Reconciliation Action Plan 2019 – 2021
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Authentic and engaging artist-led Education Programs with Thomas Readett Ngarrindjeri, Arrernte peoples 1 Acknowledgement 2 Warm up: Round Robin 3 4 See image caption from slide 2. installation view: TARNANTHI featuring Mumu by Pepai Jangala Carroll, 2015, Art Gallery of South Australia, Adelaide; photo: Saul Steed. 5 What is TARNANTHI? TARNANTHI is a platform for Aboriginal and Torres Strait Islander artists from across the country to share important stories through contemporary art. TARNANTHI is a national event held annually by the Art Gallery of South Australia. Although TARNANTHI at AGSA is annual, biannually TARNANTHI turns into a city-wide festival and hosts hundreds of artists across multiple venues across Adelaide. On the year that the festival isn’t on, TARNANTHI focuses on only one feature artist or artist collective at AGSA. Jimmy Donegan, born 1940, Roma Young, born 1952, Ngaanyatjarra people, Western Australia/Pitjantjatjara people, South Australia; Kunmanara (Ray) Ken, 1940–2018, Brenton Ken, born 1944, Witjiti George, born 1938, Sammy Dodd, born 1946, Pitjantjatjara/Yankunytjatjara people, South Australia; Freddy Ken, born 1951, Naomi Kantjuriny, born 1944, Nyurpaya Kaika Burton, born 1940, Willy Kaika Burton, born 1941, Rupert Jack, born 1951, Adrian Intjalki, born 1943, Kunmanara (Gordon) Ingkatji, c.1930–2016, Arnie Frank, born 1960, Stanley Douglas, born 1944, Maureen Douglas, born 1966, Willy Muntjantji Martin, born 1950, Taylor Wanyima Cooper, born 1940, Noel Burton, born 1994, Kunmanara (Hector) Burton, 1937–2017, -
FPA Legislation Committee Tabled Docu~Ent No. \
FPA Legislation Committee Tabled Docu~ent No. \, By: Mr~ C'-tn~:S AOlSC, Date: b IV\a,c<J..-. J,od.D , e,. t\-40.M I ---------- - ~ -- Australian Government National IndigeJrums Australlfans Agency OFFICIAL Chief Executive Officer Ray Griggs AO, CSC Reference: EC20~000257 Senator Tim Ayres Labor Senator for New South Wales Deputy Chair, Senate Finance and Public Administration Committee 6 March 2020 Re: Additional Estimates 2019-2020 Dear Senatafyres ~l Thank you for your letter dated 25 February 2020 requesting information about Indigenous Advancement Strategy (IAS) and Aboriginals Benefit Account (ABA) grants and unsuccessful applications for the periods 1 January- 30 June 2019 and 1 July 2019 (Agency establishment) - 25 February 2020. The National Indigenous Australians Agency has prepared the attached information; due to reporting cycles, we have provided the requested information for the period 1 January 2019 - 31 January 2020. However we can provide the information for the additional period if required. As requested, assessment scores are provided for the merit-based grant rounds: NAIDOC and ABA. Assessment scores for NAIDOC and ABA are not comparable, as NAIDOC is scored out of 20 and ABA is scored out of 15. Please note as there were no NAIDOC or ABA grants/ unsuccessful applications between 1 July 2019 and 31 January 2020, Attachments Band D do not include assessment scores. Please also note the physical location of unsuccessful applicants has been included, while the service delivery locations is provided for funded grants. In relation to ABA grants, we have included the then Department's recommendations to the Minister, as requested. -
NAIDOC Week SA 2019 7 JULY - 14 JULY Voice
NAIDOC Week SA 2019 7 JULY - 14 JULY Voice . Treaty . Truth Let’s work together for a shared future WHEN EVENT RSVP DETAILS WHERE ONGOING Until Mon 15 Aboriginal Building Public event Aboriginal graphic design is covering the Ground floor July 2019 Wrap glass windows of 77 Grenfell Street. For more 77 Grenfell Street Free information, contact Khatija at 8343 2449 or email Adelaide SA 5000 Sponsored by Department [email protected] of Planning, Transport and Infrastructure Until Sat 20 The Kardi Munaintya Public transport This specially designed tram is operational Tram Route July 2019 Tram throughout the year and is showcased during Adelaide SA 5000 Reconciliation and NAIDOC weeks. For more Sponsored by Department information, contact Khatija at 8343 2449 or email of Planning, Transport and [email protected] Infrastructure Until Sun 21 Ngarrindjeri Exhibitions Public event Two exhibitions - Ngarrindjeri Ruwe by 27 Sixth Street July 2019 Cedric Varcoe maps Ngarrindjeri lands and Murray Bridge Presented by Murray Free waters, sharing ancestor stories fundamental SA 5253 Gallery open Bridge Regional Gallery to Ngarrindjeri culture. Connected features Tue - Sat contemporary weaving practices by Ngarrindjeri 10:00am – artists from Murray Bridge to Meningie, Victor 4:00pm Harbour to Raukkan including Ellen Trevorrow, Sun 11:00am Phyllis Williams, Robert Wuldi, Cedric Varcoe, Deb – 4:00pm Rankine, Elly Wilson, Alice Abdulla, Joe Trevorrow, Hank Trevorrow, and Ngarrindjeri Weavers Collaborators. For more information, contact the Gallery at 8539 1420 or email [email protected] Until Thu 25 Vietnam – One In, All In Public event Country Arts SA presents a new exhibition The Walter Nichols July 2019 honouring the untold stories of South Australian Memorial Gallery Hosted by Country Arts SA Free Aboriginal veterans of the Vietnam War, before, Nautilus Art Centre For Port Lincoln during and after. -
Summer 2021 Amaga Magazine
