The Flyleaf, 1989
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Two Missals Printed for Wynkyn De Worde
TWO MISSALS PRINTED FOR WYNKYN DE WORDE GEORGE D. PAINTER, DENNIS E. RHODES, AND HOWARD M. NIXON The British Library has recently acquired two important and exceedingly rare editions of the Sarum Missal. These mere produced in Paris m I4gj and i^ii for Wynkyn de Worde and others., and are fully described in the second and third sections of this article. The first section gives a brief general account of the printing of the Sarum Missal for the English market during the fifteenth and sixteenth centuries. I THE English printers of the fifteenth century seemed curiously reluctant to print the major service-books of their own national liturgy, the rite of Sarum. This apparent disinclination cannot be explained by any lack of a market for such works. The Sarum Missal, above all, was certainly in greater demand than any other single book in pre- Reformation England, for every mass-saying priest and every church or chapel in the land was obliged to own or share a copy for daily use. Yet it is a striking fact that of the twelve known editions of the Sarum Missal during the incunable period all but two were printed abroad, in Paris, Basle, Venice, or Rouen, and imported to England. The cause of this paradoxical abstention was no doubt the inability of English printers to rise to the required magnificence of type-founts and woodcut decoration, and to meet the exceptional technical demands of high-quality red-printing, music printing, and beauty of setting, which were necessary for the chief service-book of the Roman Church in England. -
Latin Books Published in Paris, 1501-1540
Latin Books Published in Paris, 1501-1540 Sophie Mullins This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 6 September 2013 1. Candidate’s declarations: I, Sophie Anne Mullins hereby certify that this thesis, which is approximately 76,400 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2007 and as a candidate for the degree of PhD in September 2007; the higher study for which this is a record was carried out in the University of St Andrews between [2007] and 2013. (If you received assistance in writing from anyone other than your supervisor/s): I, …..., received assistance in the writing of this thesis in respect of [language, grammar, spelling or syntax], which was provided by …… Date 2/5/14 signature of candidate ……… 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date 2/5/14 signature of supervisor ……… 3. Permission for electronic publication: (to be signed by both candidate and supervisor) In submitting this thesis to the University of St Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
The Library of Hélion Jouffroy a Survey and Some Additional Identifications
Quærendo 47 (2017) 199-221 brill.com/qua The Library of Hélion Jouffroy A Survey and Some Additional Identifications Gregory Hays University of Virginia Charlottesville, VA, United States [email protected] Abstract One of the notable libraries of early sixteenth-century France was that of the Rodez lawyer and canon Hélion Jouffroy (†1529), nephew of the better known cardinal Jean Jouffroy. The younger Jouffroy’s books, which included both printed volumes and man- uscripts, were dispersed after his death. Our knowledge of his holdings depends on a 1530 inventory, first published in 2012 by Matthieu Desachy. This article briefly surveys Jouffroy’s intellectual interests as they emerge from his collection, and offers some new identifications of texts and editions listed in the inventory. Keywords Hélion Jouffroy – libraries – inventories Hélion Jouffroy (†1529) was a doctor of civil law and canon of Rodez Cathedral. Like his better-known uncle, the cardinal Jean Jouffroy, he was a prodigious book collector: at the end of his life he owned well over six hundred manu- scripts and printed volumes. Our knowledge of his library rests on a 1530 inven- tory, first published in 2012 by Matthieu Desachy.1 * I am grateful to David Whitesell for comments on an earlier version of this article. 1 M. Desachy, Deux bibliophiles humanistes. Bibliothèques et manuscrits de Jean Jouffroy et d’Hélion Jouffroy (Paris 2012), pp. 105-150. The introduction to this book is largely identical to Desachy’s earlier article, ‘Bibliophiles d’oncle à neveu: livres et bibliothèques de Jean et Hélion Jouffroy (vers 1460-1530),’ in: Bulletin du bibliophile, n.s. -
