A Combat for Couture Command of Luxury Labels
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Famous British Designer John Galliano Spring - Summer 2016 Collection
Beat: Arts FAMOUS BRITISH DESIGNER JOHN GALLIANO SPRING - SUMMER 2016 COLLECTION PARIS FASHION WEEK AT PALAIS DE TOKYO PARIS - LONDON - NEW YORK, 10.10.2015, 13:26 Time USPA NEWS - The Fashion Week in Paris (woman) was held from September 29 to October 7, 2015. The famous British Designer John Galliano chose the mythical location of Palais de Tokyo to show to the audience his new collection Woman Spring - Summer 2016... The Fashion Week in Paris (woman) was held from September 29 to October 7, 2015. The famous British Designer John Galliano chose the mythical location of Palais de Tokyo to show to the audience his new collection Woman Spring - Summer 2016. It was on sunday October 4, 2015. John Galliano is a British Fashion Designer who served as Head Designer of the French Haute Couture Houses Givenchy (1995-1996) and Christian Dior (1996-2011). Galliano created some of the industry's most famous collections, including the Blanche Dubois in October 2008 (inspired by the 1951 film A Streetcar Named Desire), the Napoleon and Josephine in March 1992 (inspired by the love story of these famous historic figures) and the Princess Lucretia in October 1993 (inspired by the Russian princess). Galliano was named British Designer of the Year in 1987, 1994 and 1997, and he was made a Chevalier in the French Legion of Honour in 2009, an award previously bestowed on fashion luminaries Yves Saint Laurent and Suzy Menkes. Article online: https://www.uspa24.com/bericht-5707/famous-british-designer-john-galliano-spring-summer-2016-collection.html Editorial office and responsibility: V.i.S.d.P. -
Top Ten Fashion Designers
Top Ten Fashion Designers In a society where we are bombarded with fashion, how on earth do we decide who the top ten designers are? Well, after quite a lot of pondering, I came up with some names that I thought were a well-rounded group of creative minds. These are the best from all over the board. So here goes. 1. VALENTINO GARAVANI. From Italy, this man knows how to make a woman look like a goddess. Having dressed many of the world's most famous leading ladies (such as Julia Roberts and Elizabeth Taylor), he has proven his talent and risen to the top as The King of Elegance. 2. TOM FORD Born in Texas this man is not only the Creative Director for Gucci, he's also the Creative Director for Yves Saint Laurent. Ford won the Best International Designer Award in 2000. 3. DONATELLA VERSACE is one of fashions most loved divas. Born in Calabria Italy, she took over her late brother Gianni Versace's design house. By following in his footsteps Donatella has become known for her sexy yet elegant designs. 4. ALEXANDER MCQUEEN is one of the worlds most innovative and outstanding designers. Known for his theatrical influence, his creations are not only beautiful but also colourful and raw. 5. BETSEY JOHNSON. Her designs are brilliant, bold and fun. They are funky and edgy, with a lifetime of flare. Straight from the American fashion capital [New York] Betsey is known for "her celebration of the exuberant". 6. RALPH LAUREN. He could possibly be the king of ready-to wear. -
David Lynch: Mondi Intermediali
NicolaDusi, Cinzia Bianchi (acura di) Tutte le propostedi pubblicazioneprovenienti da autori italianivengono sottoposte alla pro ceduradel referaggio(peer review} , fondata su una valutazioneche viene espressada parte di due refereeanonimi, selezionati fra DAVID LYNCH: docentiuniversitari e/o espertidell'argomento. MONDI INTERMEDIALI CON TESTI DI: CINZIA BIANCHI, VANNI CODELUPPI, NICOLA Dus,, LEONARDO GANDINI, Rov MENARINI, LUCIO SPAZIANTE, MARCO TETI Comitato scientifico ArthurAsa Berger (San Francisco State University}, Mike Featherstone(Goldsmiths , Universityof London), Patrice Flichy (UniversitéParis -Est Marne-la-Vallée}, Mark Gottdiener(University at Buffalo}, GillesLipovetsky ~niversité de Grenoble}, Geert Lovink (UniversiteitVan Amsterdam}, LevManovich (The Graduate Center, City University of NewYork) , GeorgeRitzer (University of Maryland}, , <( 1- DanSchiller (University of Illinois). LLJ u o U) LLJ zLLJ o N <( u z => ~ o FrancoAngeli u Indice Introduzione. Identità e variazione nell'universo mediale di Lynch, di Nicola Dusi e Cinzia Bian chi pag. 7 1. Identità visiva in progress » 7 2. Riconoscibilità stilistica e figuralità » 11 Riferimenti bibliografici » 15 » Progetto grafico della copertina: Elena Pellegrini 1. David Lynch e la pubblicità, di Cinzia Bian chi 17 1. Uno sguardo d'insieme » 19 /11cope rtina un 'elaborazione grafica dei ciottoli di Mas d 'Azi/ in Francia, risale/lii al Mesolitico. » 22 Dipinti con morivi cruciformi, a cerchi, a bande anche serpentiformi o con serie di punti ; 2. Pubblicizzare i profumi questi l·egni p ittografic i vengono interpretati in vario modo e sono ritenuti uno dei primi esempi 3. Il caffè tra serialità e produzione » 26 di comunicazione simbolica . 4. Singolarità e interte stualità negli anni Copyright © 2019 by FrancoAn geli s.r.l., Milano, Italy Duemila » 28 5. -
