Monday, September 17, 2018 NEW YORK DOYLE+DESIGN® MODERN AND CONTEMPORARY ART AND DESIGN

AUCTION Monday, September 17, 2018 at 10am

EXHIBITION Friday, September 14, 10am – 5pm Saturday, September 15, 10am – 5pm Sunday, September 16, Noon – 5pm

LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $35 PAINTINGS, SCULPTURE, PHOTOGRAPHS & PRINTS

INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Fine Art 1-95 Aurora Biamonte Prints 96-115 Norman Dorsen Furniture & Decorative Arts 116-179 An East Hampton Collection Silver 180-187 Dr. Paul Hershenson Furniture & Decorative Arts 188-253 Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Jesse Mines The Patricia and Donald Oresman Collection Felice Ross Florence Segal The Wynant D. Vanderpoel Trust Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V INCLUDING PROPERTY FROM Buying at Doyle VI The Collection of Charlotte Bergman Selling at Doyle VIII A Private Connecticut Collection Auction Schedule IX A Private Collection of Important Design Company Directory X Sold to Benefit a New York Not-For-Profit Organization Absentee Bid Form XII The Collection of Margo Howard

Lot 70 1 4 Yaacov Agam Leo Amino Israeli, b. 1928 Japanese/American, 1911-1989 Petit Triangle Volant Object Untitled, circa 1946 Signed Agam and numbered 2/4 Signed LEO 18 kt. gold, 52.1 dwts Terracotta Height 1 7/8 inches 14 1/2 x 18 x 12 inches Provenance: C The artist $4,000-6,000 [Sale]: Enghien Hôtel des Ventes See Illustration Acquired by the current owner, Dec. 1980 from the above venue Exhibited: 5 Enghien-les-Bains, France, Enghien Hotel des Leo Amino Ventes, Bijoux-Sculptures et Mobiles en Japanese/American, 1911-1989 Or par Yaacov Agam, Dec. 5-7, 1980 Sphere with Embedded Color C Signed with a monogram and dated 67 on $3,500-4,500 the underside of aluminum stand See Illustration Cast acrylic, resin and aluminum Diameter 8 inches C Estate of Felice Ross 1 $2,000-3,000 2 See Illustration Yaacov Agam Israeli, b. 1928 Petit Triangle Volant Object Signed Agam and numbered 8/9 18 kt. gold, 52.1 dwts 4 Height 1 7/8 inches Provenance: The artist [Sale]: Enghien Hôtel des Ventes Acquired by the current owner, Dec. 1980 from the above venue Exhibited: Enghien-les-Bains, France, Enghien Hotel des Ventes, Bijoux-Sculptures et Mobiles en Or par Yaacov Agam, Dec. 5-7, 1980 C $3,500-4,500 See Illustration

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2 Yaacov Agam Israeli, b. 1928 Petit Triangle Volant Object Signed Agam and numbered 5/9 18 kt. gold, 52.1 dwts Height 1 7/8 inches Provenance: The artist [Sale]: Enghien Hôtel des Ventes 6 Acquired by the current owner, Dec. 1980 Leo Amino from the above venue Japanese/American, 1911-1989 Exhibited: Untitled, 1945 Enghien-les-Bains, France, Enghien Hotel des Signed Leo Amino and dated Ventes, Bijoux-Sculptures et Mobiles en 13.3.45 on base Or par Yaacov Agam, Dec. 5-7, 1980 Carved acrylic on wood base C 9 1/2 x 17 x 3 inches $3,500-4,500 Provenance: See Illustration Estate of the artist C $1,500-2,500 See Illustration

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6 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 7 10 Eduardo Arroyo Spanish, b. 1937 Moon Beom Card Game/Poker (Brelan), 1983 Korean, b. 1955 Signed Arroyo and dated 1983 (lc) Slow, Same #4023, 1997 Watercolor on paper Signed Moon Beom, dated 1997 13 x 10 3/4 inches and inscribed as titled on Provenance: the reverse Galerie Karl Flinker, Paris Oilstick and varnish on linen Exhibited: stretched to panel Eduardo Arroyo, 1984, 59 x 18 inches The Solomon R. Guggenheim Museum, C New York, loan no. 234.84 $4,000-6,000 C See Illustration $4,000-6,000 See Illustration

11 Christian Berard 8 French, 1902-1949 Portrait of a Young Man, 1922 Marco Bagnoli Italian, b. 1949 Signed C. Berard and dated 22 (lr), Arciere, 1992 inscribed Mme. Newell/22 rue Wood and copper with alabaster base d. L Universite on board reverse Height 21 5/8 inches Charcoal and ink on paper laid to board 7 Provenance: Curt Marcus Gallery, New York 20 x 14 inches C Provenance: $2,000-4,000 Private collection, Gainesville, FL See Illustration Private collection, NY C $800-1,200 See Illustration 9 11 Bill Barrett American, b. 1934 Untitled, 1976 12 Signed Bill Barrett and dated 1976 Christian Berard Brushed aluminum French, 1902-1949 13 5/8 x 21 3/4 x 7 1/4 inches Interior and Balcony C Signed Berard (lr), stamped $2,000-3,000 Renaud-Barrault/Etude-Tajan/27 See Illustration Juin 1995 on the reverse Gouache and pastel on paper 12 3/8 x 9 1/2 inches Provenance: Galerie L’Arc en Seine, Paris The Claire and Garrick Stephenson Collection C $700-900 See Illustration

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8 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 13 Christian Berard French, 1902-1949 Untitled Interior with Three Figures Signed Berard (lr) Ink and gouache on cream paper Sight size 6 1/4 x 8 1/4 inches Provenance: Galerie L’Arc en Seine, Paris The Claire and Garrick Stephenson Collection C $500-700 See Illustration

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16 Eugene Berman Russian/American, 1899-1972 Statue, Act III, 1952 Initialed EB and dated 1952 (lc), inscribed Statue/Act III (ur) and 14 la forza del Destino (ul) Gouache on brown paper 11 3/4 x 9 inches C 14 $800-1,200 Tony Berlant See Illustration American, b. 1941 Untitled (House), circa 1989 17 Found metal assemblage and steel brads on plywood Eugene Berman 8 1/4 x 8 1/2 x 7 1/8 inches Russian/American, 1899-1972 C Estate of Felice Ross Town Square, 1938 $3,000-5,000 Initialed E.B. and dated 1963, inscribed New York/ See Illustration to Leo Robinson/with friendship and affection and dated May 3 1963 (lc) 15 11 3/4 x 8 5/8 inches Eugene Berman C Russian/American, 1899-1972 $700-900 Costume Design, 1967 See Illustration Signed Eugene Berman and dated Rome/20 July 1967 Ink and gouache on paper 18 13 3/4 x 10 1/8 inches Miguel Berrocal Provenance: Spanish, 1933-2006 Ernest Raboff Gallery, Los Angeles Torero, 1972 C Signed Berrocal and numbered 1791/2000 $1,000-1,500 Bronze with gold patina, from an edition of 2000 See Illustration Height 11 inches C $1,500-2,500 See Illustration

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22 Angel Botello Puerto Rican, 1913-1986 Portrait of a Woman 23 Signed A. Botello (lr) Oil on canvas 16 1/2 x 14 1/8 inches 21 C $6,000-8,000 See Illustration

23 James Brown 20 American, b. 1951 Varujan Boghosian Salt (Brown) VI, 1989 American, b. 1926 Signed James Brown, dated 1989 and Seer, 1992 inscribed as titled on the reverse Initialed VB (lr), signed Varujan Boghosian and Oil and graphite on burlap in artist’s frame dated 1992 on the reverse 45 1/2 x 38 inches Mixed media construction Provenance: 20 x 16 3/4 inches Acquired directly from the artist by Provenance: the current owner Alpha Gallery, Boston C C $3,000-5,000 20 $1,500-2,500 See Illustration See Illustration 24 21 James Brown 19 Varujan Boghosian American, b. 1951 Salt (Brown) V, 1989 Julius Bissier and Walker O. Cain American, b. 1926 German, 1893-1965 and American, 1915-1993 Bells, 1991 Signed James Brown, dated 1989 and Untitled, 1977 Signed Varujan Boghosian, dated 1991 and inscribed as titled on the reverse Signed J.B. and Walker O. Cain and dated 77 (lr) inscribed as titled on the reverse Oil and graphite on burlap in artist’s frame Ink, watercolor and collage on paper Mixed media construction 45 1/2 x 38 inches 5 x 7 inches 20 1/2 x 21 5/8 inches Provenance: C Property from the Wynant D. Vanderpoel Trust C Acquired directly from the artist by $2,000-3,000 $1,500-2,500 the current owner See Illustration See Illustration C $3,000-5,000 See Illustration 24

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25 28 29 30 James Brown James Brown Hans Burkhardt John Coburn American, b. 1951 American, b. 1951 American, 1904-1994 Australian, 1925-2006 Untitled Untitled, 1991 Burial Procession, 1961 Creature, 1971 Initialed JB on the reverse Signed James Brown and dated 1991 Signed H. Burkhardt and dated 61 (lr) Signed Coburn (lr), signed Oil on metal panel on the reverse Charcoal and pastel on brown paper John Coburn, dated Paris 1971 and 32 x 19 3/4 inches Oil on panel 36 x 48 inches inscribed as titled on the reverse Provenance: 18 x 14 inches Provenance: Gouache on paper Acquired directly from the artist by the current owner Unframed Gift of the Artist 22 1/2 x 30 1/4 inches C Provenance: La Jolla Museum of Art, La Jolla, CA, 1961 C Dorothy Lewis 2013 Irrevocable Trust $3,000-5,000 Acquired directly from the artist by C $2,500-3,500 See Illustration the current owner $2,000-3,000 See Illustration C See Illustration 26 $1,500-2,500 James Brown See Illustration American, b. 1951 Untitled Glazed terracotta Height 28 1/2 inches Provenance: Acquired directly from the artist by the current owner C $2,000-4,000 See Illustration

27 James Brown American, b. 1951 Untitled, 1991 Signed James Brown and dated 1991 on the reverse Oil on cradled panel 18 x 14 inches Unframed Provenance: Acquired directly from the artist by the current owner C 26 $1,500-2,500

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14 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15 34 36 Pierre Courtin José Luis Cuevas French, b. 1921 Mexican, 1934-2017 Calendrier, 1973 El Asilo de Charenton Signed Pierre Courtin (lc) Signed J.L. Cuevas and Gouache on paper inscribed as titled (lr) Diameter 16 1/8 inches Ink on paper Provenance: 13 3/4 x 10 inches Claude Bernard Gallery, LTD., C Estate of Felice Ross New York $1,000-1,500 C See Illustration $1,000-1,500 See Illustration

35 Robert Courtright American, 1926-2012 Mask, 1984 Signed Courtright and dated 84 (lr) Papier-mache with pigments 10 1/2 x 10 3/4 inches Provenance: Kouros Gallery, New York (Couro 139) C Estate of Felice Ross $1,200-1,800 See Illustration

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31 33 John Coburn James Coignard Australian, 1925-2006 French, 1925-2008 Monolith, 1971 Dimension IV, 1987 Signed Coburn (lr), signed Signed J Coignard (lr), dated John Coburn, dated Paris Paris 1987 and inscribed as 1971 and inscribed as titled titled on the stretcher on the reverse Oil on canvas Gouache on paper 63 1/2 x 51 inches 30 1/4 x 22 1/2 inches C Estate of Norman Dorsen C Dorothy Lewis 2013 $1,500-2,500 Irrevocable Trust See Illustration $2,500-3,500 See Illustration

32 John Coburn Australian, 1925-2006 Image, 1971 Signed Coburn (lr), signed John Coburn, dated Paris 1971 and inscribed as titled on the reverse Gouache on paper 30 1/4 x 22 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust

$2,500-3,500 35 See Illustration

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16 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17 40 Dorothy Dehner American, 1901-1994 Untitled, 1987 Signed Dehner and dated ‘87 (lr) Ink and watercolor on paper 11 x 4 5/8 inches C $800-1,200 See Illustration and Back Cover

37 39 41 Dorothy Dehner American, 1901-1994 Untitled, 1975 Signed Dehner and dated ‘75 (ll) 37 Toothpick and glue collage on paper Dorothy Dehner 4 1/2 x 6 1/2 inches American, 1901-1994 C Untitled $700-900 Signed Dehner See Illustration Mixed metal alloy with lucite base Height including base 11 3/8 inches C $2,000-3,000 42 See Illustration Dorothy Dehner American, 1901-1994 Untitled, 1976 38 Signed Dehner and dated ‘76 (ll) Dorothy Dehner Ink on paper

American, 1901-1994 10 1/4 x 1 7/8 inches 40 42 Untitled, 1976 C Signed Dehner and dated ‘76 (lr) $700-900 Ink on paper See Illustration 18 1/4 x 22 7/8 inches C $1,500-2,500 See Illustration

39 Dorothy Dehner American, 1901-1994 Untitled, 1972 Signed Dehner, dated ‘72 and inscribed 38 D.W.G. #2 (ur) Ink on paper 22 3/4 x 30 3/8 inches C $1,500-2,500 See Illustration

41 18 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19 43 Jim Dine American, b. 1935 Untitled Signed Jim Dine (lr) Watercolor and gouache on paper 16 x 12 inches C Estate of Felice Ross $1,000-1,500 See Illustration

44 Joel A. Fischer American, b. 1947 Untitled Bronze with green patina Height 55 inches 43 Exhibited: 1976-1986: Ten Years of Collecting Contemporary, Nov. 13, 1986 - Jan. 18, 1987,

Wellesley Museum, Wellesley, MA; 46 47 Feb. 13 - Mar. 21, 1987, Knight Gallery, Spirit Square Center for the Arts, Charlotte, NC; Nov. 15, 1987 - Jan. 17, 1988, Parrish Art Museum, Water Mill, NY Structure to Resemblance: Work by Eight American Sculptors, Albright-Knox Art Gallery, Buffalo, Jun. 13 - Aug. 24, 1987 Work by Eight American Sculptors, Brooklyn Museum of Art, Brooklyn, 46 48 Feb. 24 - May 15, 1989 Jean-Michel Folon Chaim Gross C Belgian, 1934-2005 American, 1904-1991 $4,000-6,000 Robot 1, circa 1975 Seated Female See Illustration Signed Folon (lr), inscribed as Signed Chaim Gross and titled on the reverse numbered 1/6 Watercolor on artist’s board Bronze with brown/green patina 25 1/8 x 19 5/8 inches on stone base 45 C Estate of Felice Ross Height with base 15 1/2 inches John B. Flannagan $5,000-7,000 Provenance: American, 1895-1942 See Illustration Estate of Harold Ruttenberg Ragdoll C Stamped FVSE. Francesco. Roma. and 47 $2,500-3,500 numbered 1/3 Walton Ford See Illustration Bronze, from an edition of 3 American, b. 1960 Height 20 3/4 inches Atlanta, 1989 Provenance: Signed Walton Ford, dated Estate of the artist until 1967 1989 and inscribed as titled on Zabriskie Gallery, New York until 1969 the reverse Sid Deutsch Gallery, New York Oil on wood C 12 x 9 inches $3,000-5,000 Unframed See Illustration C $3,000-5,000 See Illustration 45

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20 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21 49 51 After Chaim Gross Bryan Hunt (i) MOTHER-JOY American, b. 1947 Aubusson wool by Pinton, Limn III (Airship Drawing), numbered 1/6 on the 1979 reverse. Signed Bryan Hunt and 53 1/4 x 53 3/4 inches dated 79 (lr), inscribed (ii) I LOVE MY BABY Limn III (ll) Aubusson wool by Pinton, Mixed media on paper numbered 1/8 on 28 x 71 1/2 inches the reverse. Exhibited: 54 x 91 inches 1976-1986: Ten Years of (iii) HOLE I Collecting Contemporary, Aubusson wool by Pinton, Nov. 13, 1986 - Jan. 18, numbered 1/6 on 1987, Wellesley Museum, the reverse. Wellesley, MA, Traveled to: 70 x 54 inches Feb. 13 - Mar. 21, 1987, (iv) MOTHER Knight Gallery, Spirit Square Aubusson wool by Pinton, Center for the Arts, numbered 1/6 on Charlotte, NC; the reverse. Nov. 15, 1987 - Jan. 17, 69 ½ x 46 inches 1988, Parrish Art Museum, C Dorothy Lewis 2013 Water Mill, NY Irrevocable Trust C $1,200-1,800 $6,000-8,000 See Illustration of Part See Illustration

49 part 50 Hans Hofmann German/American, 1880-1966 (i) Untitled, circa 1935 India ink on paper 52 Stamped Estate of Hans Hofmann and numbered M-933/182 on the backing

10 7/8 x 8 3/8 inches 53 (ii) Untitled, circa 1935 52 54 Stamped Estate of Hans Bryan Hunt Ibrahim Hussein Hofmann and numbered American, b. 1947 Malaysian, 1936-2009 M-933/185 on the backing Uno, 1979 Rumble I, 1965 11 x 8 1/2 inches Signed Bryan Hunt and Signed Ibrahim Hussein, dated 65 C Estate of dated 79 (lr), inscribed I (ll) and inscribed as titled on Dr. Paul Hershenson Graphite and linseed oil on paper the mount $5,000-7,500 22 x 22 1/4 inches Ink and wash on magazine page See Illustration Provenance: laid to card Blum/Helman Gallery, New York 7 1/8 x 6 1/4 inches (no. 588) Provenance: C Estate of Felice Ross The artist

50 $800-1,200 Galerie Internationale, New York See Illustration Thence by descent to the current owner 53 C Ibrahim Hussein $3,000-5,000 Malaysian, 1936-2009 See Illustration Rumble Signed Ibrahim Hussein and inscribed as titled on the mount Gouache on magazine page laid to card 9 5/8 x 8 3/4 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

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51 22 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 23 55 58 Earl Kerkam Michael Loew American, 1891-1965 American, 1907-1985 Untitled Portrait/Courtyard Blue Image, 1958 (double sided work) Signed M. Loew (lr), signed Loew, Initialed EK (lr) dated 1958 and inscribed as titled Tempera on board on the reverse 24 x 20 inches Oil on canvas Provenance: 30 x 25 inches [Sale] , Modern and Contemporary Art, Provenance: Wright, Chicago, Nov. 9, 2003, Lot 316 Rose Fried Gallery, New York C • $2,000-3,000 $2,000-3,000 See Illustration See Illustration

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56 59 Jiri Kolar After Claude Loewer Czech, 1914-2002 BRECHE DE ROUILLE 55 Gottes Maler, 1970 Aubusson wool by Raymond Picaud, Initialed JK and dated 70 (lr), stamped numbered 3/5 and signed Loewer in ink on 19087, signed Kolar, dated 70, dated again label affixed to the reverse. 70 and inscribed Gottes Maler on backing 30 x 50 inches Rollage on paper laid to board C Dorothy Lewis 2013 Irrevocable Trust Image size 11 5/8 x 16 7/8 inches, mount $1,500-2,000 size 16 1/2 x 23 1/2 inches See Illustration Provenance: Harriet Griffin Gallery, New York C Estate of Felice Ross $800-1,200 60 See Illustration Jacques Lipchitz French/American, 1891-1973 Untitled Drawing Pad Three of the attached sheets and 57 the inside cover are stamped with 59 Yayoi Kusama the artist’s device Japanese, b. 1929 Pad with approximately 19 drawings on Pumpkins (pair), circa 2015 attached sheets and 8 drawings on Painted cast resin, published by Benesse detached sheets of varied size Holdings, Inc., Japan Pad size 9 3/8 x 6 1/4 inches Each stamped Yayoi Kusama on underside C 4 1/4 x 2 7/8 x 2 7/8 inches $2,000-3,000 56 C See Illustration $1,800-2,200 See Illustration

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24 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25 61 Jacques Lipchitz French/American, 1891-1973 Flight and Europa and the Bull (double sided work) Signed Lipchitz (ur) Ink on paper 9 1/8 x 12 1/4 inches C $1,500-2,500 See Illustration

62 Jacques Lipchitz French/American, 1891-1973 (i) Study for Sacrifice, 1940 Signed Lipchitz and dated 40 (ur) Ink on paper 8 1/4 x 5 1/4 inches 61 (ii) Untitled Pencil on stationery paper 10 1/2 x 7 1/4 inches C $1,500-2,500 See Illustration

63 Jacques Lipchitz French/American, 1891-1973 65 Study for Rape of Europa 64 Signed Lipchitz (ul) Pencil and ink on paper 9 x 11 1/4 inches Accompanied by a letter to the artist from R. Sturgis Ingersoll, May 29, 1951 C $1,500-2,500 64 65 See Illustration Alberto Magnelli Norman Mercer Italian, 1888-1971 American, 1916-2007 Composizione, 1941 Polychromatic Quad, 2004 Signed Magnelli and dated 41 (lr), Initialed NJM, dated July - ‘04 and stamped Galleria Loenzelli, Milano numbered 262 on the reverse Cast acrylic 62 Gouache on paper Size including base 63 x 50 x 17 10 1/2 x 8 1/4 inches inches Provenance: • Enrico Prampolini Collection $3,000-5,000 Studio d’Arte La Medusa, Rome See Illustration Studio d’Arte Lucas, Milan Galleria Lorenzelli, Bergamo 66 Galleria La Diade, Bergamo Norman Mercer Private collection, New York American, 1916-2007 Leonard Hutton Galleries, New York Dodecagonal Helicoid, 1995 Exhibition History: Initialed NJM, dated Jan. - ‘95 and Galleria della biennale, Palermo, numbered 110 1962 Cast acrylic Mostra Nazionale del Piccolo, 1968 32 x 12 x 11 inches C • $3,000-5,000 $1,000-1,500 See Illustration See Illustration

