Books Keeping for Auction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Booxter Export Page 1
Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
2011 FESTIVAL GUIDE Acpinfo.Org Welcome to the Atlanta Celebrates Photography Festival 2011, Our 13Th Year of Celebrating Photography Across the Metro-Atlanta Area!
2011 FESTIVAL GUIDE ACPinfo.org Welcome to the Atlanta Celebrates Photography Festival 2011, our 13th year of celebrating photography across the Metro-Atlanta area! During the ACP festival, Atlanta will be transformed by photography. Hundreds of venues, from your favorite museum to your local coffee- shop, will be infused with the creative efforts of local photographers to internationally-known artists; you might even see snapshots from your Atlanta friends and neighbors! From inspiration to education, ACP 2011 delivers the best in photography, from enlightening exhibitions at participating galleries, to provocative public art installations on the streets of Atlanta. To get the most out of the Festival, grab a highlighter and spend a few minutes discovering your favorites in the Festival Guide. Highlight events that look interesting to you, then indicate your favorites on the calendar at the front of the guide (there is also an index of artists and venues to assist your search for a particular event). Then you’ll have an easy schedule that can guide your month-long photography experience! With so much to choose from, we know it can be a bit overwhelming! There are far too many events and exhibitions for one person to attend, so don’t get discouraged. There’s something for everyone; try starting with ACP’s featured events (pgs 14 - 21) and join us as we explore where photography meets contemporary art and culture. We look forward to seeing you in the coming weeks, and again, we’d love to hear about your Festival experience. Let us know, by sending an email to: [email protected] Cover Art: Emmet Gowin, Edith, Chincoteague, Virginia, 1967 Disclaimer: The listings compiled in this guide are submitted by companies and individuals, and are considered as advertisements. -
Korean Contemporary Art
KOREAN CONTEMPORARY ART 55157__KOREAN157__KOREAN CCONTONT ART_2011-12-12.inddART_2011-12-12.indd 001001 114.12.20114.12.2011 117:10:297:10:29 UUhrhr 002 KOREAN CONTEMPORARY ART 55157__KOREAN157__KOREAN CCONTONT ART_2011-12-12.inddART_2011-12-12.indd 002002 114.12.20114.12.2011 117:10:307:10:30 UUhrhr Miki Wick Kim KOREAN CONTEMPORARY ART PRESTEL Munich · London · New York 55157__KOREAN157__KOREAN CCONTONT ART_2011-12-12.inddART_2011-12-12.indd 003003 114.12.20114.12.2011 117:10:367:10:36 UUhrhr 5157_KOREAN CONT ART_001_192.indd 004 15.12.2011 15:23:25 Uhr Contents Artists’ names are listed in the traditional order of family name fi rst, except where individuals have chosen the Western order of family name last. All family names are in capitals. Introduction 006 On the Recent Movements in Korean Contemporary Art 010 Seung Woo BACK 020 100 In Sook KIM BAE Bien-U 026 106 KIMsooja CHO Duck Hyun 032 110 Sora KIM U-Ram CHOE 036 116 KOO Jeong A. CHOI Jeong Hwa 042 122 Hyungkoo LEE CHUN Kwang-young 048 128 Minouk LIM CHUNG Suejin 054 132 MOON Beom GIMhongsok 060 138 Jiha MOON HAM Jin 064 142 Hein-kuhn OH Kyungah HAM 070 148 PARK Kiwon JEON Joonho 074 152 PARK Seo-Bo Michael JOO 078 158 Kibong RHEE Yeondoo JUNG 084 162 Jean SHIN Atta KIM 090 166 Do Ho SUH KIM Beom 096 170 YEEsookyung 174 Curriculum Vitae 190 Bibliography and Notes 5157_KOREAN CONT ART_001_192.indd 005 15.12.2011 15:23:25 Uhr Introduction I have never thought of myself as expressing Korean-ness ists at important international art destinations in the East or Asian-ness. -
Faltblatt Retrospective.Indd
