First AIATSIS Summit Held in Adelaide
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Coober Pedy, South Australia
The etymology of Coober Pedy, South Australia Petter Naessan The aim of this paper is to outline and assess the diverging etymologies of ‘Coober Pedy’ in northern South Australia, in the search for original and post-contact local Indigenous significance associated with the name and the region. At the interface of contemporary Yankunytjatjara and Pitjantjatjara opinion (mainly in the Coober Pedy region, where I have conducted fieldwork since 1999) and other sources, an interesting picture emerges: in the current use by Yankunytjatjara and Pitjantjatjara people as well as non-Indigenous people in Coober Pedy, the name ‘Coober Pedy’ – as ‘white man’s hole (in the ground)’ – does not seem to reflect or point toward a pre-contact Indigenous presence. Coober Pedy is an opal mining and tourist town with a total population of about 3500, situated near the Stuart Highway, about 850 kilometres north of Adelaide, South Australia. Coober Pedy is close to the Stuart Range, lies within the Arckaringa Basin and is near the border of the Great Victoria Desert. Low spinifex grasslands amounts for most of the sparse vegetation. The Coober Pedy and Oodnadatta region is characterised by dwarf shrubland and tussock grassland. Further north and northwest, low open shrub savanna and open shrub woodland dominates.1 Coober Pedy and surrounding regions are arid and exhibit very unpredictable rainfall. Much of the economic activity in the region (as well as the initial settlement of Euro-Australian invaders) is directly related to the geology, namely quite large deposits of opal. The area was only settled by non-Indigenous people after 1915 when opal was uncovered but traditionally the Indigenous population was western Arabana (Midlaliri). -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Management Plan for Recreational Fishing in South Australia
Management Plan for Recreational Fishing in South Australia August 2020 Information current as of 14 August 2020 © Government of South Australia 2020 Disclaimer PIRSA and its employees do not warrant or make any representation regarding the use, or results of the use, of the information contained herein as regards to its correctness, accuracy, reliability and currency or otherwise. PIRSA and its employees expressly disclaim all liability or responsibility to any person using the information or advice. All enquiries Primary Industries and Regions SA (PIRSA) Level 15, 25 Grenfell Street GPO Box 1671, Adelaide SA 5001 T: 08 8226 0900 E: [email protected] - 2 - Table of Contents 1 Fishery to which this plan applies ................................................................................. 5 2 Consistency with other management plans .................................................................. 5 3 Term of the plan and review of the plan ........................................................................ 6 4 Fisheries management in South Australia .................................................................... 6 5 Description of the fishery .............................................................................................. 7 5.1 Biological and environmental characteristics .......................................................... 9 5.2 Biology of key recreational species ....................................................................... 11 5.3 Social and economic characteristics .................................................................... -
Presentation Tile