66 63 26 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27 67 69 70 Lowell Nesbitt Tom Otterness Irene Rice Pereira American, 1933-1993 American, b. 1952 American, 1902-1971 Ivory Rose, 1965 (i) Vertical Figures, 1981 Progression of Reds, circa 1946 Signed L. Nesbitt, inscribed Cast hydrocal on marble Signed I. Rice Pereira, inscribed as titled and dated 65 on the base, edition of 250 Progresion (sic) of Reds on reverse 14 1/2 inches the stretcher Oil on canvas (ii) Bookend, 1979 Oil on canvas 24 x 24 inches Cast hydrocal 36 x 42 inches Provenance: Height 8 inches C Acquired by the present C Estate of Felice Ross $5,000-7,000 owner in 1992 from a private $800-1,200 See Illustration dealer See Illustration C $2,000-3,000 See Illustration 71 Hugo Robus American, 1885-1964 Quiet Form 68 Signed Hugo Robus John Newman Bronze on wood base American, b. 1952 Size including base 8 1/2 x 20 1/2 x Untitled, 1990 9 1/2 inches Signed on the reverse Provenance: 67 Linoleum cut with colored Forum Gallery, New York pencil on paper William Struna, New York until 2000 15 x 10 inches C 70 Provenance: $3,000-5,000 David Nola Gallery, New York See Illustration C Estate of Felice Ross $500-700 See Illustration 72 Theodore Roszak American, 1907-1981 Sketch for Spectre 1949 Signed T.J. Roszak and dated 49 (lr), inscribed Fury (lc), signed Theodore Roszak and inscribed as titled on the reverse Black and sepia ink on paper

15 x 20 inches 71 Provenance: Pierre Matisse Gallery, New York C Estate of Felice Ross $1,200-1,800 See Illustration

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28 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29 73 75 Yohanan Simon Joseph Solman Israeli, 1905-1976 American, 1909-2008 Israeli Landscape, 1962 Across From Macys, 1935 Signed Yohanon Simon and Signed J. Solman and in Hebrew and dated 62 (lr) dated 35 (ll), signed Solman Gouache on paper laid to card and inscribed 187 on the reverse 16 3/4 x 21 1/4 inches Oil on canvas C 30 x 24 inches $1,500-2,500 Provenance: See Illustration Acquired directly from the artist C 74 $5,000-7,000 Richard Smith See Illustration British, 1931-2016 Maquette for Natale (#23), 1990 76 Signed R. Smith and Syd Solomon dated 90 (ll) American, 1917-2004 Acrylic and pastel on paper Coastalife, 1958 and wood with metal and Signed Syd Solomon (lr), string in artist’s case signed Syd Solomon, dated 73 Elements size 8 1/2 x 9 x 2 1958 and inscribed as titled inches, box size 15 1/2 x 15 on the reverse 1/2 x 3 3/8 inches Oil on Masonite Provenance: 48 x 40 inches Feigen, Inc., New York Provenance: (FCC0291023) Saidenberg Gallery, New York 77 C Estate of Felice Ross C $800-1,200 $3,000-5,000

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77 Syd Solomon American, 1917-2004 Storm at Sanibel Signed Syd Solomon (lr), signed Syd Solomon and inscribed as titled on the reverse Oil on paper laid to Masonite 35 1/2 x 23 inches C Property from the Wynant D. Vanderpoel Trust $2,000-3,000

74 See Illustration 78 Al Souza American, b. 1944 Juxtapose, 2000 Signed Al Souza, dated 2000 and inscribed as titled on the reverse Puzzle pieces and glue on wood 72 x 84 inches Provenance: Charles Cowles Gallery, New York C $3,000-5,000 See Illustration

79 Carole Szymanski American, 20th Century Drum O, 1991 Metal and animal skin 38 x 35 1/2 x 15 1/2 inches C $1,000-1,500 See Illustration 79

75 76 28 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29 80 82 Pavel Tchelitchew Pavel Tchelitchew Russian, 1898-1957 Russian, 1898-1957 (i) Hand (T-142) (i) Draped Figures (T-19), 1932 Signed Tchelitchew and Signed P. Tchelitchew and numbered 72 (lr) dated 32 (lr) Graphite on paper Pencil on cream paper 16 1/2 x 11 3/4 inches 10 5/8 x 8 3/8 inches (ii) Skull and Neck (T-95) (ii) Costume Studies and Lovers, Ink on View Magazine letterhead a double sided work (T-82) 8 1/2 x 11 inches Ink on paper (iii) Upper Palate and Sinus 11 x 8 1/2 inches Cavity (double sided work) (T-64) (iii) Woman with Fan (T-111), 1938 Ink on paper Signed P. Tchelitchew and 11 x 8 1/2 inches dated 38 (lr) (iv) Skull Studies (T-67) Sepia ink on paper Blue and black ink on paper 12 1/2 x 8 inches 11 x 8 1/2 inches (iv) Draped Figures (T-80) (v) Sinus Cavity (T-66) Ink on paper 80 part Ink on paper 11 x 8 1/2 inches 11 x 8 1/2 inches (v) Faces with Birds (T-98) Provenance for all works in lot: Ink on paper Estate of Dr. Gerald Lutovich, 11 x 8 1/2 inches Sausalito, CA Provenance for all works in lot: Thence by descent to the Estate of Dr. Gerald Lutovich, current owner Sausalito, CA C Thence by descent to the $2,000-3,000 current owner See Illustration of Part C 83 84 $2,000-3,000 81 See Illustration of Part Pavel Tchelitchew Russian, 1898-1957 (i) Study of a Spahi (32-34), 1932 83 Signed P. Tchelitchew and Francisco Toledo dated 32 (ll), inscribed as titled Mexican, b. 1940 on the reverse Conejos (Egg), 1975 Pencil on cream paper Signed Toledo 10 1/2 x 8 1/4 inches Watercolor and ink on ostrich egg (ii) Costume Studies, 5 1/2 x 5 1/8 inches a double sided work (511) C Pencil on paper $4,000-6,000 11 x 8 1/2 inches See Illustration (iii) Study of a Courtesan, a double sided work (531) 84 81 part Ink on paper Francisco Toledo 11 x 8 1/2 inches Mexican, b. 1940 (iv) Untitled (T-33) Sapos (Egg) Ink on paper Signed Toledo 9 3/4 x 13 5/8 inches Watercolor and ink on ostrich egg (v) Study for Ordine (T-127) 6 1/4 x 5 1/8 inches Inscribed as titled on the reverse C Ink on paper $4,000-6,000 9 3/4 x 13 5/8 inches See Illustration Provenance for all works in lot: Estate of Dr. Gerald Lutovich, 85 Sausalito, CA Michael Theise Thence by descent to the American, b. 1959 current owner Chalkboard C Signed M. Theise on the reverse $2,000-3,000 Oil on canvasboard See Illustration of Part 10 x 8 1/2 inches Unframed C $1,500-2,500 See Illustration

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82 part 30 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 31 86 Ernest Trova American, 1927-2009 Study: Falling Man, circa 1965 Bronze plated zinc 5 x 5 x 5 inches C Estate of Felice Ross $600-800 See Illustration 89

Peter Waite American, b. 1950 87 Watchtower, (diptych), 1992

Raoul Ubac Signed Peter Waite, dated 1992 and Belgian, 1910-1985 inscribed as titled on the reverse Untitled, 1965 Acrylic on two plastic panels Signed R. Ubac (lr) 48 x 48 inches Gouache on Japan paper Provenance: 15 3/8 x 12 3/8 inches Acquired directly from the artist by C Estate of Felice Ross the current owner $2,500-3,500 C See Illustration $4,000-6,000 See Illustration

86 89 90 Peter Waite American, b. 1950 Cemetery, Prague, 1994 Signed Peter Waite, dated 1994 and inscribed as titled on the reverse Acrylic on paper Sheet size 22 x 30 inches, image size 8 x 11 1/2 inches Provenance: Acquired directly from the artist by the current owner C $800-1,200 See Illustration

91 Peter Waite American, b. 1950 Construction, 1991 Signed Peter Waite, dated 1991, inscribed P.W. 101 and as titled on the reverse Acrylic on paper Sheet size 22 x 30 inches, image size 7 x 14 inches 90 Provenance: Acquired directly from the artist by

87 the current owner C $800-1,200 See Illustration 88 Viktor IV Dutch/American, 1929-1986 Untitled (Royalty is the Best Policy), circa 1968 Signed VIII (ul) and again (ur), inscribed 276 and signed V4 on the reverse Oil on found panel 48 5/8 x 24 3/4 x 2 1/4 inches C Estate of Felice Ross $2,500-3,500 See Illustration

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32 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33 92

95

95 97 94 96 Chihung Yang Miguel Berrocal (1933-2006) Taiwanese/American, b. 1947 PETITE RAPSODIE DE LA MAIN 93 Untitled, 1995 Complete set of 10 color prints Signed C. Yang and dated 95 (lc) and a plastic multiple, 1966, William T. Wiley American, b. 1937 Acrylic and charcoal on paper the prints signed and numbered The Shutters for Above Us and Beat Head, 1993 30 x 22 inches 75/100 in pencil, the multiple Signed Wiley, dated 93 and inscribed as titled on the reverse C Estate of Dr. Paul Hershenson with incised signature and Acrylic, graphite and charcoal on canvas $2,000-3,000 number, also signed and 39 1/2 x 38 inches See Illustration numbered on the justification Unframed page, with complete text, Provenance: published by Claude Givaudan, Max Protetch Gallery, New York Geneva, the prints in plastic C PRINTS relief folders, in original $6,000-9,000 portfolio boxes. (2) See Illustration 96 Overall 20 1/2 x 17 7/8 inches; 521 x 454 mm. 93 Alexander Archipenko 94 (1887-1964) C FRAUENAKT (KARSHAN 27) $1,000-1,500 92 Neil Williams American, 1934-1988 Lithograph, 1921, signed in See Illustration of Part

Abraham Walkowitz (i) Untitled, 1964 pencil, from the edition of 100, Russian/American, 1878-1965 Initialed NW (lr), signed Williams and dated 64 on the reverse from Die Schaffenden, with full Head of a Woman, 1920 Ink and graphite on paper margins, framed. Signed A. Walkowitz and dated 1920 (ur) 14 x 17 inches 14 1/2 x 6 1/2 inches; Pastel on paper (ii) Untitled, 1964 368 x 165 mm. 12 1/2 x 10 3/8 inches Initialed NW (lr), signed Williams and dated 64 on the reverse Sheet 15 x 11 inches; Provenance: Adelson Galleries Inc., New York Graphite on paper 381 x 279 mm. C 14 x 17 inches C $1,000-1,500 C Sold to Benefit a New York Not-For-Profit Organization $700-1,000 See Illustration $800-1,200 See Illustration See Illustration 97 part

34 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35 101 part

101 Jim Dine (b. 1935) 98 100 part TOOL BOX; TOOL BOX 8 (GALERIE MIKRO 42) Two color screenprints and collage, 1966, signed in pencil, from the edition of 150, framed. Sight of each approximately 17 7/8 x 23 1/2 inches; 457 x 597 mm. C Property from an East Hampton Collection $600-800 See Illustration of Part

102 Kees van Dongen (1877-1968) CAVALIER ARABE (JUFFERMANS JL 17) Color lithograph, circa 1930, on Arches paper, signed and numbered 79/95 in pencil (aside from the numbered edition of 100), with full margins, unframed. 14 5/8 x 11 3/4 inches; 371 x 298 mm. Sheet 26 7/8 x 19 3/4 inches; 683 x 502 mm. C Dorothy Lewis 2013 Irrevocable Trust $600-800 102 See Illustration

103 99 part Kees van Dongen POLO IN ALEXANDRIA (JUFFERMANS JL 18) Color lithograph, circa 1948, on Arches paper, signed and numbered 50/10 in pencil, 98 99 100 with full margins, unframed. Alexander Calder (1898-1976) John Coburn (1925-2006) Le Corbusier (1887-1965) 14 3/4 x 21 1/2 inches MCGOVERN FOR MCGOVERNMENT FLAME TREE; WASTELAND UNITÉ XIII; UNITÉ XVII Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm. Color lithograph, 1973, signed and Two color screenprints, 1976, on wove Two aquatints, 1953, on Rives BFK paper, C Dorothy Lewis 2013 Irrevocable Trust numbered 68/200 in pencil, printed by paper, signed, dated, titled and numbered numbered 85/130 in pencil, from the $800-1,200 Styria Studio Ltd. and with their 4/40 and 2/40 in pencil, with full same-titled portfolio, published by See Illustration blindstamp, with full margins, framed. margins, unframed. Alain C. Mazo, Paris, with full margins, unframed. 30 x 22 3/4 inches; 762 x 578 mm. Largest 27 3/8 x 42 3/8 inches; 16 1/2 x 12 1/2 inches; 419 x 318 mm. Sheet 34 3/4 x 24 inches; 883 x 610 mm. 695 x 1076 mm. Sheet 22 1/2 x 17 7/8 inches; 572 x 454 mm. C C Dorothy Lewis 2013 Irrevocable Trust C $500-700 $500-700 $600-800 See Illustration See Illustration of Part See Illustration of Part

103

36 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37 107 108

104 108 Hans Rudi Erdt (1883-1918) HOLLÄNDISCHE TEE-STUBE Pablo Picasso Color lithograph, 1908, published by PICADOR (A.R. 289) Vereinigte Kunstanstalten, A.G. Kaufbeuren and Munich, Painted and partially glazed white ceramic bowl, 1955, 109 with good or full margins, framed. edition of 500, inscribed Edition Picasso on the base. Image 46 x 33 1/2 inches; 1168 x 851 mm. Diameter 4 7/8 inches; 124 mm. C C $1,000-1,500 $700-1,000 See Illustration See Illustration

105 109

Paul Jenkins (1923-2012) Pablo Picasso SUN SPOT DEUX DANSEURS (A.R. 380) Color lithograph, 1971, signed, dated, titled and Painted and partially glazed white ceramic plate, 1956, 104 inscribed Trial Proof in pencil, the full sheet, framed. from the edition of 450, with the Madoura Plein Feu, Sheet 23 x 18 inches; 584 x 457 mm. Empreinte Originale de Picasso and Edition Picasso C pottery stamps on the reverse. $500-700 10 x 9 7/8 inches; 254 x 251 mm. C Estate of Aurora Biamonte 106 $3,000-5,000 See Illustration Alex Katz (b. 1927) BICYCLE RIDER (SCHRÖDER 154) Color lithograph, 1982, on Arches Cover paper, signed 110 and inscribed AP 21/25 in pencil (aside from the edition After Pablo Picasso of 250), from New York: Eight Contemporary Artists TÊTE DE BOUFFON Celebrate Their City, published by New York Graphic Society, Color lithograph, 1964, on Rives BFK paper, signed in Ltd., Waterbury, Connecticut, the full sheet, framed. blue crayon, numbered 148/200, with full margins, unframed. Sheet 22 x 29 3/4 inches; 559 x 756 mm. 25 5/8 x 19 3/4 inches; 651 x 502 mm. C Sheet 21 1/2 x 29 3/8 inches; 546 x 746 mm. $1,500-2,500 C Estate of Carl Lesnor See Illustration $2,000-3,000 See Illustration 107 111 Pablo Picasso (1881-1973) TOROS (A.R. 161) Carol Summers (1925-2016) Painted and partially glazed ceramic dish, 1952, from MY FATHER’S GOLDEN SAMOVAR the edition of 500, incised Edition Picasso and Madoura Color woodcut, signed, titled and numbered 14/15 in and with the Edition Picasso and Madoura Plein Feu pencil, with full margins, framed. pottery stamps on the reverse. Sheet 44 1/2 x 23 3/4 inches; 1130 x 603 mm. 7 3/4 x 7 3/4 inches; 197 x 197 mm. C Estate of Felice Ross C The Collection of Charlotte Bergman $400-600 $2,000-3,000 See Illustration 110 106

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112 part 113

114

112 113 114 Graham Sutherland (1903-1980) Rufino Tamayo (1899-1991) Victor Vasarely (1906-1997) COMPOSITIONS AFFICHE AVANT LETTRE (PEREDA 122) TITAN A Two color lithographs, signed, numbered Color lithograph, 1969, signed and Color screenprint, signed in pencil, 62/70 and XXXVI/L, respectively, in pencil, numbered XII/XXV in pencil, from Mujeres, numbered 59/300, with full margins, framed. with full margins, unframed. published by Touchstone Publishers, 15 3/4 x 15 3/4 inches; 400 x 400 mm. Sheets 30 x 21 1/4 inches New York, the full sheet, unframed. Sheet 23 1/2 x 22 1/8 inches; 597 x 562 mm. C Dorothy Lewis 2013 Irrevocable Trust Sheet 30 1/4 x 24 1/4 inches; 768 x 616 mm. C $500-700 C Estate of Jesse Mines $600-800 See Illustration of Part $700-1,000 See Illustration See Illustration

40 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COMLot 152 41 121 Pair of Tiffany Studios Bronze and Gold Ribbed Favrile Glass Two-Light Sconces Circa 1915 Each shade signed L.C.T. Height overall 12 1/2 inches, width 12 inches, height of tallest shade 5 inches. Provenance: Christie’s, New York, Important 20th Century Decorative Arts, Including Arts & Crafts, June 11, 1994, 121 lot 392. C Estate of Aurora Biamonte $8,000-12,000 See Illustration

122 Pair of Tiffany Studios Gilt-Bronze and Favrile Glass Three-Light Lily Sconces Circa 1915 Each decorated shade signed L.C.T. Height overall 13 5/8 inches, width 8 3/4 inches, height of tallest shade 4 5/8 inches. Provenance: Sotheby’s, New York, 20th Century 117 119 120 Decorative Works of Art, June 15, 1994, lot 468, sold privately on June 21, 1994. C Estate of Aurora Biamonte $8,000-12,000 See Illustration 116 119

French Art Nouveau Gilt and Enamelled Tiffany Studios Bronze and 122 Center Bowl Favrile Glass “Jeweled” Attributed to Emile Gallé, circa 1900 Candlestick Lamp Unmarked. Height 5 inches, Circa 1915 123 width 14 1/4 inches. Base stamped TIFFANY STUDIOS Pair of Tiffany Studios Bronze and C NEW YORK 1203 and with the T.S. logo; Favrile Glass Three-Light Lily Sconces $2,000-3,000 shade signed L.C.T. Height overall Circa 1915 13 inches, height of shade 4 7/8 inches. En suite with the preceding. Two shades 117 C Estate of Aurora Biamonte signed L.C.T.; four shades signed L.C.T. Favrile. Height overall 13 5/8 inches, Tiffany Gilt-Metal Mounted Favrile $2,500-3,500 width 7 3/4 inches, height of tallest Glass “Twilight” Candlestick Lamp See Illustration shade 4 1/2 inches. with Chimney First quarter of the 20th century 120 Provenance: Sotheby’s, New York, 20th Century Ruffled shade signed L.C.T.; mount on Tiffany Moorish Style Bronze-Mounted Decorative Works of Art, June 15, 1994, standard marked THE TWILIGHT and Favrile Glass Hanging Shade TIFFANY; BASE SIGNED L.C.T.; Circa 1927 lot 469, sold privately on June 21, 1994. chimney unmarked; not electrified. Shade signed L.C.T. Favrile 731 V. C Estate of Aurora Biamonte Height overall 13 1/4 inches. Height overall 11 1/2 inches. $8,000-12,000 C Private Connecticut Collection C Estate of Aurora Biamonte See Illustration $800-1,200 $1,500-2,500 See Illustration See Illustration

118 Tiffany Favrile Glass Footed Vase Circa 1904 In translucent amber colored glass, signed L.C. Tiffany-Favrile V 648. Height 8 7/8 inches. C Estate of Aurora Biamonte 118 $800-1,200 123 See Illustration

42 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43 LAMP

126 124 Tiffany Studios Reticulated Bronze and Leaded Glass Alamander Lamp Circa 1910 The conical shade with tag stamped TIFFANY STUDIOS NEW YORK; the “pineapple” base stamped TIFFANY STUDIOS NEW YORK and with the 124 Tiffany Glass and Decorating Company Tiffany Studios Gilt-Bronze and trademark logo and D 856. Height overall Favrile Glass Linenfold Harp Desk Lamp 21 1/4 inches, height of shade 6 inches, Circa 1910-20 diameter of shade 18 1/4 inches. Shade stamped TIFFANY STUDIOS An identical version of this model lamp was NEW YORK 1942 PAT. APPL’D FOR; base sold at Christie’s, New York, Important 20th stamped TIFFANY STUDIOS NEW YORK 614. Century Decorative Arts, June 15, 2004, lot 61. Height 14 1/4 inches, length of shade Note: The Tiffany Studios Price List of 1906 4 3/4 inches, width 4 1/2 inches. describes this lamp base as “No. 338, C Private Connecticut Collection blown glass in metal, pineapple, $3,000-4,000 four leaf legs.” It retailed for $80.00. See Illustration Provenance: Christie’s, NY, lot 235 125 C Estate of Aurora Biamonte $50,000-70,000 Tiffany Studios Bronze and Gold See Illustration Favrile Glass Ten-Light Pond Lily Lamp Circa 1910 Nine shades signed L.C.T. Favrile, and one shade signed L.C.T., base stamped TIFFANY STUDIOS NEW YORK. Height 20 1/4 inches, height of tallest shade 4 3/4 inches. Provenance: Minna Rosenblatt Ltd., New York, New York, June 23, 1979 C Estate of Aurora Biamonte $12,000-18,000 See Illustration 125 126

44 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 45 127 side view

127

CONSOLE TABLE

127 Frank Lloyd Wright Arts and Crafts Oak Console Table Probably for Taliesin East, Spring Green, Wisconsin, before 1914 Height 27 5/8 inches, width 6 feet 1/4 inch, depth 24 1/8 inches. Provenance: Frank Lloyd Wright to his niece Elizabeth Enright on her wedding (she was the daughter of Frank Lloyd Wright’s sister Maginel Wright) Thence by decent, to Nora Wright Natof, Wright’s granddaughter Kelmscott Gallery, Chicago, IL, circa 1987 Purchased from Kelmscott Gallery, Chicago, IL, November 23, 1988.