Mexico, 1963 London, England, 1966 New York City, 1963 Paris, France, 1967 JOEL New Yok City, 1975 Five more found, New York City, 2001 MEYEROWITZ RETROSPECTIVE curated by Ralph Goertz Sarah, Cape Cod, Cape Sarah, 1981 Roseville Cottages, Truro, Massachusetts, 1976 Bay.Sky, Provincetown, Massachusetts, 1985 1978 City, York New Dancer, Young JOEL MEYEROWITZ RETROSPECTIVE Joel Meyerowitz, born and grown up in New York, belongs to a generation of photographers - together with William Eggleston, Diane Arbus, Lee Friedlander, Stephen Shore, Tony Ray-Jones and Garry Winogrand - who are equipped with a unique sensitivity towards the daily, bright, hustle and bustle on the streets, who are able to grasp a human being as an individual as well as in their social context. Starting in the early 1960s, Joel Meyerowitz went out on the streets, day in, and day out, powered by his passion and devotion to photography, in order to study people and see how photographs described what they were doing. In order to catch the vibes he ranges over the streets of New York, together with Tony Ray-Jones and later with his friend Garry Winogrand. Different from Tony Ray-Jones and Garry Winogrand, Meyerowitz loaded his camera with color film in order to capture life realistically, which meant shooting in color for him. While his first photographs are often determined in a situational way, he starts, early on, putting the subject not only in the centre, but consciously leaving the centre of the picture space free and extending the picture-immanent parts over the whole frame. His dealing with picture space and composition, which consciously differ from those of his idols like Robert Frank and Cartier-Besson, create a unique style. -
P Assion Distribution a Utumn 2020 • New Programming
AUTUMN 2020 • AUTUMN NEW PROGRAMMING PASSION DISTRIBUTION PASSION PART OF THE TINOPOLIS GROUP Passion Distribution Ltd. No.1 Smiths Square 77-85 Fulham Palace Road London W6 8JA T. +44 (0)207 981 9801 E. [email protected] www.passiondistribution.com WELCOME I’m delighted to welcome you to the second edition of our pop-up market and share with you our latest catalogue this autumn. Although it has been a challenging time for everyone, we have worked tirelessly to bring together a slate of quality programming for your schedules. Extraordinary human stories, iconic historical moments, premium documentaries and essential entertainment remain some of our key priorities. Our slate doesn’t disappoint in delivering new programmes of immense quality. Perhaps a sign of the times, our line-up includes a strong offering of history programming. The new landmark series 1000 Years brings together some of the most talented UK producers to chart the extraordinary rise of six countries that have profoundly shaped our world. WELCOME We also take a closer look at the Nuremberg trials – one of the 21st century’s defining events – by casting new light on the “trial of the century” in time for the 75th anniversary in November. On a lighter note in our factual entertainment section some other key franchises return with new episodes. Emma Willis has welcomed new babies in lockdown, Traffic Cops have remained on patrol, and we continue to see dramatic stories unfold in the access-driven Inside the Police Force. As you’d expect, a new series of the US hit-show RuPaul’s Drag Race has been announced – this incredible global phenomenon is now in its 13th season. -
LILLIAN a Film by | Un Film De | Ein Film Von Andreas Horvath
LILLIAN A film by | Un film de | Ein Film von Andreas Horvath Synopsis | english Lillian, an emigrant stranded in New York City, decides to walk back to her native Russia. She resolutely starts out on the long journey. A road movie straight across the USA into the freezing temperatures of Alaska. The chronicle of a slow disappearance. Synopsis | français Lillian, une émigrante échouée à New York, décide de rentrer à pied dans sa Russie natale. Déterminée, elle débute son long voyage. Un « road movie » à travers les États-Unis jusqu‘au froid d’Alaska. La chronique d’une lente disparition. Synopsis | deutsch Lillian, als Emigrantin in New York gestrandet, will zu Fuß in ihre Heimat Russland zurückgehen. Entschlossen macht sie sich auf den langen Weg. Ein Road Movie, quer durch die USA, hinein in die Kälte Alaskas. Die Chronik eines langsamen Verschwindens. Director‘s Statement | english The starting point for our film and our journey was the story of a Russian woman living in New York City, who one day set out to walk back to her homeland. It was only by accident that she was discovered by workmen in the Canadian boreal forest. Despite their warnings, she pursued her march alone toward the Bering Strait. Her name was Lillian Alling, the year was 1927. To this day she is still considered missing. Her determination fascinated me and the idea for LILLIAN has followed me for 15 years. The deafening metropolis of New York, a rustling cornfield somewhere in the Midwest and a lonely beach on the Bering Strait … If you connect these three places with a line, you obtain Lillian’s approximate route. -