The Printing Revolution in Europe, 1455-1500 Author Index 1
Incunabula: The Printing Revolution in Europe, 1455-1500 Author Index Aaron Hakohen. Abraham ibn Ezra. Orhot Hayyim. Perush ha-Torah. [Spain or Portugal: Printer of Alfasi's Halakhot. [before Naples: Joseph ben Jacob Ashkenazi Gunzenhauser and his 1492?] son [Azriel]. 2 May 1488 ia00000500: GW 486; Offenberg 2; Thesaurus Tipog. ia00009300: H 23; Fava & Bresciano 262; Sander 4; IGI 6 = Hebraicae B37. VI E2; IDL 2448; Sajó-Soltész 1; Voulliéme, Berlin 3178; Fiche: IH 52 Ohly-Sack 4; Madsen 2; Proctor 6729; Cowley p.14; De Rossi (p.58) 21; Encyclopaedia Judaica 122; Freimann p.115; Abbey of the Holy Ghost. Freimann, Frankfurt 1; Goldstein 52; HSTC 73; Jacobs 53; Westminster: Wynkyn de Worde. [about 1497] Marx 1; Offenberg 56; Offenberg, Rosenthal 13; Schwab 46; ia00001500: Duff 1; H 19; STC 13609; Oates 4142; Proctor Steinschneider, Bodley 4221(1); Thesaurus Tipog. Hebraicae 9721; GW 1; Fac: ed. F. Jenkinson, Cambridge, 1907. A60; Wach II 158; Zedner p.22; GW 114. Fiche: EN 129 Fiche: IH 1 Abiosus, Johannes Baptista. Abrégé de la destruction de Troie. Dialogus in astrologiae defensionem cum vaticinio a Paris: Michel Le Noir. 1500 diluvio ad annos 1702. With additions by Domicus Palladius ia00009700: CIBN A-4, GW 119. Soranus. Fiche: RM 78 Venice: Franciscus Lapicida. 20 Oct. 1494 ia00008000: H 24*; GfT 2207; Klebs 1.1; Pellechet 17; CIBN Abstemius, Laurentius. A-2; IGI 2; IBP 1; IBE 2; Essling 756; Sander 1; Walsh Fabulae (Ed: Domicus Palladius Soranus). Aded: Aesopus: 2626A; Sheppard 4581; Proctor 5543; BSB-Ink A-2; GW 6. Fabulae (Tr: Laurentius Valla). -
Printing the Law in the 15Th Century with a Focus on Corpus Iuris Civilis
Printing R-Evolution and Society 1450-1500 Fifty Years that Changed Europe edited by Cristina Dondi chapter 4 Printing the Law in the 15th Century With a Focus on Corpus iuris civilis and the Works of Bartolus de Saxoferrato Maria Alessandra Panzanelli Fratoni 15cBOOKTRADE, University of Oxford, UK Abstract The editions of legal texts are a major and important part of 15th-century book output, amounting to about 15% of the surviving extant editions. The category comprehends two types of work: (a) the collections of Roman and Canon law, with their medieval supplements and commentaries; (b) acts and regulations produced by govern- ments and by local authorities as part of their day-to-day activity. After a general overview, this article focuses on the first group of texts, which offers an opportunity to address some key questions related to the impact of printing in a particular cultural context, that of the university. A study of legal texts printed in the 15th century aims to provide a relevant contribution to a better understanding of the impact of printing by comparing elements of continuity and discontinuity with the manuscript and later printed tradition. Keywords History of the book. Textual transmission. Incunabula. Scholarly book. Law books. Legal texts. Ius commune. Legal history. Corpus iuris civilis. Bartolus de Saxofer- rato. History of Universities. Summary 1 Introduction. – 2 Legal Texts in the Age of Print: An Overview. – 2.1 The Cat- egories of Law; Ius Commune and Iura Propria; Scholarly Production and Current Affairs – 2.2 Civil and Canon law: Scholarly Production. – 2.3 Periodisation of the Texts of Civil and Canon law. -