Taliesin East was the residential estate and studio built by Frank Lloyd Wright (1867-1959) outside of Spring Green, Wisconsin. Wright completed the structure in 1911 only to have one-third of the property, the residential quarters, burned by a disgruntled employee in 1914, who also murdered Wright’s mistress and six others on the estate. Taliesin East was rebuilt and then suffered a similar fire and was rebuilt again in 1925. The house is classic Prairie School design with courtyards and loggia blending with the natural surroundings. As with many of his commissions, Wright created the furniture to fill his spaces so that his vision would be Letter from Nora Wright Natof, completely realized. This console table relates to other furnishings that are known to have Wright's granddaughter, survived the 1914 fire. to Scott Kelmscott, C A Private Collection of Important Design Kelmscott Gallery, 1987 $30,000-40,000 See Illustration

Family photograph of Frank Lloyd Wright and his third wife, Olgivanna, and daughter, Iovanna, taken at Taliesen, July 5, 1957. 46 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 47 129 Dard Hunter for the Roycroft Workshops Arts and Crafts Unglazed Earthenware Vase with Tree Motif Circa 1904 Impressed with DH monogram and Roycroft Workshop symbol. Height 9 1/4 inches.

Works in pottery by Dard Hunter (1883-1966) are exceedingly rare. According to his descendants, Hunter made only six prototypes for designs in pottery during his tenure at the Roycroft Workshop and only ten original pieces are known to exist. Further, it is claimed that six of these pieces are in the collection of the Metropolitan Museum of Art in New York City, including a green glazed ELEVATOR GRILLE FROM earthenware vase with an Iris motif. A vase identical to the vase offered here is in the collection of The Wolfsonian in Florida. The extreme scarcity of known works by THE CHICAGO STOCK Dard suggests that the pottery wares he did create were experimental in nature and ultimately never entered into commercial production. For more about the life and work EXCHANGE BUILDING of Dard Hunter see www.dardhunter.com. C A Private Collection of Important Design $6,000-8,000 128 See Illustration Dankmar Adler and Louis Henry Sullivan Cast and Wrought Iron Elevator Grille From the Chicago Stock Exchange Building Made by the Winslow Brothers Company, Chicago, IL, 129 circa 1893-4 Height 74 inches, width 29 1/2 inches. Provenance: Sotheby’s, Online, June 2002 Literature: John Vinci, The Trading Room: Louis Sullivan and The Chicago Stock Exchange, Chicago, 1989, pp. 22-23; Ward Miller, John Vinci, Aaron Siskind and Richard Nickel, The Complete Architecture of Adler & Sullivan, New York, 2010, p. 190.

Late 19th century Chicago was one of America’s most important commercial centers and the birthplace of the skyscraper. In 1893, architects Louis Sullivan (1856-1924) 130 and Dankmar Adler (1844-1900) were tasked with Charles Rohlfs Arts and Crafts Oak Occasional Table designing the Chicago Stock Exchange Building, Unmarked. Height 26 inches, diameter 25 3/4 inches. a thirteen-story structure which is regarded as the partners’ Literature: greatest achievement. Their simple organic design was Joseph Cunningham, The Artistic Furniture of Charles an example of the genre known as the Chicago School of Rohlfs, Yale University Press, 2008, pp. 38-42, for a Architecture. Despite public outcry, in 1972 the structure discussion of this early Rohlfs table design. was demolished and architectural fragments like this A similar table with this same shaped top sold elevator grille were saved for posterity. Toomey & Co., Cincinnati, December 7, 2008, lot 103; C A Private Collection of Important Design and another sold Rago, New Jersey, March 8, 2008, $8,000-12,000 lot 297. See Illustration and Inside Front Cover C A Private Collection of Important Design $4,000-6,000 See Illustration

130

48 DOYLE • SEPTEMBER 17, 2018 • NEW YORK 128 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49 132 signature

132

133

131 133 L. & J.G. Stickley Oak and Copper Tall Case Clock Charles Rohlfs Arts and Crafts Oak and Copper Number 91, signed with the red Handcraft mark. Four-Light "Banquet" Candelabrum with Height 6 feet 6 inches, width 18 3/4 inches, depth 12 inches. Kappa Shell Shades C The Patricia and Donald Oresman Collection 1903 $2,000-4,000 Signed and dated. See Illustration Height 16 3/4 inches, width 21 1/2 inches.

132 Rather than creating a trade catalogue, Charles Rohlfs used pictures of examples of his work as a guide for Charles Rohlfs Arts and Crafts Hand-Hammered Copper Three-Light Candlestand 1905 clients. A similar candelabrum with shells and a cruciform Stamped with Rohlfs logo and date year. Height 13 7/8 inches. base titled "Banquet", model no. 9, is depicted in The Artistic Furniture of Charles Rohlfs by Joseph Cunningham, By 1900 Charles Rohlfs endeavored to reach a broader market by designing more affordable, Yale University Press, 2008, p. 253. Various design elements decorative, or utilitarian objects such as candlesticks. Few examples of all-metal such as Asian and European influence can be found. candlesticks are known. The present example from a private collection was exhibited in The Artistic Furniture of Charles Rohlfs at Milwaukee Art Museum, Milwaukee, Dallas In an advertising card dated from November 1, 1907, Museum of Art, Dallas, Carnegie Museum of Art, Pittsburgh, The Huntington Library, in the Metropolitan Museum of Art's collection, Art Collections, and Botanical Gardens, San Marino, and The Metropolitan Museum of Art, Rohlfs states "The Shell Shades are extra. The shells, New York, 2009-2011. An illustration of the candlestand on offer is also featured in the Placenta Orbiscularis-Retz are found in the China sea. accompanying publication, The Artistic Furniture of Charles Rohlfs by Joseph Cunningham, They are a direct importation, unique in themselves and Yale University Press, 2008, p. 212. the use to which they are put, and difficult to secure. C A Private Collection of Important Design I have about 350 on hand now and may not be able to $3,000-5,000 get more. The shades are adaptable to nearly all the See Illustration candle holders shown." C A Private Collection of Important Design $10,000-15,000 See Illustration

134 Charles Rohlfs Arts and Crafts Oak Chest of Drawers Circa 1907 134 Stamped on the front side of apron with the "R" in a bow saw symbol. Height 60 inches, width 33 1/2 inches, depth 16 inches. 132 Provenance: detail Rago, New Jersey, Craftsman Auction, September 17, 2005, lot 174. C A Private Collection of Important Design $8,000-12,000 See Illustration 131

50 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51 135 Harvey Ellis for Gustav Stickley Arts and Crafts Inlaid Oak Music Cabinet Circa 1903 Unmarked. Height 57 1/2 inches, width 22 3/4 inches, depth 17 inches.

An identical music cabinet was sold at Christie's, New York, Important 20th Century Decorative Arts, December 7, 2001, lot 365. Comparable music cabinets sold at auction include Sotheby's, New York, Important 20th Century Design, December 15, 2012, lot 14; Toomey & Co. Auctioneers, Oak Park, IL, 20th Century Art and Design Auction, May 6, 2001, HARVEY ELLIS lot 1. Literature: Architect and designer Harvey Ellis (1852-1904) is well Harvey Ellis, An Urban House, in The Craftsman, Vol. IV, no. 5, known for his short-lived tenure as designer for Gustav August 1903, pp. 313-327; Stephen Gray, The Early Works of Gustav Stickley, 1996, p. 175; and David Cathers and Alexander Vertikoff, Stickley Style, Stickley (1858-1942) and The Craftsman Workshops in Arts and Crafts Homes in the Craftsman Tradition, 1999, p. 133, for an 1903-1904. Ellis was from Rochester, New York, and illustration of the present model. A related Inlaid Oak Music Cabinet attended a semester at West Point. In the 1870s, designed by Harvey Ellis for Gustav Stickley is illustrated in he worked in Albany as a draftsman and designer for the The Early Work of Gustav Stickley, by Stephen Gray, 1987, p. 138. eminent architect Henry H. Richardson, often designing C A Private Collection of Important Design in the Romanesque style. He moved to the Midwest in $40,000-60,000 the 1880s where he worked on several projects in See Illustration Minnesota, Missouri, and Wisconsin. He returned to Rochester after his time in the Midwest and studied Japanese prints and focused on painting although he had no luck selling his paintings. Often described as a "vagrant genius", Ellis always made inventive designs envied and acknowledged by his contemporaries.

Ellis worked for Gustav Stickley only from March 1903 until his death in early January 1904. Formerly known as the United Crafts Workshop, Stickley changed the name to The Craftsman Workshops in 1903. Stickley's robust Mission furniture included honest construction, simplicity, and hammered metal hardware. Stickley hired Ellis as artist, designer and writer. Although they only worked together for a brief period, the collaboration between Ellis and Stickley produced drastically different designs than the typical Arts and Crafts furniture of their peers. Inspired by Japanese and British Arts and Crafts designs, Ellis' furniture incorporated purely decorative and stylized biomorphic inlays often depicting stylized plant forms in pewter, copper, and exotic woods. In addition to the inlay, there was also a departure from solid forms to 135 a more graceful and delicate structure, often likened to the work of Glasgow's Charles Rennie Mackintosh. Like Mackintosh, Ellis' designs also incorporated arched aprons or the addition of curves and overhanging tops as seen in this example.

His individual and original ideas were not put in to general production and consequently, furniture by Harvey Ellis is extremely rare. Ellis only received 136 recognition and publicity from The Craftsman, which

Charles Rennie Mackintosh Red Lacquered Costumer was Stickley's magazine to promote Arts and Crafts For the Chinese Room at the Ingram Street Lunch and Tea Room, circa 1900-12 philosophy. Even after his death in January 1904, Height 6 feet 6 1/2 inches, 20 inches square. his impact on Stickley was long lasting. Although no Provenance: longer held by the Stickley family, L. & G.J. Stickley Finnie Antiques, 96-98 Torrisdale St. Glasgow, Scotland, company still manufactures furniture in the Arts and May 1996, who acquired it at Phillips, Glasgow, Crafts style. Auction 350, November 6, 1980, lot 116. 135 C A Private Collection of Important Design $8,000-12,000 See Illustration

136

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Scottish artist, architect and designer Charles Rennie Mackintosh The last of her establishments, The Willow Tea Room, opened (1868-1928) is justly recognized for his extraordinary contributions to in 1903-04 on Glasgow’s fashionable Sauchiehall Street. the development of Britain’s Modern Movement. His innovative Unlike the other three establishments, this tea room was completely and unique “new” style at the end of the 19th century and designed by Mackintosh in collaboration with his wife, Margaret beginning of the 20th century soon influenced and impacted MacDonald (1864-1933), including the interiors, furniture and design and architecture in Europe and the United States. fabric as well as the structure itself. The predominant motif and Mackintosh was invited to participate as an exhibitor at the 8th interior design scheme of this tea room was based upon the Vienna Secession Exhibition in Vienna in 1900. Four years earlier, willow leaf, in keeping with the street name, Sauchiehall, which in 1896, Mackintosh submitted a design and won an important derives from an old Scottish word meaning “street or alley of competition for a new building for the Glasgow School of Art. the willows.” Today, this building is recognized as his masterwork and most prestigious commission. One of the building’s most dramatic Mackintosh designed a variety of furniture for Miss Cranston’s interiors was the new library, completed in 1909. Mackintosh four tea rooms, including dramatic high-back chairs, low-back is perhaps better remembered and celebrated for the four armchairs, built-in settees, games tables, dining tables, Glasgow tea room interiors he designed either exclusively or benches, stools, screens and coat and umbrella stands as well as electric light fittings, wall murals and cutlery. in collaboration with other noted architects and designers between 1896 and 1917 for his influential Glasgow patron and businesswoman, In 1896 or 1897, Miss Cranston commissioned Mackintosh to Catherine Cranston (1849-1934), popularly known as Miss Kate design furniture as part of a redesign and remodeling of the Cranston or Miss Cranston. tea room at No. 114 Argyle Street. The furniture was delivered in 1898 and 1899. It was made by the firm Francis Smith & Son, in Glasgow. A contemporary photograph of the Smoking Room at the Argyle Street Tea Room from around this date shows some of the Mackintosh-designed furniture, including three examples of the low-back oak armchair on offer here. An illustrated article by J. Taylor titled “Modern Decorative Art at Glasgow: Some Notes on Miss Cranston’s Argyle Street Tea House,” published in The Studio in October 1906, also features rare contemporary photographs of some of the interior room schemes and furnishings of the Argyle Street Tea Room, including the Luncheon Room, Smoking Room and Billiard Room. A photograph of the Billiard Room portrays six of the rare low-back oak lounge chairs, like the example on offer here, which are raised on a low platform and set against a geometricized painted wall. A photograph of the Smoking Room shows at least two more of these chairs.

View of the Billiard Room at Miss Cranston’s Argyle Street Tea Room showing chairs and stands designed by C.R. Mackintosh, ca. 1906. Source: The Studio, vol. 39, no. 163, Oct. 1906, p.34.

Cafés and coffee houses had become popular social centers in Glasgow during the 1880s and 1890s. The Glasgow tea room movement was partly a response to the temperance movement and offered an alternative to male-centered pubs and drinking 137 establishments. Kate Cranston opened her first tea room, the Crown Luncheon Room, in 1878 at No. 114 Argyle Street, Glasgow, which was later renamed the Crown Lunch and Tea Rooms. It was a popular success and helped pave the way for three other tea room establishments in Glasgow. A novel and popular feature of Ms. Cranston’s tea rooms were separate ladies only and gentlemen only rooms, as well as luncheon rooms where both sexes could mingle, dine and socialize. Photograph of the Mackintoshes Studio Flat, Glasgow, taken in 1900 showing 137 The smoking and billiard rooms were provided exclusively for one of these chairs in front of the fireplace. Source: Charles Rennie Mackintosh Charles Rennie Mackintosh Stained Oak Armchair men and were enjoyed at the multi-leveled tea room on Argyle and the Modern Movement by Thomas Howarth, 1952, 1977, plate 14. Designed for the Billiard and Smoking Room, Argyle Street Tea Room Street. Here, in Argyle Street, tea rooms were located on the Made by Francis Smith & Son, Glasgow, circa 1897 ground floor, luncheon and additional tea rooms were located Height 33 inches, width 24 inches, depth 16 1/2 inches. on the first and second floors, and the billiard room, reading For a closer in-depth examination and discussion of Miss Cranston’s Provenance: room and smoking room were situated on the third floor and Tea Rooms see Thomas Howarth, Charles Rennie Mackintosh Bonhams, Glasgow, Design 1860-Present Day, November 20, 2003, lot 457A. in a spacious attic. and the Modern Movement, 1952, 1997, pp. 121-147. For more Permanent Collections: about the Argyle Street Tea Room, see J. Taylor’s article Kelvingrove Art Gallery & Museum, Glasgow, Scotland; Montreal Museum of Fine Arts, Miss Cranston’s second tea room opened in 1886 on Ingram “Modern Decorative Art at Glasgow: Some Notes on Miss Cranston’s Montreal, Canada; Vitra Design Museum, Weil am Rhein, Germany; Cooper Hewitt, Street. It consisted of a variety of interconnected rooms or Argyle Street Tea House,” in The Studio, Vol. 39, no. 163, apartments on the ground floor, including a gentlemen’s October 15, 1906, pp. 31-36. Smithsonian Design Museum, New York Literature: tea room originally called the Pioneer Suite, which was later remodeled and renamed the Chinese Room. In 1896, work For more about the architecture of Charles Rennie Mackintosh, Roger Billcliffe, Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings & see www.mackintosh-architecture.gla.ac.uk. Interior Designs, New York, 1986, p. 58. was already well underway on Miss Cranston’s third tea room A chair from this commission sold Phillips, London, Design, September 20, 2017, lot 78; establishment, on Buchanan Street, when she was introduced and another sold Sotheby’s, London, The Best of British - Design from the 19th and 20th Centuries, to Charles Mackintosh. The Buchanan Street tea room opened March 20, 2008, lot 104. the following year in 1897. C A Private Collection of Important Design $40,000-60,000 See Illustration and Front Cover 54 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55 138 Albin Müller Vienna Secession Saxon Serpentine Marble Centerpiece Circa 1906 BARREL CHAIR Signed with A.M. monogram. Height 7 1/4 inches, 8 inches square. The contemporary term in German in the early 20th century for this form was blumenschale, which translates to“flower cup.” Literature: Die Kunst, Vol. 16, 1906-1907, pp. 38-9, for an illustration of this model as well as other works in serpentine marble by Albin Müller; see Deutsche Kunst und Dekoration, Vol. 18, April-September 1906, p. 647, for an illustration of three different but related models of flower holders by Albin Müller; see Kunstgewerbeblatt, NF. 18, 1906-07, for a period photograph of this model. 138 C A Private Collection of Important Design $1,500-2,500 See Illustration

139 Werkstätte Hagenauer Wien (WHW) Nickel-Plated Bust of a Woman Circa 1940-50 Bronze mounted on wood. Height 6 1/8 inches, width 4 inches. Stamped HAGENAUER WIEN MADE IN AUSTRIA with WHW monogram. C Estate of Felice Ross $600-800

140 Vienna Secession Three Panel Wallpaper Screen Designed by Ludwig H. Jungnickel Possibly executed by P. Piette, Bubenitsch for the children's room at Palais Stoclet, Brussels, Belgium, circa 1905-11 Height 5 feet, width of largest panel 27 inches, width of two panels 24 inches, depth 1 inch. Literature: Verlag Johannes Heyn, Ludwig Heinrich Jungnickel, Ein Leben für die Kunst, image GG.29/2 p. 355, and Moderne Bauformen, vol. 13, Jan.-Jun. 1914, p. 25, for an illustration of the panel decoration.

As a member of the Wiener Werkstätte, artist Ludwig H. 141 Jungnickel (1881-1965) designed textiles, wallpaper and postcards. Jungnickel trained at theSchool of Applied Arts in Munich and later at the Vienna Academy of Fine Arts. In 1908, he first exhibited his woodblock prints in 140 Vienna. Famous for his exoticism and dynamic animal depictions, he used inspiration from the zoo animals in Tiergarten Schönbrunn in Vienna and other European zoos. 141 Jungnickel worked with Gustav Klimt to design the interiors Charles Rohlfs Arts and Crafts Carved Oak Barrel Chair of the Palais Stoclet in Brussells, which was planned and 1902 designed by Josef Hoffmann for Belgian industrialist Burned-in mark and date. Height 31 inches, width 29 3/4 inches, depth 19 1/2 inches. Adolphe Stoclet. Completed in 1911, the palace was A comparable chair was sold at Sotheby's, New York, An American Visionary: The Collection of the epitome of Gesamtkunstwerk, or total work of art. David Whitney, November 16, 2006, lot 104. Stoclet commissioned Josef Hoffmann to construct the vast palace as the largest commission for the Charles Rohlfs (1853-1936) is most well known for the bold forms and expressive carving in his Wiener Werkstätte. Jungnickel received the important designs. Prior to designing and making furniture, Rohlfs designed cast iron stoves. He trained commission to create a wall frieze in the children's room in drafting and design from Cooper Union, where he learned pattern making. In 1887, he made at the Palais for Stoclet's two sons, which adorned the furniture for his apartment in Brooklyn where he resided with his wife Anna Katharine Green, inspired by the lack of affordable furniture. perimeter of the room. C A Private Collection of Important Design Later he set up a workshop in Buffalo, New York. He favored oak and dark stain and embellished $4,000-6,000 his furniture designs on to the wood, changing the original grain but taking design inspiration See Illustration from the figured grain. The carvings took the idea of the designs Rohlfs saw in the wood: rising smoke, blowing wind, and even Santa Claus. He also employed honest construction with through-tenons for structural integrity. Even the plugs he used to conceal screw heads, such as evidenced in this example, were faceted to give irregularity. The curves on the shaped slats in the front and rear of the chair express the whimsy typical of Rohfls carved decoration. Photograph of the Children’s Room in the Palais Stoclet, Brussels, depicting an upper frieze mural C A Private Collection of Important Design with zoo animals by Ludwig H. Jungnickel, ca. 1909-10. Source: Moderne Bauformen, vol. 13, $20,000-30,000 Jan.-Jun. 1914, p. 25. See Illustration

56 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57 143 Henry van de Velde for August Hanke Hohr Salt-Glazed Stoneware Two-Handled Vase 1902 Signed Hanke. Height 9 1/2 inches. Provenance: Quittenbaum, Munich, Germany, November 2000, lot 523. C A Private Collection of Important Design $5,000-7,000 See Illustration

144 Richard Riemerschmid Leather Upholstered Oak Music Room Chair Circa 1898 Height 31 1/2 inches, width 19 1/4 inches, depth of seat 19 inches. Provenance: Brigantine 1900 Monika Fahrensen Gallery, Munich, Germany, 1999 Similar chairs are in the collection of the Victoria & Albert Museum, London, and the Museum of Modern Art, New York. A chair from this commission sold Sotheby's, London, March 8, 2005, lot 85. These chairs were originally designed for the music room of the Deutsche Kunst-Ausstellung, Dresden. C A Private Collection of Important Design $1,500-2,500 See Illustration 143

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142 Joseph Maria Olbrich and Julius Glückert Vienna Secession Burrwood, Ebonized Maple and Mahogany Cabinet with Mother-of-Pearl Inlay Possibly designed for the Music Salon of Ernest Louis (Ernst Ludwig), Grand Duke of Hesse, founder of Darmstadt Artists' Colony, in Mathildenhöhe, Darmstadt, Germany Circa 1900-05 Height 63 1/2 inches, width 55 inches, depth 21 inches.