NATHAN LYONS: Final Chapter
NATHAN LYONS: Final Chapter March 27 - April 2, 2017 Reception: Friday March 31, 7-10pm Affirmation Arts 523 W 37th Street In honor of the renowned photographer, educator, lecturer, author, and curator Nathan Lyons, Bruce Silverstein is pleased to present, in association with Affirmation Arts, Nathan Lyons: Final Chapter. This exhibition marks the first occasion that this legendary artist’s color photographs will be seen by the public. It represents the fifth and final installment of a photographic opus spanning five decades, illustrating the artist’s intention of creating and transmitting a unique visual language through photography. This exclusive first look will be a prelude to his upcoming exhibition at the George Eastman Museum in 2019. Nearly 50 years have passed since the publication of his seminal book, Notations in Passing (1971), born out of his larger, extraordinary body of work bearing the same title. The images comprising this now-iconic compilation would be the artist’s first series of ‘snapshots’. This series sought to document the American ethos of 1962-1974 through the ubiquitous vernacular elements dispersed throughout the suburban landscape. Lyons would often focus on specific advertisements, posters, signage, drawings, and graffiti–lending a voice to the otherwise fading, forgotten script. Notations in Passing was also groundbreaking in its introduction of the artist's keen interest in photographic sequencing, often laying out seemingly disparate images in pairs, allowing a range of meaning to emerge through such juxtaposition. The snapshot, not as product but as process. Unpretentious and yet important, aspiring to nothing but a notation in passing. Things as they are, or what we make of them? In attempting to let objects be, objects and object spaces, to form simultaneously a neutral yet actively observational position, to combine ‘non-photographs’ as photographs. -
JOEL MEYEROWITZ April 18 – May 31, 2014
JOEL MEYEROWITZ April 18 – May 31, 2014 EUROPEAN TRIP: Photographs from the Car THE EFFECT OF FRANCE New Still Lifes, 2012-2013 Joel Meyerowitz, Greece, Corfu, 1967. Gelatin silver print; printed c. 1967, 9 X 13 3/8 inches © Joel Meyerowitz, Courtesy Howard Greenberg Gallery, New York New York – Howard Greenberg Gallery will show two exhibitions of the work of Joel Meyerowitz from April 18 to May 31. European Trip: Photographs from the Car presents forty images from 1966-67 made by Meyerowitz as he traveled in France, Greece, Spain, Germany, Turkey, Bulgaria, Morocco, England, Ireland, Wales, and Scotland. The photographs have not been on view since their debut in a major New York museum exhibition in 1968. The gallery will also show Meyerowitz’s new work, The Effect of France, a series of still lifes, mostly made at his home in Provence. “During my European car trip in the 1960s, I often saw remarkable things fly by outside my window, things that would be gone had I stopped to go back to see what they were,” recalls Meyerowitz. “In a way the photographs in European Trip: Photographs from the Car comprise my first conceptual work. I thought of myself as sitting inside a moving camera on wheels, and that the window was the frame which showed me the continuous scrolling of events flying by outside. All those humble instants sped past me and left their heartbreaking beauty on film and in my memory. Life along the roadside still whizzes by at 60 miles per hour, and even though we have all kinds of advanced mechanics, the camera continues to be the only instrument that makes ordinary things seem momentous when we glimpse them in passing and recognize their innocence and beauty.” While living in Provence a few years ago, Meyerowitz was inspired to buy a few odd objects as a gift for a friend he was visiting in Tuscany. -
Page 1 of 279 FLORIDA LRC DECISIONS
