Printing the Law in the 15Th Century with a Focus on Corpus Iuris Civilis
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Two Missals Printed for Wynkyn De Worde
TWO MISSALS PRINTED FOR WYNKYN DE WORDE GEORGE D. PAINTER, DENNIS E. RHODES, AND HOWARD M. NIXON The British Library has recently acquired two important and exceedingly rare editions of the Sarum Missal. These mere produced in Paris m I4gj and i^ii for Wynkyn de Worde and others., and are fully described in the second and third sections of this article. The first section gives a brief general account of the printing of the Sarum Missal for the English market during the fifteenth and sixteenth centuries. I THE English printers of the fifteenth century seemed curiously reluctant to print the major service-books of their own national liturgy, the rite of Sarum. This apparent disinclination cannot be explained by any lack of a market for such works. The Sarum Missal, above all, was certainly in greater demand than any other single book in pre- Reformation England, for every mass-saying priest and every church or chapel in the land was obliged to own or share a copy for daily use. Yet it is a striking fact that of the twelve known editions of the Sarum Missal during the incunable period all but two were printed abroad, in Paris, Basle, Venice, or Rouen, and imported to England. The cause of this paradoxical abstention was no doubt the inability of English printers to rise to the required magnificence of type-founts and woodcut decoration, and to meet the exceptional technical demands of high-quality red-printing, music printing, and beauty of setting, which were necessary for the chief service-book of the Roman Church in England. -
Latin Books Published in Paris, 1501-1540
Latin Books Published in Paris, 1501-1540 Sophie Mullins This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 6 September 2013 1. Candidate’s declarations: I, Sophie Anne Mullins hereby certify that this thesis, which is approximately 76,400 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2007 and as a candidate for the degree of PhD in September 2007; the higher study for which this is a record was carried out in the University of St Andrews between [2007] and 2013. (If you received assistance in writing from anyone other than your supervisor/s): I, …..., received assistance in the writing of this thesis in respect of [language, grammar, spelling or syntax], which was provided by …… Date 2/5/14 signature of candidate ……… 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date 2/5/14 signature of supervisor ……… 3. Permission for electronic publication: (to be signed by both candidate and supervisor) In submitting this thesis to the University of St Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
Austria-Hungaria
CONSPECTUS INCUNABULORUM SECUNDUM REGIONES, URBES ET TYPOGRAPHOS AUSTRIA WIEN TYPOGRAPHTJS OPERIS VOCABOLISTA ( = STEPHAN KOBLINGER?) 1482. Gerson, J.: Doctrina de confessione. 1414. 1482. Guido de Monte Rocherii: Manipulus curato- rum. 1538. 1482. Vocabularius Ital.-Teuton. 3503. [post 6. Jan. 1485.] Innocentius VIII.: Bulla canonisationis S. Leopoldi. 1783. JOHANN WlNTERBURG [post 8. Dec. 1493.] Friderici III. obitus et exequiae. 1361. [post 8. Dec. 1493.] Begángnis Friedrichs III. 1362. [1494.] Columella: De re rustica. 1049. 1. Aug. 1494. Balbus, H.: Epigrainmata. 458. [c. 1494/95.] Dionysius Periegetes: Orbis descriptio. 1189. [c. 1495.] Muntz, J.: Tabula minutionum. 2348. [c. 1495.] Purbachius, G.: Algorismus. 2874. 1498. Gruenpeck, J.: Prognosticon. 1525. [c. 1496.] Astesanus de Ast: Ganones poenitentiales. 331. [1497.] Johannes Glogoviensis: Signatio anni 1498. 1919. [non ante 1. Nov. Pseudo-Aristoteles: De mundo ad Alexan- 1497.] drum. 311. [c. 1497.] Henricus de Hassia: Secreta sacerdotum. 1623. [c 1497.] Johannes Glogoviensis: Signatio. [Germ.] 1920. 