Issue: Fashion Industry Fashion Industry
Issue: Fashion Industry Fashion Industry By: Vickie Elmer Pub. Date: January 16, 2017 Access Date: October 1, 2021 DOI: 10.1177/237455680302.n1 Source URL: http://businessresearcher.sagepub.com/sbr-1863-101702-2766972/20170116/fashion-industry ©2021 SAGE Publishing, Inc. All Rights Reserved. ©2021 SAGE Publishing, Inc. All Rights Reserved. Can it adapt to changing times? Executive Summary The global fashion business is going through a period of intense change and competition, with disruption coming in many colors: global online marketplaces, slower growth, more startups and consumers who now seem bored by what once excited them. Many U.S. shoppers have grown tired of buying Prada and Chanel suits and prefer to spend their money on experiences rather than clothes. Questions about fashion companies’ labor and environmental practices are leading to new policies, although some critics remain unconvinced. Fashion still relies on creativity, innovation and consumer attention, some of which comes from technology and some from celebrities. Here are some key takeaways: High-fashion brands must now compete with “fast fashion,” apparel sold on eBay and vintage sites. Risk factors for fashion companies include China’s growth slowdown, reduced global trade, Brexit, terrorist attacks and erratic commodity prices. Plus-size women are a growing segment of the market, yet critics say designers are ignoring them. Overview José Neves launched Farfetch during the global economic crisis of 2008, drawing more on his background in IT and software than a love of fashion. His idea: Allow small designers and fashion shops to sell their wares worldwide on a single online marketplace. The site will “fetch” fashion from far-off places. -
Annual Report 2007 LVMH RA 2007•GB Ok:LVMH RA 2007•FRS 4/02/08 14:55 Page 3
LVMH RA 2007•GB ok:LVMH RA 2007•FRS 4/02/08 14:55 Page 2 LVMH PASSIONATE ABOUT CREATIVITY Annual report 2007 LVMH RA 2007•GB ok:LVMH RA 2007•FRS 4/02/08 14:55 Page 3 passionate contents 02 . Chairman’s Message 14 . Review of operations 06. Financial Highlights 16. Wines & Spirits 08. Interview with Antonio Belloni: 24. Fashion & Leather Goods Many talents – A unique success 32. Perfumes & Cosmetics 10. Corporate Governance 40. Watches & Jewelry 12. The LVMH Share 46. Selective Retailing LVMH RA 2007•GB ok:LVMH RA 2007•FRS 4/02/08 14:56 Page 4 2007 LVMH about creativity 2007 52 . Sustainable development 54. Human resources Strengthening talents – Committing values 62. Corporate sponsorship to support culture, youth and humanitarian action 63. Protecting the environment 67 . Consolidated Financial Statements 01 LVMH RA 2007•GB ok:LVMH RA 2007•FRS 4/02/08 14:56 Page 5 Chairman’s Message Chairman’s The main strength of our Group, demonstrated by the consistency of the financial results, is without doubt LVMH’s unique portfolio of exceptional, globally recognised brands which are emblematic of the history and the world Bernard Arnault of luxury. an 02 Continue LVMH RA 2007•GB ok:LVMH RA 2007•FRS 5/02/08 9:44 Page 6 2007 LVMH THE GROWTH OF LVMH HAS BEEN DRIVEN BY STRONG CONSUMER DEMAND FOR OUR PRODUCTS, AS MUCH IN EUROPE AND THE UNITED STATES AS IN EMERGING MARKETS. IN CHINA, RUSSIA AND INDIA, ALL MARKETS WITH STRONG CULTURAL TRADITIONS, NEW CLIENTS ARE LOOKING TO LVMH’S STAR BRANDS AS SYMBOLIC OF A LIFESTYLE TO WHICH THEY ASPIRE ENTHU- SIASTICALLY. -
Stephen Jones Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Stephen Jones And the Accent of Fashion Hanish Bowles ISBN 9781851496525 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 240 Pages Illustrations 297 color Price £45.00 First monograph on the work of the celebrated milliner Stephen Jones With a preface by John Galliano and texts by authorities such as Hamish Bowles, Andrew Bolton, Suzy Menkes and Anna Piaggi, with new photography by Nick Knight and David Bailey "Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. -
