JEWELS

6 DECEMBER 2011 450 PARK AVENUE NEW YORK

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01_JWLS_NY_Dec11_2-43_v2.indd 2 08/11/11 10.30 000

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6 DECEMBER 2011 4PM 450 PARK AVENUE NEW YORK

LOTS 1-250

Viewing Tuesday 22 November – Wednesday 23 November, 10am – 6pm Monday 28 November – Monday 5 December, 10am – 6pm Tuesday 6 December, 10am – 4pm

Front Cover A Superb Pair of Diamond Ear Studs, Lot 224 Opposite A Pair of Diamond Ear Pendants, Lot 138; An Important Colombian Emerald and Diamond Bracelet, Lot 222

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PROPERTY OF A LADY 1 A Gold Choker Necklace 3 A Pair of Malachite, Gold and Diamond Ear Pendants Designed as a flexible collar of gold links, mounted in 18K yellow gold, Each designed as two opposing navette-shaped malachite and necklace length 17 inches. openwork gold plaques, joined by a circular-cut diamond link, mounted in 14K yellow gold, length 2 1/4 inches. Estimate $2,000-3,000 Estimate $2,500-3,500

2 An Enamel Gold and Ruby Frog Brooch DAVID WEBB Designed as a green enamel frog, with polished gold feet, accented by cabochon ruby eyes, mounted in 18K yellow gold, length 1 1/2 inches. Signed ‘Webb’ for David Webb

Estimate $4,000-6,000

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PROPERTY OF A LADY 4 A Double-Strand Cultured Pearl Necklace Of two strands of cultured pearls, measuring from approximately 6.9 to 6.5 mm, joined by a foliate gold clasp set with pearls and emeralds, 6 mounted in 14K yellow gold, shorter strand measures 23 inches, longer strand measures 24 inches.

Estimate $400-600

5 A Pair of Peridot and Diamond Ear Pendants Each suspending an oval-cut peridot, weighing approximately 20.25 carats in total, within a pavé-set diamond surround, from a pear-shaped diamond collet and circular pavé-set diamond link, to the circular-cut diamond surmount, mounted in platinum, length 1 1/2 inches.

Estimate $6,000-8,000

6 A Diamond and Tsavorite Garnet Frog Dress Set Comprising a pair of cufflinks, each designed as a pavé-set diamond frog, accented by tsavorite garnet eyes, to the polished gold swivel link; and four shirt studs en suite, mounted in 18K white gold, cufflink length 3/4 inches, shirt stud length 1/2 inches.

Estimate $7,500-9,000

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7 A Pair of Cultured Pearl and Diamond Earclips Each centering upon a gray mabé pearl within a polished gold surround enhanced by circular-cut diamond accents mounted in 18K yellow gold, 1 inch diameter.

Estimate $1,500-2,000

PROPERTY OF A LADY 8 A Set of Two Pairs of Gold Earclips ANGELA CUMMINGS FOR TIFFANY & CO. Comprising two pairs of earclips, one designed as a textured gold petal, the second designed as a square gold plaque of checkerboard design with black enamel, both mounted in 18K yellow gold, length 1 inch and 3/4 inch. Signed ‘Tiffany & Co’ ‘T&Co’ ‘Cummings’

Estimate $900-1,200

PROPERTY OF A LADY 9 A Gold Wristwatch BAUME AND MERCIER Of quartz movement, the circular gold dial with gold baton numerals, to the black leather band, mounted in 14K yellow gold, dial diameter 1 1/4 inches, length adjustable. Dial signed ‘Baume & Mercier Geneve’, case no.1516797 95143

Estimate $500-1,000

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PROPERTY OF A LADY PROPERTY OF A LADY 10 A Diamond Cultured Pearl and Gold Choker Necklace 11 A Diamond and Gold Brooch and Earclips and Earclips Comprising a brooch, designed as a stylized flower, centering upon a Comprising a choker, designed as a bold, geometric collar, accented by circular-cut diamond, extending circular-cut diamond petals and stem, mabé pearls, circular-cut diamonds and onyx; and a pair of earclips en suite, enhanced with pear-shaped cabochon black onyx, mounted in 18K mounted in 18K yellow gold, necklace 15 1/4 inches, earclip length 1 inch. yellow gold; and a pair of earclips en suite, mounted in 14K yellow gold, brooch length 3 inches, ear clip length 1 inch. Estimate $3,000-5,000 Estimate $2,000-3,000

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PROPERTY OF A LADY 12 A Set of Coral Jewelry 14 A Coral Fish Pendant/Brooch SEAMAN SCHEPPS 1945 Comprising a necklace, of two strands of coral beads, measuring from Designed as a carved coral fish, within a gold foliate frame, accented approximately 8.74 to 8.30 mm, joined by a carved floral coral clasp; and with carved emeralds, cabochon and circular-cut rubies and sapphires, a pair of earclips en suite, mounted in 14K yellow gold, necklace length circular-cut garnets and circular-cut diamonds, mounted in 14K yellow 29 inches, earclip length 1 inch. gold, length 2 1/4 inches. Signed ‘Seaman Schepps’ Estimate $1,500-2,000 Estimate $5,000-7,000

PROPERTY OF A LADY 13 A Pink Sapphire and Diamond Retro Gold Watch Bracelet PROPERTY OF A LADY Designed as a wide gold bangle bracelet, centering upon a square 15 An Emerald Sapphire and Gold Ring dial in a rose gold case with curvex crystal, accented with circular-cut Designed as an organic shaped gold ring, set with carved foliate- diamonds, and circular-cut pink sapphires, mounted in 18K yellow and shaped emeralds and cabochon sapphires, accented by collet-set rose gold, 2 1/2 inches diameter. diamonds, mounted in 18K yellow gold, size 5 1/4.

Estimate $1,000-2,000 Estimate $1,000-2,000

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PROPERTY OF A GENTLEMAN PROPERTY OF A LADY 16 A Set of Three Gold Charms VAN CLEEF & ARPELS 17 A Suite of Diamond and Gold ‘Happy Diamond’ Jewelry The gold link bracelet with three detached charms including a circular CHOPARD aries ram pendant; a rope twist gold rabbit with ruby eyes and diamond Comprising a watch, of mechanical movement, the gold dial of circular accents; and an elephant with ruby eyes and pavé-set diamond ears, outline, accented by three floating circular-cut diamonds, to the circular- mounted in 18K yellow gold, length 8 1/4 inches. cut diamond lugs and leather strap; a pendant necklace, suspending Signed ‘Van Cleef & Arpels’ or ‘VCA’; bracelet unsigned a gold square-shaped pendant, containing five floating circular-cut diamonds, from a gold rope chain; and a bracelet and ear studs en suite, Estimate $2,500-3,500 mounted in 18K yellow gold, watch length adjustable, necklace length 15 inches, bracelet length 7 1/2 inches, ear studs length 1/4 inches. Signed ‘Chopard, Happy Diamond, Geneve’, watch no.155668 403606, G3644

Estimate $2,000-3,000

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18 A Cultured Pearl Necklace Of seventy-seven white cultured pearls, measuring from approximately 11.50 to 10.37 mm, joined by a polished 18K white gold sphere clasp, length 35 inches.

Estimate $2,000-3,000

PROPERTY OF A LADY 19 A Suite of Citrine Jewelry Comprising a ring, set with an oval-cut citrine; a pair of citrine earclips; and pendant en suite, mounted in 14K yellow gold, ring size 5 1/2, earrings length 3/5 inches, pendant length 1 1/4 inches.

Estimate $300-500

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PROPERTY OF A LADY 20 A Turquoise and Gold Turtle Brooch 22 A Diamond and Cultured Pearl Bracelet Designed as a textured turtle, accented with oval cabochon turquoise, with Designed as three rows of cultured pearls measuring approximately 7.35 circular-cut diamond eyes, mounted in 18K yellow gold, length 1 3/4 inches. mm to 7.45 mm, to the diamond accented gold bar link spacers, joined by a rectangular, circular and step-cut diamond open-work panel clasp, Estimate $1,200-1,800 mounted in platinum, bracelet length 7 inches.

Estimate $2,000-3,000 21 A Gold, Turquoise, Ruby and Diamond “Chick” Brooch VAN CLEEF & ARPELS Designed as a textured gold chicken, with pavé-set eyebrows, to the cabochon ruby eyes and cabochon turquoise body, perched on a 23 A Pair of Cultured Pearl and Diamond Earclips polished gold branch, mounted in 18K yellow gold, length 1 1/2 inches. Each set with a cultured pearl, measuring approximately 13.35 mm, within an Signed ‘Van Cleef & Arpels’ no.95539 old-cut diamond surround, mounted in 18K yellow gold, length 3/4 inches.

Estimate $2,000-3,000 Estimate $5,000-7,000

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26 A Retro Gold Bracelet 1940 Designed as a wide band series of polished gold tubular links, mounted in 14K yellow gold, length 7 1/2 inches. 24 A Pair of Tourmaline and Diamond Ear Pendants Estimate $3,000-5,000 ALETTO BROTHERS Each suspending a rectangular-cut green tourmaline weighing

approximately 20 carats in total, from a pavé-set diamond disc, to the 27 A Gold ‘Hawaii’ Necklace BUCCELLATI circular-cut bezel-set graduated diamond line, mounted in platinum and Designed as a cascade of brushed circular gold links, mounted in 18K 18K white gold, length 2 inches. yellow gold, length 20 inches. Signed ‘Aletto Bros’, with a green leather Aletto Brothers Box Signed ‘Buccellati 18K Italy’

Estimate $6,000-8,000 Estimate $9,000-11,000

25 A Green Tourmaline and Diamond Ring ALEXANDRA MOR Set with a rectangular-cut green tourmaline, weighing approximately 16.93 28 A Pair of Gold ‘Hawaii’ Ear Pendants BUCCELLATI carats, to the pavé-set diamond panels, enhanced by baguette-cut trapezoid Each designed as a cascade of brushed circular gold links, mounted in diamond shoulders, mounted in platinum and 18K yellow gold, size 6 1/4. 18K yellow gold, length 2 3/5 inches. Signed ‘AM’ for Alexandra Mor, with an Alexandra Mor box Signed ‘Buccellati 18K Italy’

Estimate $12,000-16,000 Estimate $2,000-3,000

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29 A Suite of Diamond, Cultured Pearl and Gold Jewelry MARINA B Comprising a necklace, designed as a series of alternating circular- cut diamond scroll links and cultured pearls; a bracelet and a pair of earclips en suite, mounted in 18K yellow gold, necklace length 16 inches, bracelet length 7 1/4 inches, earclips length 1 inch. Signed ‘MB’ and ‘Marina B’, earclips no.C5016, bracelet no.C2158, necklace no.C1899

Estimate $14,000-18,000

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PROPERTY OF A LADY PROPERTY OF A LADY 30 A Pair of Ruby and Diamond Earclips VAN CLEEF AND ARPELS 32 A Twin Diamond Ring Each designed as a textured gold curved half-hoop plaque framed by Set with two circular-cut diamonds, to the pavé-set diamond bombé a twisted gold rope motif border, accented with circular-cut diamonds surround, mounted in 18K yellow gold, size 3 1/2. and rubies, mounted in 18K yellow gold, length 4/5 inches. Estimate $4,000-6,000 Signed ‘Van Cleef & Arpels’, no. NY34082-4

Estimate $1,200-2,200

PROPERTY OF A LADY 31 A Gold and Diamond Lion Bracelet 33 A Pair of Floral Diamond and Cultured Pearl Earclips Designed as a textured gold bangle with an openwork motif embellished Each designed as a sculpted flower decorated with circular-cut with collet-set diamond accents, to the crossover lionshead terminals, diamonds, centering upon a black or white cultured pearl, measuring decorated with circular-cut diamond collars and ruby-set eyes, mounted approximately 9.55 mm, mounted in 18K yellow gold, length 1 1/4 inch. in 18K yellow gold, 2 1/2 inches diameter. Estimate $3,000-5,000 Estimate $4,000-6,000

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PROPERTY OF A LADY 34 A Pair of Citrine, Cultured Pearl and Diamond Earclips MARLENE STOWE Each designed as a hexagonal citrine surmount, accented with circular-cut diamonds, suspending a cultured pearl measuring approximately 13.75 mm, mounted in 18K yellow gold, length 1 1/2 inches, pearl is detachable. 36 Signed ‘M Stowe’

Estimate $6,000-8,000

Marlene Stowe was raised in France, where she studied at the Sorbonne in Paris and began her design career in the French Riviera. A dress designer both in Paris and New York, Marlene started designing jewelry 37 A Cultured Pearl, Diamond and Enamel Ring DAVID WEBB fifteen years ago utilizing semi-precious stones and diamonds as her Set with a mabé pearl, measuring approximately 19.30 mm, enhanced by palette. Simplicity, elegance and femininity define Marlene Stowe’s style a black enamel border to the circular-cut diamond surround, size 6. and collection. Soft flawless classical lines structured by the gold, cradle Signed ‘WEBB’ for David Webb the warm pearls and brightly colored gemstones, while the diamonds are subdued to a supporting role. They are feminine yet contemporary, Estimate $7,000-9,000 substantial yet comfortable, and elegant without being formal. Each uniquely one-of-a-kind design hand-crafted in the US and is

wearable for all occasions. 38 A Pair of Enamel and Gold ‘Bull’ Cufflinks DAVID WEBB Each double-link designed as a black enamel bull with red enamel eyes and gold horns, feet and tail, to the polished black and white enamel

35 A Diamond and Gold Ring toggle link, mounted in 18K yellow gold, length 1 inch. Designed as overlapping polished gold and pavé-set colored diamond Signed ‘Webb’ for David Webb or diamond bands, mounted in 18K rose gold, size 7. Estimate $3,000-5,000

Estimate $4,000-6,000

36 A Fire Opal and Diamond Ring MARGHERITA BURGENER 39 A Coral and Diamond Suite Centering upon an oval-cut faceted fire opal, weighing approximately Comprising a pair of ear pendants, each set with oval and circular 13.21 carats, enhanced by pavé-set diamond and brown diamond cabochon coral plaques, within pavé-set diamond surrounds, accented prongs, to the polished gold hoop, mounted in 18K yellow gold, size 5. by collet-set diamond spacers; and a ring en suite, mounted in 18K rose Signed ‘MB’ for Margherita Burgener, with a black Margherita Burgener box gold, earclips length 2 1/2 inches, ring size 6 1/2.

Estimate $4,000-6,000 Estimate $5,000-7,000

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PROPERTY OF A LADY 40 A Blackened Steel and Black Diamond Wristwatch 43 A Pair of Mother-of-Pearl and Sapphire Cufflinks DE GRISOGONO MARGHERITA BURGENER A lady’s limited edition blackened steel and black diamond-set rectangular Each designed as a polished square-shaped mother-of-pearl plaque, automatic dual time zone wristwatch with date and silver Arabic numerals, centrally enhanced by a pavé-set sapphire bombé circular panel, to the mounted in stainless steel, to the white shark skin strap, diameter 2 1/4 inches. swivel link, mounted in 18K white gold, length 5/8 inches. Signed ‘De Grisogono Geneve’ no.810/900-4, with an original fitted case with papers Signed ‘MB’ for Margherita Burgener

Estimate $5,000-7,000 Estimate $1,000-1,500

41 A Rock Crystal, Mother-Of Pearl and Sapphire Dress Set 44 A Multi-Colored Sapphire Ring and Ear Pendant Set MARGHERITA BURGENER MICHELE DELLA VALLE Comprising a pair of cufflinks, each double-link set with a round Comprising a ring, designed as a pavé-set yellow and green sapphire cabochon rock crystal, backed by mother-of-pearl, within a circular-cut plaque, accented by oval-cut blue sapphires, to the circular-cut sapphire surround; and four shirt studs en suite, mounted in 18K white diamond shoulders and gold half hoop; and a pair of ear pendants en gold, cufflink length 1 3/4 inch, shirt studs length 3/4 inches. suite, mounted in 18K white gold, ring size 6 1/2, ear pendant length Signed ‘MB’ for Margherita Burgener 1 1/2 inches.

Estimate $4,500-6,000 Estimate $7,000-9,000

PROPERTY OF A LADY 42 A Sapphire and Diamond Multi-Strand Necklace Designed as a sapphire bead torsade, accented by bead-cut diamond spacers, joined by a gold barrel clasp accented with pavé-set diamonds, mounted in 18K white gold, length 18 inches.