10Ő9 [c. 1497/98.] Prudentius Clemens, A.: Cathemerinon. 2849. [o. 1499.] Theobaldus subprior: Errores Judaeorum. 3211. 1500. Celtis, C: Septenaria sodalitas litteraria Germaniae. 962. [c. 1500.] JMicolaus de Cusa: Propositiones de virtute. — Celtis, C: Carmen saeculare. 2394. [c. 1500.] Privilegia s. virginis Mariae. 2837. [post 1500?] Pseudo-Albertus Magnus: De secretis mulierum. 104. BATAVIA DELFT JAKOB VAN DER MEER 27. Oct. 1486. Pseudo-Eusebius Cremonensis: Epistola de morte Hieronymi. 1286. DEVENTER JACOBUS DE BREDA 1486. Cordiale quattuor novissimorum. 1079. 1487. Barzizius, G.: Epistolae. 538. 27. Febr. 1490. Boethius: De consolatione philosophiae. 710. 9. Oct. 1490. Pseudo-Boethius: De disciplina scholarium. 722. [c. 1490.] Publicius, J.: Ars conficiendi epistolas. 2868. 16. Febr. 1491, BartholomaeusColoniensis: Suva carminum. -
Assaults on the Faith
! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©2017! Brooke!Falk! ALL!RIGHTS!RESERVED! ASSAULTS ON THE FAITH: IMAGINING JEWS AND CREATING CHRISTIANS IN THE LATE MIDDLE AGES By BROOKE FALK A dissertation submitted to the Graduate School-New Brunswick Rutgers, the State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Art History Written under the direction of Dr. Laura Weigert And approved by New Brunswick, New Jersey January, 2017 ABSTRACT OF THE DISSERTATION Assaults on the Faith: Imagining Jews and Creating Christians in the Late Middle Ages By BROOKE FALK Dissertation Director: Laura Weigert My dissertation examines manuscripts and early printed books of the “Fortress of Faith” (Fortalitium fidei) as influential works in late medieval constructions of Jewish and Christian identity. I argue that the “Fortress of Faith” moves beyond traditional polemics in its comprehensive use of popular argumentative approaches, particularly in its use of images, which appealed to a variety of late medieval audiences. I suggest a revised stemma, giving preference to the influence of woodcuts over miniatures. Through both types of images, Christians were armed with mental pictures of themselves as knights guarding a Christian fortress. The first two chapters study surviving manuscripts and incunabula of the text with regard to their material execution, visual imagery, verbal content, and regional production and dissemination. The presentation of the text evolved with its shifting audience from the time it was composed around 1460 by a Castilian Franciscan friar to the time it was translated into French and illuminated around 1480 and also while it was printed numerous times between 1471 and 1525. -
Claire Bolton: ‘Fallen’ Type Letters
Claire Bolton: ‘Fallen’ type letters. Fig.1 Diagram of a piece of early type. Printing was invented with movable type letters, most probably by Johannes Gutenberg, in Straßburg and Mainz from about 1440-54. A page of text was set, letter by letter into lines, and the lines assembled to make up a full page, ready for inking and printing. What the reader sees is the very tip of the iceberg, the inked letter on the printed page. What the reader does not see is the rest of the piece of type, its body. As Harry Carter stated ‘Type is a 3- dimensional thing’…1. The type body dictates the size of the letters and the space around and between the letters. It also has to be tall enough to handle when setting and distributing the letters for the text. What did earliest type look like? Fig 2. A modern type letter The first clues came in 1868 when two collections of (21 and 212) type letters were discovered in Lyons, in the bed of the river Saône, that have been dated to the end of the fifteenth century, or the beginning of the sixteenth.These were described by Maurice Audin in 1954 in an article in the Gutenberg Jahrbuch and in a separate publication in 1955, where he showed a variety of type letters and spacing of different heights, widths, some with flat feet and some with sloping, some with a nick in the side, some with a hole drilled through.2 A further piece of fifteenth-century type was discovered during an archaeological dig in Basel in 1995, and mentioned by Peter F Tschudin.3 Tschudin states that the letter is 1 Harry Carter, A view of early typography up to about 1600 (Oxford: Clarendon Press, 1967) p. -
