fondo Thayaht 3 Iliade: Iris par ordre La mort d’Orphee, 1921 Ritratto di Jiddu Krishnamurti, s.d. de Yupiter, retient Yunon 20 Jovis Amores: 28 Pastime Novelty Mart, Fondo Thayaht 46 Wilhelm von Gloeden et Minerve, 1923 12 Iliade: Apollon darde les navires Io, 1912 Co., Broadway Senza titolo, s.d. des Achéens, 1920 Kaloma (Josephine Marcus), 37 Rudolf Koppitz Mart, Fondo Thayaht 4 Iliade: Iris envoyée 21 Jovis Amores: N.Y.C., 1914 Studi di movimento, 1925 par Yupiter porte au troyens 13 La leggenda di Orfeo: Deione, 1912 Mart, Collezione M. Trevisan Mart, Collezione M. Trevisan 47 Wilhelm von Gloeden un triste message, 1921 L’ombre d’Orphee Senza titolo, 1902 embrasse Eurydice, 1921 22 Jovis Amores: 29 Félix-Jacques-Antoine 38 Guglielmo Plüshow Mart, Fondo Thayaht 5 Iliade: Yupiter du haut Leda, 1912 Moulin Senza titolo, s.d. de l’ida regarde a bataille 14 Die Orpheus sage: Senza titolo, (1865 - 1875) Mart, Fondo Thayaht 48 Vincenzo Galdi 1922 Bacchus punit les Mart, Collezione M. Trevisan Senza titolo, s.d. Menades, 1921 39 John Ernest Bellocq Mart, Fondo Thayaht 6 Iliade: Concert de Minerve 30 Gaudenzio Marconi Senza titolo, (1912) avec Apollon, 1922 15 La leggenda di Orfeo: Senza titolo, (1870 - 1880) (stampata nel 1970 49 Wilhelm von Gloeden Orphee sur le rhodope, 1921 Mart, Collezione M.
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