Antiquarian Books
JUSTIN CROFT Antiquarian Books exhibiting at the New York Antiquarian Book Fair 2016 booth A33 Justin Croft Antiquarian Books Ltd, ABA, ILAB, 7 West Street, Faversham, Kent, ME137JE, UK, [email protected] +44 1795 591111 mobile: +44 7725 845275 ECLIPSE OF THE SUN KING 1. [ALLARD, Carel]. Koninglyke Almanach: beginnende, met den aanvang der oorlogh, van anno 1701... waer in... de loop der zon der ongeregtigheid... door XVIII zinnebeelden in koopere plaaten vertoond word...; Almanach Royal. Commencement avec la guerre de l’an 1701. ‘Paris: Imprimerie Royale’, [but Amsterdam, c. 1706]. $4500 Small folio (319 × 200 mm), engraved title (in Dutch and French) and 18 plates (of which 12 are double page) with engraved or letterpress text, plus 6 additional plates loosely inserted, the called-for plates neatly mounted on guards in early (probably eighteenth-century) marbled wrappers. Former collector’s neat numbering to lower forecorners. Spine defective, a few plates slightly creased or dusty at margins. But overall very crisp and clean. FIRST EDITION of this collection of violently satirical plates directed against Louis XIV, Madame de Maintenon and Philip V of Spain during the War of the Spanish Succession, several linking their fortunes to solar eclipse of 1706. The plates are mostly by Carel Allard (1648-1709) and were etched and published separately as broadsides more or less simultaneously with the depicted contemporary events; and published as a collection c. 1706. Several of the plates have been attributed to Romeyn de Hooghe, though not securely. Both the broadsides and the collection are rare, held by only a few institutions. -
Festschrift HDL.Indd
Downloaded from SAS Space http://www.sas-space.sas.ac.uk Open Access books made available by the School of Advanced Study, University of London Press ***** Publication details: Medieval Londoners: essays to mark the eightieth birthday of Caroline M. Barron Edited by Elizabeth A. New and Christian Steer DOI: 10.14296/1019.9781912702152 ***** This edition published 2019 by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU, United Kingdom ISBN 978-1-912702-15-2 (PDF edition) This work is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. More information regarding CC licenses is available at https://creativecommons.org/licenses IHR Conference Series Medieval Londoners Essays to mark the eightieth birthday of Caroline Barron Edited by Elizabeth A. New and Christian Steer Medieval Londoners Essays to mark the eightieth birthday of Caroline M. Barron Medieval Londoners Essays to mark the eightieth birthday of Caroline M. Barron Edited by Elizabeth A. New and Christian Steer UNIVERSITY OF LONDON PRESS INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU Text © contributors, 2019 Images © contributors and copyright holders named in captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as authors of this work. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons license unless indicated otherwise in the credit line to the material. -
Index of Printing and Publishing Towns
Index of Printing and Publishing Towns Amsterdam Carpentier, Jacobus, 1633 Aboab, Eliahu, 1644 Chayer, Pierre, 1691 ± 1700 Athias, Joseph, 1661 ± 1667 Claesse, Frans, 1654 Autein, Laurens, 1670 ± 1671 Claesz, Cornelis, 1602 ± 1610 A Baardt, Rieuwert Dircksz van, 1644 Claus, Jacob, 1676 —, —, Widow of, 1652 Cloppenburgh, Evert, 1640 Bakkamude, Daniel, 1666 ± 1668 —, Jan Evertsz, 1603 ± 1630 A˚ bo Benjamin, Jacob, 1668 Cloppenburgh Press, 1640 Winter, Johannes, 1689 ± 1692 Benningh, Jan, 1655 Colom, Jacob Aertsz, 1633 ± 1671 Alcalá Benveniste, Immanuel, 1658? —, Johannes, 1648 Brocar, Arnaldo Guillén de, 1516 Berge, Pieter van den, 1661 ± 1665 Commelinus, Hieronymus, Heirs of, 1626 —, Juan de, 1541 Bisterus, Lucas, 1680 Commelyn, Casparus, 1660 ± 1669 Fernández, María, 1646 Blaeu, 