At present, only four of these rare cabinets are known, including the cabinet offered here. One of the other known cabinets is in the collection of the Institute Mathildenhöhe Darmstadt (the Museum of the Darmstadt Artists' Colony), which had belonged to Interior room view at the German Art Exchange exhibition held in Dresden, the Grand Duke Ernest Louis. A third example is in the permanent collection of the May-October 1899, showing this chair model designed by Richard Riemerschmid. Bröhan-Museum, in Berlin. Source: Deutsche Kunst und Dekoration, vol. 7, Oct. 1900-Mar. 1901, p. 26. A related cabinet sold at Sotheby's, London, Fine & Decorative Arts & Design From 1870, May 4, 2006, lot 31; another related cabinet, quite possibly the cabinet just cited, 144 sold at Christie's, Amsterdam, 20th Century Decorative Arts, November 22, 2006, lot 314. Provenance: Historical Design, New York, New York, 1990s. C A Private Collection of Important Design $10,000-15,000 See Illustration

58 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59 Innendekoration: mein Heim, mein StolzOLYMPIA ; die gesamte Wohnungskunst OPTISCH in Bild VASE und Wort 12.1901 Seite 31

145 Johann Loetz Witwe Vienna Secession Iridescent Olympia Optisch Glass Vase and Brass Mounted Wood Stand Designed by Josef Hoffmann for E. Bakalowits & Söhne, Klostermuhle (Klásterský Mlýn), Austria, 1899-1900 Unmarked. Height overall 18 3/8 inches, height of vase 10 5/8 inches, height of stand 14 3/8 inches. An identical vase and stand from a private collection is included in the exhibition, The Glass of the Architects Vienna 1900-1937, currently on view at The Corning Museum of Glass, in Corning, New York. This exhibition is co-organized by the Austrian Museum of Applied Arts / Contemporary Art (MAK) and Le Stanze del Vetro. A different but related model designed by Josef Hoffmann for Loetz made in iridescent pale green glass vase with a wood stand composed of two intersecting blade panels was sold at Sotheby’s, London, Fine & Decorative Arts & Design From 1870, October 5, 2004, lot 83. Literature: Die Kunst, Vol. 4, 1901, p. 230, for a photograph of Bohemian glasses, including the present model, with design credit to Josef Hoffmann; also see Innen-Dekoration, Vol. 12, 1901, p. 31, for a period photograph showing this model in a room setting and also having design credit to Hoffmann. Provenance: Historical Design, New York, New York, December 1995. Christie’s, London, May 1995, lot 55. C A Private Collection of Important Design $10,000-15,000 See Illustration

(left) Photograph of Bohemian glasses exhibited by E. Bakalowits & SÖhne at the 8th Vienna Secession exhibition in 1900, including the present model. Source: Die Kunst, vol. 4, 1901, p. 230. (below) Room view showing the present model. Source: Innen-Dekoration, vol. 12, 1901, p. 31.

60 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW145 THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61 146 149 Johann Loetz Witwe Vienna Secession Three Bauhaus Painted Wood Dolls Iridescent Glass and Brass Vase Possibly designed by Eberhard Schrammen and made by Possibly designed by Josef Hoffmann, Josef Hartwig, under the direction of Oskar Schlemmer, circa 1905 circa 1921-25 Unmarked. Height 11 1/2 inches. Unmarked. Height of tallest 6 1/4 inches. C A Private Collection of Provenance: Important Design Sotheby’s, London, Fine and Decorative Arts and Design, $2,000-4,000 February 27, 2003, lot 104. See Illustration C A Private Collection of Important Design $4,000-6,000 See Illustration

147 150 Josef Hoffmann for the Wiener Werkstätte Josef Hoffmann Vienna Secession Red and White Vienna Secession Hand-Hammered Painted Wood Stool Brass Vase Circa 1902 Circa 1908 Height 19 1/4 inches, width 15 3/4 inches, Stamped JH WIENER WERKSTATTE and depth 15 1/2 inches. MADE IN AUSTRIA. Provenance: Height 13 inches. Dorotheum, Vienna, May 7, 2004, lot 35. C A Private Collection of Important Design Another stool of this model sold Dorotheum, Vienna, $5,000-7,000 November 27, 2012, lot 108. See Illustration An exact model is illustrated in the sitting room of Josef Hoffmann’s personal apartment, circa 1900, in Das Interieur, 1900, p. 139. Three others of this exact model are illustrated in the 148 same publication, p. 24, and another, p. 137. Marie Zimmermann Chinese Style C A Private Collection of Important Design 149 Patinated Copper Bottle Form $3,000-5,000 Vase and Stand See Illustration Circa 1920 Vase stamped MARIE ZIMMERMANN-MAKER 146 and with artist’s symbol, stand also stamped with symbol. Height overall 8 1/8 inch, height of vase 6 3/8 inches. Note: It is extremely rare to find a vase by this maker that is still accompanied by its original stand.

In 2012, Yale University Press published a book detailing the life and work of Marie Zimmermann (1879-1972), The Jewelry and Metalwork of Marie Zimmermann, which has helped foster renewed interest in this artist’s work. Pieces made by Zimmermann can be found in public collections, including the Metropolitan Museum of Art, New York, the Museum of Fine Arts Boston, Art Institute of Chicago and the Los Angeles County Museum of Art, among others. Provenance: 147 Rago Arts and Auction Center, Lambertville, NJ, September 17, 2005, lot 24. C A Private Collection of Important Design $2,000-4,000 See Illustration

150

View of Josef Hoffmann’s sitting room at his apartment, ca. 1900. Source: Das Interieur, 1900, p. 139.

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62 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63 ELLING SIDEBOARD

151 Ernst Wahliss Vienna Secession Gilt and Hand-Painted Earthenware Cabinet Plate Designed by Franz Staudigl From the Serapis-Fayence line, 1912 Stamped SERAPIS-FAYENCE WAHLISS and FS 6920. Diameter 8 1/8 inches. Provenance: Von Zechwitz Auction, Munich, Germany, May 2003, lot 360. C A Private Collection of Important Design $1,500-2,500 See Illustration

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152 153 Gerrit Rietveld Painted White Glazed Ash Zig-Zag Chair Designed 1932-34 and made by Gerard van de Groenekan, circa 1960 Height 30 3/4 inches, width 14 3/4 inches, depth 15 3/4 inches, depth of seat 14 3/4 inches. 153 Literature: Gerrit Rietveld Beechwood Elling Sideboard Peter Voege, The Complete Rietveld Furniture, Designed by Gerrit Rietveld, circa 1919, for Architect Piet Elling, Rotterdam, 1993, pp. 82-83; made by Gerard van de Groenekan, circa 1960 Daniele Baroni, Furniture of Gerrit Thomas Branded marks HGM, G.A. vd Groenekan, de Bilt Nederland on verso. Height 41 inches, Rietveld, New York, 1978, p. 136. width 6 feet 6 3/4 inches, depth 17 inches. A pair of similarly painted Zig-Zag chairs were Similar examples are in the collections of Los Angeles County Museum of Art, Los Angeles, sold Sotheby’s, Paris, November 22, 2017, lot 93; the Kirkland Museum, Denver, and the Stedelijk Museum, Amsterdam. and another single example sold Phillips, New York, A sideboard of this date and model sold Christie’s, London, November 3, 2015, lot 236, and December 8, 2005, lot 56. another sold Sotheby’s, London, Pioneering 20th Century Design: The Torsten Bröhan Collection, C A Private Collection of Important Design March 8, 2005, lot 139. $3,000-5,000 Provenance: See Illustration Barry Friedman Ltd., December 19, 1997 Literature: Peter Voege, The Complete Rietveld Furniture, Rotterdam, 1993, p. 52.

Originally executed in 1919 for architect Piet Elling, the original was lost in a fire. Van de Groenekan produced another example in 1951 for the collection of the Stedelijk Museum, Amsterdam, and then only ten additional models were made, which presumably includes the present sideboard. Created just two years after Rietveld’s iconic Red-Blue chair, the Elling sideboard is a masterpiece of furniture created by the artists of the De Stijl movement just after the First World War. Under Rietveld’s direction the sideboard becomes an abstract piece of art, where normally hidden inner components are exposed adding interest and bringing drama to the work. C A Private Collection of Important Design $40,000-60,000 See Illustration 152 64 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65 VAN STEENBERGEN 154 Eduard Van Steenbergen Painted Wood Bookcase Possibly in collaboration with Jozef Peeters, circa 1923 Belgian architect Eduard Van Steenbergen (1889-1952) Congresses for Modern Art with accompanying exhibitions Height 6 feet 6 3/4 inches, width 7 feet 5 1/4 inches, depth 19 1/4 inches. was known for his modern architectural and interior in the early 1920s. Peeters advocated for avant-garde Provenance: designs. He attended the Royal Academy of Fine Arts ideals and "gemeenschapskunt" or communitarian art. Made for Mr. Achiel Noeminckx, Antwerp in Antwerp and started his own architectural practice in Thence to his nephew Berchem, Belgium in 1921. Often working in the Art Deco Peeter's designs are recognizable for their extensive color Dr. L. Nolwinckx style, Van Steenbergen designed interior decorations palette and dynamic shapes such as those in the painted Private sale, 1989 including leaded glass windows, panels, carpets, floor and carved gesso of this suite of furniture. His use of lively C A Private Collection of Important Design tiles, wardrobes, tapestries, lighting and other furnishings. triangles, circles and broad colors distinguish him from his $1,500-2,500 A limited number of extant archival designs show his use contemporaries in the De Stijl movement. See Illustration of bright colors and geometric shapes in interior designs. In Eduard Van Steenbergen: bouwmeester en Van Steenbergen was a member of the "Kring Moderne binnenhuiskunstenaar, by Victor van den Berge and 155 Kunst" or Modern Art Circle, which was founded by artist Henry van de Velde, 1955, commissions of Van Steenbergen's Jozef Peeters (1895-1960) along with other members Eduard Van Steenbergen Painted Wood Chair work are cited by year. Listed under 1923, p. 46, is Possibly in collaboration with Jozef Peeters, circa 1923 of the Academy in September 1918 in Antwerp. As a "studiomeubilering" or studio furnishings commissioned En suite with the preceding. pioneer of abstract art in Belgium, Peeters worked as a by a client named Noe[m]inckx. Based on Van Steenbergen Height 30 1/2 inches, width 27 1/4 inches, depth 21 7/8 inches, painter, linotype cutter, poster and textile designer, and and Peeters' friendship in the Modern Art Circle and depth of seat 18 inches. also painted decorative objects and furniture. The goal Peeters geometric designs, it is possible that the painted Provenance: of the Modern Art Circle was to spread new trends and gesso decororation was designed by Peeters for Made for Mr. Achiel Noeminckx, Antwerp increase awareness and knowledge of new artistic Van Steenbergen's suite of furniture. Thence to his nephew Dr. L. Nolwinckx developments. The group also organized several Private sale, 1989. C A Private Collection of Important Design $2,500-3,500 See Illustration

156 Eduard Van Steenbergen Painted Wood Table Possibly in collaboration with Jozef Peeters, circa 1923 En suite with the preceding. 155 Height 30 3/4 inches, width 59 inches, depth 35 1/2 inches. Provenance: Made for Mr. Achiel Noeminckx, Antwerp Thence to his nephew Dr. L. Nolwinckx Private sale, 1989. C A Private Collection of Important Design $3,000-5,000 See Illustration

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66 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67 157 Valerie (Vally) Wieselthier Glazed Terra Cotta Head of a Woman Titled Liona Circa 1930-45 Signed V. WIESELTHIER. Height 13 1/2 inches. C $4,000-6,000 See Illustration

158 Maurice Picaud (Pico) Gilded Gesso Relief Panel Circa 1930 Depicting a dancer. Height 19 3/4 inches, width 18 3/4 inches.

Maurice Picaud (1900-1977) was a French architect whose 165 most famous work includes this panel of a dancer which he used above the main entrance of the Folies Bergère in Paris when he redesigned the building in its current 157 Art Deco style in 1926. 158 C 164 $1,500-2,500 Pair of Vilhelm Lauritzen and Louis Poulsen Radiohus See Illustration Pendant Lights Designed 1940s 159 Height of shade 13 inches, diameter 12 inches. Assembled Jean Luce Art Deco Porcelain Created originally for the Radiohuset building in Dinner Service Frederiksberg, Copenhagen, Lauritzen’s iconic light Second quarter of the 20th century combines modernism and functionality. Approximately 157 pieces. Diameter of dinner plate C 9 7/8 inches. $700-1,000 Provenance: 166 Christie’s East, New York, December 10, 1986. 165 Marcel Breuer Plywood Isokon Long Chair C A Private Collection of Important Design Parchment Low Table For Isokon Furniture Company, London, 1935-36 $500-700 Manner of Jean-Michel Frank for Comte, Argentina Unmarked. Height 28 3/4 inches, width 24 inches, length 54 inches. Height 12 inches, width 51 inches, depth 1/4 inches. Similar examples can be found in the collections of the Victoria and 160 C Albert Museum, London, Museum of Modern Art, New York, Pair of Art Deco Parcel Gilt Bronze, Metal and $2,000-4,000 Cooper Hewitt, Smithsonian Design Museum, New York, and Marble Torcheres See Illustration the Brooklyn Museum of Art, New York. 1940s Provenance: Decorated with signs of the Zodiac, unmarked. Dorotheum, Vienna, Twice Yearly: Important Design, May 6, 2003, lot 95. Height 6 feet 6 inches, width 17 inches. Other chairs of this model sold at Sotheby’s, London, Bauhaus Defining a • Century, October 6, 2017, lot 21, and Christie’s, London, Design, $2,500-3,500 October 18, 2017, lot 360. See Illustration Marcel Breuer’s Long Chair was an early example of how new materials 161 and technologies would soon reshape classic furniture shapes creating Max Laeuger (Läuger) Painted and Glazed the home of the future. The simple and elegant silhouette of the Long Earthenware Figure of a Nude Bather Chair would be echoed by many of the great designers of the post-war No. 4451, 1934 world including Charles and Ray Eames, Alvar Aalto and Eero Saarinen. Signed with the artist’s initials, dated and numbered. This chair originally cost £6 and was too costly to be a commercial success Height 3 3/4 inches. at the time but has since become an icon of twentieth century design. C C A Private Collection of Important Design $500-700 $8,000-12,000 See Illustration 162 Henry van de Velde for Meissen Porcelain Sauce Boat Circa 1903 Stamped with the designer's mark and the Meissen blue crossed swords mark. Height 5 1/8 inches, 160 length 11 1/2 inches. Provenance: Quittenbaum, Munich, Germany, November 2000, lot 362. C A Private Collection of Important Design $2,000-3,000 See Illustration

163 Travertine and Dark Stained Wood Low Table After Jean Prouvé Height 13 3/4 inches, diameter 33 3/4 inches. C $800-1,200 166 162

68 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69 169 Jean Michel Frank Leather and Oak Rodo Stool Stamped underside J.M. Frank and Chanaux & Co., circa 1930 Height 16 1/2 inches, width 23 1/2 inches, depth 17 5/8 inches. Literature: Léopold Diego Sanchez, Jean-Michel Frank, Adolphe Chanaux, edition du Regard, Paris, 1997, p. 215 Pierre-Emmanuel Martin-Vivier, Jean-Michel Frank, edition Norma, Paris, 2006, pp. 179, 191, 199, 250, 291, 340. A pair of stools in this model sold Phillips, New York, June 6, 2018, lot 21; another pair with cloth seats sold Christie’s, New York, December 7, 2005, lot 358. C $7,000-9,000 See Illustration

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170 French Art Deco Black Lacquer Cabinet 167 168 1940s Set of Four Gilbert Poillerat Parcel Gilt Wrought Iron Pair of Art Deco Upholstered Giltwood Armchairs Height 38 1/2 inches, width 39 1/4 inches, Three-Light Wall Sconces 1940s depth 18 1/2 inches. 1940s Height 32 inches, width 24 inches, depth 25 inches. C Height 17 inches, length 12 inches. Provenance: $800-1,200 Literature: Doyle, Doyle + Design, June 11, 2014, Lot 271. See Illustration François Baudot, Gilbert Poillerat Maître Ferronier, C Paris, 1998, p. 212. $1,500-2,500 171 These sconces were originally designed for the lighting See Illustration Set of Twelve Mies van der Rohe of the new restaurant at the Eiffel Tour, Paris, in the BRNO Armchairs late 1930s. For Knoll C Height 31 1/2 inches, width 23 inches, $8,000-12,000 depth 22 1/4 inches. See Illustration C $1,500-2,500 See Illustration 170

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70 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71 PERSANE SCONCES JAZZ BAND

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172 173 Pair of Jean Royère Patinated Metal Persane Franz Hagenauer Art Deco Four-Piece Eight-Light Sconces Nickel-Plated Jazz Band 1950s Second quarter of the 20th century With paper shades, apparently unmarked. Comprising a saxophone player, trumpet player, Height 31 1/2 inches, width 20 1/2 inches. drummer and a piano player. Each stamped A pair of these sconces sold Christie’s, New York, HAGENAUER WIEN MADE IN AUSTRIA Handmade Important 20th Century Decorative Arts and and with the firm’s WHW monogram, iron bases. Design, June 16, 2011, lot 146. Height of tallest 6 feet 1/2 inch. C A band of seven musicians sold Sotheby’s, $30,000-50,000 New York, June 15, 2011, lot 81. See Illustration C $30,000-40,000 See Illustration

72 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73 174

174 177 Poul Kjaerholm Glass Pair of Milo Baughman and Chromed Metal Chromed Metal and Coffee Table Upholstered Barrel-Back Circa 1960 Club Chairs Height 12 3/4 inches, Height 24 inches, 32 1/2 inches, square. width 31 1/2 inches, Provenance: depth 29 3/4 inches. Georg Jensen Inc., New York, C February 1960 $600-900 In their 1960 retail catalogue, this table was originally 178 179 priced at $275 for this model Poul Kjaerholm Upholstered with a glass top and $150 for Chromed Metal Stool the model with a slate top. Height 13 1/8 inches, 179 C diameter 20 1/2 inches. $1,000-2,000 Provenance: Set of Six Pierre Jeanneret Caned Ebonized Teak Model PJ-SI-28-B See Illustration Georg Jensen Inc., New York, Office Armchairs Circa 1950/60s September 1965 With original metal tag. 175 In their catalogue dated 1965 Height 31 1/2 inches, width 19 1/2 inches, depth 19 inches. this stool retailed for $135. Arne Jacobsen Leather Provenance: Egg C Upholstered Chair From the Administrative Buildings, Chandigarh, India Height 42 inches, $2,000-3,000 Literature: width 31 1/2 inches, See Illustration Eric Touchaleaume and Gerald Moreau, depth 26 inches. Le Corbusier Pierre Jeanneret: The Indian Adventure, pp. 562-3. C C $700-1,000 $10,000-20,000

See Illustration 176 Tommaso Barbi Brass Double-Stem Flower Floor Lamp 178 1970s Height 6 feet 5 inches. C $600-900

74 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75 181 180 181 Georg Jensen Sterling Silver Four-Piece Tea and Coffee Service Pattern 1017, designed by Henning Koppel in 1952 Comprising a teapot, coffee pot, cream jug and sugar bowl. Height of coffee pot 6 1/2 inches, total approximately 58 ounces, all in. Literature: Janet Drucker, Georg Jensen: A Tradition of Splendid Silver, New York, 1997, p. 228.