FLORIDA LRC DECISIONS. January 01, 2012 to Date 2019/06/19 TITLE / EDITION OR ISSUE / AUTHOR OR EDITOR ACTION RULE MEETING (Titles beginning with "A", "An", or "The" will be listed according to the (Rejected / AUTH. DATE second/next word in title.) Approved) (Rejectio (YYYY/MM/DD) ns) 10 DAI THOU TUONG TRUNG QUAC. BY DONG VAN. REJECTED 3D 2017/07/06 10 DAI VAN HAO TRUNG QUOC. PUBLISHER NHA XUAT BAN VAN HOC. REJECTED 3D 2017/07/06 10 POWER REPORTS. SUPPLEMENT TO MEN'S HEALTH REJECTED 3IJ 2013/03/28 10 WORST PSYCHOPATHS: THE MOST DEPRAVED KILLERS IN HISTORY. BY VICTOR REJECTED 3M 2017/06/01 MCQUEEN. 100 + YEARS OF CASE LAW PROVIDING RIGHTS TO TRAVEL ON ROADS WITHOUT A APPROVED 2018/08/09 LICENSE. 100 AMAZING FACTS ABOUT THE NEGRO. BY J. A. ROGERS. APPROVED 2015/10/14 100 BEST SOLITAIRE GAMES. BY SLOANE LEE, ETAL REJECTED 3M 2013/07/17 100 CARD GAMES FOR ALL THE FAMILY. BY JEREMY HARWOOD. REJECTED 3M 2016/06/22 100 COOL MUSHROOMS. BY MICHAEL KUO & ANDY METHVEN. REJECTED 3C 2019/02/06 100 DEADLY SKILLS SURVIVAL EDITION. BY CLINT EVERSON, NAVEL SEAL, RET. REJECTED 3M 2018/09/12 100 HOT AND SEXY STORIES. BY ANTONIA ALLUPATO. © 2012. APPROVED 2014/12/17 100 HOT SEX POSITIONS. BY TRACEY COX. REJECTED 3I 3J 2014/12/17 100 MOST INFAMOUS CRIMINALS. BY JO DURDEN SMITH. APPROVED 2019/01/09 100 NO- EQUIPMENT WORKOUTS. BY NEILA REY. REJECTED 3M 2018/03/21 100 WAYS TO WIN A TEN-SPOT. BY PAUL ZENON REJECTED 3E, 3M 2015/09/09 1000 BIKER TATTOOS. -
Style.Com Reveals First-Ever Fashion Yearbook Awards
STYLE.COM REVEALS FIRST-EVER FASHION YEARBOOK AWARDS NEW YORK, December 27, 2005 – STYLE.COM, the online home of Vogue & W magazines, has issued its first-ever fashion yearbook awards. Some of the highlights include: • Most Theatrical: John Galliano. No contest here. Fashion’s favorite impresario turned July’s Dior couture presentation into one for the history books. • Together Forever: Domenico Dolce & Stefano Gabbana. Never known as low key hosts, Domenico Dolce and Stefano Gabbana pulled out all the stops for their brand’s 20th anniversary celebration during Milan fashion week. • Class Cut-Up: Karl Lagerfeld. Whether palling around with Lindsay Lohan or snipping off the tips of his gloves to show off a treasure trove of Chrome Hearts rings, Monsieur Lagerfield always finds new ways to have fun. • Most Entrepreneurial: Stella McCartney for H&M. Not since that other British invasion have masses of women swooned like they did when Stella McCartney’s collection for H&M arrived at the chain’s New York City stores. • Most “Overexposed”: Tom Ford. For a designer who quit the runway early last year, we saw a lot of Tom Ford in 2005, from the Nude perfume launch to that nude photo. • Most Popular: Gwen Stefani. Gwen applied the same technique in putting together the runway show for her spring 2006 L.A.M.B. ready-to- wear collection as she did on her smash solo album. It seems no one can resist Gwen’s charm. For the complete awards list log on http://www.style.com/trends/features/year2005/ STYLE.COM STYLE.COM, a CondéNet publication, is the definitive fashion website, extending the editorial authority of Vogue and W magazines to the Internet. -
A Combat for Couture Command of Luxury Labels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 24 Issue 1 Fall 2013 Article 3 Human v. House: A Combat for Couture Command of Luxury Labels Carly Elizabeth Souther Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Carly E. Souther, Human v. House: A Combat for Couture Command of Luxury Labels, 24 DePaul J. Art, Tech. & Intell. Prop. L. 49 (2013) Available at: https://via.library.depaul.edu/jatip/vol24/iss1/3 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Souther: Human v. House: A Combat for Couture Command of Luxury Labels HUMAN V. HOUSE: A COMBAT FOR COUTURE COMMAND OF LUXURY LABELS Carly Elizabeth Souther* ABSTRACT As an industry that thrives on-rather than succumbs to- adversity, the couture corporate world demands innovation and encourages risks. When combined with successful marketing and savvy business practices, these risks can result in large payoffs, which exist, primarily, due to the nature of the global fashion market.' Endless consumption drives the market, rewarding fashion houses that cater to current trends with top-line growth and damning those whom fail to suffer decreased net earnings. In order to remain a viable player in the fashion industry, the house must have the resources to market and manufacture the product in a timely manner, as well as incur the costs if a collection is poorly received.