Estimate $5,000-8,000

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46 A Turquoise, Diamond and Sapphire Earclips and Brooch DAVID WEBB Comprising a brooch, designed as a textured gold foliate cluster, centering upon a row of circular-cut diamonds, to the circular-cut and cabochon sapphires, cabochon turquoise, and stylized leaves; and a pair of earclips en suite, mounted in 18K yellow gold, brooch length 2 4/5 inches, earclips length 1 1/5 inches. Signed ‘Webb’ for David Webb on earclips

Estimate $7,000-9,000 45 A Sapphire, Diamond, and Gold Brooch and Earclips Set CARTIER Comprising a brooch, designed as a polished openwork gold leaf, PROPERTY OF A LADY accented with circular-cut diamonds and sapphires; and a pair of 47 A Gold Leaf Brooch TIFFANY & CO. earclips en suite, mounted in 14K yellow gold, brooch length 1 3/5 Designed as a textured leaf, mounted in 18K yellow gold, accented with inches, earclips length 1 1/5 inches. circular-cut diamonds and sapphires, length 3 inches. Signed ‘Cartier’ and ‘Cartier 23366’ Signed ‘Tiffany & Co’ ‘Italy’

Estimate $1,500-2,500 Estimate $1,000-2,000

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PROPERTY OF A LADY 48 A Ruby, Opal and Cultured Pearl Blackamoor Brooch NARDI Designed as a blackamoor with a carved ebony head, wearing a textured and braided gold turban enhanced by a ruby-set star motif, the top set with a cabochon garnet, with seed-pearl ear pendants, to the shield- shaped tunic decorated with circular-cut rubies, and a cabochon opal and cultured pearl trim, mounted in 18K yellow gold, length 2 1/4 inches. Signed ‘Nardi’

Estimate $2,000-3,000

49 A Colored Diamond, Turquoise and Cultured Pearl 50 A Ruby, Diamond and Cultured Pearl Blackamoor Brooch NARDI Blackamoor Brooch NARDI Designed as a blackamoor with carved ebony head, wearing a textured Designed as a blackamoor with carved ebony head, wearing a textured and braided gold turban with ruby-set star motif and a circular-cut and braided gold turban with a turquoise-set star motif and a colored diamond, the top set with a triangular faceted garnet, with collet-set circular-cut diamond, the top set with a cabochon carnelian, with seed- diamond ear pendants, to the shield-shaped tunic decorated with pearl ear pendants, to the shield-shaped tunic decorated with cabochon circular-cut rubies and a circular-cut diamond and cultured pearl trim, turquoise and a circular-cut diamond and cultured pearl trim, mounted mounted in 18K rose gold, length 2 1/4 inches. in 18K yellow gold, length 2 1/4 inches. Signed ‘G Nardi’ Signed ‘Nardi’ no.M008 31 Estimate $7,500-9,000 Estimate $5,500-7,000

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51 A Set of Lemon Quartz and Diamond Jewelry 54 A Multi-Colored Gem-Set Sautoir Necklace ALEXANDRA MOR Comprising a ring, set with a round cabochon lemon quartz weighing Designed as a spectacle-set mix of fancy-cut tourmaline, citrine, approximately 11.50 carats, within a pavé-set diamond surround and aquamarine and circular-cut diamonds, accented with pavé-set diamond shoulders, and a pair of similarly set earclips en suite, mounted in 18K gold snowflakes, mounted in 18K yellow gold, length 56 inches. yellow gold, ring size 6, earclips 1/2 inch diameter. Signed ‘AM’ for Alexandra Mor, with an Alexandra Mor box

Estimate $4,000-6,000 Estimate $7,000-10,000

PROPERTY OF A LADY 52 A Porcelain and Multi-Gem ‘Chandra’ Bangle BULGARI 55 A Pair of Multi-Colored Gem-Set Ear Pendants ALEXANDRA MOR Designed as three sculpted porcelain panels spaced by fluted gold links Each suspending five rows of spectacle-set fancy-cut tourmaline, citrine, enhanced with cabochon heart-shaped gemstones, mounted 18K yellow aquamarine and circular-cut diamonds, framed by pavé-set diamond half- gold, 2 1/4 inches diameter. circle bar-terminals, mounted in 18K yellow gold, length 2 inches. Signed ‘Bulgari’ with an original Bulgari box Signed ‘AM’ for Alexandra Mor, with an Alexandra Mor box

Estimate $6,000-8,000 Estimate $2,500-3,500

PROPERTY OF A LADY 53 An Enamel and Diamond Ring DAVID WEBB Desiged as a white enamel geometric bombé ring, accented by pavé-set diamonds, mounted in 18K yellow and white gold, size 8 1/2. Signed ‘Webb’ for David Webb

Estimate $4,000-6,000

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PROPERTY OF A GENTLEMAN 56 A Diamond and Jade Ring 59 An Art Deco Gold, Enamel and Diamond Vanity Case Designed as a carved jade circular disc, centrally set with a circular-cut CARTIER 1925 diamond, within a circular-cut diamond surround, mounted in platinum, Designed as an octagonal compact with a blue and white enamel foliate size 7. border, centering upon a multi-colored enamel plaque of Indian motif depicting an exotic bird and floral motif, within a rose-cut diamond border, Estimate $5,000-7,000 with a cabochon sapphire thumb piece, opening to reveal a mirror and a covered powder compartment, suspended by a gold and blue enamel

57 An Edwardian Diamond and Pearl Bracelet CARTIER 1915 chain from a blue and white enamel lipstick case, mounted in 18K yellow Centering on a pavé-set diamond foliate motif wreath interlocking with gold, length 4 inches. a seed pearl circle, to the pavé-set diamond border extending a black Signed ‘Cartier, Paris, Londres, New York, Made in France’, with French assay marks, with a brown Cartier case silk ribbon-strap, decorated with delicate rose and circular-cut diamond foliate motif enhancers, to the rose-cut diamond clasp, mounted in Estimate $4,000-6,000 platinum, length 7 inches. • Signed ‘Cartier London’

Estimate $5,000-7,000

58 A Pair of Diamond and Cultured Pearl ‘Fireworks’ Earclips 60 An Art Deco Diamond and Platinum Wristwatch TIFFANY & CO. TIFFANY & CO. 1920 Each centrally set with a black cultured pearl, measuring approximately Of mechanical movement, the white rectangular dial, with black Arabic 8.80 mm, extending circular-cut diamond arched rays, mounted in 18K numerals and blue steel hands, within a pavé-set diamond surround, to white gold, length 1 inch. the black silk band, joined by a stainless steel buckle, length adjustible. Signed ‘Tiffany&Co. Fireworks’ ©1993, with a Tiffany box Dial signed ‘Tiffany & Co.’

Estimate $7,000-10,000 Estimate $1,500-2,000

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61 An Amethyst, Sapphire and Diamond Ring 64 An Amethyst and Gold Longchain Necklace MARGHERITA BURGENER Designed as an oval-cut spectacle-set amethyst longchain, mounted in Set with an oval-cut amethyst, weighing approximately 33.40 carats, with 18K rose gold, length 72 inches. pavé-set multi-colored sapphire and diamond bombé prongs and gallery, to the polished gold half hoop, mounted in 18K yellow gold, size 5. Estimate $6,000-8,000 Signed ‘MB’ for Margherita Burgener, with a black Margherita Burgener box

Estimate $5,000-8,000

PROPERTY OF A LADY 62 A Pair of Amethyst and Diamond Ear Pendants 65 A Pair of Diamond and Pearl Earclips MARGHERITA BURGENER Each set with a baroque cultured pearl, measuring approximately 18.7 Each suspending a drop-shaped amethyst weighing approximately 79.22 x 15.8 mm, enhanced by a circular-cut diamond spray, mounted in 14K carats in total, from a pavé-set diamond cap and circular-cut diamond white gold, length 1 inch. link, to the pavé-set diamond hook, mounted in 18K yellow gold, length 2 1/8 inches. Estimate $500-1,000 Signed ‘MB’ for Margherita Burgener For over 20 years, husband & wife duo Sorab Bouzarjomehri and Estimate $3,500-5,000 Roshi Ameri have built upon the principles of quality, creativity, and individuality to create their eponymous label.

63 A Shell and Gem-Set Butterfly Brooch SORAB AND ROSHI Designed as a butterfly, with a pavé-set pink sapphire body, extending Established in 1988 , Sorab & Roshi sought to fill a missing niche in cone shell wings, set with oval and circular-cut amethyst and pink the current jewelry market; exquisite one-of-a-kind jewelry that was tourmaline, enhanced by cultured pearls, mounted in 18K yellow gold, both bold, chic and sculptural. Their unorthodox approach to jewelry length 4 1/2 inches. enamored a growing clientele. Sorab & Roshi soon found a cult Signed ‘Sorab&Roshi’ with a Sorab and Roshi box following, quickly becoming known as the place to go to find uniquely creative jewelry. Coined “fantastical one-off creations” by the New York Estimate $6,000-8,000 Times, Sorab & Roshi has redefined jewelry, producing pieces that have a life and personality of their own.

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66 A Black Diamond and Diamond Ring 69 A Tahitian Cultured Pearl Necklace Designed as a circular-cut black diamond bombé ring, accented with Of thirty-one black Tahitian cultured pearls, measuring from circular-cut diamond florets, mounted in 18K black gold, size 7. approximately 14.30 to 12.00 mm, joined by a pavé-set diamond sphere clasp, mounted in platinum, length 17 1/4 inch inches. Estimate $4,000-6,000 Estimate $15,000-20,000

67 A Pair of Cultured Pearl and Diamond Earclips 70 A Pair of Black Diamond and Diamond Earclips Each designed as a baroque black Tahitian cultured pearl flower, Each designed as a pavé-set black diamond bombé earclip, with pavé-set centering upon a pear-shaped diamond floret, further enhanced by diamond accents, mounted in 18K blackened gold, length 3/4 inches. circular-cut diamonds, mounted in 18K white gold, 1 1/8 inches diameter. Estimate $3,000-5,000 Estimate $4,000-6,000

71 A Pair of Diamond and Blue Chalcedony Ear Pendants MARGHERITA BURGENER Each designed as a blue chalcedony drop, from a pavé-set diamond cap, 68 A Diamond Link Bracelet to the pavé-set diamond foliate surmount, mounted in 18K white gold, Designed as a series of circular-cut diamond bombé curb links, length 1 7/8 inches, pendant is detachable. mounted in 18K white gold, length 7 inches. Signed ‘MB’ for Margherita Burgener

Estimate $12,000-15,000 Estimate $5,000-7,000

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72 A Diamond and Gold Necklace OSCAR HEYMAN & BROTHERS 73 An Emerald, Sapphire and Diamond Bracelet The flexible collar designed as three rows of graduated collet-set Designed as a series of alternating sections of circular-cut diamonds diamond lines, mounted in 18K yellow gold, length 16 inches. and calibré-cut sapphires and emerald links, to a concealed clasp and Signed ‘HB’ for Oscar Heyman Brothers, no.601075 engraved gallery, mounted in platinum, length 6 3/4 inches.

Estimate $15,000-18,000 Estimate $14,000-18,000

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74 A Diamond, Gold, Platinum and White ‘Pailloné’ Enamel Bangle 76 An Unheated Ceylon Sapphire and Diamond Ring SCHLUMBERGER FOR TIFFANY & CO., FRANCE Set with an oval-cut sapphire, weighing approximately 4.43 carats, Designed as a blue Pailloné hinged bangle, decorated with collet-set within a circular-cut diamond surround, to the polished gold half-hoop, circular-cut diamonds, with fluted gold vertical bands, mounted in 18K mounted in 18K yellow gold and platinum, size 6. yellow gold and platinum, diameter 2 1/4 inches. With report no. 10000204 dated 24 October 2001 from the American Gem Signed ‘Tiffany & Co. Schlumberger 750 France’ Trade Association Lab stating that the sapphire is of Sri Lankan origin, with no indications of heat enhancement Estimate $30,000-40,000 Estimate $8,000-10,000

75 A Diamond, Gold, Platinum and Blue ‘Pailloné’ Enamel Bangle SCHLUMBERGER FOR TIFFANY & CO., FRANCE Designed as a white Pailloné enamel hinged bangle, decorated with collet-set circular-cut diamonds, with fluted gold vertical bands, mounted in 18K yellow gold and platinum, diameter 2 1/4 inches. Signed ‘Tiffany & Co. Schlumberger 750 France’

Estimate $30,000-40,000

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77 An Amethyst, Ruby and Black Diamond Ring SALAVETTI 80 A Pair of Tahitian Cultured Pearl and Diamond Ear Pendants Designed as a bombé ring, centering on an oval-cut amethyst, to the Each suspending a Tahitian cultured pearl, measuring approximately circular-cut ruby accents and pavé-set diamond and black diamond 14.3 mm, from a hexagonal-cut diamond, to the pavé-set diamond line surround, mounted in 18K rose gold, size 7. surmount, mounted in 18K white gold, length 1 1/2 inches. Signed ‘Salavetti’ Estimate $8,500-10,000 Estimate $10,000-15,000

PROPERTY OF A GENTLEMAN 81 An Art Deco Diamond Bracelet 1920 78 A Pair of Diamond Ear Pendants Designed as a series of circular-cut diamond geometric links, accented Each suspending a rose-cut diamond, within an independent pavé- by a central panel of square-cut diamonds, mounted in 18K white gold set diamond surround, and circular-cut diamond line, to the collet-set and platinum, length 7 1/4 inches. circular diamond surmount, mounted in platinum, length 3/4 inches. Estimate $8,000-10,000 Estimate $2,500-3,500

PROPERTY OF A LADY 82 A Pair of Diamond Earclips 79 An Amethyst and Diamond Pendant Necklace Each designed as a circular and baguette-cut diamond scroll, mounted Suspending a pear-shaped amethyst weighing approximately 6.42 carats, in 18K white gold, length 1 7/8 inches. within a pavé-set diamond surround, to the similarly-set rose-cut diamond surmount, from a fine link chain accented by spectacle-set diamonds, Estimate $5,000-7,000 mounted in 18K white gold, length 16 inches.

Estimate $1,800-2,500

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78

80

81

82

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85

86

PROPERTY OF A LADY 83 A French Art Deco Diamond and Sapphire Ring 86 A Diamond, Enamel and Gem-Set Charm Bracelet Designed as an octagonal plaque, set with old-mine cut diamonds and The fine oval link chain, collet-set with circular-cut diamonds, calibré-cut sapphires, to the pavé-set half hoop, mounted in platinum, size 5. suspending twelve vari-cut diamond, enamel and multi-gem charms, With French assay marks mounted in platinum, length 7 inches.

Estimate $3,000-5,000 Estimate $10,000-15,000

PROPERTY OF A GENTLEMAN 87 A Suite of Diamond Jewelry 84 A Diamond Ring Comprising a pendant necklace, suspending a navette-shaped rose-cut Set with a cushion-cut diamond, weighing approximately 2.06 carats, diamond, within a two-tiered pavé-set diamond surround, from a fine with a circular-cut diamond gallery and shoulders, to the polished half link chain, accented by marquise-cut diamonds, mounted in 18K white hoop, mounted in platinum, size 5 1/2. gold, and a pair of ear pendants en suite, mounted in platinum, necklace length 16 inches, ear pendant length 1 3/4 inches. Estimate $6,000-8,000 Estimate $6,000-8,000

85 A Ruby and Diamond Line Bracelet 88 An Art Deco Diamond and Sapphire Mesh Wristwatch Designed as an alternating series of square-cut rubies and circular-cut Of nickel-finished lever movement, the white rectangular dial with diamonds, mounted in platinum, length 7 inches. black Arabic numerals and hands, within a circular-cut diamond bezel, accented by circular-cut, old European-cut diamonds and calibré-cut $6,000-8,000 Estimate sapphires, to the mesh bracelet within a circular-cut diamond frame, mounted in platinum, length 6 1/2 inches.

Estimate $6,000-8,000

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87

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90

PROPERTY OF A LADY 89 A Diamond and Sapphire Ring 91 A Pair of Sapphire and Diamond Ear Pendants Set with a circular-cut diamond, weighing approximately 4.56 carats, Each suspending a cushion-cut sapphire, weighing approximately 10.18 framed by pear-shaped sapphires, enhanced by a circular-cut diamond carats in total, within a circular-cut diamond surround, to the circular- shoulder, mounted in platinum, size 6 1/2. cut diamond spacer, terminating in a pavé-set tapered surmount, mounted in 18K white gold, length 1 1/2 inches. Estimate $38,000-55,000 Estimate $13,000-18,000

90 A Sapphire and Diamond Brooch FLATO 92 A Diamond Bracelet Of scrolling design, collet-set with circular-cut diamonds and sapphires, Designed as a baguette and circular-cut diamond band, to the scrolling to the three rows of calibré-cut sapphires terminating in circular-cut circular and baguette-cut diamond central motif, centrally enhanced by diamond accents, mounted in platinum, length 2 3/4 inches. a larger circular-cut diamond, mounted in platinum, length 7 1/2 inches. Signed ‘Flato’ Estimate $20,000-30,000 Estimate $15,000-20,000

93 A Pair of Retro Gold and Sapphire Clips Designed as a polished gold scrolling fan, accented by oval-cut sapphires, mounted in 14K yellow and rose gold, length 2 1/4 inches.