Henning Koppel (1918-1981) won first prize at the 1954 SILVER Milan Triennale for the design of this teapot which represented the future of silver design. An example of this service with tray is in the collection of the Cooper 180 Hewitt, Smithsonian Design Museum, New York, and another three-piece service is in the National Gallery of Pair of Georg Jensen Sterling Silver Candelabra Pattern 956, designed by Henning Koppel in 1946 Australia, Canberra. Height 3 3/8 inches, length 7 1/8 inches, total approximately 74 ounces. C Literature: $10,000-15,000 Janet Drucker, Georg Jensen: A Tradition of Splendid Silver, See Illustration New York, 1997, p. 234. 182 This model was Henning Koppel’s (1918-1981) first hollowware design Georg Jensen Sterling Silver Tray for Georg Jensen beginning an illustrious collaboration with the firm that Pattern 1017, designed by Henning Koppel in 1952 lasted until his death. Ensuite to the previous lot. Length 20 1/2 inches, C approximately 94 ounces. $10,000-15,000 C See Illustration $6,000-8,000 See Illustration

183 Towle Silversmiths Sterling Silver Contour Pattern Flatware Service Designed 1950 Comprising thirty-one dinner forks, twenty-two salad forks, twenty-two dinner knives, twenty-four butter 182 knives, twenty-four dessert spoons, thirty-six teaspoons, five serving spoons, two serving forks, and a gravy ladle. Total approximately 187 ounces, weighable. C $1,500-2,500

76 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77 187

185 part

184 Georg Jensen Sterling Silver Condiment Set Pattern 965, designed by Soren Georg Jensen in 1949 Comprising salt and pepper casters, mustard pot and tray. Height of casters 3 inches, length of tray 6 3/4 inches, total approximately 10 ounces, weighable.

Soren Georg Jensen (1917-1982) joined his father’s firm in 1949 and became instrumental in moving Georg Jensen Silversmiths into the abstract and sculptural designs the firm became known for in the second half of the 20th century. C $700-1,000 187 185 Pair of Georg Jensen Sterling Silver Five-Light Candelabra Georg Jensen Sterling Silver Scroll Pattern Flatware Service Pattern 383A, designed by Georg Jensen in 1920, 1945-77 Designed by Johan Rohde in 1927 In the grape pattern, each stamped GEORG JENSEN DENMARK STERLING and with Comprising twelve dinner forks, twelve salad forks, twelve cocktail forks, pattern number. Height 10 1/4 inches, total approximately 192 ounces. twelve dinner knives, twelve butter knives, twelve dessert spoons, twelve Literature: teaspoons, one serving fork. Total approximately 111 ounces, weighable. Janet Drucker, Georg Jensen a Tradition of Splendid Silver, 1997, p. 54, for an illustration of a C candelabrum no. 383 from the Collection of The Newark Museum, New Jersey. $5,000-7,000 A similar pair sold Christie’s, New York, Important Silver and Objects of Vertu, See Illustration of Part October 19, 2012, lot 12; another pair sold Sotheby’s, New York, Important English and European Decorative Arts, November 18, 2011, lot 305; a candelabrum no. 383 sold Doyle, 186 New York, Doyle+Design, September 28, 2010, lot 148; another pair sold Christie’s, Hector Aguilar Sterling Silver and Rosewood Aztec Pattern New York, 100 Years of Georg Jensen: Magificent Silver From the Rowler Collection, Flatware Service January 19, 2005, lot 113. Taxco, 1940s C Private Connecticut Collection Comprising four dinner forks, four salad forks, four dinner knives, $40,000-60,000 four butter knives, four dessert spoons, eight teaspoons. See Illustration 186 part C Estate of Florence Segal $2,000-4,000 See Illustration of Part

78 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79 188 189

193

192

192 Barovier & Toso Attunale Glass Vase with with Gold Leaf Inclusions Height 11 1/2 inches. C $3,000-5,000 See Illustration

193 Barovier & Toso a Stelle Glass Vase with Applied “Star” Forms Height 11 1/2 inches. Literature: 190 191 Venetian Art Glass: An American Collection FURNITURE & 1840-1970, Barovier, p. 141 C DECORATIVE ARTS $7,000-9,000 See Illustration

188 189 190 194 Napoleone Martinuzzi for Venini & Cie. Seguso Vetri D'Arte Conch Shells Glass Ercole Barovier Alterno Glass Vase with Carlo Scarpa for Venini Corroso Amphora Pulegoso Glass Vase with Gold Vase with Red and Green Murrine Glass Vase Leaf Inclusions, Model 3273 Gold Foil Inclusions Height 10 inches. Acid-etched stamp Venini/Murano. Height 12 3/4 inches. Height 11 inches. C Height 13 inches. Literature: Literature: $4,000-6,000 C Napoleone Martinuzzi: Venini 1925-1931, Venetian Art Glass 1840-1970, Barovier, See Illustration $5,000-7,000 Barovier, pp. 212-213, similar example. no. 188 Seguso Vetri d'Arte: Glass Objects See Illustration Venini Catalog Raisonné 1921-1986, from Murano Catalog Raisonné 1932-1973, 191 Anna Venini Diaz de Santillana, Skira, 2000, model #6003, p. 97 illus. Vittorio Ferro for Fratelli Toso Marquetry p. 86 & p. 198. C Glass Vase with Yellow Glass Casing and C $3,000-5,000 Fused Murrine $7,000-9,000 See Illustration Height 10 3/4 inches. See Illustration C $3,000-5,000 See Illustration 194

80 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81 200 Fulvio Bianconi for Seguso Vetri D’Arte Donna Glass Vase with Gold Foil Inclusions Circa early 1960s Height 13 3/4 inches.

This lot includes a certificate of authenticity from vintage Italian glass expert Marc Heiremans C $6,000-8,000 See Illustration

201 Fulvio Bianconi for Seguso Vetri D'Arte 196 Uomo Glass Vase with Gold Foil Inclusions Circa early 1960s Seguso Vetri D'Arte paper label with handwritten number 17213. Height 10 3/4 inches.

This lot includes a certificate of 195 authenticity from vintage Italian glass expert 195 Fulvio Bianconi for I.V.R. Mezzaga Fasce Orizzontali Marc Heiremans. Glass Vase with Red, Green, Burgundy and C Blue Bands $5,000-7,000 Partial paper label affixed to underside. See Illustration Height 6 3/8 inches. C $4,000-6,000 See Illustration

196 Fulvio Bianconi for Venini Pezzame Glass Vase Partial paper label affixed to underside. Height 4 1/2 inches. C $7,000-9,000 See Illustration

197 Pino Signoretto Murano Sommerso Glass Fish 200 Signed Pino Signoretto. Length 17 inches. C Estate of Felice Ross $600-800

198 Lawson Oyekan Porcelain Vessel Titled Trial with Light 1996 Signed and dated. Height 6 1/4 inches, diameter 10 1/4 inches. Provenance: Garth Clark Gallery, New York, 1997 C Estate of Felice Ross $1,500-2,500

199 Tomaso Buzzi for Venini Incamiciato Iridized Glass Vase with Footed Base, Model 3314 Acid-etched stamp Venini/Murano/Italia Height 14 5/8 inches. Literature: Venini Glass: Its History, Artist, Techniques, Franco Deboni, p. 29. C $7,000-9,000 201 See Illustration

199

82 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83 205 Fulvio Bianconi for Cenedese Teatrino Iridized Glass Vase with Black, White and Burgundy Applications Height 13 3/4 inches. Literature: Il vetro di Murano alle Biennali 1895-1972, R. Barovier Mentasti, Leonardo Arte, 1995, p. 81. I vetri di Fulvio Bianconi, R. Bossaglia, Allemandi, 1993, p. 20. C $10,000-15,000 See Illustration

203 202

202 Dino Martens for Venini Drapeggio Glass Vase Circa 1954 Height 14 7/8 inches. Literature: Dino Martens - Muranese Glass Designer, 205 Marc Heiremans, p. 104, fig. 99. C $5,000-7,000 See Illustration

203 206 Con Napoleone Martinuzzi for Venini & Fulvio Bianconi for I.V.R. Mazzega Macchia Cie. Pulegoso Glass Vase with Iridized Glass Vase with Burgundy

Applied Handles and White Inclusions Height 10 1/2 inches. Height 12 inches. C C $6,000-8,000 $10,000-15,000 See Illustration See Illustration

204 Tomaso Buzzi for Venini Incamiciato Glass Vase, Model 3900 Height 11 1/2 inches. C $4,000-6,000 See Illustration

206 204

84 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85 207 Stilnovo Lacquer and Brass Three-Light Chandelier Milan, circa 1955 Height 51 inches, diameter 21 inches. C $700-1,000 See Illustration

208 Pair of Italian Upholstered and Black Lacquered Steel Armchairs Gigi Radice for Renzo Minotti, circa 1960 Height 33 inches, width 30 inches, depth 29 inches. C $1,000-1,500 See Illustration

209 Mid-Century White Leather Upholstered Sofa After Gio Ponti Height 28 inches, width 58 in ches, depth 26 inches. C $500-700

207

210 212

210 211 212 Pietro Chiesa for Fontana Arte Paolo Buffa Burlwood, Rosewood, Pair of Roberto Giulio Rida Enamel, Lacquered Wood Mirror Brass and Glass Console Glass and Brass Lamps Circa 1935 1940s 2013 Height 56 inches, width 26 inches. Height 36 inches, width 70 inches, Height overall 30 1/2 inches. Literature: depth 17 1/2 inches. C Franco Deboni, Fontana Arte, C $3,000-5,000 Gio Ponti, Pietro Chiesa, and Max Ingrand, $2,000-3,000 See Illustration New York, 2013, p. 51, for a similar model. See Illustration C $2,000-3,000 See Illustration

208

211

86 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87 213 216 Osvaldo Borsani Giltwood Mirror Ico and Luisa Parisi Walnut Bookcase Circa 1940 De Baggis, 1955 Height 36 inches, width 21 1/2 inches. Height 49 inches, width 44 1/2 inches, C depth 12 inches. $800-1,200 C See Illustration $3,000-5,000 See Illustration 214 Pair of Barovier and Toso Murano 217 Glass Two-Light Sconces Italian Rosewood and Glass Spiral 1940s Low Table Height 6 1/2 inches, width 12 inches. Probably Milan, 1940s C Height 14 inches, diameter 31 inches. $500-700 C $600-900 215 See Illustration Luigi Massoni Rosewood Sideboard Guzzini, 1960s 218 Height 31 1/2 inches, width 59 inches, Pair of Roberto Giulio Rida Brass and depth 20 1/2 inches. Glass Table Lamps C Milan, 2005 $600-900 Height overall 37 1/2 inches. See Illustration C $2,500-3,500 See Illustration

217

213

218

216 215

88 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89 223 Roberto Guilio Rida Cut Glass Mirror 2013 23 1/2 Inches square. C $2,000-3,000

224 220 Italian Art Deco Burl and

Modernist Italian Rosewood and Rosewood Cabinet 1930s Teak Chest of Drawers 1960s Height 41 1/2 inches, width 57 inches, Height 29 inches, width 47 1/2 inches, depth 19 inches. depth 19 1/2 inches. C C $2,500-3,500 $700-1,000 See Illustration See Illustration

225 Pair of Mario Quarti Upholstered Beechwood Open Armchairs 219 1940s Height 31 inches, width 25 1/2 inches, depth 28 inches. C $1,500-2,500 See Illustration 224

219 Set of Six Paolo Buffa Leather Upholstered Walnut Dining Chairs 1940s Height 41 inches, width 19 inches, depth 19 inches. C $1,500-2,500 See Illustration

220

221 Pair of PoliArte Pulegoso Glass Sconces 1970s Height 11 inches, width 4 1/2 inches. C $600-800

222 Dassi et Figli Marble and Fruitwood Dining Table Milan, 1950s Height 30 1/2 inches, diameter 46 inches. 225 C $1,000-1,500 See Illustration 222

90 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91 228 Pair of Italian Upholstered Gilt-Metal Lounge Chairs Style of Marco Zanuso Height 31 1/2 inches, width 24 inches, depth 29 inches. C $500-700

229 Pair of Christian Wassmann Dodecahedron Polyurethane Resin Chandeliers Diameter 14 inches. C 229 $1,500-2,500 See Illustration

230 Pair of Ricardo Fasanello Lacquered Metal Upholstered Anel Lounge Chairs Atelier Ricardo Fasanello, Rio de Janeiro, 1990s Height 29 inches, width 27 inches, depth 21 inches. A pair of these chairs sold Wright, Chicago, June 7, 2012, lot 260. C $5,000-7,000 See Illustration 226 231 Pair of Alain Delon for Maison Jansen Chrome and Brass-Plated Metal and Mahogany Glass Top Occasional Tables 1970s Apparently unmarked. Height 23 inches, width 23 1/2 inches, depth 39 1/2 inches. C $2,500-3,500 See Illustration 230

226 Pair of Giuseppe Pagano Pogatschnig Upholstered Bentwood Open Armchairs and Ottomans Circa 1939 Height 35 inches, width 24 inches, depth 26 inches. Designed in 1939 for the Bocconi University in Milan. C $1,500-2,500 See Illustration

227 Italian Arte Moderne Rosewood, Birch and Glass Bar Cabinet Milan, circa 1935 Height 50 1/2 inches, width 48 inches, depth 18 inches. C $800-1,200 See Illustration

227

231

92 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93 232 Group of Five Wooden Balls 20th Century Diameter 9 inches to 22 inches. C $2,000-4,000 See Illustration

233 Roger Capron Glazed Ceramic Tile-Inset Chromed Metal Low Table 1960/1970s Height 15 1/4 inches, width 40 inches, depth 20 inches. C $800-1,200 See Illustration

234 232 Toshiko Takaezu Glazed Closed Form Stoneware Vessel Circa 1995 With incised artist’s monogram. Height 5 3/4 inches. C Estate of Felice Ross $800-1,200 239 235 Matteo Thun For Memphis Group 240 Nefertiti Glazed Ceramic Teapot Flavia S.r.L., 1980s 237 239 Height 7 5/8 inches, length 8 inches. Contemporary Custom Steel and Pair of Bronze Occassional Tables Glass Table 2000s Designed in 1981, the year the Memphis Late 20th century Height 19 1/2 inches, width 18 inches, Group was formed, Thun’s Nefertiti teapot Height 40 1/2 inches, width 71 inches, depth 13 inches. is a cartoonish take on a classic form. depth 48 inches. C The name references the conical form C $1,500-2,500 which is inspired by the Egyptian pyramids. $300-500 See Illustration Other Nefertiti teapots are in the collections of the Cooper Hewitt, 238 240 241 Smithsonian Design Museum, New York [KUBRICK, STANLEY-TASCHEN] Four Piero Gilardi for Gufram Pave Piuma Louis Cane Inlaid Fruitwood Extension and the Virginia Museum of Fine Arts, Richmond. The Stanley Kubrick Archives. [New York:] Polyurethane Tile Panels Dining Table C Taschen, 2005. First edition, with an original Designed in 1965 2000 $600-800 film strip of frames from 2001: A Space Two tiles with molded imprint pavè piuma Height 29 3/4 inches, width closed 233 Odyssey and with a CD with interview of gilardi/gufram and with green synthetic 7 feet 10 1/4 inches, depth 45 inches. 236 Kubrik by Jeremy Bernstein in sleeves leaves. Each 20 inches square. C Michel Boyer EnfiladeStainless Steel and affixed to the front blank. Three quarter Provenance: $6,000-8,000 Mahogany Sideboard black cloth over red lettering, the spine Dorotheum, Vienna, Collectables, See Illustration 2000s lettered in red, the cover in black, in May 7, 2004, lot 222. Height 27 1/4 inches, width 7 feet 3 inches, original printed cardboard case. Fine. C A Private Collection of Important Design depth 14 3/4 inches. C $1,000-1,500 C $200-400 See Illustration $2,000-4,000 See Illustration

241

236

94 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95 DIEGO GIACOMETTI

242 Diego Giacometti Patinated Bronze Dining Table with Leaves, Birds and Frogs Circa 1980, signed Diego in script under crossbar Height 30 1/2 inches, base 21 1/2 inches, square, diameter of glass 48 inches.

Provenance: Private 980 Fifth Avenue, New York Collection The Greenberg Gallery, St. Louis, Missouri, 1985

Literature: Françoise Francisci, Diego Giacometti, Catalogue de l’oeuvre, Paris, 1986, pp. 60-61. Daniel Marchesseau, Diego Giacometti, Paris, 1986, pp. 146-147. C $80,000-100,000 See Illustration

242

242 detail

96 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 97 246 Peter Voulkos Stoneware Vase 1971 Signed Voulkos 71. Height 7 1/2 inches. Provenance: Rago Arts, New Jersey, October 26, 2008, lot 163. C A Private Collection of Important Design $1,500-2,500 See Illustration

247 Ron Seff Brass and Shagreen Braque Low Table 1980s 246 243 Height 28 inches, 48 inches square. C $700-1,000 See Illustration

248 Pair of Ron Seff Gilt and Mother-of-Pearl Inlaid Black Lacquer Ritz Side Tables 1980s Height 20 inches, 243 244 245 width 20 1/4 inches, Ron Seff Polished Stainless Steel Ron Seff Polished Stainless Steel and Pair of Ron Seff Black Lacquered depth 16 1/4 inches. Ramesses Bench Lacquered Goatskin Batik Low Table Goatskin Ritz Side Tables C 1980s 1980s 1980s $1,000-1,500 Height 25 inches, width 54 inches, Height 17 1/2 inches, 42 inches square. Height 20 inches, width 20 inches, See Illustration depth 16 inches. C depth 16 1/2 inches. C $700-1,000 C $1,000-1,500 $1,000-1,500 See Illustration See Illustration

247

248

245

98 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 99 252 Pair of Hervé van der Straeten Patinated Bronze Tornade Table Lamps Height overall 23 3/4 inches, height of body 18 1/4 inches, diameter 8 1/2 inches. C $4,000-6,000 See Illustration

253 Pair of Hervé van der Straeten Patinated Bronze and Marble 250 Mycene Occasional Tables Designed 2001, Alexandre Biaggi edition 252 Apparently unmarked. Height 20 1/2 inches, 31 1/2 inches square. C $7,000-9,000 249 249 See Illustration Manolo Valdes for Daum Pâte-de-Verre Figure Titled Las Meninas Edition no. 6/125, circa 2002 In deep amber colored glass, END OF SALE signed Daum France M. VALDES. Height 18 inches. C From the Collection of Margo Howard $3,000-5,000 See Illustration

250 Paul Evans Studio for Directional Mid-Century Modern Chrome-Plated Steel and Glass Cityscape Mirror From the PE 200 Series, circa 1975 Signed AN ORIGINAL PAUL EVANS. Height 20 1/4 inches, width 70 inches. C $1,500-2,500 See Illustration

251 Paul Evans Burlwood and Brass Cityscape Pedestal Height 48 inches, width 15 inches, depth 15 inches. C $800-1,200 See Illustration

253

251 100 DOYLE • SEPTEMBER 17, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 101 ARTIST INDEX

