Vallauris Golfe-Juan Visitor’S Guide
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Argile De Vallauris Recherche De Nouveaux Gisements En Dehors Du Perimetre De La Z.A.D
SOCIETE ANOÍME DESBATES ET BWJX CERAMIQUES AVENUE DU PRESIDENT J.F. KENEDDY ZONE INDUSTRIELLE MAGRE - LIMOGES ARGILE DE VALLAURIS RECHERCHE DE NOUVEAUX GISEMENTS EN DEHORS DU PERIMETRE DE LA Z.A.D. DU PLATEAU DE VALBONNE (ALPES MARITIMES) ETUDE PRELIMINAIRE PAR A. GOUNON - J. VERNET BUREAU DE RECHERCHES GEOLOGIQUES ET MINIERES SERVICE GEOLOGIQUE NATIONAL B.P. 6009 - 45O18 ORLEANS - Tél.(38) 63.OO.12 SERVICE GEOLOGIQUE REGIONAL PROVENCE-CORSE DOMAINE DE LUMINY - ROUTE LEON LACHAMP 13008 - MARSEILLE Tél.(91) 41.26.04 76 SGN 135 PRC MARSEILLE, AVRIL 1976 - 3 - ARGILE DE VALLAURIS RECHERCHE DE NOUVEAUX GIShMENTS EN DEHORS DU PERIMETRE DE LA Z.A.D, DU . PLATEAU DE VALBONNE (ALPES MARITIMES) ETUDE PRELIMINAIRE PAR A. GOUNON - J. VERNET 76 S6N 335 PRC AVRIL 1976 RESUME La création et le développement de Sophia Antipolis d'une part et de la Z.A.D. du plateau de Valbonne, d'autre part, rendent de plus en plus difficile l'exploitation d'argile de Vallauris dans ce secteur. l Afin de pourvoir,dans les années à venir, à l'approvision- nement des utilisateurs de ce matériau, notamment des artisans potiers de Vallauris, la S.A.P.E.C. a confié au B.R.G.M. une étude préliminaire de recherche de gisements à l'extérieur du complexe de Valbonne. Les résultats de cette étude, basée sur un examen de surface purement géologique, s'avèrent négatifs: les affleurements d'argile reconnus sont soit inexploitables, soit trop marneux. Toutefois, il semble que quelques gisements restent exploitables à l'intérieur du périmètre de la Z.A.D. -
Copertina Artepd.Cdr
Trent’anni di chiavi di lettura Siamo arrivati ai trent’anni, quindi siamo in quell’età in cui ci sentiamo maturi senza esserlo del tutto e abbiamo tantissime energie da spendere per il futuro. Sono energie positive, che vengono dal sostegno e dal riconoscimento che il cammino fin qui percorso per far crescere ArtePadova da quella piccola edizio- ne inaugurale del 1990, ci sta portando nella giusta direzione. Siamo qui a rap- presentare in campo nazionale, al meglio per le nostre forze, un settore difficile per il quale non è ammessa l’improvvisazione, ma serve la politica dei piccoli passi; siamo qui a dimostrare con i dati di questa edizione del 2019, che siamo stati seguiti con apprezzamento da un numero crescente di galleristi, di artisti, di appassionati cultori dell’arte. E possiamo anche dire, con un po’ di vanto, che negli anni abbiamo dato il nostro contributo di conoscenza per diffondere tra giovani e meno giovani l’amore per l’arte moderna: a volte snobbata, a volte non compresa, ma sempre motivo di dibattito e di curiosità. Un tentativo questo che da qualche tempo stiamo incentivando con l’apertura ai giovani artisti pro- ponendo anche un’arte accessibile a tutte le tasche: tanto che nei nostri spazi figurano, democraticamente fianco a fianco, opere da decine di migliaia di euro di valore ed altre che si fermano a poche centinaia di euro. Se abbiamo attraversato indenni il confine tra due secoli con le sue crisi, è per- ché l’arte è sì bene rifugio, ma sostanzialmente rappresenta il bello, dimostra che l’uomo è capace di grandi azzardi e di mettersi sempre in gioco sperimen- tando forme nuove di espressione; l’arte è tecnica e insieme fantasia, ovvero un connubio unico e per questo quasi magico tra terra e cielo. -
Of Regulation (EEC) No 2081/92 on the Protection of Geographical Indications and Designations of Origin