Estimate $2,500-3,500

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92

93

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95

96

94 An Antique Diamond Ring 96 A Pair of Pearl and Diamond Earclips Designed as a row of three old mine-cut diamonds, within an enlongated Each of fan-shaped design, with a pavé-set diamond surmount, extending old-cut diamond surround, mounted in platinum, size 5 1/4. baguette-cut diamonds terminating in a pearl, mounted in platinum, length 1 1/2 inches. Estimate $12,000-15,000 Pearls have not been tested

Estimate $6,000-8,000 95 An Art Deco Sapphire and Diamond Bracelet J.E. CALDWELL 1925 Composed of a series of circular-cut diamond panels, centering on sugarloaf cabochon sapphires, spaced by circular and rectangular-cut 97 A Sapphire and Diamond Necklace diamond geometric links, mounted in platinum, length 7 inches. Designed as a circular-cut diamond line, suspending a graduated Signed ‘JEC CO’ for J.E. Caldwell no. W20136 with French assay marks marquise and circular-cut diamond foliate fringe, accented by pear- shaped sapphire drops, mounted in 18K white gold, length 15 inches. Estimate $32,000-50,000 Estimate $25,000-35,000

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99

100

101

PROPERTY OF A LADY 98 A Rock Crystal and Gold Lion Brooch/Pendant DAVID WEBB 100 An Important Peridot and Diamond Ring MARLENE STOWE Designed as a textured gold lion, the body decorated with a pear-shaped Set with a cushion-cut peridot, weighing approximately 25.50 carats, faceted rock crystal, mounted in 18K yellow gold, length 3 inches. flanked on either side by an rectangular-cut peridot, framed by Signed ‘Webb’ for David Webb marquise-cut diamond borders, mounted in 18K yellow gold, size 6. Signed ‘M Stowe’ Estimate $8,000-10,000 Estimate $14,000-18,000

99 A Pair of Gold Bangles DAVID WEBB 101 A Set of Diamond Bands Each designed as a series of hinged textured bombé gold plaques, Comprising a pair of rings, the front designed as a pavé-set diamond mounted in 18K yellow gold. bombé band, to the polished gold hoop, mounted in 18K white and rose Signed ‘David Webb’ and ‘Webb’ gold, size 5.

Estimate $15,000-20,000 Estimate $5,000-7,000

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103 104

102 An Enamel, Ruby and Diamond Frog Bracelet DAVID WEBB 103 A Ruby, Sapphire, Emerald and Gold Ring DAVID WEBB Designed as a green enamel frog, decorated with applied gold spots, Of textured gold bombé design, accented by cabochon rubies, emeralds enhanced by cabochon ruby eyes and a pavé-set diamond mouth, its and sapphires, mounted in 18K yellow gold, size 5 1/2. back legs forming a twist, joined by a cabochon ruby clasp, mounted in Signed ‘WEBB’ for David Webb 18K yellow gold and platinum, length 6 inches. Estimate $6,000-8,000 Signed ‘Webb’ for David Webb

Estimate $20,000-30,000

104 A Pair of Gold Cufflinks DAVID WEBB Each designed as a textured gold bombé button, to the similarly designed smaller link, mounted in 18K yellow gold, length 1 inch. Signed ‘David Webb’

Estimate $1,800-2,500

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106

107 108

105 An Art Nouveau Bracelet L.GAUTRAIT 1900 109 A Pair of Pearl and Yellow Gold Cufflinks MARCUS & CO. 1900 Designed as a series of four translucent blue guilloché enamel panels Each double-link designed as a circular plaque with carved mother- with white enamel detail, each centering on a circular-cut diamond, of-pearl, centering a seed pearl within an engraved gold surround, joined by openwork foliate plaques and collet-set rose-cut diamond mounted in 14K yellow gold, length 1 inch. links, mounted in 18K yellow gold, length 7 inches. Signed ‘Marcus & Co.’ With French assay marks Estimate $2,000-3,000 Signed ‘L. Gautrait’ with French assay marks

Estimate $8,000-10,000

PROPERTY OF A GENTLEMAN 110 An Art Nouveau Gold, Pearl, Diamond and Enamel Buckle 106 An Art Nouveau Bracelet MASRIERA Y CARRERAS The buckle designed as a sculpted gold harp, with green and orange Designed as a rooster motif bracelet, the openwork gold applied with plique-à-jour enamel leaves, enhanced by seed pearl accents and collet- multi-colored plique-à-jour enamel, accented with ruby eyes and old-cut set diamonds, mounted in 18K yellow gold, length 2 4/5 inches. diamonds, mounted in 18K yellow gold, 2 1/2 inches diameter. With French assay marks Signed ‘Masriera y Carrera’ Estimate $9,000-12,000 Estimate $2,500-4,000

PROPERTY OF A GENTLEMAN 111 An Antique Peridot, Pearl and Diamond Pendant/Brooch 107 A Set of Micro Mosaic Ear Pendants and A Ruby and Composed of a rectangular-cut peridot within an old-cut diamond Emerald Ring surround with pearl accents, suspending a pear-shaped peridot within an Comprising a pair of mirco mosaic earrings, each designed as a colorful beetle; old-cut diamond surround, mounted in 14K yellow gold, length 2 inches. and a ruby ring with emerald accents, mounted in 18K yellow gold, size 5.5. The pearls have not been tested

Estimate $300-500 Estimate $5,000-7,000

108 A Pair of Art Nouveau Cufflinks Each double link designed as a brownish-red enamel plaque, accented by gold foliate motifs, with collet-set diamond detail, mounted in 18K yellow gold, length 1/2 inch.

Estimate $2,000-3,000

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110

111

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113

114

112 A Pair of Titanium, Moonstone and Diamond Earclips 114 A Diamond and Black Diamond Penguin Dress Set MARGHERITA BURGENER MARGHERITA BURGENER Each designed as a blue titanium flower, centering upon a cabochon Comprising a pair of cufflinks, each designed as a pavé-set diamond moonstone, within a circular-cut diamond surround, length 1 1/2 inches. and black diamond penguin, to the polished gold swivel link; and four Signed ‘MB’ for Margherita Burgener, with a brown suede Margherita Burgener box shirt studs en suite, mounted in 18K white gold, cufflink length 1 inch, shirt stud legth 2/3 inches. Estimate $2,000-3,000 Signed ‘Margherita Burgener’

Estimate $7,000-9,000

113 A Jet and Diamond ‘Lips’ Cuff ENIGMA Designed as a carved jet cuff, centrally enhanced by a pavé-set diamond lips motif, with polished white gold ends, mounted in 18K white gold, 2 1/4 inches diameter. Signed ‘Enigma’

Estimate $4,000-6,000

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116

117

115 A Unique Diamond and Sapphire ‘Conchiglia Scacchi’ Pendant 117 A Diamond and Sapphire ‘Cuore’ Ring ENIGMA ENIGMA Of cross-over bombé design, set with pavé-set diamonds and sapphires, Of fan outline, decorated with a pavé-set diamond and sapphire terminating in opposing pavé-set diamond and sapphire hearts, checkerboard motif, mounted in 18K white gold, length 2 1/2 inches, mounted in 18K white gold, size 6. from a blue velvet ribbon, length adjustible. Signed ‘Enigma’ Signed ‘Enigma’ Estimate $4,500-6,000 Estimate $10,000-15,000 The designer Emanuela Burgener signs her creations in the name of Margherita, her eldest daughter, to whom her jewels are dedicated. Her designs are strikingly modern and fashionable yet maintain the noble 116 MARGHERITA BURGENER A Pair of Enamel Cufflinks traditions of classical Italian jewellery with the exceptional and meticulous Each designed as a circular bombé-shaped plaque, decorated with craftsmanship established by Margherita’s grandfather. In 1966, he founded periwinkle and white enamel polka dot motifs, to the similarly designed the Valenza workshop, in northern Italy, where the family continues to work swivel link, mounted in 18K yellow gold, length 1/2 inch. exclusively. A passion and love for the lively colours of aquamarine and Signed ‘MB’ for Margherita Burgener other coloured precious gemstones, selected for their highest quality from all over the world, underlie Margherita Burgener’s creations. Estimate $2,600-3,500

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119

121

120

118 A Pair of Cultured Pearl and Diamond Ear Pendants 120 A Pair of Rubellite, Onyx, and Diamond Earclips Designed as two staggered collet-set diamond floret lines, each MARGHERITA BURGENER terminating in a cultured pearl, measuring approximately 13.00 and Each designed as a flower, centering upon an oval-cut rubellite, 10.50 mm, mounted in 18K white gold, length 2 1/2 inches. extending onyx petals, enhanced by circular-cut diamonds, mounted in 18K white gold, length 1 1/8 inches. Estimate $4,000-6,000 Signed ‘Margherita Burgener’

Estimate $5,000-7,000

119 A Heliodor, Diamond and Enamel Ring MARGHERITA BURGENER 121 A Rubellite, Onyx and Diamond Ring Set with a rectangular-cut heliodor, weighing approximately 14.04 MARGHERITA BURGENER carats, within a pavé-set diamond surround, with a black and white Designed as a flower, centering upon an oval-cut rubellite, extending polka dot enamel gallery, and polished gold half hoop, mounted in 18K onyx petals, enhanced by circular-cut diamonds, mounted in 18K white yellow gold, size 7. gold, size 6 1/2. Signed ‘MB’ for Margherita Burgener, with a Margherita Burgener box Signed ‘MB’ for Margherita Burgener

Estimate $5,000-8,000 Estimate $3,500-5,000

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123

122 An Impressive Pair of Turquoise and Diamond Ear Pendants Each cabochon Persian turquoise surmount within a circular-cut diamond surround, suspending three flexible lines of similarly-set Throughout the centuries, the intensely rich sky blue Persian turquoise cabochon Persian turquoise, enhanced by pear-shaped diamond has been the most sought after and sets the standard of quality. There spacers, mounted in 18K white gold, length 2 2/5 inches. are several unique jewels in this collection that were designed with the finest natural, untreated Persian turquoise, free of inclusions and Estimate $20,000-30,000 exemplifying “Robin’s Egg Blue” color saturation. (Lot nos. 122, 124, 126 and 177). This is a clear, even blue color with no evidence of green or any signs of black veins. Historically, the bearer of turquoise will have 123 An Onyx and Diamond Bracelet ALETTO BROTHERS good luck, good fortune and health, warding off the ‘evil eye.’ Designed as a seried of faceted bombé onyx brick-work links, accented by circular-cut diamond borders, mounted in 18K white gold, length 7 inches. Signed ‘Aletto Bros’, with a green leather Aletto Brothers Box

Estimate $15,000-20,000

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125

126

124 A Pair of Turquoise and Diamond Ear Pendants 126 A Pair of Turquoise and Diamond Ear Pendants Each suspending a line of cabochon Persian turquoise, within a circular Each suspending a cabochon Persian turquoise and circular-cut cut dimaond surround, accented by circular-cut diamond spacers, diamond floret, from a line of Persian cabochon turquoise and circular- mounted in 18K white gold, length 2 3/4 inches. cut diamond clusters, mounted in 18K white gold, length 2 1/5 inches.

Estimate $14,000-18,000 Estimate $8,000-10,000

PROPERTY OF A LADY 125 A Diamond Ring 127 A Multi-Colored Sapphire and Diamond Long Chain Set with a rectangular-cut diamond, weighing approximately 3.72 carats, Designed as a series of spectacle-set multi-colored oval-cut unheated flanked on either side by a tapered baguette-cut diamond, mounted in sapphires interspersed with and circular-cut diamonds, joined by a platinum, size 8. pavé-set diamond barrel clasp, mounted in 18K white gold, length 98 With report no.2135939079 dated 6 October 2011 from the Gemological Institute of inches. America, stating the diamond is E color, VS1 clarity With thirteen reports from the Gemological Institute of America, stating that the sapphires are natural and have no indications of heating Estimate $20,000-30,000 Estimate $35,000-50,000

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129

130

128 An Aquamarine and Diamond Ring MARGHERITA BURGENER 131 A Two-Strand Silver Tahitian Cultured Pearl Set with an oval-cut aquamarine, weighing approximately 27.03 carats, and Diamond Necklace within a circular-cut diamond surround, to the open-work gallery Designed as two graduated strands of silver Tahitian cultured pearls, composed of pavé-set diamond discs, to the polished gold half-hoop, measuring from approximately 13.7 to 11 mm, joined by a circular-cut mounted in 18K white gold, size 5 1/2. diamond hook clasp, mounted in 18K white gold, length 18 to 20 inches. Signed ‘MB’ for Margherita Burgener, with a Margherita Burgener box Estimate $20,000-30,000 Estimate $8,000-10,000

129 A Diamond and Gold ‘Lips’ Bracelet ENIGMA 132 A Pair of Turquoise and Black Spinel Earclips DE GRISOGONO The polished white gold hinged bangle, set to the top with circular-cut Each designed as a bombé dome, set with geometric shaped cabochon diamond lips, mounted in 18K white gold, 2 1/4 inches diameter. turquoise, enhanced by pavé-set black spinel, mounted in 18K white and Signed ‘Enigma’ yellow gold, length 1 1/5 inches. Signed ‘de Grisogono’ no.B6738 Estimate $6,000-8,000 Estimate $6,000-8,000

130 A Pair of Blue Topaz and Diamond Ear Pendants MARGHERITA BURGENER Established in 1989, originally as a Neuchatel-based watch manufacturing Each suspending a blue topaz drop weighing approximately 76.42 carats company, Enigma has distinguished itself by creating innovative timepieces in total, from a pavé-set diamond cap and rose-cut diamond link, to a pear- such as a collection of unusual jumping hours, a unique mechanical watch shaped pavé-set diamond surmount, mounted in 18K white gold, length that rewinds by turning the bezel, and by setting diamonds on steel cases 1 7/8 inches. as early as 1991. In 2003, Enigma introduced and launched a fine jewelry Signed ‘MB’ for Margherita Burgener collection and currently has international retail stores in Rome, Geneva and Porto Cervo. Enigma jewels are recognizable for their strong, individual Estimate $5,500-7,000 designs inspired by Gianni Bulgari, its founder and owner. Gianni Bulgari is the former Chairman and CEO of the eponymous family business, which he left in 1987.

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132

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134 135

133 A Kunzite, Diamond and Ruby ‘Bird on a Rock’ Brooch 135 A Pink Sapphire and Diamond Bracelet SCHLUMBERGER FOR TIFFANY & CO. Of springband design, with three bombé plaques, set with oval and Designed as a circular-cut diamond sculpted bird, with a ruby-set eye circular-cut pink sapphires, to the pavé-set diamond circular spacer and gold head plume feathers, beak and legs, perched on a cushion-cut links, mounted in 18K rose gold, diameter 2 1/4 inches. kunzite, mounted in platinum and 18K gold, length 2 1/4 inches. Estimate $10,000-15,000 Signed ‘Tiffany & Co. Schlumberger’ in an original fitted box

Estimate $20,000-30,000

136 A Pair of Pink Sapphire and Diamond Ear Pendants Each suspending an oval-cut pink sapphire weighing approximately 4.57

134 A Pair of Diamond and Gold Earclips E. WOLF carats in total, from a two-tiered pavé-set diamond surround and a pear Each designed as a stylized white and yellow gold feathered wing, and circular-cut collet-set diamond line, to the collet-set circular-cut centering upon a princess-cut diamond channel, extending circular-cut diamond surmount, mounted in platinum, length 1 1/4 inches. diamond feathers, mounted in 18K yellow and white gold, ear clips length Estimate $4,500-6,000 1 1/2 inches. Signed ‘EW & Co.’

137 An Important Golden South Sea Cultured Pearl Necklace Estimate $6,000-8,000 Of fifty-five South Sea golden cultured pearls, measuring from approximately 14.75 to 12.93 mm, joined by a pavé-set diamond sphere clasp, mounted in 18k white gold, length 31.5 inches.

Estimate $35,000-50,000

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136

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PROPERTY OF A LADY 138 A Pair of Diamond Ear Pendants 141 An Art Deco Diamond and Platinum Bracelet Each of chandelier design, decorated by circular-cut diamond florets, VAN CLEEF & ARPELS 1919 enhanced by circular-cut diamond scrolling foliate links, mounted in 18K Centering on a line of collet-set old-cut diamonds, within a mesh white gold, length 3 1/8 inches. platinum frame, mounted in platinum, length 7 1/4 inches. Signed ‘Van Cleef Arpels’ no.13244 with French assay marks Estimate $16,000-22,000 Estimate $8,000-10,000

PROPERTY OF A LADY PROPERTY OF A LADY 139 A Diamond Ring VAN CLEEF AND ARPELS 1949 142 A Flower Diamond Pin Set with a circular-cut diamond, weighing approximately 3.86 carats, to Designed as two pavé-set diamond flowers, extending upon three the plain hoop, mounted in platinum, size 5. circular-cut diamonds, to the polished gold stem and pavé-set diamond Signed ‘ Van Cleef & Arpels’ no.1774CS with French assay marks leaves, mounted in 14k white gold, length 1 1/2 inches.