Adler, Dankmar and Louis Henry Sullivan 128 Ellis, Harvey for Gustav Stickley 135 Mackintosh, Charles Rennie 136, 137 Solomon, Syd 76, 77 Agam, Yaacov 1-3 Erdt, Hans Rudi 104 Magnelli, Alberto 64 Souza, Al 78 Aguilar, Hector 186 Evans, Paul 250, 251 Martens, Dino 202 Sullivan, Louis Henry and Dankmar Adler 128 Amino, Leo 4-6 Massoni, Luigi 215 Summers, Carol 111 Archipenko, Alexander 96 Martinuzzi, Napoleone 188, 203 Sutherland, Graham 112 Arroyo, Eduardo 7 Fasanello, Ricardo 230 Mercer, Norman 65, 66 Szymanski, Carole 79 Ferro, Vittorio 191 Mueller, Albin 138 Bagnoli, Marco 8 Fischer, Joel 44 Takaezu, Toshiko 234 Barbi, Tommaso 176 Flannagan, John B. 45 Tamayo, Rufino 113 Barovier, Ercole 190 Folon, Jean Michel 46 Taschen 238 Barovier & Toso 192, 193, 214 Ford, Walton 47 Nesbitt, Lowell 67 Tchelitchew, Pavel 80-82 Barrett, Bill 9 Frank, Jean-Michel 165, 169 Newman, John 68 Theise, Michael 85 Baughman, Milo 177 Thun, Matteo 235 Beom, Moon 10 Gallé, Emile 116 Olbrich, Joseph Maria and Julius Glückert 142 Tiffany Studios 117, 118, 119, 120, 121, 122, Berard, Christian 11-13 Giacometti, Diego 242 Otterness, Tom 69 123, 124, 125, 126 Berlant, Tony 14 Gilardi, Piero 240 Oyekan, Lawson 198 Toledo, Francisco 83, 84 Berman, Eugene 15-17 Glückert, Julius and Joseph Maria Olbrich 142 Towle Silversmiths 183 Berrocal, Miguel 18, 97 Gross, Chaim 48 Parisi, Ico and Luisa 216 Trova, Ernest Tino 86 Bianconi, Fulvio 195, 196, 200, 201, 205, 206 Gross, Chaim (after) 49 Pereira, Irene Rice 70 Bissier, Jules and Walker O. Cain 19 Picaud, Maurice 158 Ubac, Raoul 87 Boghosian, Varjuan 20, 21 Hagenauer, Franz 139, 173 Picasso, Pablo 107-109 Borsani, Osvaldo 213 Hartwig, Josef and Eberhard Schrammen 149 Picasso, Pablo (After) 110 Valdes, Manolo 249 Botello, Angel 22 Hoffmann, Josef 146, 150 Poillerat, Gilbert 167 Van de Velde, Henry 143, 162 Boyer, Michel 236 Hofmann, Hans 50 Ponti, Gio 209 Van der Rohe, Mies 171 Breuer, Marcel 166 Hunt, Bryan 51, 52 Pogatschnig, Guiseppe Pagano 226 Van der Straeten, Herve 252, 253 Brown, James 23-28 Hunter, Dard 129 Poulsen, Louis and Vilhelm Lauritzen 164 van Dongen, Kees 102, 103 Buffa, Paolo 211, 219 Hussein, Ibrahim 53, 54 Prouvé, Jean 163 Van Steenbergen, Eduard 154, 155, 156 Burkhardt, Hans 29 Vasarely, Victor 114 Buzzi, Tomaso 199 , 204 Jacobsen, Arne 175 Quarti, Mario 225 Viktor IV 88 Jeanneret, Pierre 179 Voulkos, Peter 246 Calder, Alexander 98 Jenkins, Paul 105 Radice, Gigi 208 Cane, Louis 241 Jensen, Georg 180, 181, 182, 184, 185, 187 Rida, Roberto Giulio 212, 218, 223 Wahliss, Ernst 151 Capron, Roger 233 Jungnickel, Ludwig H. 140 Riemerschmid, Richard 144 Waite, Peter 89-91 Chiesa, Pietro 210 Rietveld, Gerrit 152, 153 Walkowitz, Abraham 92 Coburn, John 30-32, 99 Katz, Alex 106 Robus, Hugo 71 Wassmann, Christian 229 Coignard, James 33 Kerkam, Earl 55 Rohlfs, Charles 130, 132, 133, 134, 141 Wieselthier, Valerie 157 Le Corbusier 100 Kjaerholm, Poul 174, 178 Roszak, Theodore 72 Wiley, William T. 93 Courtin, Pierre 34 Kolar, Jiri 56 Royère, Jean 172 Williams, Neil 94 Courtright, Robert 35 Kusama, Yayoi 57 Witwe, Johann Loetz 145, 146 Cuevas, José Luis 36 Scarpa, Carlo 194 Wright, Frank Lloyd 127 Laeuger, Max 161 Schrammen, Eberhard and Josef Hartwig 149 Daum 249 Lauritzen, Vilhelm and Louis Poulsen 164 Seff, Ron 243, 244, 245, 247, 248 Yang, Chihung 95 Dassi et Figli 222 Lipchitz, Jaçques 60-63 Seguso 189 Dehner, Dorothy 37-42 Loew, Michael 58 Signoretto, Pino 197 Zanuso, Marco 228 Delon, Alain 231 Loewer, Claude (after) 59 Simon, Yohanan 73 Zimmermann, Marie 148 Dine, Jim 43, 101 Luce, Jean 159 Smith, Richard 74 Solman, Joseph 75 Stickley, Gustav 136 Stickley, L.&J.G. 134 Stilnovo 208

102 DOYLE • SEPTEMBER 17, 2018 • NEW YORK GREENWICH VILLAGE VIEWS GLOSSARY

The following examples define some of the terms SIGNED NICOLAES MAES EDITION used in this catalogue. The reader is reminded In our best judgment, the signature, monogram, Information regarding the size of the edition is given that all of the terms and descriptions used in this initials or other similar indicia of authorship is a when possible. catalogue as to authorship, period, culture, source recognized signature of the artist and appears in or origin for any property are made and used as one of the six areas of the painting designated SIGNATURE qualified statements and opinions only, and are as follows: Only manuscript signatures of the artists are indicated. subject to the Conditions of Sale and the Terms (u.l.) Upper left Signatures “in the plate” are not mentioned since of Guarantee. (l.l.) Lower left they are considered part of the image. (u.r.) Upper right In connection with the attribution of authorship, (l.r.) Lower right QUALITY AND CONDITION as described in paragraph 2 of the Terms of (u.c.) Upper center An attempt has been made to give relevant Guarantee, the following terms are used in this (l.c.) Lower center information concerning the quality of the impression, catalogue, and are defined as follows: the size of the margins and the condition of the BEARS SIGNATURE, NICOLAES MAES prints when possible. These descriptions are qualified In our best judgment, the signature, monogram, statements or opinions only, and are made subject initials or other similar indicia of authorship is not to the Conditions of Sale and Terms of Guarantee. FURNITURE AND DECORATIONS that of the artist and may have been added at a later date. The print sleeves are the property of Doyle New York REGENCY ROSEWOOD SOFA TABLE and are not included in the sale. First quarter of the 19th century. This heading with DATED the date included means that the piece is, in our In our best judgment, the date indicated on the work MEASUREMENTS best judgment, of the period indicated with no is the date the work was executed. As with any description in this catalogue, major alterations or restorations. measurements are qualified statements or opinions DATED (FOR BRONZES) and are subject to the Conditions of Sale and REGENCY ROSEWOOD SOFA TABLE In our best judgment, the date indicated when the Terms of Guarantee. Doyle New York shall not be This heading without inclusion of a date indicates original model was executed. Since the exact date liable for any mistakes in measurements. that in our best judgment, the piece, while basically of the casting of a bronze sculpture is often unknown Measurements have been made to the best of our of the period, has been substantially altered or and illustrations in reference books may not specify ability, and are given in inches to the nearest restored and in some cases it may also indicate which particular cast is discussed or illustrated, 1/4 inch and millimeters, height before width. that the piece has been constructed from old parts. it should be pointed out that dates of execution Unless otherwise indicated, etchings and engravings and entries listed under Literature in the individual are measured by the dimensions of the plate REGENCY STYLE SOFA TABLE catalogue entries do not necessarily refer to the marks.Woodcuts, lithographs and silkscreens are The inclusion of the word “style” in the heading castings included in the sale. measured by the dimensions of the images. indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work All pictures are framed unless otherwise noted in or style of works. this catalogue. PRINTS

NAME OF THE ARTIST PAINTINGS Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except NICOLAES MAES where stated as being “after” or “attributed to” In our best judgment the work is by the named an artist, each lot is by the artist appearing at the artist. This is our highest category of authenticity head of the lot, except in the case of lots containing in the present catalogue. works by more than one artist.

ATTRIBUTED TO NICOLAES MAES TITLE In our best judgment, while the work is of the If there is a generally accepted title for the print, period of the named artist, and on the basis of that title is given in upper case at the beginning style can be ascribed to him, we cannot state of the lot description. If the work has no title or with certainty that it is by him. the title is unknown to us, a descriptive title is 175 West 12th Street, 11J | $1,895,000 | Condominium given in brackets. 1 Bedroom | 1.5 Bathrooms SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of REFERENCES the named artist, by a pupil or close follower of Information from the standard catalogues of the This Greenwich Village sponsor unit requires no board approval for a well the artist, but is not by the artist. artists’ works is cited when possible following the title. established condominium. Large East facing windows provide outstanding city views CIRCLE OF NICOLAES MAES MEDIUM and an abundance of natural light. Furnishings may be purchased separately. In our best judgment, the work is of the period of The mediums are described as fully as possible, New York Properties the named artist and closely related to his style. although secondary techniques may not be listed.

Reba Miller | Senior Sales Executive, Associate R.E. Broker | 646.677.1067 MANNER OF NICOLAES MAES OR AFTER DATE NICOLAES MAES OR FOLLOWER OF The date given is that of the original plate, block, Michelle Miller | Licensed R.E. Salesperson | 646.677.1072 NICOLAES MAES stone or screen. It is not necessarily the date at The RP Miller Team In our best judgment, although the work is in the which the impression offered for sale was printed. style of or a copy of a work by the named artist, it is of a later period.

212.710.1900 • [email protected] • bhhsnyp.com • 590 Madison Avenue, New York, New York

© 2018 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliae, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation. | Exclusive Sales and Marketing The RP Miller eamT I at Berkshire Hathaway HomeServices New York Properties and MDM Management. Offering by prospectus only. The complete offering terms are in an offering plan available from Sponsor File No. CD-840352. The Sponsor reserves the right to make changes in accordance with terms of the offering plan, as amended.

CONDITIONS OF SALE

1. BINDING TERMS The copyright in all images, illustrations and written 6. BIDDING The lots listed in this catalogue will be offered by material produced by or for Doyle New York relating Doyle New York reserves the right, at our complete Doyle New York as owner or as agent for consignor to a lot, including the contents of this catalogue, is, discretion, to refuse admission to the premises or subject to the following terms and conditions. and shall remain at all times, the property of participation in any auction and to reject any bid, Where Doyle is agent, the contract is between Doyle New York and shall not be used by the buyer, as well as the right to refuse to acknowledge any seller and buyer. The following Conditions of Sale nor by anyone else, without our prior written consent. bidder. The highest bidder acknowledged by the and Terms of Guarantee constitute the entire auctioneer will be the purchaser. The auctioneer agreement with the purchaser relative to the 3. WITHDRAWAL has the right at his absolute and sole discretion property listed in this catalogue. By bidding at Doyle New York reserves the right to withdraw to advance the bidding in such a manner as he may auction you agree to be bound by these terms: any lot at any time prior to the commencement decide, to withdraw or divide any lot, and to of bidding for such lot and shall have no liability combine any two or more lots. In the event of 2. AS IS whatsoever for such withdrawal. error or dispute between bidders, or in the event All lots are sold “AS IS” and without recourse and of doubt on our part as to the validity of any bid, neither Doyle New York nor its consignor makes 4. RESERVES whether during or after the sale, the auctioneer any warranties or representations, express or If the auctioneer decides that any opening bid is has final discretion to determine the successful implied, with respect to such lots, except for the below the value of the lot offered, the auctioneer bidder, to continue the bidding, to cancel the sale, limited warranties expressly stated in the Terms may reject that bid and withdraw the lot from sale; or to reoffer and resell the lot in dispute. If any of Guarantee section of this catalogue. Prospective and if, having acknowledged an opening bid, he dispute arises after the sale, the Doyle New York buyers are strongly advised to examine personally decides that any advance thereafter is insufficient, sale record shall be conclusive. any property in which they are interested, before he may reject that advance. the auction takes place, to determine its condition, 7. PURCHASER’S RESPONSIBILITY size, and whether or not it has been repaired Unless otherwise indicated, all lots are offered subject Title passes upon the fall of the auctioneer’s hammer or restored. to a reserve, which is the confidential minimum to the highest acknowledged bidder, subject to price below which such lot will not be sold. the conditions of sale set forth herein. Such bidder Except as otherwise expressly and specifically No reserve will exceed the low estimate of the lot. there upon assumes full risk and responsibility provided in the Terms of Guarantee, neither Reserves are agreed upon with the consignor or, there for (including, without limitation, liability Doyle New York nor its consignor makes any in the absence thereof, in the absolute discretion for or damage to frames and glass covering prints, express or implied warranty or representation of of Doyle New York. paintings or other works). Although in our discretion any kind or nature with respect to merchantability, we will execute orders or absentee bids or accept fitness for purpose, correctness of the catalogue Unless otherwise announced by the auctioneer, telephone bids as a convenience to clients who are or other description of the physical condition, all bids are per lot as numbered in the catalogue. not present at auctions, we are not responsible size, quality, rarity, importance, medium, material, for any errors or omissions in connection therewith. genuineness, attribution, provenance, period, Lots marked C preceding the estimate are consigned culture, source, origin, exhibitions, literature or and reserved. Those marked • are reserved property When making a bid, a bidder is accepting personal historical significance of any lot sold. The absence in which Doyle New York has an interest. liability to pay the purchase price as follows, unless of any reference to the condition of a lot does not it has been explicitly agreed in writing with Doyle imply that the lot is in perfect condition or completely Doyle New York on occasion makes loans or New York before the commencement of the sale free from wear and tear, imperfections or the advances funds to consignors. that the bidder is acting as agent on behalf of an effects of aging; nor does a reference to particular identified third party acceptable to Doyle New defects imply the absence of others. References The auctioneer may implement the reserve by York, and that Doyle New York will look only to the in the catalogue entry or the condition report to opening bidding on any lot by placing a bid on principal for payment: damage or restoration are for guidance only and behalf of the seller. The auctioneer will not specifically should be evaluated by personal inspection by identify bids placed on behalf of the seller. The total purchase price to be paid by purchaser is the bidder or a knowledgeable representative. The auctioneer may further bid on behalf of the the amount of the successful bid price plus a seller, up to the amount of the reserve, by placing premium of 25% on the first $300,000 of The Terms of Guarantee are controlling, and no successive or consecutive bids for a lot or by placing the hammer price of each lot, 20% on the portion statement, whether written or oral, and whether bids in response to other bidders. Unless otherwise of the hammer price from $300,001 through EXPANDED CUSTOM HOME IN BERNARDS TWP. $1,395,000 made in this catalogue, an advertisement, a bill noted in the catalogue or by an announcement $3,000,000, and 12.5% on that portion of the of sale, a salesroom posting or announcement, at the auction, Doyle New York acts as agent on hammer price exceeding $3,000,000. Payment of Built in 1948, this recently renovated custom colonial provides an abundance of charm and character throughout its five bedrooms and five- the remarks of an auctioneer, or otherwise, shall behalf of the seller and does not permit the seller each lot shall be made as follows: full and -one-half baths. The chef's kitchen is truly the heart of the home featuring custom cabinets, a leather granite center island, stainless be deemed to create any warranty, representation to bid on his or her or assumption of liability. All statements by Doyle own property. A cash deposit of not less than 25% of the purchase steel appliances, wine cooler, quartz counter-tops, and ample storage. The kitchen is open to the family room with vaulted beamed New York in the catalogue entry for the property price (unless the whole purchase price is required ceilings, large gas fireplace and French doors to a deck. or in the condition report, or made orally or in 5. ESTIMATES at the sole discretion of Doyle New York) will be writing elsewhere, are statements of opinion and Each lot in the catalogue is given a low and high paid on the day of the auction. Deposits shall Setup ideally for guests, there is a first floor en-suite bedroom with sitting room and access to a three-seasoned porch. There are four are not to be relied on as statements of fact. estimate representing that range which, in the apply to all purchases made at this sale and not opinion of Doyle New York, represents a fair and additional bedrooms upstairs including the master suite with a sitting room and spa-like bathroom. The finished basement has walkout Except as stated in the Terms of Guarantee, neither to any one particular lot. Doyle New York nor the seller is responsible in any probable auction value. When possible, the estimate access to a Bluestone patio. Located two miles to I-287, eight miles to I-78, and 42 miles to Midtown Manhattan, this home is ideal for a way for errors or omissions in the catalogue or any is based on previous auction records of comparable commuter who is looking to get away from it all. supplemental material. Buyers are responsible for property, condition, rarity, quality and provenances. www.154OldFarmRd.com satisfying themselves concerning the condition of The estimates are often determined several months the property and the matters referred to in the before a sale and are therefore subject to change catalogue entry. upon further research of the property, or to reflect CHRISTOPHER MOLLOY market conditions or currency fluctuations. Sales Associate Doyle New York and its consignor make no warranty Estimates are subject to revision. Actual prices realized Cell: 908-403-5154 or representation, express or implied, that the for items can fall below or above this range. An estimate of the selling price should not be relied [email protected] purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly on as a statement that this is the price at which BHHSNJ.com/Chris.Molloy reserves the right to reproduce any image of the the item will sell or its value for any other purpose. lots sold in this catalogue. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please Basking Ridge Office | 908-580-5000 | 665 Martinsville Rd., Suite 108, Basking Ridge, NJ contact the Specialist Department for further information. ©2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices II and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. CONDITIONS OF SALE CONTINUED

Prior to the sale, the buyer must provide us with his If any applicable conditions herein are not complied or her name and permanent address and, if so with by the purchaser, in addition to other remedies 9. LIMITED LIABILITY requested, details of the bank from which payment available to us and the consignor by law, including If for any cause a purchased lot cannot be delivered will be made. without limitation the right to hold the purchaser in as good condition as at the time of sale, or should

liable for the total purchase price, including all fees, any purchased lot be stolen or mis-delivered or The balance of the purchase price, if any, will be charges and expenses more fully set forth herein, lost prior to delivery, Doyle New York shall not be paid not later than 5 pm one (1) day following we shall be entitled in our absolute discretion liable for any amount in excess of that paid by the the day of the auction. Such payment shall be to exercise one or more of the following rights purchaser. We are not responsible for the acts or made in U.S. dollars by certified or cashier check or remedies: omissions of carriers or packers of purchased lots, drawn on a U.S. bank unless other arrangements whether or not recommended by us. Packing and are made with Doyle New York. The buyer will not a) To charge interest at such rate as we shall handling of purchased lots by us is at the entire risk acquire title to the lot until we have received all reasonably select; of the purchaser and Doyle New York will have no amounts due to us from the buyer in good cleared liability for any loss or damage to such items. funds even in circumstances where we have released b) To hold the defaulting buyer liable for the total

the lot to the buyer. Doyle New York reserves the amount due and to commence legal proceedings

right to hold merchandise purchased by personal for its recovery together with interest, legal fees check until the check has cleared the bank. and costs to the fullest extent permitted under 10. DOYLE NEW YORK EMPLOYEES applicable law; Employees of Doyle New York are not prohibited The purchaser agrees to pay Doyle New York a from bidding on property. In the course of their handling charge of $35 for any check dishonored c) Cancel the sale of that, or any other lot or lots employment it is possible that they may have by the drawee. sold to the defaulting purchaser at the same or access to information not available to the public. any other auction, retaining as liquidated damages At some auctions there may be a video or digital all payments made by the purchaser; screen. Errors may occur in its operation and in the quality of the image, and Doyle New York d) Resell the property whether at private sale or 11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or does not accept liability for such errors. public auction without reserve, and the purchaser modified in the sole discretion of Doyle New York. will be liable for any deficiency, cost, including The Conditions of Sale, Terms of Guarantee, the Any objects offered at this auction which contain handling charges, the expenses of both sales, our glossary, if any, and all other contents of this materials from a species that is endangered or commission on both sales at our regular rate, all catalogue are subject to amendment by us by protected, including, but not limited to, ivory, other charges due hereunder and incidental damages; coral and tortoiseshell, may require a license or oral announcements made during the sale. certificate prior to exportation from the United States e) To set off the outstanding amount remaining or an individual state and additional certificates unpaid by the buyer against any amounts which Salesroom notices amend the catalogue description or licenses for importation into another state we may owe the buyer in any other transactions; of a lot after our catalogue has gone to press. or country. Some materials may not be exported, They are posted in the viewing galleries and imported into other states or countries or resold. f) Where several amounts are owed by the buyer salesroom or are announced by the auctioneer. It is the purchaser’s responsibility to be aware of to us, in respect of different transactions, to apply Please take note of them. applicable laws and regulations and to obtain any any amount paid to discharge any amount owed required export or import licenses or certificates in respect of any particular transaction, whether 12. All measurements and weight are approximate. and any other required documentation. or not the buyer so directs; Doyle New York is not responsible for damage of glass covering paintings, drawings, other works g) To reject at any future auction any bids made Further, the purchaser shall be responsible for or frames and lamp shades regardless of cause. on-time payment of the full purchase price of the by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; lot, even if the obtaining of any such license is 13. If any part of these Conditions of Sale is found denied or delayed. h) To take such other actions as we deem necessary by any court to be invalid, illegal or unenforceable, Doyle assumes no liability for failing to identify or appropriate; or the balance of the conditions shall continue to be valid to the fullest extent permitted by law. materials from endangered or protected species i) To effect any combination thereof. or for incorrectly identifying such materials. 14. The rights and obligations of the parties with In addition, a defaulting purchaser will be deemed respect to these Conditions of Sale and Terms to have granted and assigned to us a continuing of Guarantee, as well as the purchaser’s and our 8. REMEDIES AVAILABLE TO security interest of first priority in, and we may retain respective rights and obligations hereunder, the as collateral security for such purchaser’s obligations DOYLE NEW YORK conduct of the auction and any matters connected Grandiose Living New Hartford, CT • 207 Southeast Road • $2,495,000 In addition to the other remedies available to us to us, any property or money of or owing to such with any of the foregoing, shall be governed by law, we reserve the right to impose a late charge purchaser in our possession. We shall have all of and interpreted by the laws of the State of New York. Entertain on a grand scale or relax in luxury on this stunning 64-acre estate. Revel in a state-of-the-art, shingle style, En- of 1 1/2% per month of the total purchase price the rights accorded a secured party under the By bidding at auction, whether present in person if payment is not made in accordance with the New York Uniform Commercial Code with respect glish country manor home that was designed by architect, Jack Kemper with inspiration from the Mayflower Inn located or by agent, by written bid, telephone or other conditions set forth herein. All property must be to such property and we may apply against such means, the buyer shall be deemed to have submitted, in Washington Depot, CT. Details found throughout the home include wide plank floors, custom chandeliers, lighting and removed from our premises by the purchaser at obligations all monies held or received by us for for the benefit of Doyle New York, to the exclusive their expense not later than (2) business days the account of, or due from us, to such purchaser. hardware, six fireplaces, and a masterful compilation of specimen woods and stone. There are ten-foot ceilings on the jurisdiction of the federal or state courts located following its sale and, if it is not removed, Doyle At our option, payment will not be deemed to have first floor and nine-foot ceilings on the 2nd and 3rd floors. The house is complimented by a workshop/studio storage barn in the state and county of New York and waives New York reserves the right to charge a minimum been made in full until we have collected funds any objection to the jurisdiction and venue of any recently built in 2014, offering a barn style loft, two-car garage, state-of-the-art workshop and storage area. storage fee of $5 per lot per day or to deliver the represented by checks, or in the case of bank or such court. property to a public warehouse for storage at the cashier’s checks, we have confirmed their authenticity. purchaser’s expense, to be released only after In the event the purchaser fails to pay any or all of HOYE HOME TEAM payment in full of all removal, storage, handling, the total purchaser price for any lot and Doyle insurance and any other costs incurred, together New York nonetheless elects to pay the consignor (860) 983-0875 with payment of all other amounts due to us. any portion of the sale proceeds, the purchaser

[email protected] acknowledges that Doyle New York shall have all Doyle New York shall have no liability for any of the rights of the consignor to pursue the purchaser www.207southeastroad.com damage to property left on its premises for more for any amounts paid to the consignor, whether at than (2) days following the sale. law, in equity, or under these Conditions of Sale.