12.7.2005 EN Official Journal of the European Union C 172/7 Publication of an application for registration pursuant to Article 6(2) of Regulation (EEC) No 2081/92 on the protection of geographical indications and designations of origin (2005/C 172/05) This publication confers the right to object to the application pursuant to Articles 7 and 12d of the above- mentioned Regulation. Any objection to this application must be submitted via the competent authority in a Member State, in a WTO member country or in a third country recognized in accordance with Article 12(3) within a time limit of six months from the date of this publication. The arguments for publication are set out below, in particular under 4.6, and are considered to justify the application within the meaning of Regulation (EEC) No 2081/92. SUMMARY COMMISSION REGULATION (EC) No 2081/92 ‘HUILE D'OLIVE DE NICE’ EC No: FR/00322/29.10.2003 PDO (X) PGI ( ) This summary has been drawn up for information purposes only. For full details, in particular for the producers of the PDO or PGI concerned, please consult the complete version of the product specification obtainable at national level or from the European Commission (1). 1. Responsible department in the Member State: Name: Institut National des Appellations d'Origine Address: 138, Champs-Élysées, F-75008 Paris From 1 January 2005: 51, rue d'Anjou, F-75008 Paris Tel.: 01 53 89 80 00 Fax: 01 42 25 57 97 2. Group: 2.1 Name: Syndicat Interprofessionnel de l'Olive de Nice 2.2 Address: Box 116, Min Fleurs 6, F-06296 Nice Cedex 3 Tel.: 04 97 25 76 40 Fax: 04 97 25 76 59 2.3 Composition: — Members: all natural and legal persons producing, processing, packing and marketing ‘Olive de Nice’ registered designation of origin olives and olive paste and ‘Huile d'olive de Nice’ registered designation of origin olive oil. -
Julio Gonzalez Introduction by Andrew Carnduff Ritchie, with Statements by the Artist
Julio Gonzalez Introduction by Andrew Carnduff Ritchie, with statements by the artist. The Museum of Modern Art, New York, in collaboration with the Minneapolis Institute of Art Author Museum of Modern Art (New York, N.Y.) Date 1956 Publisher Minneapolis Institute of Art Exhibition URL www.moma.org/calendar/exhibitions/3333 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art JULIO GONZALEZ JULIO GONZALEZ introduction by Andrew Carnduff Ritchie with statements by the artist The Museum of Modern Art New York in collaboration with The Minneapolis Institute of Art TRUSTEES OF THE MUSEUM OF MODERN ART John Hay W hitney, Chairman of theBoard;//enry A//en Aloe, 1st Vice-Chairman; Philip L. Goodwin, 2nd Vice-Chairman; William A. M. Burden, President; Mrs. David M. Levy, 1st Vice-President; Alfred IL Barr, Jr., Mrs. Bobert Woods Bliss, Stephen C. (dark, Balph F. Colin, Mrs. W. Murray Crane,* Bene ddfarnon court, Mrs. Edsel B. Ford, A. Conger Goodyear, Mrs. Simon Guggenheim,* Wallace K. Harrison, James W. Husted,* Mrs. Albert D. Lasker, Mrs. Henry B. Luce, Ranald II. Macdonald, Mrs. Samuel A. Marx, Mrs. G. Macculloch Miller, William S. Paley, Mrs. Bliss Parkinson, Mrs. Charles S. Payson, Duncan Phillips,* Andrew CarndujJ Bitchie, David Bockefeller, Mrs. John D. Bockefeller, 3rd, Nelson A. Bockefeller, Beardsley Buml, Paul J. Sachs,* John L. Senior, Jr., James Thrall Soby, Edward M. M. Warburg, Monroe Wheeler * Honorary Trustee for Life TRUSTEES OF THE MINNEAPOLIS INSTITUTE OF ARTS Putnam D. -
Roquefort-Les-Pins Villeneuve-Loubet Antibes
LA DE BR TE A R G E U Direction V E Roquefort-les-Pins U Golf O d'Opio-Valbonne chemin du ROQUEFORT-LES-PINS C D a Collège É r e b n e o ti ne u Niki-St-Phalle n D i r t i s a r t s r o a n t LE M a r F a t M O M n t p N o t n é F n OPIO o T o p F D e ist F Direction d e d e e e M n c d Opio o i l n l N i A a V m D204 e e d h R c VILLENEUVE-LOUBET Ecole Campouns e Lycée Rond point Rond point T t Ile Verte u c Simone Veil du Servan o u I r N R b le Vil E UET chemin de D4 L'Ile UG Ecole Daudet Rond point Ecole de D4 e des Savoirs Verte R te de Nic Stade l’Ile Verte B Rou Rond point L. Chabert s Piste des Grives Centre Technique n Bicross CHÂTEAUNEUF o E asse D4 Municipal r D4 L e de Gr Valbonne Maison Nature a Ro out R t c ute R Environnement oute de Bio Salle D4 d t Direction D4 Village Déchetterie a e r Sainte Hélène M V Plascassier a a s lb e o p n D604 ne d é e La Brague LeBeget t Avenue D u o des fauvettes se c nt La Brague h R ie e r m i d min de la n d e che Ca e Peijean la B la Direction ra n g q u e Biot u e n e on s s a in s s u Dev e t d j e a i e e BR la Co ll e ste du Moulin A g A e i d e n d n p e L G in i l P Tennis m ' A n e u A La Brague U ch n e ’ E g l a d g . -