Estimate $30,000-50,000 Estimate $1,200-1,800

143 A Diamond and Unheated Natural Ruby ‘Toi et Moi’ Ring PROPERTY OF A GENTLEMAN Of crossover design set with an old-cut diamond and a cushion-cut ruby 140 A Diamond Brooch VAN CLEEF AND ARPELS respectively weighing approximately 2.98 and 4.15 carats, accented by Designed as a pavé-set diamond scroll, accented by baguette-cut old-cut diamonds, mounted in 18K yellow gold and platinum, size 5 1/2. diamonds, mounted in 18K white gold, length 2 1/4 inches. With report no.2105556531 dated 3 February 2009 from the Gemological Institute Signed ‘Van Cleef & Arpels’, no.B5274 of America, stating that the ruby is natural, no indications of heat treatment

Estimate $10,000-15,000 Estimate $35,000-50,000

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139

141

143

142

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146

PROPERTY OF A LADY 144 A Diamond and Gold Lady’s Wristwatch FRANCK MULLER 145 A Pair of Diamond Hoop Earrings Of quartz movement, the white enamel engine turned tonneau-shaped Each designed as a pavé-set diamond bombé hoop, mounted in 18K dial, with black Arabic numerals and blue hands, with pavé-set diamond white gold, length 1 1/5 inches. bezel and case and cabochon sapphire crown, to the pavé-set diamond $7,000-9,000 links, mounted in 18K white gold, internal circumference 7 inches. Estimate Dial and case signed ‘Franck Muller Geneve,’ no.4795 1752 QZ D, with Franck Muller box and papers

Estimate $25,000-30,000 146 A Diamond Band ALEXANDRA MOR Designed as an openwork wide band, centering upon a row of asscher- cut diamonds framed by pavé-set diamond borders to the similarly-set outer diamond borders, platinum and 18K yellow gold. Signed ‘AM’ for Alexandra Mor, with an Alexandra Mor box

Estimate $10,000-15,000

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148

149

147 An Important Diamond Ring 148 An Impressive Diamond Bracelet Set with a rectangular-cut diamond, weighing approximately 8.36 carats, Designed as five rows of asscher-cut diamonds, mounted in platinum, framed by trapezoid-cut diamond shoulders, mounted in platinum, size 6. length 7 inches. With report no.13694104 dated 8 September 2004 from the Gemological Institute The diamonds weigh approximately 52.46 carats in total of America, stating that the diamond is K color, VVS1 clarity Estimate $65,000-80,000 Estimate $105,000-150,000

149 A Pair of Sapphire and Diamond Ear Pendants Each suspending a cushion-cut sapphire weighing approximately 10.46 carats in total, from a triangle-cut diamond surmount to the pavé-set diamond line surmount, mounted in platinum, length 1 1/4 inches.

Estimate $27,000-35,000

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152

151

150 A Pair of Diamond Ear Pendants 152 An Important Colombian Emerald and Diamond Ring Each designed as a circular-cut diamond cascade, to the pavé-set Set to the center with a rectangular-cut Colombian emerald weighing diamond half hoop, mounted in 18K white gold, length 3 inches. approximately 6.20 carats, flanked on either side by a trillion-cut diamond, mounted in platinum and 18K yellow gold, size 6. Estimate $15,000-20,000 With report no. 1132916241 dated 7 October 2011 from the Gemological Institute of America, stating that the emerald is of Colombian origin, with indications of minor clarity enhancement

Estimate $40,000-60,000

151 A Pair of Yellow Sapphire and Diamond Ear Pendants 153 A Diamond Necklace Each suspending a cushion-cut yellow sapphire, weighing Designed as a marquise and circular-cut diamond line, suspending a approximately 4.29 and 4.60 carats, within a pavé-set diamond surround, series of marquise-cut diamond foliate links, mounted in 18K white gold, from a pavé-set diamond hook, accented by a circular-cut diamond, length 16 inches. mounted in platinum, length 3/4 inches. Estimate $45,000-60,000 Estimate $8,000-10,000

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156

157

154 A Diamond Ring 156 An Important Art Deco Diamond Bracelet CARTIER 1925 Set with an old-cut navette-shaped diamond, weighing approximately Designed as a series of circular-cut diamond geometric links, mounted 3.04 carats, within an engraved pavé-set diamond gallery, mounted in in platinum, length 7 3/8 inches. platinum, size 6 1/2. Signed ‘Cartier’ With report no. 21113968060 dated 20 November 2009 from the Gemological Institute of America, stating that the diamond is G color, VS1 clarity Estimate $50,000-70,000

Estimate $45,000-60,000

157 An Art Deco Diamond, Crystal, Platinum and Multi-Gem Brooch 155 A Ruby and Diamond Ring ATTRIBUTED TO JANESICH Set to the center with an emerald-cut ruby weighing approximately 2.00 Of an elongated octagonal outline, centering upon an openwork carats, flanked on either side by fancy step-cut diamond shoulders, to the mounting of foliate design set with circular-cut diamonds and buff top circular-cut diamond bombé front and gallery, mounted in platinum, size 6. cabochon rubies, emeralds and sapphires, to the oblong rock crystal border enhanced with platinum terminals decorated with circular-cut Estimate $15,000-20,000 diamonds, mounted in platinum, length 2 1/2 inches. Unsigned; In an original Janesich red leather fitted case

Estimate $14,000-18,000

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159

160

PROPERTY OF A LADY 158 A Pair of Cultured Pearl and Diamond Earclips 160 A Pair of Rock Crystal and Diamond Earclips Each suspending a baroque cultured pearl, measuring approximately ALETTO BROTHERS 12.5 and 12.4 mm, to the baguette and circular-cut diamond surmount, Each designed as a polished white gold disc, set with a faceted rock mounted in platinum, length 1 3/4. crystal ring, enhanced by circular-cut diamond trim, mounted in platinum and 18K white gold, 3/4 inches diameter. Estimate $2,500-3,500 Signed ‘Aletto Bros’, with a green leather Aletto Brothers Box

Estimate $6,000-8,000 PROPERTY OF A GENTLEMAN 159 An Art Deco Aquamarine and Diamond Ring 1920 Set with a rectangular cut-cornered aquamarine gauged to weigh approximately 30.00-35.00 carats, to the baguette and circular-cut diamond shoulders, mounted in platinum, size 5 1/2. Numbered 36077

Estimate $8,000-10,000

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162

163

164

161 A Jet and Diamond ‘Lips’ Pendant ENIGMA 163 A Gold and Diamond ‘Sfera Scacchi’ Bangle Bracelet Designed as a carved bombé jet disc, centering upon pavé-set diamond ENIGMA lips, mounted in 18K white gold, 1 5/8 inches diameter, with a blue velvet Of springband design, the curved bracelet composed of a graduated ribbon, length adjustible. series of pavé-set diamond circular links, terminating in pavé-set Signed ‘Enigma’ diamond and black diamond checkerboard spheres, mounted in 18K white gold, 2 1/2 inches diameter. Estimate $3,500-4,500 Signed ‘Enigma’

Estimate $8,000-10,000

162 A Pair of Jet and Diamond ‘Lips’ Earclips ENIGMA 164 An Onyx and Diamond Dress Set MARGHERITA BURGENER Each designed as a carved jet disk, centering upon pavé-set diamond Comprising a pair of cufflinks, each designed as an onyx disc, enhanced lips, mounted in 18K white gold, 1 inch diameter. by a pavé-set diamond bombé panel, to the swivel link, and four shirt Signed ‘Enigma’ studs en suite, mounted in 18K white gold, cufflink length 1/2 inch, shirt stud length 1/4 inches. Estimate $1,800-2,500 Estimate $3,000-5,000

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166

PROPERTY OF A LADY 165 A Cultured Pearl and Diamond Necklace 166 A Pair of Aquamarine, Kunzite and Diamond Ear Pendants Of fourty-three cultured pearls, measuring from approximaltely 9.1 to MICHELE DELLA VALLE 11.2 mm, joined by a pavé-set diamond sphere clasp, mounted in 18K Each suspending a pear-shaped aquamarine, from a line of pavé-set white gold, length 19 1/4 inches. diamond links, to the circular-cut kunzite surmount, mounted in 18K white gold, length 2 inches. Estimate $6,000-9,000 Signed ‘MdV’ for Michele della Valle

Estimate $5,000-7,000

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167 A Pair of Diamond and Rock Crystal Ear Pendants 169 A Diamond Eternity Band Each suspending two carved crystal plaques, centering on a collet- Of 19 rectangular-cut diamonds, mounted in platinum, size 5 3/4. set circular-cut diamond, within a pavé-set diamond surround, to the $13,000-16,000 circular-cut diamond openwork foliate detail and similarly designed Estimate surmount, mounted in platinum, length 3 1/2 inches.

Estimate $8,000-10,000 170 An Edwardian Sapphire and Diamond Bracelet J.E. CALDWELL late 1920’s Designed as a flexible circular-cut diamond band, centering upon five rectangular-cut sapphires, mounted in platinum, length 7 inches. 168 A Diamond Necklace Numbered W20120 with French assay marks Designed as a series of graduated oval rose-cut diamonds, within circular-cut diamond surrounds, interspersed with collet-set circular-cut Estimate $18,000-25,000 diamonds, mounted in platinum, length 16 inches.

Estimate $20,000-30,000 171 A Pair of Cabochon Sapphire and Diamond Earclips ALETTO BROTHERS Each designed as a cluster, set with cabochon sapphires and collet-set circular-cut diamonds, mounted in 18K white gold, length 1 inch. Signed ‘Aletto Bros’

Estimate $4,000-6,000

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169 170

171

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173

PROPERTY OF A LADY 172 A South Sea Cultured Pearl and Diamond Necklace 173 A Green Citrine, Amethyst and Diamond Pendant/Pearl Of twenty-nine graduated South Sea white cultured pearls, measuring Enhancer MARLENE STOWE approximately 17.4 to 14.2 mm, joined by a pavé-set diamond sphere Designed as a pearl necklace enhancer, set with a pear-shaped clasp, mounted in 18K white gold, length 18 1/2 inches. amethyst, from a pavé-set diamond twist surmount, set with a square- cut green citrine, to the pavé-set diamond half hoop, mounted in 18K $22,000-30,000 Estimate white gold, length 3 inches. Signed ‘Marlene Stowe’

Estimate $7,000-10,000

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176

177

PROPERTY OF A LADY 174 An Amethyst, Rock Crystal and Diamond Ring 176 A Gold and Diamond Link Bracelet MARLENE STOWE MARGHERITA BURGENER Designed as a series of polished gold and pavé-set diamond links, Set with a square-cut amethyst, weighing approximately 22.78 carats, within mounted in 18K yellow gold and platinum, length 7 1/2 inches. a pavé-set diamond surround, with a rock crystal and diamond gallery, to Signed ‘Marlene Stowe’ the polished gold half hoop, mounted in 18K white gold, size 5 1/2. Estimate $8,000-10,000 Signed ‘MB’ for Margherita Burgener, with a Margherita Burgener box

Estimate $6,000-8,000

175 A Pair of Diamond and Gold Earclips DE GRISOGONO 177 A Pair of Turquoise and Diamond Ear Pendants Each designed as a pavé-set diamond bombé leaf, with a polished gold Each suspending a graduated line of cabochon Persian turquoise, stem, mounted in 18K white gold, length 1 inch. accented by circular-cut diamonds, mounted in 18K white gold, length Signed ‘de Grisogono’ and numbered 13113/01-3 2 inches.

Estimate $6,000-8,000 Estimate $6,000-8,000

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179

178 An Important Diamond and Gold Bracelet BUCCELLATI 180 A Diamond Choker Necklace The textured and engraved white gold hinged cuff, centering three Designed as a flexible diamond choker, composed of alternating circular openwork circular-cut diamond foliate panels, further enhanced by circular- and rose-cut diamond florets and pear-shaped rose and circular-cut cut diamond accents, mounted in 18K white gold, 2 inches diameter. florets, within old-cut diamond frames, to the collet-set old and rose-cut Signed ‘M. Buccellati,’ with a blue leather Buccellati box chain, mounted in platinum, length 15 inches.

Estimate $50,000-70,000 Estimate $32,000-45,000

179 An Impressive Pair of Diamond Ear Pendants BUCCELLATI Each designed as a drop-shaped openwork plaque, accented by circular-cut diamonds, centering upon a larger circular-cut diamond, from a similarly designed surmount, mounted in 18K white gold, length 2 inches, pendant is detachable. Signed ‘M. Buccellati,’ with a blue leather Buccellati box

Estimate $60,000-80,000

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181 182

181 A Unique Diamond, Emerald and Gold Bracelet 182 A Unique Pair of Diamond, Emerald and Gold Earclips BUCCELLATI 1970 BUCCELLATI 1970 The intricately textured yellow gold hinged cuff, set with rose-cut diamond Each designed as a flower, centering upon a cabochon emerald floret, foliate panels, further enhanced by cabochon emerald florets, mounted in extending a rose-cut diamond stem and leaves, mounted in 18K yellow 18K yellow gold, 2 inches diameter. gold, length 1 1/4 inches. Signed ‘Gianmaria Buccellati, Italy’, no.16597, with a Buccellati blue leather box Signed ‘Gianmaria Buccellati, Italy’, no.16604, with a Buccellati blue leather box

Estimate $50,000-70,000 Estimate $50,000-70,000

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184

186 185

183 A Diamond and Gold Cuff Bracelet BUCCELLATI 185 A Diamond and Gold Bracelet BUCCELLATI Designed as a brushed yellow gold hinged cuff, set with circular-cut Designed as a brushed white gold hinged cuff, set with circular-cut diamonds, within engraved navette-shaped white gold detail, mounted diamonds, within engraved details, mounted in 18K white gold, 2 1/4 in 18K yellow gold, 2 1/4 inches diameter. inches diameter. Signed ‘M.Buccellati’ with a Buccellati blue leather box Signed ‘M.Buccellati’

Estimate $8,500-10,000 Estimate $10,000-15,000

184 A Citrine and Gold Ring BUCCELLATI Designed as a pierced openwork foliate band, centering upon an oval- 186 A Pair of Diamond Ear Pendants cut citrine, with engraved gold borders, mounted in 18K yellow and rose Each designed as a two-tiered circular-cut diamond crescent-shaped gold, size 6. double hoop, from a circular-cut diamond floret link, to the circular-cut Signed ‘Buccellati Italy 18K’ diamond line surmount, mounted in 18K white gold, length 1 1/2 inches.

Estimate $7,000-9,000 Estimate $12,000-15,000

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188

189

187 A Diamond ‘Toi et Moi’ Ring 189 A Diamond and Gold Ring BUCCELLATI Of crossover design, set with two pear-shaped diamonds, to the Designed as a pierced foliate band, accented by circular-cut diamonds, circular-cut diamond half hoop, mounted in platinum, size 5 1/2. mounted in 18K white gold, size 7 1/4. Signed ‘M.Buccellati Italy’ with a Buccellati blue leather box Estimate $10,000-15,000 Estimate $4,500-6,000

188 A Pair of Diamond and Gold Ear Pendants BUCCELLATI Each of pierced openwork design, the articulated diamond-shaped drops highlighted with pavé-set diamonds suspended from a circular- cut diamond spacer to a similary designed surmount, length 2 inches. Signed ‘M.Buccellati’ with a Buccellati blue leather box

Estimate $10,000-15,000

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190 A Pair of Emerald and Diamond Ear Pendants 191 An Impressive Diamond and Cultured Pearl Suite FRED Of chandelier design, centering upon a line of alternating graduating Comprising a necklace designed as a flexible band of graduated circular-cut diamonds and square-cut emeralds, within circular-cut circular-cut diamond foliate plaques, the front suspending seven drop- diamond borders, suspending 2 pear-shaped diamonds and a larger shaped cultured pearls from collet-set circular-cut diamonds; and a pear-shaped emerald, mounted in 18K white gold, length 2 1/4 inches. pair of earclips en suite, mounted in 18K yellow gold, necklace length 16 inches, earclip length 2 1/5 inches, pearl pendants are detachable. Estimate $25,000-35,000 Signed ‘Fred Paris’ with French assay marks

Estimate $85,000-120,000

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193

194

PROPERTY OF A LADY PROPERTY OF A LADY 192 A Pair of Diamond Ear Pendants 194 A Diamond Flower Brooch Each designed as a circular-cut and marquise-cut foliate spray, Designed as four pavé-set diamond flowers, centering upon old-cut accented by a baguette-cut diamond scrolling bow, mounted in 18K diamonds, enhanced with circular-cut diamonds, extending pavé-set white gold, length 1 1/5 inch. diamond leaves and stem, mounted in platinum, length 2 1/2 inches.