The Library of Hélion Jouffroy a Survey and Some Additional Identifications
Quærendo 47 (2017) 199-221 brill.com/qua The Library of Hélion Jouffroy A Survey and Some Additional Identifications Gregory Hays University of Virginia Charlottesville, VA, United States [email protected] Abstract One of the notable libraries of early sixteenth-century France was that of the Rodez lawyer and canon Hélion Jouffroy (†1529), nephew of the better known cardinal Jean Jouffroy. The younger Jouffroy’s books, which included both printed volumes and man- uscripts, were dispersed after his death. Our knowledge of his holdings depends on a 1530 inventory, first published in 2012 by Matthieu Desachy. This article briefly surveys Jouffroy’s intellectual interests as they emerge from his collection, and offers some new identifications of texts and editions listed in the inventory. Keywords Hélion Jouffroy – libraries – inventories Hélion Jouffroy (†1529) was a doctor of civil law and canon of Rodez Cathedral. Like his better-known uncle, the cardinal Jean Jouffroy, he was a prodigious book collector: at the end of his life he owned well over six hundred manu- scripts and printed volumes. Our knowledge of his library rests on a 1530 inven- tory, first published in 2012 by Matthieu Desachy.1 * I am grateful to David Whitesell for comments on an earlier version of this article. 1 M. Desachy, Deux bibliophiles humanistes. Bibliothèques et manuscrits de Jean Jouffroy et d’Hélion Jouffroy (Paris 2012), pp. 105-150. The introduction to this book is largely identical to Desachy’s earlier article, ‘Bibliophiles d’oncle à neveu: livres et bibliothèques de Jean et Hélion Jouffroy (vers 1460-1530),’ in: Bulletin du bibliophile, n.s. -
The Printing Revolution in Europe, 1455-1500 Author Index 1
Incunabula: The Printing Revolution in Europe, 1455-1500 Author Index Aaron Hakohen. Abraham ibn Ezra. Orhot Hayyim. Perush ha-Torah. [Spain or Portugal: Printer of Alfasi's Halakhot. [before Naples: Joseph ben Jacob Ashkenazi Gunzenhauser and his 1492?] son [Azriel]. 2 May 1488 ia00000500: GW 486; Offenberg 2; Thesaurus Tipog. ia00009300: H 23; Fava & Bresciano 262; Sander 4; IGI 6 = Hebraicae B37. VI E2; IDL 2448; Sajó-Soltész 1; Voulliéme, Berlin 3178; Fiche: IH 52 Ohly-Sack 4; Madsen 2; Proctor 6729; Cowley p.14; De Rossi (p.58) 21; Encyclopaedia Judaica 122; Freimann p.115; Abbey of the Holy Ghost. Freimann, Frankfurt 1; Goldstein 52; HSTC 73; Jacobs 53; Westminster: Wynkyn de Worde. [about 1497] Marx 1; Offenberg 56; Offenberg, Rosenthal 13; Schwab 46; ia00001500: Duff 1; H 19; STC 13609; Oates 4142; Proctor Steinschneider, Bodley 4221(1); Thesaurus Tipog. Hebraicae 9721; GW 1; Fac: ed. F. Jenkinson, Cambridge, 1907. A60; Wach II 158; Zedner p.22; GW 114. Fiche: EN 129 Fiche: IH 1 Abiosus, Johannes Baptista. Abrégé de la destruction de Troie. Dialogus in astrologiae defensionem cum vaticinio a Paris: Michel Le Noir. 1500 diluvio ad annos 1702. With additions by Domicus Palladius ia00009700: CIBN A-4, GW 119. Soranus. Fiche: RM 78 Venice: Franciscus Lapicida. 20 Oct. 1494 ia00008000: H 24*; GfT 2207; Klebs 1.1; Pellechet 17; CIBN Abstemius, Laurentius. A-2; IGI 2; IBP 1; IBE 2; Essling 756; Sander 1; Walsh Fabulae (Ed: Domicus Palladius Soranus). Aded: Aesopus: 2626A; Sheppard 4581; Proctor 5543; BSB-Ink A-2; GW 6. Fabulae (Tr: Laurentius Valla). -
Assignment 4 - Show Me 26 November 2019 17:04