Fiche De Salle-Magnelli-Anglais
Musée Magnelli, musée de la céramique - Vallauris Short biography of Alberto Magnelli Born in Florence in 1888 in a family of shopkeepers, Alberto Magnelli (1888-1971) achieves his first painting, a landscape, in 1907. He was a self-taught artist who never attended any art school nevertheless he studied the primitive Italian painting. His masters were Paolo Uccello, Masaccio, and above all Piero della Francesca to whom he owes his sense of composition. In Florence, he kept company with the artists of the Futurist movement but never wanted to join them. While his early works such as Neve (1910) – the first important painting in his career- were dedicated to the architecture of painting and plain colours, after 1914, his production (Virginia , Nature morte à la boîte rouge , and La Japonaise ) is painted with bright flat tints, which totally contrasts with his previous work. In 1914, Magnelli travels for the first time to Paris where he meets Apollinaire, Picasso, Léger and Archipenko. Back in Italy, he is forced to stay because of the break of the war in 1915. During this period, he produces paintings by resorting to a logical simplification of forms, progressively turning to abstraction. He thus becomes the first Italian abstract painter. Peinture n° 0521 (1915) - entitled with a simple number- is an emblem of his first abstract works. By 1917, he reintroduces figurative elements: the series of Explosions Lyriques (1918) are an echo to the end of the war, particularly dynamic and free in the style. In 1922, Magnelli goes back to a more classical style. At the end of the 1920’s, he stops painting. -
Impressionist & Modern
Impressionist & Modern Art New Bond Street, London I 10 October 2019 Lot 8 Lot 2 Lot 26 (detail) Impressionist & Modern Art New Bond Street, London I Thursday 10 October 2019, 5pm BONHAMS ENQUIRIES PHYSICAL CONDITION IMPORTANT INFORMATION 101 New Bond Street London OF LOTS IN THIS AUCTION The United States Government London W1S 1SR India Phillips PLEASE NOTE THAT THERE IS NO has banned the import of ivory bonhams.com Global Head of Department REFERENCE IN THIS CATALOGUE into the USA. Lots containing +44 (0) 20 7468 8328 TO THE PHYSICAL CONDITION OF ivory are indicated by the VIEWING [email protected] ANY LOT. INTENDING BIDDERS symbol Ф printed beside the Friday 4 October 10am – 5pm MUST SATISFY THEMSELVES AS lot number in this catalogue. Saturday 5 October 11am - 4pm Hannah Foster TO THE CONDITION OF ANY LOT Sunday 6 October 11am - 4pm Head of Department AS SPECIFIED IN CLAUSE 14 PRESS ENQUIRIES Monday 7 October 10am - 5pm +44 (0) 20 7468 5814 OF THE NOTICE TO BIDDERS [email protected] Tuesday 8 October 10am - 5pm [email protected] CONTAINED AT THE END OF THIS Wednesday 9 October 10am - 5pm CATALOGUE. CUSTOMER SERVICES Thursday 10 October 10am - 3pm Ruth Woodbridge Monday to Friday Specialist As a courtesy to intending bidders, 8.30am to 6pm SALE NUMBER +44 (0) 20 7468 5816 Bonhams will provide a written +44 (0) 20 7447 7447 25445 [email protected] Indication of the physical condition of +44 (0) 20 7447 7401 Fax lots in this sale if a request is received CATALOGUE Julia Ryff up to 24 hours before the auction Please see back of catalogue £22.00 Specialist starts. -
Réouverture De La Ligne Dossier De Presse