Estimate $7,000-10,000 Estimate $8,000-10,000

PROPERTY OF A LADY 193 An Elegant Art Deco Diamond Bracelet 195 A French Diamond Necklace 1950 Designed as three pavé-set diamond rectangular plaques, each Designed as a baguette-cut diamond double line, suspending a pendant centering upon collet-set old-cut diamonds, joined by pavé-set diamond centering on a circular and marquise-cut diamond cluster within a links, mounted in platinum, length 7 inches inches. baguette-cut diamond spray, mounted in 18K white gold, length 16 Additional 1/2 inch of circular-cut diamond set plaque included to extend inches, pendant is detachable. bracelet length With French assay marks

Estimate $30,000-50,000 Estimate $40,000-50,000

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197

PROPERTY OF A LADY 196 A Ruby and Diamond Necklace 199 A Pair of Titanium and Gold Earclips JAR Designed as a line of alternating marquise and circular-cut diamond Each designed as a sculpted deep red titanium rose petal, with gold clusters, suspending a graduated series of ruby cabochon drops, clip-backs, length 1 3/4 inches. mounted in platinum, length 16 1/2 inches. Signed ‘JAR Paris’, with French assay marks and maker’s marks, with a burgundy suede JAR pouch Estimate $13,000-18,000 Estimate $2,000-3,000

197 A Pair of Diamond and Gold Earclips BUCCELLATI 200 A Ruby, Diamond and Gold Vanity Case BUCCELLATI Each designed as a brushed yellow gold button earclip, set with Designed as a brushed gold vanity case of square outline, enhanced circular-cut diamonds, within engraved navette-shaped white gold by circular-cut diamonds and cabocon rubies, opening to reveal a fitted detail, mounted in 18K yellow gold, 4/5 inches diameter. mirror and powder compartment, mounted in 18K yellow gold, length 2 Signed ‘M.Buccellati Italy’ with a Buccellati blue leather box 3/4 inches. Signed ‘M.Buccellati’ Estimate $6,000-8,000 Estimate $6,000-8,000

198 An Important Ruby and Diamond Gold Cuff Bracelet BUCCELLATI Designed as a textured yellow gold hinged cuff, set with three oval-cut rubies, each within circular-cut diamond and white gold openwork foliate surrounds, mounted in 18K yellow and white gold, diameter 2 1/4 inches. Signed ‘M.Buccellati’ with a Buccellati blue leather box

Estimate $30,000-50,000

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199

200

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201 A Diamond and Gold Necklace BUCCELLATI Designed as three pierced openwork plaques, set with circular and square-cut diamonds, suspending a larger openwork navette-shaped gold pendant of similar design, from a white gold rope chain, mounted in 18K white and yellow gold, length 19 inches. Signed ‘Buccellati’

Estimate $38,000-50,000

202 A Diamond Butterfly Brooch Designed as an old-cut diamond butterfly, centering upon an old-mine cut diamond, extending old-cut diamond wings to circular-cut emerald eyes, mounted in silver and gold, length 1 3/4 inches.

Estimate $4,000-6,000

203 A Pair of Citrine and Diamond Ear Pendants BUCCELLATI Each circular-cut diamond surmount of sculpted foliate design, suspending a detachable briolette citrine drop, mounted in 18K white and yellow gold, length 2 1/2 inches. Signed ‘M Buccellati’

Estimate $10,000-15,000

204 A Pair of Chrysoprase and Diamond Ear Clips TIFFANY & CO. Each designed as a carved chrysoprase leaf, centering on a cluster of circular-cut diamond florets, mounted in 18K white gold, length 4/5 inches. Signed ‘Tiffany & Co. New York’ in an original fitted box

Estimate $2,000-3,000

205 A Diamond Ring BUCCELLATI Centering upon a rectangular-cut diamond, weighing approximately 2.14 carats, within a two-tiered circular-cut diamond pierced openwork foliate surround, to the textured gold shoulders accented by circular-cut diamonds, mounted in 18K white and yellow gold, size 5 3/4. Signed ‘M.Buccellati Italy’ with a Buccellati blue leather box

Estimate $18,000-22,000

206 An Important Emerald and Diamond Gold Cuff Bracelet BUCCELLATI Designed as a textured yellow gold hinged cuff, set with five oval-cut emeralds, each within a circular-cut diamond-set engraved navette-shaped surround, mounted in 18K yellow and white gold, diameter 2 1/4 inches. Signed ‘M.Buccellati’

Estimate $27,000-35,000

202

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204

205

206

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208

209

207 A Pair of Turquoise and Diamond Ear Pendants Each cabochon Persian turquoise surmount suspending a line of larger cabochon turquoise within a drop-shaped circular-cut diamond hoop surround, mounted in 18K white gold, length 2 1/4.

Estimate $9,000-12,000

208 A Pair of Diamond Ear Pendants 210 An Impressive South Sea Baroque Cultured Pearl and Each designed as a pear-shaped diamond graduating cascade, suspending Diamond Necklace from a marquise-cut diamond cluster surmount, mounted in 18K white Of thirty-nine South Sea baroque cultured pearls, measuring from gold, length 1 3/4 inches. approximately 20.20 to 15.50 mm, joined by a pavé-set diamond clasp, mounted in 18K white gold, length 36 inches. Estimate $30,000-50,000 Estimate $35,000-50,000

PROPERTY OF A LADY 209 A Pair of Green Beryl and Diamond Ear Pendants 211 An Emerald and Sapphire Ring CHANEL MARLENE STOWE Of bombé design, centrally set with a cushion-cut emerald, within a buff- Each suspending a rectangular-cut green beryl weighing approximately top sapphire surround, to the tapering polished gold half hoop, size 5 1/2. 16.42 carats in total, from a graduating circular-cut diamond line, to Signed ‘Chanel’ no.6D 1609 with French assay marks the collet-set diamond, mounted in 18K white gold, length 2 1/2 inches, pendant is detachable. Estimate $20,000-30,000 Signed ‘M Stowe’

Estimate $5,000-8,000

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211

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213

212 An Important Pair of Antique Diamond Ear Studs 215 An Antique Pearl and Diamond Brooch Each claw-set with a cushion-cut diamond, weighing approximately 4.01 Designed as a pavé-set diamond flower, extending upon old-cut and 4.03 carats, mounted in silver and yellow gold, length 2/5 inches. diamonds, to the pavé-set diamond stem and leaves, suspending a With report no. 16319796 dated 22 October 2007 from the Gemological Institute of natural baroque pearl, measuring approximately 12.20 x 10.20 mm, America, stating that the diamond is G color, VS2 clarity mounted in silver topped gold, length 2 inches. With report no. 16792215 dated 28 January 2008 from the Gemological Institute of Pearl has not been tested America, stating that the diamond is G color, VS2 clarity Estimate $9,000-12,000 Estimate $160,000-190,000

PROPERTY OF A GENTLEMAN 213 An Antique Diamond Bracelet VEVER 216 An Antique Diamond Ring Centering on a line of old cut diamonds, framed by rose-cut diamond Designed as a row of three old mine-cut diamonds, within an foliate leaf borders, mounted in silver topped gold, length 7 inches. enlongated navette-shaped surround, accented with old-cut diamonds, With French assay marks, in an original VEVER black leather fitted case with the mounted in silver topped gold, size 5.25. initials ‘J.P.’ on the box Estimate $5,000-8,000 Estimate $15,000-20,000

PROPERTY OF A LADY 214 An Antique Diamond Necklace 217 An Antique Diamond Bird Brooch 1900 The front suspending a pear-shape, old-cut and diamond foliate bow, Designed as an old-cut diamond set swallow, accented by single-cut accented by collet-set old-cut diamonds and pavé-set wreath motifs, to emerald eyes, holding a briolette-cut diamond from its beak, mounted in the collet and pavé-set diamond chain, mounted in silver-topped gold, silver-topped gold, length 2 7/8 inches. length 15 1/2 inches. Estimate $3,000-5,000 Estimate $12,000-15,000

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217

215

216

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218

218 A Cultured Pearl and Diamond Ring 220 An Impressive Unheated Burmese Ruby and Diamond Necklace Set with a white cultured pearl measuring approximately 13.50 mm, Designed as a line of alternating circular-cut diamond and oval-cut ruby framed by a marquise-cut diamond spray and baguette-cut diamond florets, the front suspending a graduated line of circular-cut diamond and scroll, mounted in platinum, size 6 1/4. oval-cut ruby trefoil cluster fringes, mounted in 18K white gold, length 15 1/2 inches. Estimate $7,500-10,000 With report no.GRS2007-091073 dated 14 October 2007 from Gem Research Swiss Lab, stating that the rubies are of Burmese origin, with no indication of thermal treatment

219 A Pair of Diamond Ear Pendants Estimate $120,000-150,000 Each surmount designed as a marquise and circular-cut diamond floret, with pavé-set diamond borders, suspending a circular and marquise-cut diamond cascade, spaced by knife-edged links, mounted in 18K white gold, length 2 1/2 inches.

Estimate $32,000-45,000

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222

221 An Important Pair of Fancy Intense Yellow Diamond 222 An Important Colombian Emerald and Diamond Bracelet Ear Pendants Composed of a series of floret links, each centrally set with a step-cut Each suspending a cut-cornered rectangular modified brilliant fancy intense Colombian emerald weighing approximately 20.38 carats in total, within yellow diamond, weighing approximately 6.09 and 6.14 carats, within pavé-set a circular-cut diamond surround to the marquise and circular-cut cluster diamond surrounds, from a pavé-set diamond line surmount, mounted in 18K spacers, mounted in platinum, length 7 inches. yellow and white gold, length 1 inch. With report no.CDC 0910101/1-7 dated 29 October 2009 from C.Dunaigre With report no.1132550817 dated 22 June 2011 from the Gemological Institute of Switzerland, stating that the emeralds are of Colombian origin, with indications of America, stating that the diamond weighing 6.09 carats is Fancy Intense Yellow minor clarity enhancement color, Internally Flawless clarity With report no.1132528076 dated 6 July 2011 from the Gemological Institute of Estimate $90,000-120,000 America, stating that the diamond weighing 6.14 carats is Fancy Intense Yellow color, Internally Flawless clarity

Estimate $245,000-280,000

03_JWLS_NY_Dec11_82-103_v2.indd 88 07/11/11 17.03 03_JWLS_NY_Dec11_82-103_v2.indd 89 07/11/11 17.03 223 An Impressive Diamond and Cultured Pearl Necklace VAN CLEEF & ARPELS 1966 Designed as a row of graduated cultured pearls measuring from approximately 15.60 to 10.70 mm, each within a circular-cut diamond surround, suspending a circular-cut diamond cluster pendant and cultured pearl measuring appxoimately 17.80 mm, mounted in 18K yellow gold, length 19 inches, pendant is detachable. Signed ‘Van Cleef & Arpels ©1966 ‘ no. N.Y.37382

Estimate $150,000-200,000

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225

226

224 A Superb Pair of Diamond Ear Studs 226 An Elegant Unheated Ceylon Sapphire and Diamond Ring Each set with a circular-cut diamond, weighing approximately 4.11 and Set with a cushion-cut unheated Ceylon sapphire, weighing 4.34 carats, mounted in 18K white gold. approximately 12.41 carats, with a pavé-set diamond surround, gallery With report no.2115460716 dated 23 December 2009 from the Gemological Institute and half hoop, mounted in platinum, size 6. of America, stating that the diamond weighing 4.11 carats is D color, VVS2 clarity With report no. CS80141 dated 15 February 2010 from the American Gemological With report no.5111178734 dated 6 October 2009 from the Gemological Institute of Laboratories, stating that the sapphire is of Sri Lanka (Ceylon) origin, with no America, stating that the diamond weighing 4.34 carats is D color, VVS2 clarity indications of heat treatment. Both these diamonds have the ‘Triple X’ designation from the GIA Lab for the excellence of its cut, polish and symmetry Estimate $55,000-70,000

Estimate $490,000-600,000

225 A Pair of South Sea Cultured Pearl and Diamond Ear Pendants Each designed as three slightly graduated white South Sea cultured pearls, measuring from approximately 12.00 to 11.30 mm, within circular- cut diamond surrounds, spaced by circular-cut diamond links, mounted in 18K white gold, length 2 inches.

Estimate $15,000-20,000

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227 An Agate Model of a Dog FABERGÉ 229 A Diamond and Emerald Bracelet Designed as an agate dog, carved from a single piece of agate, standing Designed as a series of circular-cut diamond links interspersed with on four legs, accented with rose-cut diamond eyes and a gold collar similarly-set square-cut emerald spacer bars, mounted in 18K white engraved ‘Faberge’, length 2 inches. gold, length 7 inches. Signed ‘Fabergé, St. Petersburg, Moscow,’ with maker’s mark from Henrik Wigstrom Odessa in Cyrillic beneath the Imperial warrant with an original fitted box Estimate $5,000-7,000

Estimate $20,000-30,000

228 NO LOT 230 A Diamond and Mother-Of Pearl Dress-Set 1925 Comprising a pair of double-sided cufflinks designed as an oval mother- of pearl plaque, centering on an old-cut diamond, to a stylised acanthus and Greek key border; four circular buttons and three shirt studs en suite, mounted in platinum and 14K yellow gold, length 4/5 inches.

Estimate $1,800-2,500

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230

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231 A Pair of Art Deco Sapphire and Diamond Ear Pendants 234 A Pair of Diamond Cufflinks Each designed as an openwork, articulated pendant drop, set with an Designed as a pierced, cut-cornered rose-cut diamond plaque, oval-cut sapphire, weighing approximately 8.00 carats in total, mounted centering on a circular-cut diamond, mounted in platinum and 18K in platinum, length 2 1/2 inches. white gold, length 4/5 inches. With French assay marks Estimate $15,000-20,000 Estimate $2,000-3,000

232 An Emerald and Diamond Pendant Necklace Designed as a circular-cut diamond line necklace, suspending a 235 A Diamond Brooch mixed-cut emerald, estimated to weigh approximately 6.50 carats, to Designed as a circular-cut diamond-set foliate mounting, mounted in the marquise-cut diamond surmount, and a pear-shaped diamond drop, platinum, length 1 1/2 inches. mounted in 18K white gold, length 16 inches. Estimate $3,000-5,000 Estimate $35,000-50,000

233 A Diamond Bracelet Designed as a series of openwork rectangular plaques set throughout with circular-cut diamonds, mounted in platinum, length 7 inches.

Estimate $15,000-20,000

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233

235 234

03_JWLS_NY_Dec11_82-103_v4.indd 97 08/11/11 18.13 236

237

236 A Diamond Wristwatch PIAGET 238 A Gold Hematite and Diamond Suite BULGARI Of quartz movement, pavé-set diamond dial with dauphine hands and Comprising a flexible collar necklace, designed as a series of sculpted circular-cut diamond-set bezel, to a five-row circular-cut diamond Piaget hematite, polished gold, and pavé-set geometric diamond links; and a link bracelet, mounted in 18K white gold, length 7 inches. pair of earclips en suite, mounted in 18K yellow gold, necklace 4 1/2 inch Signed ‘Piaget’ and numbered ‘D125514’ diameter, earclips length 1 1/5 inch. Signed ‘BVLGARI’, necklace no.BA1572, earclips no.13461 Estimate $15,000-20,000 Estimate $15,000-20,000

237 A Pair of Diamond Ear Pendants DAVID WEBB 1960 Each designed as a circular and baguette-cut diamond sputnik cluster surmount suspending three detachable, graduating rows of circular- cut diamonds, to the pear-shaped diamond drop terminals, mounted in platinum, length 2 4/5 inches. Signed ‘Webb’ for David Webb

Estimate $30,000-50,000

03_JWLS_NY_Dec11_82-103_v4.indd 98 08/11/11 18.13 238

03_JWLS_NY_Dec11_82-103_v4.indd 99 08/11/11 18.14 241

239

240

239 A Diamond ‘Snakeskin’ Bangle The graduating hinged bangle set throughout with lasque-cut diamonds and circular-cut diamond accents, mounted in silver and gold, diameter 2 1/3 inches.