1684 ± 1685 Compagnie des Libraires, 1685 ± 1700? Ximenez de Cisneros, Franciscus, 1517 —, Typographia Blaviana, 1663 ± 1693 Cunradus, Christoffel, 1651 ± 1660 —, Cornelis, 1635 ± 1648? Dalen, Daniel van den, 1700 Alençon —, Joan, I, 1635 ± 1675 Dankertz, Cornelius, 1659 Du Bois, Simon, 1530? —, —, I, Heirs of, 1679 Desbordes, Henri, 1683 ± 1700 Alethopolis —, —, II, 1687 ± 1701 Dittelbach, Pierre, 1689 Valerius, Cajus, 1665 —, Pieter, 1687 ± 1701 Du Bois, François, II, 1676 Alkmaar —, Willem, 1633 ± 1688 Du Fresne, Daniel, 1687 Meester, Jacob, 1605 —, Willem Jansz, 1617 ± 1639 Dyck, Jan van, Heirs of, 1685 Oorschot, Joannes, 1605 Blankaart, Cornelis, 1687 ± 1688 Elsevier, Officina, 1637 ± 1680 Blum & Conbalense, (pseud. of S. —, Bonaventure, 1608 Altdorf Mathijs), -
PDF Van Tekst
De Gulden Passer. Jaargang 83 bron De Gulden Passer. Jaargang 83. Vereniging van Antwerpse Bibliofielen, Antwerpen 2005 Zie voor verantwoording: http://www.dbnl.org/tekst/_gul005200501_01/colofon.php © 2016 dbnl i.s.m. VII [De Gulden Passer 2005] Francine de Nave Het Complex Woning-Ateliers-Museum Plantin-Moretus UNESCO-Werelderfgoed! Op 15 juli 2005 werd de oude Officina Plantiniana, alias het Museum Plantin-Moretus, door de vertegenwoordigers van 21 landen (maar niet van België) verenigd in het UNESCO-World Heritage Committee in vergadering te Durban (Zuid-Afrika), ingeschreven op de UNESCO-Lijst van het Werelderfgoed als het Complex Woning-Ateliers-Museum Plantin-Moretus. Daarmee is deze historische site erkend als van wereldniveau en neemt hij op deze zeer exclusieve lijst dezelfde rang in als bijvoorbeeld de Chinese muur (1987), de Egyptische pyramides (1979), het paleis en het park van Versailles (1979), de Acropolis in Athene (1987), de Borobudurtempel in Indonesië (1991), Kyoto en de Himeji-jo in Japan (1993), en Machu Picchu in Peru (1983). Sinds de start in 1972 waren op de UNESCO-Werelderfgoedlijst tot 10 juli 2005 slechts 611 culturele sites opgenomen, waaronder principieel geen musea. Dat het Museum Plantin-Moretus toch in de lijst werd ingeschreven, is te danken aan het feit dat het hier gaat om geheel uitzonderlijk erfgoed: het is de enige zestiende-eeuwse drukkerij-uitgeverij die op wereldvlak nog met volledige inrichting en woning bewaard is gebleven. De voorgeschiedenis van dit complex van wereldniveau is genoegzaam bekend. Na driehonderd jaar productiviteit aan de Vrijdagmarkt werd de oude ‘Officina Plantiniana’ met de nagenoeg complete inboedel op 20 april 1876 door de laatste bedrijfsleider en eigenaar, Jonkheer Edward Moretus, verkocht aan de Stad Antwerpen en de Belgische Staat. -
A Census of Print Runs for Fifteenth-Century Books
A Census of Print Runs for Fifteenth-Century Books Many historians seeking to measure the impact of the ‘printing revolution’ in fifteenth- century Europe have taken a quantitiative approach, multiplying the total of all editions by the number of copies in a typical edition. However, whereas the Incunable Short Title Catalog (ISTC) lists more than 28,000 fifteenth-century editions that are represented by surviving specimens, the number of lost editions will always remain indeterminate.1 The second factor in the equation – the typical or ‘average’ fifteenth-century print run – is just as indeterminate as the first, if not more so. Inevitably, the ‘editions × copies’ formula has produced estimates of fifteenth-century press production that range anywhere from eight million to more than twenty million pieces of reading material.2 Such irreconcilable results (in which the margin for error may be larger than the answer itself) only serve to demonstrate that any effort to arrive at a meaningful quantification of fifteenth-century press production will require a much more systematic analysis of the available data on print runs. The present study, a census of print runs for fifteenth-century books, takes a step in that direction by asking a much more basic question: what is the available data? The Problem In a typical example of the quantitative approach to the readership of one fifteenth- century text, Frederick R. Goff once demonstrated the popularity of the Postilla super epistolas et evangelia by Guillermus Parisiensis by noting that more -