Authentic and engaging artist-led Education Programs with Thomas Readett Ngarrindjeri, Arrernte peoples 1 Acknowledgement 2 Warm up: Round Robin 3 4 See image caption from slide 2. installation view: TARNANTHI featuring Mumu by Pepai Jangala Carroll, 2015, Art Gallery of South Australia, Adelaide; photo: Saul Steed. 5 What is TARNANTHI? TARNANTHI is a platform for Aboriginal and Torres Strait Islander artists from across the country to share important stories through contemporary art. TARNANTHI is a national event held annually by the Art Gallery of South Australia. Although TARNANTHI at AGSA is annual, biannually TARNANTHI turns into a city-wide festival and hosts hundreds of artists across multiple venues across Adelaide. On the year that the festival isn’t on, TARNANTHI focuses on only one feature artist or artist collective at AGSA. Jimmy Donegan, born 1940, Roma Young, born 1952, Ngaanyatjarra people, Western Australia/Pitjantjatjara people, South Australia; Kunmanara (Ray) Ken, 1940–2018, Brenton Ken, born 1944, Witjiti George, born 1938, Sammy Dodd, born 1946, Pitjantjatjara/Yankunytjatjara people, South Australia; Freddy Ken, born 1951, Naomi Kantjuriny, born 1944, Nyurpaya Kaika Burton, born 1940, Willy Kaika Burton, born 1941, Rupert Jack, born 1951, Adrian Intjalki, born 1943, Kunmanara (Gordon) Ingkatji, c.1930–2016, Arnie Frank, born 1960, Stanley Douglas, born 1944, Maureen Douglas, born 1966, Willy Muntjantji Martin, born 1950, Taylor Wanyima Cooper, born 1940, Noel Burton, born 1994, Kunmanara (Hector) Burton, 1937–2017, -
FPA Legislation Committee Tabled Docu~Ent No. \
FPA Legislation Committee Tabled Docu~ent No. \, By: Mr~ C'-tn~:S AOlSC, Date: b IV\a,c<J..-. J,od.D , e,. t\-40.M I ---------- - ~ -- Australian Government National IndigeJrums Australlfans Agency OFFICIAL Chief Executive Officer Ray Griggs AO, CSC Reference: EC20~000257 Senator Tim Ayres Labor Senator for New South Wales Deputy Chair, Senate Finance and Public Administration Committee 6 March 2020 Re: Additional Estimates 2019-2020 Dear Senatafyres ~l Thank you for your letter dated 25 February 2020 requesting information about Indigenous Advancement Strategy (IAS) and Aboriginals Benefit Account (ABA) grants and unsuccessful applications for the periods 1 January- 30 June 2019 and 1 July 2019 (Agency establishment) - 25 February 2020. The National Indigenous Australians Agency has prepared the attached information; due to reporting cycles, we have provided the requested information for the period 1 January 2019 - 31 January 2020. However we can provide the information for the additional period if required. As requested, assessment scores are provided for the merit-based grant rounds: NAIDOC and ABA. Assessment scores for NAIDOC and ABA are not comparable, as NAIDOC is scored out of 20 and ABA is scored out of 15. Please note as there were no NAIDOC or ABA grants/ unsuccessful applications between 1 July 2019 and 31 January 2020, Attachments Band D do not include assessment scores. Please also note the physical location of unsuccessful applicants has been included, while the service delivery locations is provided for funded grants. In relation to ABA grants, we have included the then Department's recommendations to the Minister, as requested. -
NAIDOC Week SA 2019 7 JULY - 14 JULY Voice
NAIDOC Week SA 2019 7 JULY - 14 JULY Voice . Treaty . Truth Let’s work together for a shared future WHEN EVENT RSVP DETAILS WHERE ONGOING Until Mon 15 Aboriginal Building Public event Aboriginal graphic design is covering the Ground floor July 2019 Wrap glass windows of 77 Grenfell Street. For more 77 Grenfell Street Free information, contact Khatija at 8343 2449 or email Adelaide SA 5000 Sponsored by Department [email protected] of Planning, Transport and Infrastructure Until Sat 20 The Kardi Munaintya Public transport This specially designed tram is operational Tram Route July 2019 Tram throughout the year and is showcased during Adelaide SA 5000 Reconciliation and NAIDOC weeks. For more Sponsored by Department information, contact Khatija at 8343 2449 or email of Planning, Transport and [email protected] Infrastructure Until Sun 21 