Assignment 4 - Show me 26 November 2019 17:04 Feeling The height of the type piece is known as the ‘em’, and it The most important thing about a type design is the feelings it evokes. This is notoriously hard to verbalise, but originates from the width of the uppercase ‘M’ character; it is what makes a particular typeface meaningfully different from any other. it was made so that the proportions of this letter would A type designer in Portugal, Natanael Gama, designed the Exo family with FontForge. On his homepage he be square (hence the ‘em square’ denomination). describes another project for the sculptor John Williams and includes a graphic showing his brief in a matrix of The em size is what the point size of metal type is continuums of feelings: calculated upon. So, a 10 points type has a 10 points • Figurative to Abstract 50% em (see below). • Graceful to Robust: 30% In digital type, the em is a digitally-defined amount of • Calm to Energetic: 0% space. In an OpenType font, the UPM — or em size is • Puzzling to Plain: 15% usually set at 1000 units. In TrueType fonts, the UPM is by • Experimental to Standard: 15% convention a power of two, generally set to 1024 or 2048. • Prestigious to Ordinary: 15% When the font is used to set type, the em is scaled to • Other Ideas: Beautiful, Outside Spaces, Human Condition the desired point size. This means that for 10 pt type, the 1000 units for instance get scaled to 10 pt. From <http://designwithfontforge.com/en-US/Planning_Your_Project.html> So if your uppercase ‘H’ is 700 units high, it will be 7 pt high on a 10 pt type. -
Antiquarian Books
JUSTIN CROFT Antiquarian Books exhibiting at the New York Antiquarian Book Fair 2016 booth A33 Justin Croft Antiquarian Books Ltd, ABA, ILAB, 7 West Street, Faversham, Kent, ME137JE, UK, [email protected] +44 1795 591111 mobile: +44 7725 845275 ECLIPSE OF THE SUN KING 1. [ALLARD, Carel]. Koninglyke Almanach: beginnende, met den aanvang der oorlogh, van anno 1701... waer in... de loop der zon der ongeregtigheid... door XVIII zinnebeelden in koopere plaaten vertoond word...; Almanach Royal. Commencement avec la guerre de l’an 1701. ‘Paris: Imprimerie Royale’, [but Amsterdam, c. 1706]. $4500 Small folio (319 × 200 mm), engraved title (in Dutch and French) and 18 plates (of which 12 are double page) with engraved or letterpress text, plus 6 additional plates loosely inserted, the called-for plates neatly mounted on guards in early (probably eighteenth-century) marbled wrappers. Former collector’s neat numbering to lower forecorners. Spine defective, a few plates slightly creased or dusty at margins. But overall very crisp and clean. FIRST EDITION of this collection of violently satirical plates directed against Louis XIV, Madame de Maintenon and Philip V of Spain during the War of the Spanish Succession, several linking their fortunes to solar eclipse of 1706. The plates are mostly by Carel Allard (1648-1709) and were etched and published separately as broadsides more or less simultaneously with the depicted contemporary events; and published as a collection c. 1706. Several of the plates have been attributed to Romeyn de Hooghe, though not securely. Both the broadsides and the collection are rare, held by only a few institutions. -
Festschrift HDL.Indd
Downloaded from SAS Space http://www.sas-space.sas.ac.uk Open Access books made available by the School of Advanced Study, University of London Press ***** Publication details: Medieval Londoners: essays to mark the eightieth birthday of Caroline M. Barron Edited by Elizabeth A. New and Christian Steer DOI: 10.14296/1019.9781912702152 ***** This edition published 2019 by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU, United Kingdom ISBN 978-1-912702-15-2 (PDF edition) This work is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. More information regarding CC licenses is available at https://creativecommons.org/licenses IHR Conference Series Medieval Londoners Essays to mark the eightieth birthday of Caroline Barron Edited by Elizabeth A. New and Christian Steer Medieval Londoners Essays to mark the eightieth birthday of Caroline M. Barron Medieval Londoners Essays to mark the eightieth birthday of Caroline M. Barron Edited by Elizabeth A. New and Christian Steer UNIVERSITY OF LONDON PRESS INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU Text © contributors, 2019 Images © contributors and copyright holders named in captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as authors of this work. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons license unless indicated otherwise in the credit line to the material. -
Index of Printing and Publishing Towns
Index of Printing and Publishing Towns Amsterdam Carpentier, Jacobus, 1633 Aboab, Eliahu, 1644 Chayer, Pierre, 1691 ± 1700 Athias, Joseph, 1661 ± 1667 Claesse, Frans, 1654 Autein, Laurens, 1670 ± 1671 Claesz, Cornelis, 1602 ± 1610 A Baardt, Rieuwert Dircksz van, 1644 Claus, Jacob, 1676 —, —, Widow of, 1652 Cloppenburgh, Evert, 1640 Bakkamude, Daniel, 1666 ± 1668 —, Jan Evertsz, 1603 ± 1630 A˚ bo Benjamin, Jacob, 1668 Cloppenburgh Press, 1640 Winter, Johannes, 1689 ± 1692 Benningh, Jan, 1655 Colom, Jacob Aertsz, 1633 ± 1671 Alcalá Benveniste, Immanuel, 1658? —, Johannes, 1648 Brocar, Arnaldo Guillén de, 1516 Berge, Pieter van den, 1661 ± 1665 Commelinus, Hieronymus, Heirs of, 1626 —, Juan de, 1541 Bisterus, Lucas, 1680 Commelyn, Casparus, 1660 ± 1669 Fernández, María, 1646 Blaeu, 1684 ± 1685 Compagnie des Libraires, 1685 ± 1700? Ximenez de Cisneros, Franciscus, 1517 —, Typographia Blaviana, 1663 ± 1693 Cunradus, Christoffel, 1651 ± 1660 —, Cornelis, 1635 ± 1648? Dalen, Daniel van den, 1700 Alençon —, Joan, I, 1635 ± 1675 Dankertz, Cornelius, 1659 Du Bois, Simon, 1530? —, —, I, Heirs of, 1679 Desbordes, Henri, 1683 ± 1700 Alethopolis —, —, II, 1687 ± 1701 Dittelbach, Pierre, 1689 Valerius, Cajus, 1665 —, Pieter, 1687 ± 1701 Du Bois, François, II, 1676 Alkmaar —, Willem, 1633 ± 1688 Du Fresne, Daniel, 1687 Meester, Jacob, 1605 —, Willem Jansz, 1617 ± 1639 Dyck, Jan van, Heirs of, 1685 Oorschot, Joannes, 1605 Blankaart, Cornelis, 1687 ± 1688 Elsevier, Officina, 1637 ± 1680 Blum & Conbalense, (pseud. of S. —, Bonaventure, 1608 Altdorf Mathijs), -
A Census of Print Runs for Fifteenth-Century Books
A Census of Print Runs for Fifteenth-Century Books Many historians seeking to measure the impact of the ‘printing revolution’ in fifteenth- century Europe have taken a quantitiative approach, multiplying the total of all editions by the number of copies in a typical edition. However, whereas the Incunable Short Title Catalog (ISTC) lists more than 28,000 fifteenth-century editions that are represented by surviving specimens, the number of lost editions will always remain indeterminate.1 The second factor in the equation – the typical or ‘average’ fifteenth-century print run – is just as indeterminate as the first, if not more so. Inevitably, the ‘editions × copies’ formula has produced estimates of fifteenth-century press production that range anywhere from eight million to more than twenty million pieces of reading material.2 Such irreconcilable results (in which the margin for error may be larger than the answer itself) only serve to demonstrate that any effort to arrive at a meaningful quantification of fifteenth-century press production will require a much more systematic analysis of the available data on print runs. The present study, a census of print runs for fifteenth-century books, takes a step in that direction by asking a much more basic question: what is the available data? The Problem In a typical example of the quantitative approach to the readership of one fifteenth- century text, Frederick R. Goff once demonstrated the popularity of the Postilla super epistolas et evangelia by Guillermus Parisiensis by noting that more