[Table Summary] 2003 2017 2018 2018 2011 3.04 2018 14.76 CAGR
[Table_MainInfo][Table_Title] [Table_Invest] 2019-05-31 002832 / / [Table_Market] 2019/5/27 6 68.7 [Table_Summary] 2003 43.54 2017 2018 12 25.51 76.20 7,896 181 A 181 2018 B /H 0/0 1 2011 3.04 2018 [Table_PicQuote] 14.76 CAGR 25.3% 2011 0.44 2018 2.92 CAGR 31% 19% 764 1500 2000 8% 2019 5 18 -3% -14% -25% -36% 2018/5 2018/8 2018/11 2019/2 [Table_Trend]% 1M 3M 12M -8% 16% 4% -1% 17% 9% [Table_Report] Tommy Hilfiger 002832 Tommy Hilfiger & --20190423 002832 2019 2020 29 42 23 79 --20180903 42 07 31 09 2019 21 01 [Table_Author] [Table_Finance] 2017A 2018A 2019E 2020E 2021E 1,054 1,476 1,910 2,364 2,839 S0550515060001 (+/-)% 25.23% 39.96% 29.42% 23.79% 20.10% 180 292 415 544 690 (+/-)% 35.92% 62.16% 42.07% 31.09% 26.86% 0.99 1.61 2.29 3.00 3.81 S0550118080038 60.56 20.72 21.01 16.03 12.63 (021)20363236 [email protected] 7.57 3.72 4.27 3.37 2.66 (%) 12.49% 17.95% 20.32% 21.03% 21.06% (%) 0.00% 0.00% 0.00% 0.00% 0.00% ( ) 107 181 181 181 181 [Table_PageTop] 1. ............. 5 1.1. ...................................5 1.2. ...................................................................................................6 1.3. ...................................................7 1.4. ...............................................................................7 2. .......................... 9 2.1. ...............................................................................9 2.2. ......................................................... 11 2.3. .....................................................................................................12 2.4. .........................................14 3. .............. 15 3.1. .....................................15 3.2. .........................................16 3.2.1. ........................................................................... 16 3.2.2. .................................................................................. 17 3.2.3. Ralph Lauren ..................................... -
Altman on Jacobs on Dior: Fashion Through Fractals and Archives
Streetnotes (2012) 20: 90-110 90 ISSN: 2159-2926 Altman on Jacobs on Dior: Fashion Through Fractals and Archives J. Emmanuel Raymundo Abstract On February 25, 2011, the fashion luxury company Christian Dior suspended John Galliano, who had been its creative director since 1996, after his arrest over making anti-Semitic remarks at a Paris bar. Quickly following his suspension, a video from December 2010 was distributed showing Galliano hurling anti-Semitic invectives at several bar patrons. On March 1, 2011, Dior fired Galliano. At stake in the considerable interest and speculations regarding who takes over at Dior is control of a €24.6B business empire and access to a historic couturier’s archive. In this sense, its designer will influence the label’s “books” both financial and what will be stored in its physical repository as part of the brand’s creative and artistic repertoire. Despite fashion’s apparent ubiquity, the anticipation surrounding who takes over at Dior is proof that despite fashion’s professed democratization, there still exists a fashion hierarchy with Dior occupying its upper echelon. Since Galliano’s dismissal, fashion insiders have moved from breathlessly feverish in their speculations to desperately calling out for relief in the face of an unexpectedly drawn-out waiting game that is now over a year old and otherwise an eternity in fashion’s hyper accelerated production cycle. To purposely counter fashion’s accelerated internal clock, the purpose of this commentary is to keep fashion in a reflective state rather than a reflexive stance and uses fashion on film, and specifically Robert Altman’s Prêt-à-Porter (1994), to give cultural and historical context to all the online speculation and chatter. -
Coco Chanel's Comeback Fashions Reflect