Ngarrindjeri Exhibitions Public event Two exhibitions - Ngarrindjeri Ruwe by 27 Sixth Street July 2019 Cedric Varcoe maps Ngarrindjeri lands and Murray Bridge Presented by Murray Free waters, sharing ancestor stories fundamental SA 5253 Gallery open Bridge Regional Gallery to Ngarrindjeri culture. Connected features Tue - Sat contemporary weaving practices by Ngarrindjeri 10:00am – artists from Murray Bridge to Meningie, Victor 4:00pm Harbour to Raukkan including Ellen Trevorrow, Sun 11:00am Phyllis Williams, Robert Wuldi, Cedric Varcoe, Deb – 4:00pm Rankine, Elly Wilson, Alice Abdulla, Joe Trevorrow, Hank Trevorrow, and Ngarrindjeri Weavers Collaborators. For more information, contact the Gallery at 8539 1420 or email [email protected] Until Thu 25 Vietnam – One In, All In Public event Country Arts SA presents a new exhibition The Walter Nichols July 2019 honouring the untold stories of South Australian Memorial Gallery Hosted by Country Arts SA Free Aboriginal veterans of the Vietnam War, before, Nautilus Art Centre For Port Lincoln during and after. -
Our Knowledge for Country
2 2 STRENGTHENING OUR KNOWLEDGE FOR COUNTRY Authors: 2.1 INTRODUCTION TO CARING FOR COUNTRY 22 Barry Hunter, Aunty Shaa Smith, Neeyan Smith, Sarah Wright, Paul Hodge, Lara Daley, Peter Yates, Amelia Turner, 2.2 LISTENING AND TALKING WITH COUNTRY 23 Mia Mulladad, Rachel Perkins, Myf Turpin, Veronica Arbon, Eleanor McCall, Clint Bracknell, Melinda McLean, Vic 2.3 SINGING AND DANCING OUR COUNTRY 25 McGrath, Masigalgal Rangers, Masigalgal RNTBC, Doris 2.4 ART FOR COUNTRY 28 Yethun Burarrwaŋa, Bentley James, Mick Bourke, Nathan Wong, Yiyili Aboriginal Community School Board, John Hill, 2.5 BRINGING INDIGENOUS Wiluna Martu Rangers, Birriliburu Rangers, Kate Cherry, Darug LANGUAGES INTO ALL ASPECTS OF LIFE 29 Ngurra, Uncle Lex Dadd, Aunty Corina Norman-Dadd, Paul Glass, Paul Hodge, Sandie Suchet-Pearson, Marnie Graham, 2.6 ESTABLISHING CULTURAL Rebecca Scott, Jessica Lemire, Harriet Narwal, NAILSMA, KNOWLEDGE DATABASES AND ARCHIVES 35 Waanyi Garawa, Rosemary Hill, Pia Harkness, Emma Woodward. 2.7 BUILDING STRENGTH THROUGH KNOWLEDGE-RECORDING 36 2.8 WORKING WITH OUR CULTURAL HIGHLIGHTS HERITAGE, OBJECTS AND SITES 43 j Our Role in caring for Country 2.9 STRENGTHENING KNOWLEDGE j The importance of listening and hearing Country WITH OUR KIDS IN SCHOOLS 48 j The connection between language, songs, dance 2.10 WALKING OUR COUNTRY 54 and visual arts and Country 2.11 WALKING COUNTRY WITH j The role of Indigenous women in caring WAANYI GARAWA 57 for Country 2.12 LESSONS TOWARDS BEST j Keeping ancient knowledge for the future PRACTICE FROM THIS CHAPTER 60 j Modern technology in preserving, protecting and presenting knowledge j Unlocking the rich stories that our cultural heritage tell us about our past j Two-ways science ensuring our kids learn and grow within two knowledge systems – Indigenous and western science 21 2 STRENGTHENING OUR KNOWLEDGE FOR COUNTRY 2.1 INTRODUCTION TO CARING We do many different actions to manage and look after Country9,60,65,66. -
Spirit Festival Takes Centre Stage
Aboriginal Way Issue 48, Mar 2012 A publication of South Australian Native Title Services Spirit Festival takes centre stage Tandanya, the National Aboriginal Cultural Institute has hosted another successful Spirit Festival. Thousands of people attended, immersing themselves in Aboriginal and Islander culture. Left is Panjiti Lewis from Ernabella. For more photos from the Spirit Festival turn to pages 8 and 9. Photo supplied by Tandanya andRaymond Zada.Photosupplied Tandanya by Judges and magistrates have The Ripple Effect Supreme Court Judges and with assistance from Courts Administration Magistrates from Adelaide have Authority Aboriginal Programmes Manager taken steps to break down the Ms Sarah Alpers and Senior Aboriginal cultural barriers between Aboriginal Justice Officer Mr Paul Tanner. people and the legal system by The visit promoted cross-cultural spending time on the Anangu awareness between the judiciary and Pitjantjatjara Yankunytjatjara Lands. Aboriginal communities, and to improve Not only did 17 judges and magistrates understanding between the cultures spend five days and nights on the lands about law and justice matters. visiting communities but a DVD has been Justice Sulan said the trip was also in made of the trip so that others can learn keeping with Recommendation 96 of the from the experience. 