Bibliography
BIbLIOGRApHY NB: Early modern translations are listed under the translator’s name, except in cases of anonymous translations, which are listed under the name of the author. Modern translations are also listed under the name of the author. PRIMARY Ainsworth, Henry. 1609. A defence of the Holy Scriptures, worship, and ministerie, used in the Christian Churches separated from Antichrist.... Amsterdam: Giles Thorp. Anon. 1527?. A copy of the letters wherin the ... king Henry the eight, ... made answere vnto a certayne letter of M. Luther... [anon. tr.]. London: R. Pynson. ———. 1549?. The prayse and commendacion of suche as sought comenwelthes: and to the co[n]trary, the ende and discommendacion of such as sought priuate welthes. Gathered both out of the Scripture and Phylozophers. London: Anthony Scoloker. ———. c.1550. A Ruful complaynt of the publyke weale to Englande. London: Thomas Raynald. ———. 1588. A discourse vpon the present state of France [anon. tr.]. London: John Wolfe. ———. 1632. All the French Psalm tunes with English words ... used in the Reformed churches of France and Germany ... [anon. tr.]. London: Thomas Harper. ———. 1642. Articles of Impeachment exhibited in Parliament, against Spencer Earle of Northamp[ton], William Earle of Devonsh[ire], Henry Earle of Dover, Henry Earle of Monmouth, Robert Lord Rich, Charles Lord Howard Charlton, Charles L. Grey of Ruthen, Thomas Lord Coventry, Arthur Lord Chapell, &c. For severall high Crimes and Misdemeanours.... London: T. F for J. Y. © The Author(s) 2018 279 M.-A. Belle, B. M. Hosington (eds.), Thresholds of Translation, Early Modern Literature in History, https://doi.org/10.1007/978-3-319-72772-1 280 BIBLIOGRAPHY Ashley, Robert, tr. -
Hier Finden Sie Bücherzeichen, Die Auf Die Ewigkeit (Aeternitas) Verweisen: Uroboros, Phönix Und Tempus
Hier finden Sie Bücherzeichen, die auf die Ewigkeit (Aeternitas) verweisen: Uroboros, Phönix und Tempus B41b, 1.2016 Auf die Ewigkeit verweisen die Bücherzeichen der nachstehend aufgeführten Drucker Daniel Bakkamunde Jean Gaudin Graziose Percacino Gimel Bergen (I.), und Blaise Petrail Gimel Bergen (II.) Jacques Gazeau Johannes Rastell und Gimel Bergen (III.) Jan van Ghelen und William Rastell Francesco Bindoni Giulio Guidobono Nicolaus Roth und Gaspare Bindoni und Ottaviano Guidobono Arnold Bon Orazio Gobbi Felix van Sambix d.J. Jean Bonfons d.Ä. Nikolaus Schreiber Henry Bynneman Hendrick Lodewycxsz van Haestens Barentsz Otto Smient David Hauth d.Ä. Abraham Jansz Canin Michel Hillen Jean Temporal Girolamo Cartolari, Jean de Tournes d.Ä. Baldassare Cartolari William Jaggard, und Jean de Tournes d.J. und Francesco Cartolari John Jaggard Matern Cholin und Isaac Jaggard Antoine Vincent d.Ä., und Peter Cholin Peter Jordan Antoine Vincent d.J. Simon de Colines und Barthelemy Vincent Dirck van Kalis Giovanni Dossena und Jacob Braat Jan van Waesberghe d.J. Guillermo Drouy William Williamson Robert le Mangnier Wynkyn de Worde Heinrich Falkenberg Simon Millanges Filoterpsi Filoponi Die Symbole der Ewigkeit: Aeternitas (männlich Aeternus, griech. Aion) war die personifizierte Ewigkeit. Als »Aeternitas Augusti«, als kaiserliche Ewigkeit, erscheint sie seit den Zeiten Kaiser Augustus’ (63 v.Chr.–14 n.Chr.) wird sie auf Inschriften von Münzen abgebildet. Erst unter Kaiser Titus Flavius Vespasian (9–79) wird sie als Frau bildlich dargestellt; hier- bei saß sie auf einem von Löwen oder von Elefanten gezogenen Wagen. Der italienische Dichter Barberino dell’Este beschrieb sie 1324 als Frau, deren Beine als Schlangen ausgebildet sind.