Estimate $8,000-10,000

240 A Pair of Diamond and Blue Titanium Earclips 243 A Blue Chalcedony and Diamond Bracelet and Earclips MARGHERITA BURGENER Comprising a blue chalcedony and diamond bracelet designed as a Each designed as a sculpted blue rose, the petal edges pavé-set with flexible tapering cuff set throughout with oval-shaped blue chalcedony brilliant-cut diamonds, mounted in titanium and 18K white gold, length cabochons to the pavé-set diamond bombé links, and circular-cut 1 3/5 inches. diamond accents; and a pair of earclips en suite, mounted in 18K white Signed ‘Margherita Burgener’, with a Margherita Burgener fitted box gold, bracelet length 6 3/4 inches, earclip length 3/4 inches.

Estimate $18,000-22,000 Estimate $4,500-6,000

241 An Emerald, Green Garnet and Diamond Ring MICHELE 244 A Pair of Titanium ‘Pansy’ Earclips JAR DELLA VALLE Each designed as a sculpted purple titanium pansy, with gold clip-backs, Set with a sugarloaf emerald, within a pavé-set green garnet surround, to length 2 1/5 inch. the circular-cut diamond shoulders, mounted in 18K gold, size 7 1/4. Signed ‘JAR Paris’, with French assay mark and maker’s mark, with a burgundy Signed ‘MDV’ for Michele della Valle, numbered J17351 with French assay marks suede JAR pouch

Estimate $5,000-7,000 Estimate $1,100-2,500

242 A Pair of Blue Chalcedony, Sapphire and Diamond Earclips SEAMAN SCHEPPS 245 A Pair of Onyx and Diamond Cufflinks MARGHERITA BURGENER Each designed as a carved blue chalcedony flower, accented with circular- Each designed as a rectangular onyx tablet collet-set to the center with cut sapphires and diamonds, mounted in 18K white gold, length 1 inch. a circular-cut diamond, mounted in 18K white gold, length 1 inch. Signed ‘Seaman Schepps’, numbered ‘9959’ Signed ‘Margherita Burgener’, with a Margherita Burgener fitted box

Estimate $2,500-3,500 Estimate $2,000-3,000

03_JWLS_NY_Dec11_82-103_v2.indd 100 07/11/11 17.07 242

243

244

245

03_JWLS_NY_Dec11_82-103_v4.indd 101 08/11/11 18.15 248

246

247 A Tiger’s Eye and Onyx Sautoir ALDO CIPULLO 1975 Composed of a series of oval-shaped tiger’s eye links and smaller similarly-shaped onyx links joined by polished knotted gold spacer links, mounted in 18K yellow gold, length 41 inches. Signed ‘A.Cipullo’

Estimate $18,000-22,000

248 A Diamond and Gold Nail Bangle ALDO CIPULLO 1970 Designed as a hinged crossover nail bangle, with a pavé-set diamond head, 246 A Diamond and Gold Nail Collar ALDO CIPULLO 1972 mounted in 18K white gold, diameter 2 1/4 inches. Designed as a hinged crossover collar necklace, with a pavé-set Signed ‘A. Cipullo’ diamond head, mounted in 18K rose gold, diameter 4 4/6 inches. Estimate $12,000-15,000 Signed ‘A. Cipullo’

Estimate $18,000-22,000 249 A Retro Bicoloured Tank Bracelet Of stylised tank track design, the bracelet composed of alternate Roman-born Aldo Cipullo immigrated to New York in 1959, to pursue his concave bicoloured links and pairs of polished domed links connected studies at Manhattan’s School of Visual Arts. His first job in New York, a brief to pairs of polished hemispherical links, mounted in 14K gold, length 7 apprenticeship at David Webb led to a six-year design position at Tiffany’s 1/4 inches. and later Cartier. It was at Cartier that he designed the famous gold ‘love With Austrian assay marks bracelet’; a fashion breakthrough that has become a status symbol for love Estimate $3,500-5,000 and synonymous to his name. His talent for innovative design and passion for modern living influenced his aesthetically clean designs. He has translated his environment into art, inspired by the shapes and elements of modern 250 A Retro Bicoloured Tank Bracelet 1950 society. His pieces garnered tremendous interest throughout the decades, Of stylised tank track design, the bicoloured bracelet composed of expressed in both the press and public, as well as by celebrities and alternate concave polished links and pairs of grooved domed links, socialites. Clients include Sophia Loren, Elizabeth Taylor, Liza Minnelli, Frank mounted in 14K gold, length 7 1/4 inches. Sinatra and Richard Burton among others. Cipullo opened his own business With Austrian assay marks, maker’s initials ‘IK’ in 1974 and was awarded the prestigious Coty Award the same year for his pioneering influence on the design of men’s jewelry. Estimate $3,500-5,000

03_JWLS_NY_Dec11_82-103_v4.indd 102 08/11/11 18.15 247

249

250

Please note that lot 247 is not actual size. For the actual size please refer to the dimensions given in the lot information.

03_JWLS_NY_Dec11_82-103_v4.indd 103 08/11/11 18.15 INDEX

Aldo Cipullo 246, 247, 248 Aletto Brothers 24, 123, 160, 171 Alexandra Mor 25, 54, 55, 146

Baume and Mercier 9 Buccellati 27, 28, 178, 179, 181, 182, 183, 184, 185, 188, 189, 197, 198, 200, 201, 203, 205, 206 Bulgari 52, 238

Cartier 45, 57, 59, 156 Chanel 211 Chopard 17

David Webb 2, 37, 38, 46, 53, 98, 99, 102, 103, 104, 237 De Grisogono 40, 132, 175

E. Wolf 134 Enigma 113, 115, 117, 129, 161, 162, 163

Fabergé 227 Flato 90 Franck Muller 144 JAR 199, 244 Fred 191 L. Gautrait 105 J.E. Caldwell 95, 170 Janesich 157 Marcus & Co. 109 Margherita Burgener 36, 43, 41, 61, 62, 71, 112, 114, 116, 119, 120, 121, 128, 130, 164, 174, 240, 245 Marina B 29 Marlene Stowe 34, 100, 173, 176, 209 Masriera y Carreras 106 Michele Della Valle 44, 166, 241

Nardi 48, 49, 50

Oscar Heyman & Brothers 72

Piaget 236

Salavetti 77 Seaman Schepps 14, 242 Sorab and Roshi 63

Tiffany & Co. 47, 58, 60, 204 ‘Tiffany & Co., Schlumberger’ 74, 75, 133 ‘Tiffany & Co., Angela Cummings’ 8

Van Cleef & Arpels 16, 21, 30, 139, 140, 141, 223 Vever 213

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 104 07/11/11 18.50 DESIGN

AUCTIONS 13 & 14 DECEMBER 2011 NEW YORK

Phillips de Pury & Company 450 Park Avenue New York 10022 Enquiries +1 212 940 1268 | [email protected] Catalogues +1 212 940 1240 | +44 20 7318 4039 PHILLIPSDEPURY.COM

JEAN ROYÈRE Dining table, ca. 1954-1955 Estimate $220,000 – 320,000

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 105 07/11/11 18.51 GUIDE FOR PROSPECTIVE BUYERS

BUYING AT AUCTION ∆ Property in Which Phillips de Pury & Company Has an Ownership Interest The following pages are designed to offer you information on how to buy at auction at Lots with this symbol indicate that Phillips de Pury & Company owns the lot in whole or in Phillips de Pury & Company. Our staff will be happy to assist you. part or has an economic interest in the lot equivalent to an ownership interest.

CONDITIONS OF SALE • No Reserve The Conditions of Sale and Authorship Warranty which appear later in this catalogue Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve govern the auction. Bidders are strongly encouraged to read them as they outline the legal is the con•dential value established between Phillips de Pury & Company and the seller and relationship among Phillips, the seller and the buyer and describe the terms upon which below which a lot may not be sold. The reserve for each lot is generally set at a percentage of property is bought at auction. Please be advised that Phillips de Pury & Company generally the low estimate and will not exceed the low pre-sale estimate. acts as agent for the seller. Ω Endangered Species BUYER’S PREMIUM This property may require an export, import or endangered species license or permit. Phillips de Pury & Company charges the successful bidder a commission, or buyer’s Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 11 of the premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer Conditions of Sale. as part of the total purchase price at the following rates: 25% of the hammer price up to and including $50,000, 20% of the portion of the hammer price above $50,000 up to and including 2 BIDDING IN THE SALE $1,000,000 and 12% of the portion of the hammer price above $1,000,000. Bidding at Auction 1 PRIOR TO AUCTION Bids may be executed during the auction in person by paddle or by telephone or prior to the Catalogue Subscriptions sale in writing by absentee bid. If you would like to purchase a catalogue for this auction or any other Phillips de Pury & Company sale, please contact us at +1 212 940 1240 or +44 20 7318 4010. Bidding in Person To bid in person, you will need to register for and collect a paddle before the auction begins. Pre-Sale Estimates Proof of identity in the form of government issued identi•cation will be required, as will Pre-Sale estimates are intended as a guide for prospective buyers. Any bid within the high an original signature. We may also require that you furnish us with a bank reference. New and low estimate range should, in our opinion, offer a chance of success. However, many clients are encouraged to register at least 48 hours in advance of a sale to allow suf•cient lots achieve prices below or above the pre-sale estimates. Where “Estimate on Request” time for us to process your information. All lots sold will be invoiced to the name and appears, please contact the specialist department for further information. It is advisable to address to which the paddle has been registered and invoices cannot be transferred to other contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale names and addresses. Please do not misplace your paddle. In the event you lose it, inform estimates do not include the buyer’s premium or any applicable taxes. a Phillips de Pury & Company staff member immediately. At the end of the auction, please return your paddle to the registration desk. Pre-Sale Estimates in Pounds Sterling and Euros Although the sale is conducted in US dollars, the pre-sale estimates in the auction catalogues Bidding by Telephone may also be printed in pounds sterling and/or euros. Since the exchange rate is that at the time If you cannot attend the auction, you may bid live on the telephone with one of our multi-lingual of catalogue production and not at the date of auction, you should treat estimates in pounds staff members. This service must be arranged at least 24 hours in advance of the sale and is sterling or euros as a guide only. available for lots whose low pre-sale estimate is at least $1000. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest Catalogue Entries that you leave a maximum bid, excluding the buyer’s premium and any applicable taxes, which Phillips may print in the catalogue entry the history o f ownership of a work of art, as well as we can execute on your behalf in the event we are unable to reach you by telephone. the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may Absentee Bids not be exhaustive and in some cases we may intentionally refrain from disclosing the identity If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury of previous owners. Please note that all dimensions of the property set forth in the catalogue & Company will be happy to execute written bids on your behalf. A bidding form can be found entry are approximate. at the back of this catalogue. This service is free and con•dential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible Condition of Lots price taking into account the reserve and other bidders. Always indicate a maximum bid, Our catalogues include references to condition only in the descriptions of multiple works excluding the buyer’s premium and any applicable taxes. Unlimited bids will not be accepted. (e.g., prints). Such references, though, do not amount to a full description of condition. The Any absentee bid must be received at least 24 hours in advance of the sale. In the event of absence of reference to the condition of a lot in the catalogue entry does not imply that the identical bids, the earliest bid received will take precedence. lot is free from faults or imperfections. Solely as a convenience to clients, Phillips de Pury & Company may provide condition reports. In preparing such reports, our specialists assess Employee Bidding the condition in a manner appropriate to the estimated value of the property and the nature Employees of Phillips de Pury & Company and our af•liated companies, including the of the auction in which it is included. While condition reports are prepared honestly and auctioneer, may bid at the auction by placing absentee bids so long as they do not know the carefully, our staff are not professional restorers or trained conservators. We therefore reserve when submitting their absentee bids and otherwise comply with our employee bidding encourage all prospective buyers to inspect the property at the pre-sale exhibitions and procedures. recommend, particularly in the case of any lot of signi•cant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding. Bidding Increments Any prospective buyer of photographs or prints should always request a condition report Bidding generally opens below the low estimate and advances in increments of up to 10%, because all such property is sold unframed, unless otherwise indicated in the condition subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments report. If a lot is sold framed, Phillips de Pury & Company accepts no liability for the set below may be lowered to the next bidding increment. condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer. $50 to $1,000 by $50s $1,000 to $2,000 by $100s Pre-Auction Viewing $2,000 to $3,000 by $200s Pre-auction viewings are open to the public and free of charge. Our specialists are available $3,000 to $5,000 by $200s, 500, 800 (i.e. $4,200, 4,500, 4,800) to give advice and condition reports at viewings or by appointment. $5,000 to $10,000 by $500s $10,000 to $20,000 by $1,000s Electrical and Mechanical Lots $20,000 to $30,000 by $2,000s All lots with electrical and/or mechanical features are sold on the basis of their decorative $30,000 to $50,000 by $2,000s, 5,000, 8,000 value only and should not be assumed to be operative. It is essential that, prior to any $50,000 to $100,000 by $5,000s intended use, the electrical system is veri•ed and approved by a quali•ed electrician. $100,000 to $200,000 by $10,000s above $200,000 auctioneer’s discretion Symbol Key The following key explains the symbols you may see inside this catalogue. The auctioneer may vary the increments during the course of the auction at his or her own discretion. O Guaranteed Property The seller of lots with this symbol has been guaranteed a minimum price. The guarantee 3 THE AUCTION may be provided by Phillips de Pury & Company, by a third party or jointly by us and a third party. Phillips de Pury & Company and third parties providing or participating in a guarantee Conditions of Sale may bene•t •nancially if a guaranteed lot is sold successfully and may incur a loss if the sale As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty. is not successful. A third party guarantor may also bid for the guaranteed lot and may be All prospective bidders should read them carefully. They may be amended by saleroom allowed to net the •nancial remuneration received in connection with the guarantee against addendum or auctioneer’s announcement. the •nal purchase price if such party is the successful bidder.

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 106 07/11/11 16.06 MODERNEDITIONS AND CONTEMPORARY

AUCTION 25 JANUARY 2012 NEW YORK Viewing 18 – 25 January

Phillips de Pury & Company 450 Park Avenue New York 10022 Enquiries +1 212 940 1220 Catalogues +1 212 940 1240 | +44 20 7318 4039 PHILLIPSDEPURY.COM

JOAN MIRO Flux de l’Aimant portfolio: detail of one plate, 1964, drypoint and aquatint, edition of 75, 21” x 25” in (54 x 64 cm) (detail) Estimate $12,000–18,000