1991 Royal Commission into Aboriginal The DVD is called The Ripple Effect and it Deaths in Custody. explains how decisions made by judges “…that recommendation calls on Australian and magistrates affect entire communities judiciary to make itself aware of Aboriginal hundreds of kilometres away. culture and practices through cultural The DVD was launched at a ceremony in the awareness programs and informal Above: Caption. -
Tjayiwara Unmuru Celebrate Native Title Determination
Aboriginal Way Issue 54, October 2013 A publication of South Australian Native Title Services Tjayiwara Unmuru celebrate native title determination Tjayiwara Unmuru Federal Court Hearing participants in SA’s far north. De Rose Hill achieves Australia’s first native title compensation determination Australia’s first native title The name of De Rose Hill will go down Under the Native Title Act, native title and this meant open communication compensation consent in Australian legal history for a number holders may be entitled to compensation between parties and of course determination was granted to of reasons. on just terms where an invalid act impacts overcoming the language barriers and on native title rights and interests. we thank the State for its cooperation the De Rose Hill native title “First, because you brought one of the for what was at times a challenging holders in South Australia’s early claims for recognition of your native Karina Lester, De Rose Hill Ilpalka process,” said Ms Lester. far north earlier this month. title rights over this country, and because Aboriginal Corporation chairperson you had the first hearing of such a claim said this is also a significant achievement Native title holder Peter De Rose said the The hearing of the Federal Court was in South Australia.” for the State, who played a key role in compensation determination was a better held at an important rock hole, Ilpalka, this outcome and have worked closely experience compared to the group’s fight on De Rose Hill Station. Now, again, you are leading the charge. with De Rose Hill Ilpalka Aboriginal for native title recognition which lasted This is the first time an award of Corporation through the entire process. -
Eyre and Western Planning Region Vivonne Bay Island Beach Date: February 2020 Local Government Area Other Road
Amata Kalka Kanpi Pipalyatjara Nyapari Pukatja Yunyarinyi Umuwa Kaltjiti Indulkana Mimili Watarru Mintabie Marla S T U A R T Oodnadatta H W Y Cadney Park PASTORAL UNINCORPORATED AREA William Creek Coober Pedy MARALINGA TJARUTJA S Oak Valley T U A R T H W Y Olympic Dam Andamooka Village Roxby Downs Tarcoola S Y TU Kingoonya W AR T H Glendambo H W M Y A PASTORAL D C I P M UNINCORPORATED Y L O Woomera AREA Pimba Nullarbor Roadhouse Yalata EYRE HWY Border Village Nundroo Bookabie Koonibba Coorabie EYRE HWY Penong CEDUNA Fowlers Bay Denial Bay Ceduna Mudamuckla Nunjikompita Smoky Bay F LI Wirrulla Stirling ND E North RS Petina Yantanabie H W Y Courela Port Augusta Haslam E Y Chilpenunda R Cungena E H W Y Blanche STREAKY L EAK D Poochera Harbor TR Y R I S Y N BA Iron Knob C BAY Chandada IR O Minnipa O L F N N Streaky Bay LIN DE K R Buckleboo WHYALLA N H S O Yaninee B W H Y W Iron Baron RD Calca Y Sceale Bay WUDINNA Pygery KIMBA Mullaquana Baird Bay Wudinna Whyalla Point Lowly Colley Mount Damper Kimba Port Kenny EYRE H Kyancutta W Y Warramboo Koongawa Talia Waddikee Venus Bay Y W Kopi H C L Mount Wedge E N L Darke Peak V BIRDSEYE E O H C WY Mangalo Bramfield Lock R IN D FRANKLINL BIR Kielpa Y D SEYE W HWY HARBOUR F ELLISTON H LI Elliston ND Cleve E D Cowell RS Murdinga Rudall O HW T Y Sheringa Alford Tooligie CLEVE Y Wharminda W H Wallaroo Paskeville LN Arno Bay Kadina O Karkoo C Mount Hope TUMBY IN L Moonta Port Neill Kapinnie Yeelanna BAY Agery LOWER EYRE Ungarra PENINSULA Cummins Lipson Arthurton Tumby Bay Balgowan Coulta Koppio Maitland -