CONTRAT DE PLAN ÉTAT-RÉGION MODERNISATION DE LA LIGNE FERROVIAIRE CANNES GRASSE RÉOUVERTURE DE LA LIGNE CANNES GRASSE DOSSIER DE PRESSE GRASSE, LE 11 DÉCEMBRE 2017 RÉOUVERTURE DE LA LIGNE FERROVIAIRE CANNES-GRASSE SOMMAIRE COMMUNIQUÉ DE PRESSE 3 LA MODERNISATION DE LA LIGNE FERROVIAIRE CANNES-GRASSE 4 • Un peu d’histoire… • L’augmentation de capacité, un projet du CPER • Un service plus performant pour les voyageurs LES AMÉNAGEMENTS ET TRAVAUX RÉALISÉS SUR LA LIGNE 6 • Création d’une voie d’évitement et d’un quai supplémentaire à la halte du Bosquet • Suppression du PN5 sur les communes de Mougins et Mouans-Sartoux • Allongement des quais des 5 gares et haltes de la ligne • Aménagements paysagers pour une insertion réussie du projet • Les principales entreprises du chantier • Les grandes étapes du projet UNE OFFRE ATTRACTIVE POUR LES VOYAGEURS 11 • La nouvelle offre de transport • Les aménagements en gare • L’accompagnement des voyageurs lors de la réouverture • L’offre commerciale de lancement UN FINANCEMENT PARTAGÉ 13 LES ACTEURS DU PROJET 14 • État • Région Provence-Alpes-Côte d’Azur • Département des Alpes-Maritimes • Communauté d’Agglomération du Pays de Grasse • Commune de Mougins • SNCF Réseau CONTACTS PRESSE Arielle Soli - Téléphone : 04 93 72 22 40 - Mail : [email protected] Margaux Massonnat - Portable : 06 68 21 02 64 - Mail : [email protected] Julie Moziyan - Portable : 06 45 92 77 51 - Mail : [email protected] Muriel Courché - Portable : 06 68 93 02 42 - Mail : [email protected] Lise Turetti - Portable : 06 84 68 01 84 - Mail : [email protected] Carole Teissedre - Portable : 07 86 11 89 54 - Mail : [email protected] 2 RÉOUVERTURE DE LA LIGNE FERROVIAIRE CANNES-GRASSE COMMUNIQUÉ DE PRESSE Grasse, 11 décembre 2017 Réouverture de la ligne ferroviaire Cannes-Grasse : Deux fois plus de TER entre Cannes et Grasse. -
Lignes Principales Lignes Aéroport Autres Lignes Transport À La
720 230 B Lignes Principales CADAM 790 Ferber / Promenade Nice (Port Lympia / Fodéré) 712 Santoline 100 Monaco - Menton (Gare routière) 770 720 Nice (Parc Phœnix) 200 Antibes - Cannes (Gare SNCF) 230 A Bois de Boulogne 720 790 Nice (Albert 1er / Verdun) Entraunes La Vallière / Promenade 230 A Sophia (Gare routière) Xpress Parc Phœnix Nice (Alsace-Lorraine) 200 217 400 500 230 B (Gare routière) Xpress 110 Sophia 790 720 770 790 Nice (Vauban) 300 La Grave de Contes St-Martin d’Entraunes Nice (Parc Phœnix) 400 Vence (Halte routière) 250 400 200 230 A 217 400 230 A / B Aéroport Promenade Nice (Parc Phœnix) 500 720 790 Belle Etoile Gare / Passerelle 500 Grasse (Gare routière) 200 232 400 500 Villeneuve d’Entraunes 200 400 Aéroport T.1 210 Gare RN7 Cannes (Gare SNCF) Le Gros Chêne 200 400 500 500 110 210 250 770 200 232 400 500 600 (Gare routière) Guillaumes Grasse Les Vespins RN7 Vauban RN7 Les Mouettes Valberg 200 232 200 400 500 200 400 500 Passerelle SNCF Beuil 400 500 200 217 400 500 Lignes Aéroport 200 770 232 Aéroport T.2 110 210 250 Nice Aéroport (Terminal 1) TAD 790 Trotteur Plage Verdun 110 Monaco - Menton Express France d’Outre Mer CentreCentre Commercial Commercial Cap 3000 RN98 Nice Aéroport (Terminal 1) Surcouf 217 232 210 Cannes (Gare SNCF) Express 217 Nice Aéroport (Terminal 1) Zoom Nice 250 Antibes - Vallauris Express Autres Lignes Daluis Nice (Pont-Michel) 100X Monaco (Fontvieille) Express Nice (Vauban) Vers Digne-les-Bains 112 Monte Carlo (Casino) Nice (Vauban) 770 116 La Turbie - Peille par Laghet TAD Nice (Parc Phœnix) -
Magnelli Jacques Lepage
Document generated on 09/25/2021 10 p.m. Vie des arts Magnelli Jacques Lepage Number 64, Fall 1971 URI: https://id.erudit.org/iderudit/57970ac See table of contents Publisher(s) La Société La Vie des Arts ISSN 0042-5435 (print) 1923-3183 (digital) Explore this journal Cite this article Lepage, J. (1971). Magnelli. Vie des arts, (64), 70–73. Tous droits réservés © La Société La Vie des Arts, 1971 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ magnelli par Jacques lepage D'étude scientifique consacrée à l'émergence presque simultanée de phénomènes nouveaux dans des lieux et des situations différentes, il