CRITICS SCOFFED BUT WOMEN BOUGHT: COCO CHANEL’S COMEBACK FASHIONS REFLECT THE DESIRES OF THE 1950S AMERICAN WOMAN By Christina George The date was February 5, 1954. The time—l2:00 P.M.1 The place—Paris, France. The event—world renowned fashion designer Gabriel “Coco” Cha- nel’s comeback fashion show. Fashion editors, designers, and journalists from England, America and France waited anxiously to document the event.2 With such high anticipation, tickets to her show were hard to come by. Some mem- bers of the audience even sat on the floor.3 Life magazine reported, “Tickets were ripped off reserved seats, and overwhelmingly important fashion maga- zine editors were sent to sit on the stairs.”4 The first to walk out on the runway was a brunette model wearing “a plain navy suit with a box jacket and white blouse with a little bow tie.”5 This first design, and those that followed, disap- 1 Axel Madsen, Chanel: A Woman of her Own(New York: Henry Holt and Company, 1990), 287. 2 Madsen, Chanel: A Woman of her Own, 287; Edmonde Charles-Roux, Chanel: Her Life, her world-and the women behind the legend she herself created, trans. Nancy Amphoux, (New York: Alfred A. Knopf, Inc., 1975), 365. 3 “Chanel a La Page? ‘But No!’” Los Angeles Times, February 6, 1954. 4 “What Chanel Storm is About: She Takes a Chance on a Comeback,” Life, March 1, 1954, 49. 5 “Chanel a La Page? ‘But No!’” 79 the forum pointed onlookers. The next day, newspapers called her fashions outdated. -
Environmental Report 2017
ENVIRONMENTAL REPORT 2017 CONTENTS 03 Message from the Chairman and Chief Executive Officer 04 Joint interview on the 25th anniversary of the LVMH Environment Department with Antonio Belloni, Deputy Chief Executive Officer, and Sylvie Bénard, Environment Director 09 Environmental excellence, a long-term goal 25 The LIFE Program, a goal in action – Target “products” – Target “supply chain” – Target “climate change” – Target “sites” 26 3 questions for Antoine Arnault, Chief Executive Officer of Berluti and Chairman of Loro Piana 51 Our environmental reporting methodology 55 Statement summarizing the information relating to the Decree of April 24, 2012 58 Report by the independent third-party body on the consolidated social, environmental and societal information provided in the management report 01 02 LVMH 2017 . Message from the Chairman F O C U S ON LIFE 2020 Twenty-five years ago, the first Earth Summit was held in Rio. Issues concerning ecology did not then arouse a great deal of interest in society, but our Group maintained a longstanding conviction that future development would necessarily be sustainable. That was back in 1992. We opted for a unique approach: a real Environment Department directly responsible to General Management. We thereby consecrated our commitment and assigned a mission to this new Department: to fix, at Group level, ambitious environmental targets and to support our Maisons in attaining these objectives. As the world leader in luxury, it is the duty of LVMH to be exem- plary. Our Maisons make use of rare and precious natural raw materials in the formulation of their products. We have no option other than to seek to preserve these resources which constitute our common heritage. -
Download the Dior: from Paris to the World Program Guide
PROGRAM GUIDE Since his debut collection, art gallerist turned legendary couturier Christian Dior has generated an epic movement in fashion history. With lavish embroidery, luxurious fabrics, and elegant silhouettes, his designs were a revolutionary celebration of modern femininity when they emerged in Paris after World War II. Today, Dior’s global influence is as enduring and iconic as ever. Dior: From Paris to the World surveys more than 70 years of the House of Dior’s legacy, featuring a dynamic selection of almost 200 haute couture dresses, as well as accessories, photographs, original sketches, runway videos, and other archival material. MAY Free Youth and Student Sundays The Heart of Neiman Marcus Foundation will sponsor a day Exhibition Talk: Dior on June 2 to allow youth and students (with valid ID) free Thursday, May 23, 7:00 p.m. access to Dior: From Paris to the World. Students under 16 must be $10 public, $5 DMA Members accompanied by an adult with a paid ticket. Exhibition tickets and students with valid ID are timed with capacity restrictions. A second day will occur before the exhibition closes. Fashion historian Amber Butchart will talk about the ways in which fashion designers past and present have taken inspira- tion from the world around them. Drawing on fashion history, art, nature, and pop culture, Butchart will explore the nature of innovation and reveal threads that connect decades of fash- ion design. JUNE Toddler Art: Fabric Frenzy June 4, 7, or 14, 11:00 a.m.–noon Open Studio Art Making $8 public, $5 DMA Members June 1, 2, 15, & 16, noon–4:00 p.m. -
Books Keeping for Auction
Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean