The Multiple Identities of Azerbaijan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BİRKAÇ SÖZ Foreword / Par L’Éditeur
BİRKAÇ SÖZ Foreword / Par l’éditeur Merhaba saygıdeğer okur, kelimeleri ve kaynak gösterme gibi kurallarımız 2016 yılında 28 yaşına basan Millî Folklor dikkate alınmaktadır. Bu süreci geçen yazıların dergisi 109. sayısıyla ellerinizde. yazarlarının kimliğini belli eden kısımları çıka- Bu sayıda Prof. Dr. Ensar Aslan’a Armağan rılarak Yayın Kuruluna gönderilmektedir. Yılda bölümümüzün, TV Dizileri dosyamızı ve diğer dört kez toplanan Yayın Kurulu, ret, düzel- özlü yazılarımızın yanında, derleme, çeviri, kitap te ve hakeme gönderme şeklinde dergiye tanıtma konulu yazılarımızla birlikte ve 2016 uygunluk açısından üç seçenekten biri üzerin- yılı “Millî Folklor: Dün ve Yarın Yuvarlak Masa den karara varmaktadır. Reddedilen yazılar bir Toplantısı Sonuç Raporu” başlıklı yazımızın da daha değerlendirmeye alınmamakta, düzeltme ilginizi çekeceğini umuyoruz. istenen yazılar içinse yeni başvuru kuralla- Prof. Dr. Ensar Aslan’a Armağan rı uygulanmaktadır. Hakemlere gönderilmesi Dergimizin Danışma Kurulu Üyesi ve gereken yazılar içinse üç hakem belirlenmekte, Hakemi olarak halk bilimine ve dergimize çok ilk aşamada iki hakemin, gerekli durumlarda değerli hizmetleri olan Ahi Evran Üniversitesi ise üçüncü hakemin içerik açısından görüşü Öğretim Üyesi Prof. Dr. Ensar Aslan’ın resmî alınmaktadır. İncelemenin hiçbir aşamasında görevinden emekli olmasına istinaden 2016 Yayın Kurulu ve hakemler yazarın/yazarların, Bahar sayısını halk bilimine yapmış olduğu yazar/yazarlar da hakemlerin kimliği hakkında değerli katkılar dolayısıyla kendisine armağan bilgi edinememektedir. Yayın Kurulu ve hakem- etmeyi planladık ve Doç. Dr. Salahaddin Bekki ler hiçbir şekilde reddettikleri yazının kime ve Öznür Ceylan’ın değerli katkılarıyla Armağan ait olduğunu öğrenememektedir. Sadece olumlu Bölümünü hazırladık. Değerli katkıları için ken- görüş verdikleri yazıların yazarlarının kim oldu- dilerine teşekkür ederken, hocamızın emeklilik ğunu inceledikleri yazıları dergide yayımlanmış sonrasında da sağlıkla ve mutlulukla çalışmala- olarak gördükleri vakit öğrenebilmektedirler. -
Turkish Literature from Wikipedia, the Free Encyclopedia Turkish Literature
Turkish literature From Wikipedia, the free encyclopedia Turkish literature By category Epic tradition Orhon Dede Korkut Köroğlu Folk tradition Folk literature Folklore Ottoman era Poetry Prose Republican era Poetry Prose V T E A page from the Dîvân-ı Fuzûlî, the collected poems of the 16th-century Azerbaijanipoet Fuzûlî. Turkish literature (Turkish: Türk edebiyatı or Türk yazını) comprises both oral compositions and written texts in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. The Ottoman Turkish language, which forms the basis of much of the written corpus, was influenced by Persian and Arabic and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic are the Orhon inscriptions, found in the Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of oral epics, such as the Book of Dede Korkut of the Oghuz Turks—the linguistic and cultural ancestors of the modern Turkish people—and the Manas epic of the Kyrgyz people. Beginning with the victory of the Seljuks at the Battle of Manzikert in the late 11th century, the Oghuz Turks began to settle in Anatolia, and in addition to the earlier oral traditions there arose a written literary tradition issuing largely—in terms of themes, genres, and styles— from Arabic and Persian literature. -
METAPHORS of MUSIC & DANCE in RUMI's MATHNAWI Abstract
KHATA – Journal Of Dialogue Of Civilisations METAPHORS OF MUSIC & DANCE IN RUMI’S MATHNAWI Amir H. Zekrgoo Professor of Islamic & Oriental Arts International Institute of Islamic Thought & Civilization (ISTAC) International Islamic University Malaysia (IIUM) Email: [email protected] The sages have said: the melodies we hear from the rotation of the celestial sphere (Rumi) Abstract The sound of music has often been used metaphorically by Sufis and other mystics to introduce connections to a true domain that may not be seen or touched externally, but could be felt as strong, if not more! Persian Poetry is full of such symbolic expressions. Rumi’s Mathnawi is among the sources where such metaphors find creative and colorful manifestations. The Mathnawi begins with a profound passage at the core of which stands a musical instrument: "The Flute". The Flute (or the reed) symbolizes a pure natural man who, despite being hollow of ego and worldly desires, feels empty and sad, for in the void within he feels strong longing for the Beloved who is absent; and that is why the melodies produced by the flute are often sad. Sufis maintain that melodies and rhythms prepare the soul for a deeper comprehension of the divine realities and a better appreciation of a music that is celestial in nature. Rumi views samā’ (the spiritual Sufi dance) in the same manner. Body, which is the carrier of the soul, in the process of samā’ is supposed to find its true rhythm. True samā‘, according to him, transcends the movement of body to unite the dancer’s soul with the Source. -
“Kitab-I Dedem Korkut” in Turkish Folklore of the 20Th Century
The Tale of the Epic Cycle of “Kitab-i Dedem Korkut” in Turkish Folklore of the 20th Century Tatiana A. Anikeeva Until very recent times, some tales related to the medieval epic cycle of “The Book of Dede Korkut” continued to exist on the territory of modern Turkey and the South Caucasus. These include, first of all, the tale of Bamsi Beyrek, which proceeded its further existence within the framework of a completely different, much later genre of Turkish traditional literature – the hikâye. Turkish folk narrative form called hikâye which is a special genre of Turkish folk literature. It has been existing for a long time mainly in the South of Turkey and in the Eastern Turkey since the Middle Ages. Hikâye is a prose text that includes folk songs and verses, that can be transmitted orally by story-tellers-aşiks or meddahs in coffee houses. The main peculiarity of this genre is its existence both in oral and written traditions at the same time; this genre occupies a borderline between oral and literary traditions. These are prosaic texts of novelistic or fantastic content that once were performed exclusively in oral form; sometimes they are often folklorized versions of literary plots widely known in the Middle East, or, as in the case of the tale of Bamsi Beyrek, are the part of a large epic cycle (“The Book of Dede Korkut”). These folk narratives include the stories of the prosaic version of the epic legend about Köroğlu, which has become widespread in Asia Minor and well-known in the Caucasus, the Middle East and Central Asia, as well as a number of other plots, such as “Ilbeylioğlu”, a story about Shakh-Ismail (“Şah-Ismail”), “Celali Bey ile Mehmet Bey”, “Kirmanşah”, etc. -
Historicizing Influence of Ottoman Mysticism and Mawlana Jalal Al-Din Rumi Through Contemporary Turkish Literature
World Journal of Islamic History and Civilization, 3 (3): 134-142, 2013 ISSN 2225-0883 © IDOSI Publications, 2013 DOI: 10.5829/idosi.wjihc.2013.3.3.3307 Historicizing Influence of Ottoman Mysticism and Mawlana Jalal Al-Din Rumi Through Contemporary Turkish Literature Nilgun Anadolu-Okur Department of African American Studies, Temple University, Philadelphia, PA 19122, United States of America Abstract: Mawlana Jalal al-Din Rumi influenced Western societies with his teachings on mysticism and alternative approaches for human predicaments such as war, aggression and clash of civilizations. The 13th century Muslim poet is recognized throughout the world as a philosopher of tasawwuf and multicultural discourse; he is the leader of Sufism and a teacher on non-violence, brotherly love, tolerance and conflict resolution. At times of global conflict such as the 2011 Arab Spring, the Syrian resistance and the Israeli-Palestinian conflict, Rumi’s modest appeal for open dialogue and human bonding is much sought for. Yet despite his long-standing legacy, Western world still fails to connect Rumi to his historical and political roots in Turkey, where he eventually embraced eternity. Rumi belongs and is squarely centered within the long-established tradition of Ottoman mysticism and Islamic studies, an inspiration to millions of scholars, authors, activists and philosophers around the world from India and Malaysia to the Americas, Middle-East, Europe, Asia and sub-Saharan Africa. Turkish author Elif Shafak illustrates how bridges can be built between Muslims and non-Muslims in Forty Rules of Love (A k). The semi-historical novel is a testimony on how Rumi’s Mathnawi and Ottoman mysticism is revered as Islam’s most significant gift to the world. -
ALPAMYSH Central Asian Identity Under Russian Rule
ALPAMYSH Central Asian Identity under Russian Rule BY H. B. PAKSOY Association for the Advancement of Central Asian Research Monograph Series Hartford, Connecticut First AACAR Edition, 1989 --------- ALPAMYSH: Central Asian Identity under Russian Rule COPYRIGHT 1979, 1989 by H. B. PAKSOY All Rights Reserved Library of Congress Cataloging-in-Publication Data Paksoy, H. B., 1948- ALPAMYSH: central Asian identity under Russian rule. (Association for the Advancement of Central Asian Research monograph series) Includes bibliographical references (p. ) Includes index. 1. Soviet Central Asia--History--Sources. 2. Alpamish. 3. Epic Literature, Turkic. 4. Soviet Central Asia--Politics and Government. I. Title. II. Series. DK847.P35 1989 958.4 89-81416 ISBN: 0-9621379-9-5 ISBN: 0-9621379-0-1 (pbk.) AACAR (Association for the Advancement of Central Asian Research) Monograph Series Editorial Board: Thomas Allsen (TRENTON STATE COLLEGE) (Secretary of the Board); Peter Golden (RUTGERS UNIVERSITY); Omeljan Pritsak (HARVARD UNIVERSITY); Thomas Noonan (UNIVERSITY OF MINNESOTA). AACAR is a non-profit, tax-exempt, publicly supported organization, as defined under section 501(c)(3) of the Internal Revenue Code, incorporated in Hartford, Connecticut, headquartered at the Department of History, CCSU, 1615 Stanley Street, New Britain, CT 06050. The Institutional Members of AACAR are: School of Arts and Sciences, CENTRAL CONNECTICUT STATE UNIVERSITY; Nationality and Siberian Studies Program, The W. Averell Harriman Institute for the Advanced Study of the Soviet Union, COLUMBIA UNIVERSITY; Mir Ali Shir Navai Seminar for Central Asian Languages and Cultures, UCLA; Program for Turkish Studies, UCLA; THE CENTRAL ASIAN FOUNDATION, WISCONSIN; Committee on Inner Asian and Altaistic Studies, HARVARD UNIVERSITY; Research Institute for Inner Asian Studies, INDIANA UNIVERSITY; Department of Russian and East European Studies, UNIVERSITY OF MINNESOTA; THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARCH, WASHINGTON D.C. -
History of Azerbaijan (Textbook)
DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms…………. -
A Comparative Analysis of the Concepts of Holy War and the Idealized Topos of Holy Warrior in Medieval Anatolian and European Sources
T.C. BAHÇEŞEHİR ÜNİVERSİTESİ A COMPARATIVE ANALYSIS OF THE CONCEPTS OF HOLY WAR AND THE IDEALIZED TOPOS OF HOLY WARRIOR IN MEDIEVAL ANATOLIAN AND EUROPEAN SOURCES Master’s Thesis CEREN ÇIKIN SUNGUR İSTANBUL, 2014 T.C. BAHÇEŞEHİR UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES DEPARTMENT OF HISTORY Supervisors: Prof. Dr. Heath W. LOWRY & Ass. Prof. Dr. Derya GÜRSES TARBUCK To my beloved Can, for all his kindness and support… ACKNOWLEDGEMENTS First and foremost, I must thank my research supervisors, Professor Heath W. Lowry and Assistant Professor Derya Gürses Tarbuck for giving me the chance to work together and the opportunity to study at Bahçeşehir University. Without their support and assistance this thesis could not even exist as an idea. I would also like to thank Associate Professor Dr. Fikret Yılmaz for making me question certain matters on the military warfare of the early Ottomans I had not noticed before. I also have to thank Professor Paul Latimer from Bilkent University for his assistance and for lighting my path to an understanding of European history with his advice. ABSTRACT A COMPARATIVE ANALYSIS OF THE CONCEPTS OF HOLY WAR AND THE IDEALIZED TOPOS OF THE HOLY WARRIOR IN MEDIEVAL ANATOLIAN AND EUROPEAN SOURCES Ceren Çıkın Sungur History Supervisors: Prof. Dr. Heath W. Lowry & Ass. Prof. Derya Gürses Tarbuck June, 2014, 199 pages Claims of holy war characterized the Middle Ages in both Muslim Anatolia and Christian Europe, where soldiers on both sides were portrayed as holy warriors. Named gazis, akıncıs, alps, chevaliers and knights, they came from the elite military classes. Literary depictions of these men as holy warriors were fundamentally idealized topoi created by writers who were patronized by or were close to those in power. -
Traces of Greco-Roman Mythology in Classical Turkish Literature: the Thread of Life / B
532 / RumeliDE Journal of Language and Literature Studies 2020.19 (June) Traces of Greco-Roman mythology in classical Turkish literature: The Thread of Life / B. Alpaydın (pp. 528-540) Traces of Greco-Roman mythology in classical Turkish literature: The Thread of Life Bilal ALPAYDIN1 APA: Alpaydın, B. (2020). Traces of Greco-Roman mythology in classical Turkish literature: The Thread of Life. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (19), 528-540. DOI: 10.29000/rumelide.752507. Abstract It is wholly acknowledged that prior to the Turks’ conquest of Anatolia, this land was inhabited by diverse cultures and civilizations. Following its conquest, however, large segments of the various populations living in Anatolia continued to reside in their native homelands, indicating that the Turks lived together with these indigenous cultures for centuries. Greeks and Romans made up only one aspect of these various cultures. Although nowhere near as pervasive as their Persian and Arab counterparts, the cultures and mythologies of both the Greeks and Romans are discernible in Turkish culture, which is only natural after having shared the same homeland for many years in Anatolia and Europe. One such example is the occasional likening of a beloved’s hair to snakes in classical Turkish literature, reminiscent of Medusa’s own snake-like hair in Greek mythology. Indeed, the poems written in Greek by Mawlānā Jalāl al-Dīn Rūmī and Ahmed Pasha demonstrate that Turkish poets were not complete strangers to Western sources. After providing information about the three Moirai sisters known as the goddesses of fate in Greek and Roman mythology, this article will move on to address how they indirectly appear in classical Turkish literature. -
103 TURKISH LITERATURE in JAPANESE Oğuz BAYKARA*
İ.Ü. Çeviribilim Dergisi, Sayı: 6 (2-2012) s. 103-133 I.U. Journal of Translation Studies, Issue: 6 (2-2012) p. 103-133 103 TURKISH LITERATURE IN JAPANESE Oğuz BAYKARA* Abstract This article gives an account of Turkish works translated into Japanese between 1925 and 2012. It is also an attempt to provide some answers, especially to the question concerning the reasons of the lack of interest for Turkish literature in Japan. The first part of this article sets out the theo- retical framework. The second part outlines the literary exchange between Japan and Turkey. The third part presents the data collected regarding the published Turkish literature in Japanese by surveying the authors, publishers, translators and translated works as well as scrutinizing the translation activity and the forces that triggered it. The final part evaluates the position of the translated Turkish literature in the Japanese polysystem, based on the data obtained from this research. Key Words: Polysystem Theory, Turkish Literature in Japanese, literary exchanges and relations, central/marginal positions. Özet Bu makalede 1925-2012 yılları arasında Türk edebiyatından Japonca- ya çevrilen eselerler ele alınmaktadır. Makale aynı zamanda Japonya’da Türk edebiyatına olan ilginin neden marijinal düzeyde olduğu sorusuna da yanıt aramaktadır. İlk bölümde çalışmanın kuramsal çerçevesi belirlenmiş- tir. İkinci bölüm Japonya ve Türkiye arasındaki edebi alış-verişi özetler. Üçüncü bölümde Japoncaya çevrilen Türk edebiyatı üzerinde yaptığımız araştırmalardan elde edilen veriler sunulmuştur. Veriler toplanırken sadece çevrilen eserler, yazarlar, çevirmenler ve yayınevleri değil, aynı zamanda çeviri etkinliği ve onu tetikleyen güçler de göz önünde bulundurulmuştur. Dördüncü bölümde ise elde edilen veriler temel alınarak, Japon diline ak- tarılan Türk edebiyatının Japon çoğuldizgesi içindeki konumu üzerinde bir değerlendirme yapılmaktadır. -
Why Should Anyone Be Familiar with Persian Literature?