n'en est pas. Pourtant, il est commun de voir se faire, aussi bien dans des disciplines objectives que spéculatives ou artistiques, des dé couvertes dont l'analogie est trou blante, dans un temps très court. Ainsi la non-figuration surgit à la même période dans des pays aussi peu semblables que la Russie des Tsars, la Hollande et l'Italie, l'Eu rope Centrale des Habsbourg et la France. La vague de fond qui dé s ferle, de la mort de Cézanne à l'ir ruption du Dadaïsme, bouleverse non seulement l'art et le goût, mais va mettre en cause les structures interprétatives de l'esthétisme. -
ROUTES DU BONHEUR the Mediterranean of Artists
My Route du Bonheur... - Suggestions of itineraries to discover the world... France ROUTES DU BONHEUR The Mediterranean of artists Has any other region in the world attracted so many artists? Haveany other skies or seas so inspired painters and sculptors? From Cannes to Menton, the Côte d’Azur has attracted Chagall, Matisse, Léger, Cocteau, Picasso and so many others. Drawn here by the light, climate and because a dip into the azure sea and a breath of sweet mountain air can both be had in just one day, they all lived here on the Mediterranean shore at one point in their lives. And the magic is still happening. One corniche follows another amid olive and cypress 6 NIGHTS A concierge is at your service: trees, vines, exotic gardens and hidden palaces. Today, we visit the houses where in the from past these prestigious artists lived and encounter museums with appealing architecture. 4001 203 186 * The light is as beautiful as ever… ¥ 8,702.37* * Prix Total communiqué à titre indicatif au 10/05/2021, calculé sur la base de 2 personnes en chambre double pour un séjour du nombrede nuits indiqué sur cette page par établissement, hors activités conseillées, hors établissements non réservables en ligne et hors restaurants. ** Prix d'un appel local. 1 2 3 4 42 miles 25 miles 12 miles My Route du Bonheur... - Suggestions of itineraries to discover the world... 1 LA CROIX-VALMER — 2 NIGHTS ( 1 property available ) Château de Valmer Hotel and restaurant in the country. Nestled in a six-hectare estate, only 300 m from the sea and surrounded by organic vineyards and Provençal countryside, Château de Valmer is a former family guest house which has, over time, been converted into a luxury hotel. -
Cv Bernard Abril FR
2014 “Empreintes”, Bogéna Galerie, Saint-Paul de Vence Bogéna Galerie / Singapore « Endless conversation» 2013 “Group show”, Bogéna Galerie, Saint-Paul de Vence 2012 “Entrelas des possibles”, Bogéna Galerie, Saint-Paul de Vence 2011 Installation, Frankfurt, Allemagne Installation, Transart Café, Antibes Installation, Valbonne 2010 Installation, No made, Stockholm 2009 Installation, Roure Installation, Art du peu, Bonson “Art en ciel”, Saint Paul de Vence 2008 Installation, Art en Place, Vence Installation, Artenciel, Saint-Paul de Vence Installation, Roure “Wabi sabi”, Bogéna Galerie, Saint-Paul de Vence Installation, Mandelieu Installation, Chapelle de Vallauris Installation, Jardin du Casino de Monaco 2007 Installation “Écriture rouge”, Gréolières Installation “Écriture rouge”, Antibes 2006 Installation “Offrande à la rivière”, Biot Installation “La mémoire de l’eau”, Parc Phoénix, Nice Installation “Strange black stars”, Calern Installation “Écriture urbaine”, Tourettes Levens Installations “Au fil de l’eau”, Galerie ELEN’arts , Vallauris 2005 Installation “Reflet”, Arboretum de Roure Installation “Calligraphique”, Parc Phoénix, Nice. Installation “Conversation”, Clans “Exposition collective”, Galerie ELEN’Arts, Vallauris 2004 Installation “Évolution 2”, Arboretum de Roure Installation “Poème entre deux arbres”, Calern Installation “Grande écriture”, Fondation Blachère, Joucas Installation “Arabesque”, sculptures en herbes, Gréoux les Bains. 2003 Installation “La source”, SIEVI, Carros Installation “La cascade”, Calern “Diffuseur de