Manyitjanu Lennon
Manyitjanu Lennon Born c. 1940 Language Group Pitjantjatjara Region APY Lands Biography Manyitjanu Lennon is from Watinuma Community on the Anangu Pitjantjatjara/ Yankunytjatjara Lands, 350km SE of ULURU. Originally she was from the north of Watarru around Aralya and Kunytjanu. Like many people of her era Manyitjanu was born in the desert when her family were walking around, living a traditional nomadic life. After ceremony time, and as an early school age girl, her aunties took her from Watarru back to Ernabella. She later returned to Pipalyatjara with Winifred Hilliard many years later when they were helping people out west, taking them clothes and food. She also learnt numerous arts and crafts such as making moccasins and cushions out of kangaroo skins, spinning and dying wool, batik tie dying and wool carving (punu) at the Ernabella Arts Centre. Currently she is involved in basket weaving and painting on canvas. She married and moved to Fregon when it was established in 1961. She was involved in the Fregon Choir, helped set up he Fregon Craft room, as well as the Fregon School with Nancy Sheppard. She has five children and four grandchildren. Maryjane has recently returned to the arts centre to paint the stories from her country including the Seven Sisters and Mamungari’nya, she also paints landscapes from around Aralya and Kunytjanu. Her style is quite unique, characterised by bold and energetic use of colour. Art Prizes 2017 Wynne Prize finalist 7 Short St, PO Box 1550 , Broome Western Australia 6725 p: 08 9192 6116 / 08 9192 2658 e: [email protected] www.shortstgallery.com Group Exhibitions 2018 Minymaku Walka - (The Mark of Women) 2018 Short Street Gallery Broome, Western Australia. -
Extract from the National Native Title Register
Extract from the National Native Title Register Determination Information: Determination Reference: Federal Court Number(s): SAD6025/1998 NNTT Number: SCD2012/002 Determination Name: Dodd v State of South Australia Date(s) of Effect: 22/05/2012 Determination Outcome: Native title exists in parts of the determination area Register Extract (pursuant to s. 193 of the Native Title Act 1993) Determination Date: 22/05/2012 Determining Body: Federal Court of Australia ADDITIONAL INFORMATION: Not Applicable REGISTERED NATIVE TITLE BODY CORPORATE: Arabana Aboriginal Corporation RNTBC Agent Body Corporate Level 1, 345 King William Street ADELAIDE SA 5000 Note: current contact details for the Registered Native Title Body Corporate are available from the Office of the Registrar of Indigenous Corporations www.oric.gov.au COMMON LAW HOLDER(S) OF NATIVE TITLE: 5 Under the relevant traditional laws and customs of the Arabana people the native title holders comprise those living Aboriginal people who both self-identify as Arabana and who are recognised as being Arabana by other Arabana people based on: (1) Filiation, including by adoption, from an Arabana parent or grandparent; or (2) Long term co-residence with Arabana people on Arabana country; and who satisfy one or more of the following criteria: (a) Being raised in Arabana country and being bound by its system of law and custom; (b) Living and behaving appropriately with Arabana people in accordance with Arabana laws and customs; National Native Title Tribunal Page 1 of 12 Extract from the National