A member of the franchise system of BHH Affiliates, LLC III

TERMS OF GUARANTEE

Doyle New York warrants the authenticity of 4. SOLE REMEDY authorship of each lot contained in this catalogue The purchaser agrees that in the case of a breach solely and expressly subject to the terms and of warranty under these Terms of Guarantee, he shall conditions set forth below. have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the 1. DEFINITION OF AUTHORSHIP amount of the successful bid price, plus the buyer’s “Authorship” is defined as the artist, artisan, premium. No rescission and refund will be made workshop, designer, school, period, culture, unless the item is returned to Doyle New York or source of origin, as applicable and indicated at 175 East 87th Street, New York, NY 10128, in the in the description of the lot. The warranted same condition as at the time of sale. The remedy information appears in bold print immediately of rescission and refund is exclusive and the following the individual lot number; no other purchaser waives any other remedy which may be language in the catalogue is warranted, including otherwise available in law or equity. Doyle New any supplemental material which appears below York shall not be liable for any special, consequential the bold print headings. Doyle New York is not or incidental damages incurred or claimed including, responsible for any errors or omissions in any without limitation, loss of profits or for interest. material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to 5. EXCLUSIONS the catalogue, or by notices or announcements This warranty does not apply to: at the time and place of the auction sale. i. authorship of any paintings, drawings or sculpture This catalogue may contain one or more glossaries created prior to 1870, unless the lot is determined explaining the terminology used in the catalogue. to be a counterfeit which has a value at the date All terminology used in this catalogue, including of the claim for rescission which is materially the contents of the glossaries, are merely qualified less than the purchase price paid for the lot; or statements or opinions and are not intended or made as warranted statements or representations ii. any catalogue description where it was specifically under these Terms of Guarantee. Doyle New York mentioned that there is a conflict of specialist makes no warranties whatsoever, express or implied, opinion on the authorship of a lot; or with respect to any material in the catalogue, except as set forth in bold print headings following iii. authorship which on the date of sale was in individual lot numbers in this catalogue and subject accordance with the then generally accepted to the exclusions set forth below. opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist 2. COVERAGE UNDER or craftsman, his students, school, workshop or THE GUARANTEE followers; or Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants iv. the identification of periods or dates of execution the authorship (as that term is defined above) which may be proven inaccurate by means of of each lot in this catalogue for a period of five scientific processes not generally accepted for use years from the date of the sale of the lot. until after publication of the catalogue, or which were unreasonably expensive or impractical to use The guarantee is made only to the original purchaser at the time of publication of the catalogue. of record at the auction, and only the registered bidder for the lot at the auction will be considered The term counterfeit is defined as a modern fake as the original purchaser. The buyer must give or forgery, made less than fifty years ago, and made written notice of claim within five years from the with the intent to deceive. The authenticity of date of the auction. Doyle New York may require, signatures, monograms, initials or other similar at its option, to have the purchaser obtain at the indications of authorship is expressly excluded purchaser’s expense the opinion of two recognized as a controlling factor in determining whether a PASADENA experts (approved by Doyle New York) in the field work is a counterfeit under the meaning of this Offered at $6,880,000 relating to the item in question, before Doyle New Terms of Warranty. York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of 6. LIMITED WARRANTY acceptable experts. As stated in paragraph 2 of the Conditions of Sale, Janice Lee • Lic# 00874257 • 626.616.2789 neither Doyle New York nor its consignor makes any express or implied representations or warranties 3. NON-ASSIGNABILITY whatsoever concerning any property in the The benefits of this warranty are not assignable and catalogue, including without limitation, any warranty shall be applicable only to the original purchaser of merchantability or fitness for a particular purpose, of record (i.e., the registered bidder) and not to except as specifically and expressly provided in any subsequent owners (including, without limitation, these Terms of Guarantee. donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing bhhscalifornia.com of any interest in it to any third party.

IV ©2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information. INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION

To better assist our clients, we have prepared the WHERE DOYLE NEW YORK IS NOT CERTAIN EXEMPTIONS following information on Sales and Use Tax related REQUIRED TO COLLECT SALES TAX to property purchased at auction. Most states that impose sales taxes allow for Doyle New York is not required to collect sales specified exemptions to the tax. For example, a tax on property delivered to states other than registered re-seller such as a registered art dealer WHY DOYLE NEW YORK those listed above. If the property is delivered to may purchase without incurring a tax liability, and Prices are up! Doyle New York is not required to collect sales tax COLLECTS SALES TAX a state where Doyle New York is not required to collect sales tax, it is the responsibility of the from such re-seller. The art dealer, when re-selling Virtually all State Sales Tax Laws require a purchaser to self-assess any sales or use tax and the property, may be required to charge sales corporation to register with the State’s Tax remit it to taxing authorities in that state. tax to its client, or the client may be required to There’s never been a better time Authorities and collect and remit sales tax if the self-assess sales or use tax upon acquiring the property. corporation maintains a presence within the Doyle New York is not required to collect sales state, such as offices. In the states that impose tax for property delivered to the purchaser outside If a not-for-profit or charitable organization is selling sales tax, Tax Laws require an auction house, of the United States. property through Doyle New York, it may be sold to sell your wine. with a presence in the state, to register as a sales as a tax exempted purchase. The not-for-profit tax collector, and remit sales taxcollected to the seller must be registered with the New York state. New York sales tax is charged on the hammer Department of Taxation and Finance as an exempt price, buyer’s premium and any other applicable RESTORATION AND organization and the property must be picked up charges on any property picked up or delivered OTHER SERVICES or delivered in New York. However, a compensating in New York, regardless of the state or country in use tax is due from the buyer if any such lot is shipped which the purchaser resides or does business. Regardless of where the property is subsequently to any of the states where Doyle New York maintains transported, if any framing or restoration services offices. It is the buyer’s responsibility to ascertain Contact Stu Jakub for are performed in New York, it is considered to and pay all taxes due. Buyers claiming exemption be a delivery of the property to the purchaser in from sales tax must have the appropriate WHERE DOYLE NEW YORK New York, and Doyle New York will be required to documentation on file with Doyle New York prior a free auction valuation COLLECTS SALES TAX collect the 8.875% New York sales tax. to the release of the property.

Doyle New York is currently registered to collect of your cellar today sales tax in the following states: New York and LOCAL TAX ADVISORS the District of Columbia. As sales tax laws vary from state to state, Doyle For any property collected or received by the New York recommends that clients with questions purchaser in New York City, such property is regarding the application of sales or use taxes to subject to sales tax at the existing New York State property purchased at auction seek tax advice and City rate of 8.875%. form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of [email protected] the states where Doyle New York is required to collect sales tax, applicable tax will be added to 914.448.3026 the purchase price.

Zachys is #1 in the world to buy and sell fi ne wine and we want you to be part of the fun in 2018!

® New York • Hong Kong • San Francisco • [email protected] • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838 zachys V BUYING AT DOYLE BUYING AT DOYLE CONTINUED

Since 1963, Doyle New York has built a worldwide BIDDING AT AUCTION ABSENTEE BIDDING SUCCESSFUL BIDS To pay for a purchase by check, please see our STORAGE FEES reputation for expertise, integrity and service. In our For buyers unable to participate live in the salesroom cashier and fill out a Check Acceptance Account Pursuant to section 8 of our Conditions of Sale, New York salesrooms, we hold approximately forty Auctions are open to the public without any admission or on the telephone, Doyle offers the option of Successful absentee bidders will be notified form. Until approved, you will not be permitted we request that successful buyers collect their auctions annually featuring fine art, jewelry, furniture, fee or obligation to bid. Pre-auction viewings are Absentee Bids. Absentee Bids work exactly as if after the sale. Absentee bidders will receive to remove purchases before the check has property within two business days following the decorative arts, books, prints, couture and a variety open to the public free of charge. Doyle New York’s the bidder were in the salesroom bidding up to a a list of sale results if they enclose a stamped cleared. To avoid delivery delays, prospective sale. Should the property (except jewelry, coins, of other categories. Our global audience of buyers specialists are available to give advice and condition predetermined price limit, except that the price self-addressed envelope with their Absentee Bid buyers are encouraged to supply bank or other stamps or as announced by the auctioneer) and sellers know the quality of our sales and reports at viewings or by appointment. The auctioneer limit is given confidentially to Doyle ahead of time. Form. Printed lists of auction prices are available suitable references before the auction. Check remain on our premises for more than 31 days appreciate our standard of service. If you are new introduces the objects for sale - known as “lots” - Absentee Bid Forms are available on our Web site, immediately after the sale on our Web site and at acceptance privileges are reviewed from time to following a sale it will be transferred to an to the auction process, please take a moment to in numerical order as listed in the catalogue. in our printed catalogues, and through our Client our galleries. While invoices are sent out by mail time by Doyle New York and may be granted or independent warehouse on the buyer’s behalf review the following information. The auctioneer accepts bids from those present Services Department. Return the completed Absentee after the auction, we do not accept responsibility withdrawn at our sole discretion. Checks should at the purchaser’s risk and subject to storage in the salesroom, from telephone bidders, from Bid Form to Doyle New York either by mail or by for notifying you of the result of your bids. Buyers be made payable to Doyle New York. Note that charges at the purchaser’s expense. As The following will help in understanding the auction Internet bidders or by absentee written bids left fax. When the lot that you are interested in comes are requested to contact us by telephone or in checks drawn on foreign banks may be accepted transferred property will no longer be in buying process. All bidders should read the with Doyle New York in advance of the auction. up for sale, a Doyle New York representative will person as soon as possible after the sale to with the approval of the Credit Department, may Doyle New York’s custody or care, Doyle New Conditions of Sale and Terms of Guarantee in execute the bid on your behalf, making every effort obtain details of the outcome of their bids to not be accepted for values under $500, and that York will not be able to assist you with pick-up this catalogue, as well as the Glossary or any other LIVE BIDDING to purchase the item for as little as possible and avoid incurring unnecessary storage charges. there is a $100 minimum collection charge on or shipping arrangements. To avoid storage notices. By bidding at auction, bidders are bound The most exciting way to participate at auction is the never exceeding your limit. The auctioneer may checks drawn on foreign banks located outside charges, please arrange for the removal of your by the Conditions of Sale and Terms of Guarantee, traditional method of bidding live in the salesroom execute absentee bids directly from the rostrum, the U.S. Certified checks, banker’s drafts and purchases as soon as possible. as amended by oral announcements or posted with an auction paddle. Buyers who would like to bid identifying these as “absentee bids,” “book bids,” AFTER THE AUCTION cashier’s checks are accepted at Doyle New notices, which together form the sale contract may register for a paddle on the day of the sale upon or “order bids.” This service is free and confidential. York’s discretion provided they are issued by a between the successful bidder (purchaser), entering the salesroom at least 30 minutes before For detailed instructions and information, please If your bid is successful, you can go directly to reputable financial institution governed by Please Note: Transfer to a Storage facility of Doyle New York and the seller (consignor) of the lot. the sale. The paddle is numbered so as to identify see the Doyle New York Absentee Bid Form at the Purchaser Accounting to make payment anti-money laundering laws. Instruments not uncollected purchases past the 31-day grace you to the auctioneer. To register, you will need a form back of this catalogue or on our Web site. In the arrangements. Otherwise, your invoice will be meeting these requirements will be treatedas period will constitute delivery of the property to of identification such as a driver’s license or credit event that identical bids are submitted, the earliest mailed to you. The final price is determined by “cash equivalents” and subject to theconstraints the buyer in New York State. As a result, buyer BEFORE YOU BID card. If you are a first-time bidder, you will also be will take precedence. adding the buyer’s premium to the hammer price noted above. will be liable to pay New York State Sales Tax if asked for your address, phone number and signature on a per-lot basis. Sales tax, where applicable, not tax-exempt. Doyle New York produces both printed and Internet and a bank reference in order to create your account. INTERNET ABSENTEE BIDS will be charged on the entire amount. Payment is Please direct inquiries regarding wire transfer auction catalogues that contain descriptions of To avoid any delay in the release of purchases, Buyers may also conveniently leave bids on our due in full immediately after the sale. However, or ACH credit to Steven L. Kuzio, 212.427.4141 The charges are payable to an outside Storage the property being offered and the presale please pre-arrange check or credit approval through Web site through our Internet catalogues. These bids under certain circumstances, and generally with ext. 202, [email protected] Company and therefore cannot be waived by estimates and are available prior to the sale date. Doyle New York’s Credit Department at 212-427-4141 are executed at the auction in the same fashion the seller’s agreement, Doyle New York may offer Doyle New York. We encourage all buyers to Our free Internet catalogues, available at Doyle.com, ext. 205. If you are bidding for someone else, you will as an Absentee Bid. buyers it deems creditworthy the option of an BUYER’S PREMIUM collect purchased property within two business also provide illustrations, direct communication need to provide a letter from that person authorizing extended payment plan. Credit terms should be The invoice will include the successful hammer days following the sale. with our specialists, and the ability to leave online you to bid on that person’s behalf. Issuance of a LIVE ONLINE BIDDING arranged prior to the sale. Please contact the price of the item and the buyer’s premium. absentee bids and track lots. The catalogues will bid paddle is in Doyle New York’s sole discretion. BidLive! with a click of your mouse. Bidders from Credit Department for information on credit Doyle New York charges a premium to the buyer In order to collect property from Yorkville Van and help familiarize you with property being offered around the world now can experience the excitement arrangements for a particular lot. on the final bid price of each lot sold at the Storage, buyers must present a copy of a paid at the designated auction. Once the first bid has been placed, the auctioneer of bidding live at Doyle on their computers. following rates: 25% on the first $300,000 of invoice bearing a Yorkville warehouse release asks for higher bids, in increments determined by METHODS OF PAYMENT the hammer price of each lot, 20% on the portion stamp. This warehouse release stamp can only In addition, Doyle.com offers a free Internet the auctioneer. To place your bid, simply raise your MAC USERS: Please use Firefox browser (download). Accepted forms of payment include bank wire of the hammer price from $300,001 through be obtained from the cashier at Doyle New York’s Personal Shopper that allows collectors to enter paddle until the auctioneer acknowledges you. BidLive!, powered by Invaluable, does not support transfers, cash (in US currency up to $5,000), $3,000,000, and 12.5% on that portion of the main reception desk located at 175 East 87th St keywords of objects they are seeking. As each iPhone or iPad at this time. traveler’s check (in US currency up to $5,000), hammer price exceeding $3,000,000. Applicable in Manhattan. Internet auction catalogue is posted online, the As a courtesy to bidders, a currency board may be money orders (in US currency up to $5,000), sales tax will also be added to the final total. collector is notified by email of any matches. operated. It displays the lot number and current bid Doyle New York does not guarantee that live Internet or personal check made payable in US dollars New York Sales tax is charged on the hammer SHIPPING in both U.S. dollars and foreign currency. Exchange bidding will be uninterrupted or without error, or drawn on a US bank, unless other arrangements price, buyer’s premium and any other applicable Shipping is the responsibility of the buyer. A prospective buyer must complete and sign a rates are approximations based on recent exchange that Internet bids will be received. are made with Purchaser Accounts. It is Doyle charges on any property picked up or delivered Upon request, our Client Services Department registration form and provide identification before rate information and should not be relied upon as New York’s policy to request any new clients or in New York State, regardless of the state or will provide a list of shippers who deliver to bidding. We may require the production of bank a precise invoice amount. Doyle New York assumes purchasers preferring to make a cash payment country in which the purchaser resides or does destinations within the United States and or other financial references. no responsibility for any error or omission in foreign to provide: verification of identity (by providing business. Please refer to “Information on Sales overseas. Kindly disregard the sales tax if an or United States currency amounts shown. some form of government issued identification and Use Tax Related to Purchases at Auction” in I.C.C. licensed shipper will ship your purchases PROVENANCE containing a photograph, such as a passport, the back of the catalogue. All sales are final and anywhere outside the state of New York or the In certain circumstances, Doyle New York may TELEPHONE BIDDING identity card, or driver’s license), confirmation subject to the Conditions of Sale. District of Columbia. print in the catalogue the history of ownership Clients unable to attend the sale may still participate of permanent address and identification of the of a work of art if such information contributes live by bidding on the telephone with a trained staff source of the funds. Invoices greater than $5,000 PICK-UPS ENDANGERED SPECIES to scholarship or is otherwise well known and member on the auction floor. The Telephone Bid Forms require payment by certified check, bank check Once your payment has been cleared, property Certain property sold at auction, for example, assists in distinguishing the work of art. However, are available on our Web site, in our printed catalogue, or wire transfer. Credit cards are not accepted for may be released. Unless otherwise agreed by items made of or incorporating plant or animal the identity of the seller or previous owners may and through our Client Services Department. Please payment of auction purchases. Doyle New York, auction purchases should be materials such as coral, crocodile, ivory, whalebone, not be disclosed for a variety of reasons. For example, contact the Bid Department prior to the sale to make paid for and picked up at Doyle New York within tortoise shell, mother-of-pearl, etc., irrespective such information may be excluded to accommodate arrangements or to answer any questions you may 48 hours of the auction. Items left beyond the of age or value, may require a license or certificate a seller’s request for confidentiality or because the have. Telephone bids are accepted only at Doyle 48 hours may be subject to a storage fee (see prior to exportation and additional licenses or identity of prior owners is unknown given the age New York’s discretion and at the caller’s risk. Calls below). Please note that the hours for removal certificates upon importation to another country. of the work of art. may also be recorded at Doyle New York’s discretion. of property are Monday through Friday from Doyle New York suggests that buyers check on By bidding on the telephone, prospective buyers 8:15am until 4:45pm, except on auction days their government wildlife import requirements SPECIALIST’S ADVICE consent thereto. Telephone bids cannot be accepted during which only purchases made that day may prior to placing a bid. Although licenses can be Prospective bidders may be interested in for lot estimated below $1,000. Arrangements must be picked up. As a courtesy to purchasers who obtained to export some types of endangered specific information not included in the catalogue be confirmed with the Bid Department at least come to Doyle New York to pick up property, species, other types may not be exported at all, and description of a lot. For additional information 24 hours prior to the auction at 212-427-4141 ext. 242. Doyle New York will assist in the packing of lots, other types may not be resold in the United States. please contact either a Doyle New York specialist Arrangements to bid in languages other than although Doyle New York may, in the case of or Doyle New York’s Client Services Department. English must be made well in advance of the sale fragile articles, choose not to pack or otherwise You may also request a condition report from the date. Doyle New York offers all absentee and handle a purchase. Doyle New York will not specialist in charge. telephone bidding services as a convenience to be responsible or liable for damage to glass our clients but will not be responsible for errors covering paintings, drawings or other works, or or failures to execute bids. damage to frames, regardless of cause.