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 107 07/11/11 16.06 Interested Parties Announcement IMPORTANT NOTICES FOR PROSPECTIVE BUYERS OF JEWELRY In situations where a person allowed to bid on a lot has a direct or indirect interest in such AND WATCHES lot, such as the bene•ciary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips de Pury & Company will Catalogue Entries make an announcement in the saleroom that interested parties may bid on the lot. Phillips may print in the catalogue entry the history of ownership of a work included in the auc- tion, as well as the exhibition history of the property and references to the work in art publica- Consecutive and Responsive Bidding; No Reserve Lots tions. While we are careful in the cataloguing process, provenance, exhibition and literature ref- The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The erences may not be exhaustive and in some cases we may intentionally refrain from disclosing auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing the identity of previous owners. Please note that all weights set forth in the catalogue entry are consecutive bids or bids in response to other bidders. If a lot is offered without reserve, approximate, whether or not qualified by the terms “stated to be” or “approximately.” Catalogue unless there are already competing absentee bids, the auctioneer will generally open the illustrations are rarely actual size and cannot be used as precise indications of size or weight. bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will Colored Gemstones then advance the bidding from that amount. Absentee bids on no reserve lots will, in the Clients are advised that many colored gemstones are treated to enhance their properties. absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or For example, heating is commonly used to improve the color or transparency of rubies and at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid sapphires; oiling is commonly used to enhance the clarity of emeralds. Such enhancement whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. procedures are widely accepted by the international jewelry profession. While heat enhance- ment of color is generally believed to be permanent, the process may impact the durability of 4 AFTER THE AUCTION the gemstone and special care of the stone may be required over time. Gemstones which have been oiled may need to be re-oiled after a period of years to retain their maximum clarity. Payment Buyers are required to pay for purchases immediately following the auction unless other Gemological Reports arrangements are agreed with Phillips de Pury & Company in writing in advance of the sale. As a matter of policy, Phillips de Pury & Company will obtain gemological reports from of- Payments must be made in US dollars either by cash, check drawn on a US bank or wire ficially recognized laboratories for certain gemstones offered for sale. A summary of these transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate policy not to reports is included in the catalogue description for a lot, and a copy of the report is available make or accept single or multiple payments in cash or cash equivalents in excess of US$10,000. upon request. Reports from American gemological laboratories used by Phillips de Pury & Company will generally disclose heat enhancement or treatment of colored gemstones. Credit Cards European gemological laboratory reports will disclose heat enhancement only if specifi- As a courtesy to clients, Phillips de Pury & Company will accept American Express, Visa and cally requested but will generally confirm when no heat enhancement or treatment has been Mastercard to pay for invoices of $10,000 or less. made. Variations in approach and technology used by different gemological laboratories may result in a lack of consensus among reports as to whether any particular gemstone has Collection been treated, the extent of treatment and whether treatment is permanent. It is our policy to request proof of identity on collection of a lot. A lot will be released to the buyer or the buyer’s authorized representative when Phillips de Pury & Company has received It is not feasible for Phillips de Pury & Company to obtain such reports for all gemstones of- full and cleared payment and we are not owed any other amount by the buyer. Promptly after fered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones the auction, we will transfer all lots to our warehouse located at 29-09 37th Avenue in Long offered for sale without a gemological report or a specific statement in the catalogue entry Island City, Queens, New York. All purchased lots should be collected at this location during may have been treated to enhance color, transparency or clarity. Enhancement of colored our regular weekday business hours. As a courtesy to clients, we will upon request transfer gemstones may affect market value, and our pre-sale estimates reflect the assumption that purchased lots suitable for hand carry back to our premises at 450 West 15th Street, New York, any colored gemstone not described in the catalogue entry as natural may have been treated. New York for collection within 30 days following the date of the auction. For each purchased lot not collected from us at either our warehouse or our auction galleries by such date, Phillips de Country of Origin Pury & Company will levy a late collection fee of $50, an additional administrative fee of $10 per While Phillips de Pury & Company attempts to obtain accurate information on the country of day and insurance charges of 0.1% of the Purchase Price per month on each uncollected lot. origin of gemstones, we do not guarantee the correctness of the catalogue or other descrip- tions of gemstones including country of origin. Loss or Damage Buyers are reminded that Phillips de Pury & Company accepts liability for loss or damage to Burmese Stones lots for a maximum of •ve days following the auction. Clients are advised that rubies and jadeite originating in Burma (Myanmar) and articles of jewelry less than 100 years old which contain Burmese rubies or jadeite may not be imported Transport and Shipping into the United States or the European Union. Lots marked with v contain rubies or jadeite of As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand Burmese or unknown origin that may be subject to these restrictions. carry only. We will, at the buyer’s expense, either provide packing, handling and shipping services or coordinate with shipping agents instructed by the buyer in order to facilitate such Please note that items containing any other types of gemstones originating in Burma (e.g., services for property purchased at Phillips de Pury & Company. Please refer to Paragraph 7 sapphires) may be imported into the US or the EU provided that (a) the gemstones have of the Conditions of Sale for more information. been mounted or incorporated into jewelry outside of Burma and (b) the setting is not of a temporary nature. Export and Import Licenses Loose gemstones of any type originating in Burma may not be imported into the US or the EU. Before bidding for any property, prospective bidders are advised to make independent inquiries as to whether a license is required to export the property from the United States A purchaser’s inability to import any such item into the US or the EU shall not constitute or to import it into another country. It is the buyer’s sole responsibility to comply with all grounds for non-payment or cancellation of the sale. import and export laws and to obtain any necessary licenses or permits. The denial of any required license or permit or any delay in obtaining such documentation will not justify the Endangered Species cancellation of the sale or any delay in making full payment for the lot. Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may Endangered Species require a license or certificate (e.g., a CITES permit) prior to exportation and additional Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, licenses or certificates upon importation to any foreign country. Some countries prohibit whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may altogether the importation of property containing such material. require a license or certi•cate prior to exportation and additional licenses or certi•cates Lots marked with F contain such material. Please note that the ability to obtain an export upon importation to any foreign country. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in license or certi•cate does not ensure the ability to obtain an import license or certi•cate in another country, and vice versa. another country, and vice versa. We suggest that prospective bidders check with their own We strongly suggest that prospective bidders check with their own government regarding government regarding wildlife import requirements prior to placing a bid. It is the buyer’s wildlife and endangered species import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licenses or certi•cates as well sole responsibility to obtain any necessary export or import licenses or certificates as well as any other required documentation. The denial of any required license or certi•cate or as any other required documentation. The denial of any required license or certificate or any delay in obtaining such documentation will not justify the cancellation of the sale or any any delay in obtaining such documentation shall not constitute grounds for cancellation of delay in making full payment for the lot. the sale or any delay in making full payment for the lot. Please note that while we have, as a convenience to our clients, identified with F lots containing potentially regulated plant or animal material, Phillips de Pury & Company does not accept liability for errors or for failing to mark lots containing protected or regulated species.

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 108 07/11/11 16.06 Watches CONDITIONS OF SALE Phillips de Pury & Company makes no representation or warranty that any watch is in working order, and no catalogue description of any lot should be construed as so stating. Prospec- The Conditions of Sale and Authorship Warranty set forth below govern the relationship tive buyers are advised to have watches checked by a competent watchmaker before use. As between bidders and buyers, on the one hand, and Phillips de Pury & Company and sellers, a service to prospective buyers, we may provide a description of the condition of watches on the other hand. All prospective buyers should read these Conditions of Sale and in the catalogue entry, including references to defects and repairs, and furnish a condition Authorship Warranty carefully before bidding. report, but such information is not necessarily complete and may not specify all mechanical replacements, restorations or defects. Please note that Phillips de Pury & Company does not 1 INTRODUCTION guarantee the authenticity of any individual component parts, such as wheels, hands, crowns, Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of crystals, screws, bracelets and leather bands, since prior repairs and restoration work may Sale and Authorship Warranty; (b) additional notices and terms printed in other places have resulted in the replacement of original parts. Prospective buyers should inspect all in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to this watches prior to the auction to evaluate the condition of property offered for sale. catalogue or other written material posted by Phillips de Pury & Company in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to Importation of Watches Into the United States the auction. Prospecting buyers should be aware that the importation of luxury watches such as Rolex into the United States is highly restricted. These watches (not limited to Rolex) may not be By bidding at the auction, whether in person, through an agent, by written bid, by telephone shipped into the US and may only be imported personally. US customs regulations generally bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so limit the importation of luxury watches to one per buyer. Lots marked with t are subject to changed or supplemented, and Authorship Warranty. these restrictions. A purchaser’s inability to import a luxury watch into the United States or Phillips de Pury & Company’s failure to mark a lot with t shall not constitute grounds for These Conditions of Sale, as so changed or supplemented, and Authorship Warranty non-payment or cancellation of the sale. contain all the terms on which Phillips de Pury & Company and the seller contract with the buyer. Exportation of Watch Bands Incorporating Material from Endangered Species Some of the watches offered for sale in this catalogue may have bands made of endangered 2 PHILLIPS de PURY & COMPANY AS AGENT or protected animal materials such as alligator or crocodile and may not lawfully be exported Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated in from the auction site without a CITES export permit. As explained above, these lots are this catalogue or at the time of auction. On occasion, Phillips de Pury & Company may own marked with F in the catalogue. Accordingly, for purchased watches that are to be shipped a lot, in which case we will act in a principal capacity as a consignor, or may have a legal, out of the sale site for delivery, Phillips de Pury & Company may need to remove and retain bene•cial or •nancial interest in a lot as a secured creditor or otherwise. the band before shipping the watch and buckle. 3 CATALOGUE DESCRIPTIONS AND CONDITION OF PROPERTY Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis.

(a) The knowledge of Phillips de Pury & Company in relation to each lot is partially dependent on information provided to us by the seller, and Phillips de Pury & Company is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made.

(b) Each lot offered for sale at Phillips de Pury & Company is available for inspection by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satis•ed themselves as to both the condition of the lot and the accuracy of its description.

(c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identi•cation purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots.

(d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips de Pury & Company in our absolute discretion. Neither Phillips de Pury & Company nor any of our af•liated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale.

4 BIDDING AT AUCTION (a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips de Pury & Company.

(b) As a convenience to bidders who cannot attend the auction in person, Phillips de Pury & Company may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the “Absentee Bid Form,” a copy of which is printed in this catalogue or otherwise available from Phillips de Pury & Company. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and any applicable sales or use taxes. The auctioneer will not accept an instruction to execute an absentee bid

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 109 07/11/11 16.06 which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid other permit for such lot. Payments must be made by the invoiced party in US dollars either at the lowest possible price taking into account the reserve and other bidders. Any absentee by cash, check drawn on a US bank or wire transfer, as follows: bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (i) Phillips de Pury & Company will accept payment in cash provided that the total amount paid in cash or cash equivalents does not exceed US$10,000. Buyers paying in cash should (c) Telephone bidders are required to submit bids on the “Telephone Bid Form,” a copy of do so in person at our Client Accounting Desk at 450 West 15th Street, Third Floor, during which is printed in this catalogue or otherwise available from Phillips de Pury & Company. regular weekday business hours. Telephone bidding is available for lots whose low pre-sale estimate is at least $1,000. Phillips (ii) Personal checks and banker’s drafts are accepted if drawn on a US bank and the buyer de Pury & Company reserves the right to require written con•rmation of a successful bid provides to us acceptable government issued identi•cation. Checks and banker’s drafts from a telephone bidder by fax or otherwise immediately after such bid is accepted by the should be made payable to “Phillips de Pury & Company LLC.” If payment is sent by mail, auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder please send the check or banker’s draft to the attention of the Client Accounting Department consents to the recording of the conversation. at 450 West 15th Street, New York, NY 10011 and make sure that the sale and lot number is written on the check. Checks or banker’s drafts drawn by third parties will not be accepted. (d) When making a bid, whether in person, by absentee bid or on the telephone, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph (iii) Payment by wire transfer may be sent directly to Phillips de Pury & Company. 6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing Bank transfer details: with Phillips de Pury & Company before the commencement of the auction that the bidder is acting as agent on behalf of an identi•ed third party acceptable to Phillips de Pury & Citibank Company and that we will only look to the principal for such payment. 322 West 23rd Street, New York, NY 10011 SWIFT Code: CITIUS33 (e) Arranging absentee and telephone bids is a free service provided by Phillips de Pury ABA Routing: 021 000 089 & Company to prospective buyers. While we undertake to exercise reasonable care in For the account of Phillips de Pury & Company LLC undertaking such activity, we cannot accept liability for failure to execute such bids except Account no.: 58347736 where such failure is caused by our willful misconduct. Please reference the relevant sale and lot number. (f) Employees of Phillips de Pury & Company and our af•liated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know (d) Title in a purchased lot will not pass until Phillips de Pury & Company has received the the reserve when submitting their absentee bids and otherwise comply with our employee Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not obliged to bidding procedures. release a lot to the buyer until title in the lot has passed and appropriate identi•cation has been provided, and any earlier release does not affect the passing of title or the buyer’s 5 CONDUCT OF THE AUCTION unconditional obligation to pay the Purchase Price. (a) Unless otherwise indicated by the symbol each lot is offered subject to a reserve, which • is the con•dential minimum selling price agreed by Phillips de Pury & Company with the 7 COLLECTION OF PROPERTY seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. (a) Phillips de Pury & Company will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a amounts due to Phillips de Pury & Company or any of our af•liated companies, including lot for sale (including after the fall of the hammer) if he or she believes there may be error or any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satis•ed such dispute and take such other action as he or she deems reasonably appropriate. other terms as we in our sole discretion shall require, including completing any anti-money laundering or anti-terrorism •nancing checks. As soon as a buyer has satis•ed all of the (c) The auctioneer will commence and advance the bidding at levels and in increments he foregoing conditions, and no later than •ve days after the conclusion of the auction, he or or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may she should contact our Shipping Department at +1 212 940 1372 or +1 212 940 1373 to arrange place one or more bids on behalf of the seller up to the reserve without indicating he or she for collection of purchased property. is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer (b) Promptly after the auction, we will transfer all lots to our warehouse located at 29-09 will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a 37th Avenue in Long Island City, Queens, New York. All purchased lots should be collected bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is at this location during our regular weekday business hours. As a courtesy to clients, recognized and will then advance the bidding from that amount. Absentee bids on no reserve Phillips de Pury & Company will upon request transfer on a bi-weekly basis purchased lots lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale suitable for hand carry back to our premises at 450 West 15th Street, New York, New York for estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there collection within 30 days following the date of the auction. Purchased lots are at the buyer’s is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. risk, including the responsibility for insurance, from the earlier to occur of (i) the date of collection or (ii) •ve days after the auction. Until risk passes, Phillips de Pury & Company (d) The sale will be conducted in US dollars and payment is due in US dollars. For the bene•t will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the of international clients, pre-sale estimates in the auction catalogue may be shown in pounds Purchase Price paid, subject to our usual exclusions for loss or damage to property. sterling and/or euros and, if so, will reflect approximate exchange rates. Accordingly, estimates in pounds sterling or euros should be treated only as a guide. (c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap purchased lots for hand carry only. We will, at the buyer’s expense, either provide packing, handling, (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the insurance and shipping services or coordinate with shipping agents instructed by the buyer auctioneer will be the buyer and the striking of the hammer marks the acceptance of the in order to facilitate such services for property bought at Phillips de Pury & Company. Any highest bid and the conclusion of a contract for sale between the seller and the buyer. such instruction, whether or not made at our recommendation, is entirely at the buyer’s risk Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Third party shippers should contact us by telephone at +1 212 940 1376 or by fax at (f) If a lot is not sold, the auctioneer will announce that it has been “passed,” “withdrawn,” +1 212 924 6477 at least 24 hours in advance of collection in order to schedule pickup. “returned to owner” or “bought-in.” (d) Phillips de Pury & Company will require presentation of government issued identi•cation (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of prior to release of a lot to the buyer or the buyer’s authorized representative. Sale and Authorship Warranty as if sold in the auction. 8 FAILURE TO COLLECT PURCHASES 6 PURCHASE PRICE AND PAYMENT (a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s the auction, each lot will incur a late collection fee of $50, administrative charges of $10 per premium and any applicable sales tax (the “Purchase Price”). The buyer’s premium is 25% of day and insurance charges of .1% of the Purchase Price per month on each uncollected lot. the hammer price up to and including $50,000, 20% of the portion of the hammer price above $50,000 up to and including $1,000,000 and 12% of the portion of the hammer price above (b) If a purchased lot is paid for but not collected within six months of the auction, the $1,000,000. Phillips de Pury & Company reserves the right to pay from our compensation an buyer authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item introductory commission to one or more third parties for assisting in the sale of property by auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s offered and sold at auction. reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips de Pury & (b) Sales tax, use tax and excise and other taxes are payable in accordance with applicable Company or our af•liated companies and the remainder will be forfeited unless collected by law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted the buyer within two years of the original auction. exclusive of applicable taxes. Phillips de Pury & Company will only accept valid resale certi•cates from US dealers as proof of exemption from sales tax. All foreign buyers should 9 REMEDIES FOR NON-PAYMENT contact the Client Accounting Department about tax matters. (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within •ve days of the (c) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately auction, Phillips de Pury & Company may in our sole discretion exercise one or more of the following the auction regardless of any intention to obtain an export or import license or following remedies: (i) store the lot at Phillips de Pury & Company’s premises or elsewhere at the buyer’s sole risk and expense at the same rates as set forth in Paragraph 8 (a) above; (ii)

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 110 07/11/11 16.06 cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a (c) All warranties other than the Authorship Warranty, express or implied, including any deposit; (iv) charge interest at 12% per annum from the date payment became due until the warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips de date the Purchase Price is received in cleared funds; (v) subject to noti•cation of the buyer, Pury & Company, our affiliated companies and the seller to the fullest extent permitted by law. exercise a lien over any of the buyer’s property which is in the possession of Phillips de Pury & Company and instruct our af•liated companies to exercise a lien over any of the buyer’s (d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our property which is in their possession and, in each case, no earlier than 30 days from the affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond date of such notice, arrange the sale of such property and apply the proceeds to the amount the refund of the Purchase Price referred to in subparagraph (a) above, whether such loss or owed to Phillips de Pury & Company or any of our af•liated companies after the deduction damage is characterized as direct, indirect, special, incidental or consequential, or for the from sale proceeds of our standard vendor’s commission and all sale-related expenses; payment of interest on the Purchase Price to the fullest extent permitted by law. (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s reasonable discretion, it being understood that in the event such resale (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of is for less than the original hammer price and buyer’s premium for that lot, the buyer will Phillips de Pury & Company or any of our affiliated companies to the buyer in respect of any remain liable for the shortfall together with all costs incurred in such resale; (vii) commence fraud or fraudulent misrepresentation made by any of us or in respect of death or personal legal proceedings to recover the hammer price and buyer’s premium for that lot, together injury caused by our negligent acts or omissions. with interest and the costs of such proceedings; or (viii) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the 14 COPYRIGHT amounts due and legal costs. The copyright in all images, illustrations and written materials produced by or for Phillips de Pury & Company relating to a lot, including the contents of this catalogue, is and shall remain (b) As security to us for full payment by the buyer of all outstanding amounts due to Phillips at all times the property of Phillips de Pury & Company and such images and materials may de Pury & Company and our af•liated companies, Phillips de Pury & Company retains, and not be used by the buyer or any other party without our prior written consent. Phillips de Pury the buyer grants to us, a security interest in each lot purchased at auction by the buyer & Company and the seller make no representations or warranties that the buyer of a lot will and in any other property or money of the buyer in, or coming into, our possession or the acquire any copyright or other reproduction rights in it. possession of one of our af•liated companies. We may apply such money or deal with such property as the Uniform Commercial Code or other applicable law permits a secured creditor 15 GENERAL to do. In the event that we exercise a lien over property in our possession because the buyer (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph is in default to one of our af•liated companies, we will so notify the buyer. Our security 1 above, and Authorship Warranty set out the entire agreement between the parties interest in any individual lot will terminate upon actual delivery of the lot to the buyer or the with respect to the transactions contemplated herein and supersede all prior and buyer’s agent. contemporaneous written, oral or implied understandings, representations and agreements.