Annals of Language and Literature Volume 4, Issue 1, 2020, PP 11-18 ISSN 2637-5869 Why should anyone be Familiar with Persian Literature? Shabnam Khoshnood1, Dr. Ali reza Salehi2*, Dr. Ali reza Ghooche zadeh2 1M.A student, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran 2Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran *Corresponding Author: Dr. Ali reza Salehi, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran, Email: [email protected] ABSTRACT Literature is a tool for conveying concepts, thoughts, emotions and feelings to others that has always played an important and undeniable role in human life. Literature encompasses all aspects of human life as in love and affection, friendship and loyalty, self-sacrifice, justice and cruelty, manhood and humanity, are concepts that have been emphasized in various forms in the literature of different nations of the world. Poets and writers have endeavored to be heretics in the form of words and sentences and to promote these concepts and ideas to their community. Literature is still one of the most important identifiers of nations and ethnicities that no other factor has been able to capture. As a rich treasure trove of informative and educational material, Persian literature has played an important role in the development and reinforcement of social ideas and values in society, which this mission continues to do best. In this article, we attempt to explain the status of Persian literature and its importance. Keywords: language, literature, human, life, religion, culture. INTRODUCTION possible to educate without using the humanities elite. -
Dil Və Ədəbiyyat Language and Lıterature Языкилиtераtура
ISSN 2518-7538 AZƏRBAYCAN RESPUBLİKASI TƏHSİL NAZİRLİYİ DİL VƏ ƏDƏBİYYAT LANGUAGE AND LITERATURE ЯЗЫКИЛИTЕРАTУРА X CİLD, № 1, 2020 VOL X, № 1, 2020 ТОМ X, № 1, 2020 Azərbaycan Respublikasının Prezidenti yanında Ali Attestasiya Komissiyasının Rəyasət Heyətinin 30 aprel 2010-cu il tarixli iclasında (protokol № 10 R) dövri elmi nəşr kimi təsdiq edilmişdir. Dil və Ədəbiyyat Baş redaktor fil.e.d., prof.Zeynalova Sevinc – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı Baş redaktorun müavini fil.e.d., prof.Əliyeva Həmidə – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı Məsul katib fil.f.d., dos.Allahverdiyeva Aytən– Azərbaycan Dillər Universiteti, Azərbaycan, Bakı Korrektor Aslanova Xatirə – Elm Ģöbəsi, Azərbaycan Dillər Universiteti, Azərbaycan, Bakı REDAKSİYA HEYƏTİ: 1. fil.e.d., prof.Abdullayev Sərxan – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 2. fil.f.d.,dos.Əhmədov Fazil – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 3. fil.e.d., prof.Məmmədov Azad – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 4. fil.f.d., dos.Həsənov Seyfəl – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 5. fil.e.d., prof.Xəlilli Şahin – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 6. fil.f.d., dos.İbrahim Ülfət – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 7. fil.f.d., dos.Qəribova Jalə – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 8. fil.e.d.Sadıqova Gülnarə – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 9. fil.e.d., prof.Vəliyeva Nigar – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 10. fil.e.d., prof.Cahangirov Fikrət –Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 11. fil.f.d., dos. İmanova Sevda – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 12. fil.e.d., prof.Cəfərova Leyla – Azərbaycan Dillər Universiteti, Azərbaycan, Bakı 13. fil.e.d., prof.Mahmudov Məsud – Azərbaycan Milli Elmlər Akademiyası (AMEA), Azərbaycan, Bakı 14.