VI VII SELLING AT DOYLE AUCTION SCHEDULE

At Doyle New York, we commit our expertise, REGIONAL APPRAISAL DAYS ESTATE AND APPRAISAL SERVICES SEPTEMBER NOVEMBER DECEMBER experience, market knowledge and global Doyle New York’s Regional Representatives host ® outreach to every sale. The numerous auction free appraisal days on a regular basis throughout For forty years, Doyle New York’s Appraisal and ASIAN WORKS OF ART IMPRESSIONIST & MODERN ART DOYLE AT HOME /HOLIDAY GIFTS / records set in our salesrooms are testimony to the Connecticut, the metropolitan Washington, DC Auction Services Department has worked with Auction: Monday, September 10 at 10am Auction: Wednesday, November 7 at 11am JEWELRY advantages of selling property at Doyle. To make area, as well as in other areas throughout the museums, corporate collections, banks and law Exhibition: September 7 – 9 Exhibition: November 3 – 5 Auction: Wednesday, December 5 at 10am the auction process as easy and convenient as United States. These popular events provide ease firms, trust and estate professionals, heirs, and Exhibition: December 1 – 3 possible, our team of dedicated professionals and convenience for collectors outside of New York private clients across the nation providing our ® will guide you through the entire appraisal and who wish to sell their property at Doyle. At these comprehensive appraisal and auction services. DOYLE+DESIGN POST-WAR & CONTEMPORARY ART auction procedure. As part of our commitment events, we accept property for upcoming auctions Our thorough, well-researched fair market appraisals Auction: Monday, September 17 at 10am Auction: Wednesday, November 7 at 2pm IMPORTANT JEWELRY to providing comprehensive auction services to in our New York salesrooms through both have earned Doyle a solid reputation for Exhibition: September 14 – 16 Exhibition: November 3 – 5 Auction: Wednesday, December 12 at 10am collectors, institutions and estates, Doyle New consignment and outright purchase. professionalism, integrity and service throughout Exhibition: December 8 – 11 ® York offers several options to those seeking to the United States. DOYLE AT HOME RARE BOOKS, AUTOGRAPHS & MAPS sell their property: consignment of the objects to Auction: Wednesday, September 26 at 10am Auction: Tuesday, November 13 at 10am PHOTOGRAPHS auction at Doyle, outright sale of the objects to SELLING YOUR PROPERTY Doyle New York offers a full range of expert Exhibition: September 22 – 24 Exhibition: November 10 – 12 Auction: Thursday, December 13 at 10am Doyle, a combination of both, or referrals to appraisal services, specializing in providing timely Exhibition: December 8 – 11 other organizations. CONSIGNING TO AUCTION formal appraisals for estate tax and probate In consigning property to auction, the seller retains JEWELRY, WATCHES, SILVER & COINS purposes. Our expert team of specialists and our ownership until the successful sale of the item at professional staff bring years of experience to each OCTOBER BY ORDER OF THE PROVIDENT OBTAINING AN APPRAISAL auction. When property is consigned to Doyle for appraisal. Full color digital photographs may be LOAN SOCIETY auction, we devote the expertise of our specialists included in the appraisal in order to make each AMERICAN PAINTINGS, FURNITURE & Auction: Wednesday, November 14 at 10am

The first step in selling property at auction is to and professional staff to achieving outstanding object easily identifiable. Depending on the DECORATIVE ARTS Exhibition: November 10 – 12 obtain a free informal appraisal of the item. The prices at auction. location, we are happy to provide, at no charge, Auction: Wednesday, October 3 at 10am appraisal includes an estimated value, which is a preliminary walk-through examination to Exhibition: September 29 – 30, October 1 CALIFORNIA JEWELRY the specialist’s best judgement as to what the THE CONSIGNMENT CONTRACT determine approximate costs and special needs. NYC Auction: Monday, November 19 at 10am object will sell for at auction. The figure is based When you consign property to Doyle New York Appraisal fees are based on the scope of the FINE PAINTINGS NYC Exhibition: November 16 – 18 upon the specialist’s expertise and knowledge you will receive two copies of our Consignment property with travel expenses additional. of what similar items are fetching in the current Agreement, the legal document delineating the Auction: Wednesday, October 10 at 10am Exhibition: October 6 – 8 auction market. terms of sale. One copy should be initialed, signed Doyle New York will prepare a customized proposal THE ORESMAN COLLECTION and returned; the other kept for your records. tailored to the specific property under consideration Auction: Tuesday, November 20 at 10am There are various ways to obtain appraisals. Once the property is received in our gallery, you for auction, including a commission and fee IMPORTANT JEWELRY Exhibition: November 16 – 18 Information and appointments to view property will be sent a Contract Schedule listing the property, structure developed to maximize returns to consignors. Auction: Tuesday, October 16 at 10am in your home or in the gallery can be arranged the planned sale dates, the estimated price ranges, We may also make an outright purchase offer on Exhibition: October 12 – 15 through our Scheduling Department, an appropriate and the reserves will be listed, along with the individual items or entire estates. As part of our Specialist Department, or a Doyle New York agreed upon seller’s commission and other focus on comprehensive estate liquidation, we FINE MODERN ART Regional Representative. Once your property has related fees. offer our unique “Broomclean Service” – our own Auction: Wednesday, October 17 at 10am been evaluated, Doyle New York representatives trucks and crew will transport the fine property to Exhibition: October 12 – 15 can then help you determine how to proceed with RESERVE PRICE Doyle, remove remaining items, and leave the

the auction process. They will provide information Before an item is offered at auction, the consignor premises “broomclean.” regarding sellers’ commission rates and other and Doyle New York may agree on a reserve price, PRINTS & MULTIPLES charges, auction timetable, shipping and any other a confidential minimum selling price. Unless a Auction: Monday, October 22 at 10am further services you may require. specific reserve is arranged, a discretionary reserve INFORMATION Exhibition: October 19 – 21 is fixed at fifty percent of the low estimate. If the SUBMITTING PHOTOGRAPHS consignor designates a reserve on a lot, and it For more information please call 212-427-4141, COINS, BANK NOTES, & STAMPS We welcome photographs of property to evaluate remains unsold, there will be a buy-in fee charged ext 260, or email [email protected]. For estate and Auction: Monday, October 22 at 2pm for possible auction if the property is not portable, on the reserve price. appraisal services, please contact our Appraisal Exhibition: October 19 – 21 or if you are not able to visit our galleries. If you and Auction Services Department at 212-427-4141, have a large collection, a representative selection OUTRIGHT SALE TO DOYLE ext. 227. of photographs is acceptable. Please bring in the Outright purchase of property by Doyle allows the ENGLISH & CONTINENTAL FURNITURE photographs or email photos of your objects to seller the advantage and convenience of immediate & DECORATIVE ARTS / OLD MASTER HAYLOFT AUCTIONS the Scheduling Department. You may also mail payment. Many sellers prefer this method of sale PAINTINGS / RUSSIAN WORKS OF ART photographs to the Scheduling Department, or rather than consigning their property to auction A division of Doyle, Hayloft Auctions opened Auction: Wednesday, October 31 at 10am call them at 212-427-4141, ext. 260, to discuss and awaiting payment after the successful sale of in 2016 in the Port Morris neighborhood of the Exhibition: October 27 – 29 your property and perhaps arrange an appointment the items. For further information please contact Bronx, New York, and expanded in 2018 to with a specialist. Please be sure to include the our Scheduling Department. include a new location in Kensington, Maryland. dimensions, artist’s signature or maker’s mark, Hayloft Auctions purchases estates and medium, physical condition, and any other relevant collections large and small throughout the information. Our specialists will provide a free AFTER THE AUCTION North East and Mid-Atlantic areas, which are sold preliminary auction estimate subject to a final in timed online-only auctions hosted on CATALOGUES EXHIBITION HOURS SELLING AT AUCTION estimate upon first hand inspection. RESULTS OF SALE HayloftAuctions.com. This service provides

You may track realized prices of your consigned opportunities for those seeking to liquidate property in real time and view all sales results personal property of more moderate value than View the catalogues and leave bids online 212-427-4141, option 5 We invite you to contact us for a online at Doyle.com. A preliminary settlement would be sold during a live auction event. at Doyle.com, or for printed or visit Doyle.com complimentary auction evaluation of your statement itemizing the hammer prices, commissions We invite you to contact us for a complimentary catalogues please call 212-427-2730 x203 collection. Please call 212-427-2730 or and fees is mailed to the consignor after the proposal. or email [email protected] email [email protected] auction. You may also call us at 212-427-2730 for prices realized. NEW YORK METRO AREA: 929-303-3266 or [email protected] PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after WASHINGTON, DC METRO AREA: the date of the sale, together with a final settlement 301-348-5282 or [email protected] statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees. VIII DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730 DOYLE.COM IX YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 DIRECTORY PLUS THE EXTENSION.

OFFICERS REGIONAL REPRESENTATIVES

Kathleen M. Doyle, Chairman/CEO David A. Gallager Louis LeB. Webre, Alison Robinson, Vice President ext 215, [email protected] Senior Vice President Senior Vice President ext 229, [email protected] Laura Doyle, Director of Regions ext 271, [email protected] ext 232, [email protected] CONNECTICUT PENNSYLVANIA Rodney Lang, Todd Sell, Vice President 212-427-4141, ext. 219 Kathy Brackenridge Jill Bowers Senior Executive Vice President Peter Lang Samira Farmer, Vice President ext 269, [email protected] [email protected] 212-427-4141, ext. 211 212-427-4141, ext. 225, ext 243, [email protected] Senior Vice President 202-342-6100 [email protected] [email protected] ext 274, [email protected] [email protected] Charlotte A. Taylor, Vice President BOSTON / NEW ENGLAND Joanne Porrino Mournet ext 233, [email protected] Kathryn Craig FLORIDA WASHINGTON, DC/MID-ATLANTIC Executive Vice President Ann Limer Lange Cynthia Klein, Vice President 617-999-8254, Collin Albertsson Reid Dunavant, Director ext 227, [email protected] Senior Vice President ext 246, [email protected] Shani Toledano, Vice President [email protected] 561-322-6795, 202-342-6100, ext 221, [email protected] ext 236, [email protected] Kenneth McKenna Malcolm Mac Neil, Vice President [email protected] [email protected] Executive Vice President/CFO Angelo Madrigale, Senior Vice President ext 218, [email protected] Janice Youngren, Vice President CALIFORNIA ext 254, [email protected] ext 237, [email protected] ext 207, [email protected] Nan Summerfield, G.G., Director NEW JERSEY Samira Farmer Mark J. Moehrke, Vice President 310-276-6616, Jill Bowers 202-342-6100, Laura Doyle, Vice Chairman Elaine Banks Stainton ext 272, [email protected] [email protected] 212-427-4141, ext. 225, [email protected] Executive Vice President Senior Vice President [email protected] ext 219, [email protected] ext 238, [email protected] Harold E. Porcher, Vice President Emily Marchick, G.G. ext 235, [email protected] BEIJING Peter Costanzo Nan Summerfield 310-276-6616, NORTH CAROLINA Winnie Hu Senior Vice President Senior Vice President Edward Ripley-Duggan, Vice President [email protected] Hilary Pitts, G.G. [email protected] ext 248, [email protected] 310-276-6616 ext 234 704-582-2258, [email protected] [email protected] [email protected] HONG KONG Reid Dunavant, Jasmin Blunck Senior Vice President Gillian M. Ryan [email protected] 202-342-6100 Senior Vice President [email protected] ext 245, [email protected]

ADMINISTRATION

BID DEPARTMENT ESTATE & APPRAISAL SERVICES SPECIALIST DEPARTMENTS Joanne Porrino Mournet, Executive Director MEDIA & COMMUNICATIONS ABSENTEE & TELEPHONE BIDS ext 227, [email protected] DEPARTMENT FURNITURE AND DECORATIVE ARTS BOOKS, AUTOGRAPHS & PHOTOGRAPHS PRINTS & MULTIPLES Alanna Sutherland David A. Gallager Peter Costanzo, Executive Director Cynthia Klein, Director Bid Fax: 212-427-7526 Louis LeB. Webre, Director Peter Costanzo ext 232, [email protected] Executive Director ext 248, [email protected] ext 246, [email protected] ext 242, [email protected] ext 248, [email protected] ext 271, [email protected]

Charlotte A. Taylor, Art Director Edward Ripley-Duggan, Director RUGS, CARPETS & TAPESTRIES BIDLIVE! INTERNET BIDDING Gillian M. Ryan, On-site Estates Coordinator ext 233, [email protected] ext 234, [email protected] Mark M. Topalian Tyler Kusler ext 245, [email protected] 19TH AND 20TH CENTURY ext 602, [email protected] ext 203, [email protected] Kosala Kumara, Advertising DECORATIVE ARTS Carl Raymond, Estate and ext 258, [email protected] Malcolm Mac Neil, Director PAINTINGS & DRAWINGS JEWELRY ACCOUNTING Appraisal Services Coordinator ext 218, [email protected] Angelo Madrigale Ann Limer Lange, G.G., Executive Director Ryan Won ext 216, [email protected] Director, Contemporary Art ext 221, [email protected] ext 205, [email protected] CATALOGUE PRODUCTION ext 237, [email protected] Alexis Gyateng, Senior Appraisal Coordinator Stephanie Cuenca, Senior Graphic Designer AMERICAN FURNITURE & DECORATIVE ARTS NEW YORK JEWELRY Emma I. Ebue ext 228, [email protected] ext 250, [email protected] David A. Gallager, Director Elaine Banks Stainton Kevin Zavian, Senior Specialist ext 214, [email protected] ext 271, [email protected] Acting Director Hannah Iversen, Appraisal Coordinator ext 238, [email protected] ext 262, [email protected] Chelsea Wynne Nancy Ramos, Graphic Designer ext 251, [email protected] ext 223, [email protected] ext 276, [email protected] ENGLISH & CONTINENTAL Harold E. Porcher Martha Garcia, F.G.A., Appraiser, Cataloguer Daniel Sarver, Appraisal Coordinator FURNITURE & DECORATIVE ARTS Director, Modern & Post-War Art ext 262, [email protected] CATALOGUE SUBSCRIPTIONS ext. 240, 212-427-4141 PHOTOGRAPHY Peter Lang, Director ext 235, [email protected] Gianine Crowell Hisao Oka, Director ext 274, [email protected] Alexandra Fulham, Administrator ext 200, [email protected] Arielle Goldstein, Appraisal Coordinator ext. 255 [email protected] Shani Toledano ext 210, [email protected] ext. 259, 212-427-4141 Associate Director CLIENT SERVICES Ray Adams, Photographer FURNITURE & DECORATIVE ARTS ext 236, [email protected] CALIFORNIA JEWELRY Janice Youngren, Director CONSIGNMENT SERVICES ext 278, [email protected] Rodney Lang Nan Summerfield, G.G., ext 207, [email protected] Gail Jaffe, Estate and Appraisal Services Assistant ext 243, [email protected] Anne Cohen DePietro Director of California Operations ext 239, [email protected] Hann Browning, Photographer Senior Specialist, American Art 310-276-6616 Alanna Sutherland ext 247, [email protected] ext 242, [email protected] Peter Lang ext 281, [email protected] [email protected] Alison Robinson, Director/Consignments ext 274, [email protected] Steven L. Kuzio ext 229, [email protected] Hanna Siesel, Traffic Coordinator Hermine Chivian-Cobb Emily Marchick, G.G., ext 202, [email protected] ext 277, [email protected] Malcolm Mac Neil Senior Specialist, Fine Art Associate Director of California Operations Ashley A. Hill ext 218, [email protected] ext 252, [email protected] 310-276-6616 Tyler Kusler ext 231, [email protected] AUCTIONEERS [email protected] ext 203, [email protected] Rodney Lang Mark J. Moehrke Bill Fiddler Doris M. Fugazy Joanne Porrino Mournet ext 272, [email protected] Cataloguer NORTH CAROLINA JEWELRY ext 261, [email protected] Janice Youngren ext 249, [email protected] Gianine Crowell Hilary Pitts, G.G. Cynthia Klein Todd Sell ext 200, [email protected] 704-582-2258 Peter Costanzo ext 269, [email protected] Milan Tessler [email protected] MUSEUM SERVICES Ashley Hill Registrar

Peter Costanzo Leigh Kendrick, Client Relationships Manager ext 266, [email protected]

Books, Photographs & Manuscripts ext 243, [email protected] ext 248, [email protected] HAYLOFT AUCTIONS Brian Corcoran, Director

ASIAN WORKS OF ART 914-575-7263 Angelo Madrigale Marley Rabstenek, Consultant RUSSIAN WORKS OF ART [email protected] Paintings & Drawings Mark J. Moehrke, Director ext 299, [email protected] ext 237, [email protected] ext 272, [email protected] Blythe Knapp, Business Manager COINS, STAMPS & COLLECTIBLES [email protected] David A. Gallager Norman Scrivener, Consultant 929-303-3266 Furniture & Decorative Arts ext 273, [email protected] X ext 271, [email protected] XI

1 7 5 E A S T 8 7 T H S T R E E T FOR OFFICE USE ONLY N E W Y O R K , N Y 1 0 1 2 8 2 1 2 - 4 2 7 - 2 7 3 0

D O Y L E . C O M

A B S E N T E E & T E L E P H O N E B I D F O R M 1.16 NEW YORK CLIENT SERVICES CLIENT ACCOUNTS 175 East 87th Street * Name and address must agree with resale Please indicate the type of bid you are submitting. Please check one: certificate, if applicable. Invoices cannot be Janice Youngren, Director Steven Kuzio New York, NY 10128 212-427-2730 A B S E N T E E B I D changed once registered. 212-427-4141, ext 207 212-427-4141, ext 202 [email protected] T E L E P H O N E B I D ** If you are using a cell phone for bidding, a [email protected] [email protected] safety bid is required in case of lost connection.

Please indicate in what capacity you are bidding. Please check one: • Telephone bids will only be accepted on lots CALIFORNIA B I D D I N G A S A P R I VAT E B U Y E R with a low estimate of $2,000 and above. 9595 Wilshire Boulevard You must be prepared to bid at least to the Penthouse 1012 B I D D I N G O N B E H A L F O F A C O M PA N Y low estimate. BIDDING SERVICES Beverly Hills, CA 90212 18DD02 • DOYLE+DESIGN® SEPTEMBER 17, 2018 • Absentee bidding is a service provided with 310-276-6616 SALE TITLE SALE DATE the understanding that Doyle New York shall Absentee & Telephone Bids BidLive! Internet Bidding not be responsible for errors and/or omissions. Alanna Sutherland Tyler Kusler [email protected] Changes to bids on the day of sale must be NAME* 212-427-4141, ext 242 212-427-4141, ext 203 submitted in writing by fax or email. Bid Fax: 212-427-7526 [email protected] BOSTON / NEW ENGLAND • Absentee bids are executed in competition COMPANY (If applicable) [email protected] 129 Newbury Street with the audience, on an alternate basis. Due Suite 400 to the uncertainties of bidding patterns, a lot ADDRESS * may sell to the audience for the same amount Boston, MA 02116 Change of Address or slightly less than your bid. To avoid this 617-999-8254 possibility, you may authorize us to increase [email protected] CITY STATE ZIP CODE y o u r b i d b y o ne increment by placing a plus sign (+) beside the maximum bid. SPECIALISTS EMAIL • In the event that identical bids are submitted, CONNECTICUT the earliest will take precedence. 136 East Putnam Avenue Greenwich, CT 06830 PHONE FAX • A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price. 212-427-4141, ext 211 PHONE (DAY OF SALE)** • Buyers unknown to Doyle New York are [email protected] advised to arrange payment or supply credit CLIENT NUMBER references in advance of the sale date. NEW JERSEY Otherwise, purchases cannot leave our (NEW CLIENTS: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date) 212-427-4141, ext 225 premises until checks have cleared. [email protected] • A 25% deposit may be required on certain

LOT TOP LIMIT OF BID / LOT TOP LIMIT OF BID / LOT TOP LIMIT OF BID / absentee bids. SAFETY BID SAFETY BID SAFETY BID NUMBER NUMBER NUMBER • Lot descriptions do not include damage, PENNSYLVANIA Excluding Buyer’s Premium Excluding Buyer’s Premium Excluding Buyer’s Premium Todd Sell Malcolm Mac Neil Harold E. Porcher 212-427-4141, ext 225 repairs or restoration to items. The absence VP, Furniture and VP, Belle Epoque VP, Director, Modern from the description of any such notes [email protected] Decorative Arts Furniture and and Post-War Art must not be taken to imply that the lot is 212-427-4141 ext 269 Decorative Arts 212-427-4141 ext 235 in perfect condition. Condition reports are Todd.Sell@ provided upon request. 212-427-4141 ext 218 Harold.Porcher@ WASHINGTON, DC / Doyle.com Malcolm.Macneil@ Doyle.com MID-ATLANTIC • Successful bidders should make arrange- Doyle.com ments to have their purchases removed 3256 Prospect Street, NW from the premises no later than 4:30pm on Washington, DC 20007 the day following the sale. 202-342-6100 ° Terms and Conditions of Sale may be viewed [email protected] in the catalogue, on our Web site and in our salesroom. NORTH CAROLINA BIDDING INCREMENTS (The auctioneer 704-582-2258 may vary the increments at his/her discretion.) [email protected] $0 – $100 ...... $10 $100 – $500 ...... $25 $500 – $1,000 ...... $50 FLORIDA $1,000 – $2,000 ...... $100 561-322-6795 $2,000 – $5,000 ...... $250 [email protected] $5,000 – $10,000 ...... $500 Leigh Kendrick Cynthia Klein Alexis Gyateng $10,000 – $20,000 ...... $1,000 Furniture and VP, Director, Prints Prints and Multiples $20,000 – $50,000 ...... $2,500 Decorative Arts and Multiples 212-427-4141 ext 226 I understand and agree to the $50,000 – $100,000 ...... $5,000 212-427-4141 ext 243 212-427-4141 ext 246 Alexis.Gyateng@ Terms and Conditions of Sale° $100,000+ ...... $10,000 Leigh.Kendrick@ Cynthia.Klein@ Doyle.com Front Cover 137 Doyle.com Doyle.com SIGNATURE Consumer Affairs No. 0777006 Back Cover 40 Inside Front Cover 128 Submit bids by FAX: 212-427-7526 or email: [email protected] by 5pm (Eastern) the evening before the auction. XII Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207 DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730 DOYLE.COM