(c) In the event the buyer is in default of payment to any of our af•liated companies, the buyer (b) Notices to Phillips de Pury & Company shall be in writing and addressed to the also irrevocably authorizes Phillips de Pury & Company to pledge the buyer’s property in our department in charge of the sale, quoting the reference number specified at the beginning of possession by actual or constructive delivery to our af•liated company as security for the the sale catalogue. Notices to clients shall be addressed to the last address notified by them payment of any outstanding amount due. Phillips de Pury & Company will notify the buyer if in writing to Phillips de Pury & Company. the buyer’s property has been delivered to an af•liated company by way of pledge. (c) These Conditions of Sale are not assignable by any buyer without our prior written 10 RESCISSION BY PHILLIPS de PURY & COMPANY consent but are binding on the buyer’s successors, assigns and representatives. Phillips de Pury & Company shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable seller’s representations and warranties or the Authorship Warranty or an adverse claim is for any reason, the remaining provisions shall remain in full force and effect. No failure by made by a third party. Upon notice of Phillips de Pury & Company’s election to rescind the any party to exercise, nor any delay in exercising, any right or remedy under these Conditions sale, the buyer will promptly return the lot to Phillips de Pury & Company, and we will then of Sale shall act as a waiver or release thereof in whole or in part. refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips de Pury 16 LAW AND JURISDICTION & Company and the seller with respect to such rescinded sale.. (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the 11 EXPORT, IMPORT AND ENDANGERED SPECIES LICENSES AND PERMITS foregoing shall be governed by and interpreted in accordance with laws of the State of New Before bidding for any property, prospective buyers are advised to make their own inquiries York, excluding its conflicts of law rules. as to whether a license is required to export a lot from the United States or to import it into another country. Prospective buyers are advised that some countries prohibit the import (b) Phillips de Pury & Company, all bidders and all sellers agree to the exclusive jurisdiction of property made of or incorporating plant or animal material, such as coral, crocodile, of the (i) state courts of the State of New York located in New York City and (ii) the federal ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. courts for the Southern and Eastern Districts of New York to settle all disputes arising in Accordingly, prior to bidding, prospective buyers considering export of purchased lots connection with all aspects of all matters or transactions to which these Conditions of Sale should familiarize themselves with relevant export and import regulations of the countries and Authorship Warranty relate or apply. concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any (c) All bidders and sellers irrevocably consent to service of process or any other documents necessary export, import and endangered species licenses or permits. Failure to obtain a in connection with proceedings in any court by facsimile transmission, personal service, license or permit or delay in so doing will not justify the cancellation of the sale or any delay delivery by mail or in any other manner permitted by New York law or the law of the place of in making full payment for the lot. service, at the last address of the bidder or seller known to Phillips de Pury & Company.

12 CLIENT INFORMATION In connection with the management and operation of our business and the marketing and supply of auction related services, or as required by law, we may ask clients to provide SPECIAL CONDITIONS OF SALE FOR personal information about themselves or obtain information about clients from third PURCHASERS OF JEWELRY parties (e.g., credit information). If clients provide us with information that is de•ned by law as “sensitive,” they agree that Phillips de Pury & Company and our af•liated companies may Catalogue Descriptions and Condition of Property use it for the above purposes. Phillips de Pury & Company and our af•liated companies will (a) As a matter of policy, Phillips de Pury & Company will obtain gemological reports from not use or process sensitive information for any other purpose without the client’s express officially recognized laboratories for certain gemstones offered for sale. A summary of these consent. If you would like further information on our policies on personal data or wish to reports is included in the catalogue description for a lot, and a copy of the report is available make corrections to your information, please contact us at +1 212 940 1228. If you would upon request. Reports from American gemological laboratories used by Phillips de Pury prefer not to receive details of future events please call the above number. & Company will generally disclose heat enhancement or treatment of colored gemstones. European gemological laboratory reports will disclose heat enhancement only if specifi- 13 LIMITATION OF LIABILITY cally requested but will generally confirm when no heat enhancement or treatment has been (a) Subject to subparagraph (e) below, the total liability of Phillips de Pury & Company, our made. Variations in approach and technology used by different gemological laboratories af•liated companies and the seller to the buyer in connection with the sale of a lot shall be may result in a lack of consensus among reports as to whether any particular gemstone has limited to the Purchase Price actually paid by the buyer for the lot. been treated, the extent of treatment and whether treatment is permanent.

(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company, It is not feasible for Phillips de Pury & Company to obtain such reports for all gemstones of- any of our af•liated companies or the seller (i) is liable for any errors or omissions, whether fered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones orally or in writing, in information provided to prospective buyers by Phillips de Pury & offered for sale without a gemological report or a specific statement in the catalogue entry Company or any of our af•liated companies or (ii) accepts responsibility to any bidder in may have been treated to enhance color, transparency or clarity. Enhancement of colored respect of acts or omissions, whether negligent or otherwise, by Phillips de Pury & Company gemstones may affect market value, and our pre-sale estimates reflect the assumption that or any of our affiliated companies in connection with the conduct of the auction or for any any colored gemstone not described in the catalogue entry as natural may have been treated. other matter relating to the sale of any lot.

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 111 07/11/11 16.06 (b) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspect- ing lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All weights are approximate, whether or not qualified by the terms “stated to be” or “approximate.” Illustrations are for identification purposes only and cannot be used as precise indications of size or weight or to convey full information as to the actual condition of lots.

(c) While Phillips de Pury & Company attempts to obtain accurate information on the country of origin of the gemstones offered for sale, we do not guarantee the accuracy of the cata- logue or other description of such information.

Collection of Property The buyer must arrange for collection of a purchased lot within five days of the date of the auction. All purchased lots should be collected at our premises at 450 West 15th Street, New York, New York during our regular weekday business hours. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from the earlier to occur of (i) the date of collection or (ii) five days after the auction. Until risk passes, Phillips de Pury & Company will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property.

AUTHORSHIP WARRANTY

Phillips de Pury & Company warrants the authorship of property in this auction catalogue for a period of five years from date of sale by Phillips de Pury & Company, subject to the exclusions and limitations set forth below.

(a) Phillips de Pury & Company gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot; or (v) there has been no material loss in value of the lot from its value had it been as described in the heading of the catalogue entry.

(b) In any claim for breach of the Authorship Warranty, Phillips de Pury & Company reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips de Pury & Company. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips de Pury & Company agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us.

(c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips de Pury & Company in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips de Pury & Company in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction.

(d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips de Pury & Company, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law. This means that none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 112 07/11/11 16.06 PHILLIPS de PURY & COMPANY

Chairman Directors Advisory Board

Simon de Pury Sean Cleary Maria Bell Finn Schouenborg Dombernowsky Janna Bullock Patricia G. Hambrecht Lisa Eisner Chief Executive Officer Alexander Payne Lapo Elkann Olivier Vrankenne Ben Elliot Bernd Runge Lady Elena Foster H.I.H. Francesca von Habsburg Marc Jacobs Senior Directors Ernest Mourmans Michael McGinnis Aby Rosen Dr. Michaela de Pury Christiane zu Salm Juergen Teller Princess Gloria von Thurn und Taxis Jean Michel Wilmotte Anita Zabludowicz

INTERNATIONAL SPECIALISTS

Berlin Shirin Kranz, Specialist, Contemporary Art +49 30 880 018 42

Brussels Olivier Vrankenne, International Senior Specialist +32 486 43 43 44

Bérénice Chef, Specialist, Contemporary Art +32 473 12 27 06

Paris Thomas Dryll, International Senior Specialist + 33 1 42 78 67 77

Buenos Aires & London Brooke Metcalfe, International Specialist, Contemporary Art +44 777 551 7060

Geneva Katie Kennedy Perez, Specialist, Contemporary Art +41 22 906 8000

London Dr. Michaela de Pury, International Senior Director, Contemporary Art +49 17 289 736 11

Los Angeles Maya McLaughlin, Specialist, Contemporary Art +1 323 791 1771

Milan Laura Garbarino, Senior International Specialist, Contemporary Art +39 339 478 9671

Moscow Svetlana Marich, Specialist, Contemporary Art +7 495 225 88 22

GENERAL COUNSEL MANAGING DIRECTORS

Patricia G. Hambrecht Finn Schouenborg Dombernowsky, London/Europe Sean Cleary, New York

WORLDWIDE OFFICES

NEW YORK PARIS GENEVA 450 Park Avenue, New York, NY 10022, USA 6, avenue Franklin D. Roosevelt, 75008 Paris, France 23 quai des Bergues, 1201 Geneva, Switzerland tel +1 212 940 1300 fax +1 212 940 1230 tel +33 1 42 78 67 77 fax +33 1 42 78 23 07 tel +41 22 906 80 00 fax +41 22 906 80 01

NEW YORK BERLIN MOSCOW 450 West 15 Street, New York, NY 10011, USA Auguststrasse 19, 10117 Berlin, Germany TSUM, Petrovska str., 2, office 524, 125009 Moscow, Russia tel +1 212 940 1200 fax +1 212 924 5403 tel +49 30 8800 1842 fax +49 30 8800 1843 tel +7 495 225 88 22 fax +7 495 225 88 87

LONDON Howick Place, London SW1P 1BB, United Kingdom tel +44 20 7318 4010 fax +44 20 7318 4011

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 113 07/11/11 16.06 SPECIALISTS AND DEPARTMENTS

CONTEMPORARY ART PHOTOGRAPHS Michael McGinnis, Senior Director +1 212 940 1254 Vanessa Kramer, Worldwide Director +1 212 940 1243 and Worldwide Head, Contemporary Art NEW YORK NEW YORK Shlomi Rabi +1 212 940 1246 Zach Miner, Head of Part I +1 212 940 1256 Caroline Deck +1 212 940 1247 Sarah Mudge, Head of Part II +1 212 940 1259 Deniz Atac +1 212 940 1245 Roxana Bruno +1 212 940 1229 Carol Ehlers, Consultant +1 212 940 1245 Jean-Michel Placent +1 212 940 1263 Sarah Krueger +1 212 940 1225

Peter Flores +1 212 940 1223 LONDON Winnie Scheuer +1 212 940 1226 Lou Proud, Head of Photographs, London +44 20 7318 4018 Alyse Serrell +1 212 940 1303 Sebastien Montabonel +44 20 7318 4025 Amanda Stoffel +1 212 940 1261 Alexandra Bibby +44 20 7318 4087 Roxanne Tahbaz +1 212 940 1292 Jonathan Winter +1 212 757 0190 Rita Almeida Freitas +44 20 7318 4062 Emma Lewis +44 20 7318 4092 LONDON Peter Sumner, Head of Evening Sale +44 20 7318 4063 George O’Dell, Head of Day Sale +44 20 7318 4093 JEWELS NEW YORK Karen Levy +44 20 7318 4082 Nazgol Jahan, Worldwide Director +1 212 940 1283 Matt Langton +44 20 7318 4074 Joanna Bengoa +1 212 940 1302 Raphael Lepine +44 20 7318 4078 Brittany Gersh +1 212 940 1365 Paul de Bono +44 20 7318 4070 Henry Highley +44 20 7318 4061 LONDON Helen Rohwedder +44 20 7318 4042 Ardavan Ghavami, Head of Jewels, Europe +44 20 7318 4064 Charlotte Salisbury +44 20 7318 4010 Rose Curran +44 20 7318 4010 Lane McLean +44 20 7318 4032 PARIS Edouard de Moussac + 33 1 42 78 67 77 GENEVA Agnies Leki +41 22 906 8000

DESIGN Alexander Payne, Director +44 20 7318 4052 and Worldwide Head, Design CURATED THEME SALES Henry Allsopp, Worldwide Director +44 20 7318 4060 NEW YORK Alex Heminway, New York Director +1 212 940 1269 NEW YORK Corey Barr +1 212 940 1239 Marcus Tremonto +1 212 940 1268 Steve Agin, Consultant +1 908 475 1796 Meaghan Roddy +1 212 940 1266 Laura González +1 212 940 1216 Alexandra Gilbert +1 212 940 1265 Stephanie Max +1 212 940 1301

LONDON LONDON Domenico Raimondo +44 20 7318 4016 Arianna Jacobs +44 20 7318 4054 Ben Williams +44 20 7318 4027 Lisa de Simone +44 20 7318 4090 Marine Hartogs +44 20 7318 4021 Eleanor Crabtree +44 20 7318 4040 Marcus McDonald +44 20 7318 4095 Tamila Kerimova +44 20 7318 4085 Megan McGee +44 20 7318 4021 PRIVATE SALES MODERN AND LONDON CONTEMPORARY EDITIONS Matt Langton +44 20 7318 4074

NEW YORK Cary Leibowitz, Worldwide Co-Director +1 212 940 1222 Kelly Troester, Worldwide Co-Director +1 212 940 1221

Audrey Lindsey +1 212 940 1333 Jannah Greenblatt +1 212 940 1332

PRIVATE CLIENT SERVICES MUSEUM SERVICES DEPARTMENT NEW YORK Judith Hess, Director, London +44 20 7318 4075 Lauren Shadford +1 212 940 1257 Simon Tovey, Assistant +44 20 7318 4084 Cecilia Wolfson +1 212 940 1258

OFFICE OF THE CHAIRMAN Anna Furney, New York +1 212 940 1238 Harmony Johnston, London +44 20 7318 4099

ART AND PRODUCTION MARKETING & COMMUNICATIONS Mike McClafferty, Consultant Art Director

NEW YORK LONDON NEW YORK LONDON Andrea Koronkiewicz, Studio Manager Mark Hudson, Deputy Art Director Trish Walsh, Marketing Manager Giulia Costantini, Head of Communications Steven Mosier, Graphic Designer Andrew Lindesay, Sub-Editor Fiona McGovern, Communications Assistant Fernando Dias de Souza, Graphic Designer Tom Radcliffe, Production Director Orlann Capazorio, US Production Manager

04_JWLS_NY_Dec11_backmatter_104-117_v2.indd 114 07/11/11 16.06 SALE INFORMATION

AUCTION CATALOGUES 450 PARK AVENUE NEW YORK Barbara Escobar +1 212 940 1240 Tuesday 6 December 2011 at 4pm $35/€25/£22 at the gallery [email protected] VIEWING 450 PARK AVENUE NEW YORK ABSENTEE AND TELEPHONE BIDS Tuesday 22 November – Wednesday 23 November, 10am – 6pm Main +1 212 940 1228 fax +1 212 924 1749 [email protected] Monday 28 November – Monday 5 December, 10am – 6pm Marissa Piedra, Bid Manager +1 212 940 1304 Tuesday 6 December, 10am – 4pm Amanda Mazloom, Bid Clerk +1 212 940 1215

SALE DESIGNATION CLIENT ACCOUNTING In sending written bids or making enquiries please refer to this sale as NY060211 Sylvia Leitao +1 212 940 1231 or Jewels. Buyers Accounts Nicole Rodriguez +1 212 940 1235 WORLDWIDE DIRECTOR Seller Accounts Nazgol Jahan +1 212 940 1283 Barbara Doupal +1 212 940 1232

JEWELS CLIENT SERVICES Joanna Bengoa +1 212 940 1302 450 Park Avenue +1 212 940 1300 Brittany Gersh +1 212 940 1365 450 West 15 Street +1 212 940 1200 Lane McLean +44 20 7318 4032 SHIPPING PHOTOGRAPHY Beth Petriello +1 212 940 1373 Antfarm Photography Jennifer Brennan +1 212 940 1372

Back Cover An Elegant Unheated Ceylon Sapphire and Diamond Ring, Lot 226; An Important Diamond Ring, Lot 147; A Diamond and Ruby ‘Toi et Moi’ Ring, Lot 143; An Important Colombian Emerald and Diamond Ring, Lot 152

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