Sisters of Charity, Heritage Centre - Potts Point NSW Designer: Broadcast Museum Design Photography: Jesse Marlow Photography Specialising in the design, fabrication, and installation of high-quality museum, gallery and exhibition showcasing, tertiary fitout, environmental controls, lighting and modular wall systems. 02 6290 4900 www.designcase.net.au CLICK NETHERFIELD SHOWCASING YOUR VISION MaG Dec2020_designcase.indd 1 18/12/2020 12:31:34 PM Complete Museum Fit-out Specialists - Manufacturing and Installing Australia Wide - Custom Displays - Showcasing - Lighting Arts Precinct Exhibition, Macquarie University Designer: Freeman Ryan Design www.designcraftprojects.net.au 02 6290 4900 MaG Dec2020_designcraftProjects.indd 1 18/12/2020 12:26:31 PM WAM NEW MUSEUM | DESIGN OF PERMANENT GALLERIES - NGALANG KOORT BOODJA WIRN - REFLECTIONS - ORIGINS - CONNECTIONS - INNOVATIONS Photography by Peter Bennetts thylacine CANBERRA MELBOURNE P +61 2 6299 7340 P +61 3 9427 9779 E [email protected] E [email protected] thylacine.com.au Museum Collections Management Software Engaging • Imaginative • Immersive Innovative • Essential REQUEST A FREE DEMO TODAY! Call us at 3-8526-0143 / 0144 or visit us at www.lucidea.com/argus The Software to manage Your MOSAiC Of Heritage A flexible cataloguing and collections management system, all-in-one Low cost - easy to use Suited to collections of all sizes Australian owned and operated Show YOUR collection to the World with... Information For more information contact Sally-Anne and Rew Services & Tel: 0403 832 527 E: [email protected] IST Technology Www.istechnology.com.au Manage Collections. Create Connections Collections management software for everyone Our extensive collections management system Our simple to use web-based system vernonsystems.com eHive.com Printers of premium books and merchandise to galleries, libraries and museums. -
Annual Report 2010–11
ANNUAL REPORT 2010–11 ANNUAL REPORT 2010–11 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Thapich Gloria Fletcher Dhaynagwidh (Thaynakwith) people The vision of the National Gallery of Australia is the Eran 2010 cultural enrichment of all Australians through access aluminium to their national art gallery, the quality of the national 270 cm (diam) collection, the exceptional displays, exhibitions and National Gallery of Australia, Canberra programs, and the professionalism of Gallery staff. acquired through the Founding Donors 2010 Fund, 2010 Photograph: John Gollings The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, (back cover) corporate governance, administration and financial and Hans Heysen business management. Morning light 1913 oil on canvas In 2010–11, the National Gallery of Australia received 118.6 x 102 cm an appropriation from the Australian Government National Gallery of Australia, Canberra totalling $50.373 million (including an equity injection purchased with funds from the Ruth Robertson Bequest Fund, 2011 of $15.775 million for development of the national in memory of Edwin Clive and Leila Jeanne Robertson collection and $2 million for the Stage 1 South Entrance and Australian Indigenous Galleries project), raised $27.421 million, and employed 262 full‑time equivalent staff. © National Gallery of Australia 2011 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. -
The Essential Introduction to Aboriginal Art (25 Facts)
INTRODUCTION TO ABORIGINAL ART INTRODUCTION TO THE ESSENTIAL INTRODUCTION TO ABORIGINAL ART (25 FACTS) Authors Jilda Andrews, Fenelle Belle, Nici Cumpston and Lauren Maupin The Art Gallery of South Australia acknowledges and pays respect to the Kaurna people as the Traditional Custodians of the land on which the Gallery stands. Aboriginal and Torres Strait Islander people are respectfully advised that this publication may contain the names of people who have passed away. INTRODUCTION TO ABORIGINAL ART ABORIGINAL TO INTRODUCTION THE ESSENTIAL INTRODUCTION TO ABORIGINAL ART (25 FACTS) artgallery.sa.gov.au/learning There’s a lot of misinformation out there about Aboriginal and Torres Strait Islander peoples and art. That’s why this guide was created, in collaboration with leading Aboriginal curators. | Learning at the Gallery | Art Gallery of South Australia Aboriginal and Torres Strait Islander art and culture is In our increasingly globalised world, this ability to the oldest continuous tradition on the planet. In recent speak across cultural borders without forsaking decades it has also emerged as one of the world’s most any of its distinctive identity makes Aboriginal and important contemporary art movements. Whether on Torres Strait Islander art some of the most innovative bark, canvas or in new media, Aboriginal and Torres and challenging contemporary art being produced Strait Islander artists have used art to express the power anywhere today. and beauty of their culture, across cultures: to show their enduring connection to, and responsibility for, ancestral lands and the continuity of their identities and beliefs. image: Daniel Boyd, Kudjla/Gangalu peoples, far north Queensland, born 1982, Cairns, Queensland, Treasure Island, 2005, Canberra, oil on canvas, 192.5 x 220.0 cm; Purchased 2006, National Gallery of Australia, Canberra, Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney. -
Critically Acclaimed Festival Tarnanthi Breaks Records
MEDIA RELEASE Tuesday 28th January 2020 Critically acclaimed festival Tarnanthi breaks records "Tarnanthi maps diverse Indigenous art practice across the continent and blurs the lines between urban and remote, traditional and contemporary." ABC Radio National Adelaide, Australia: Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art closed on Monday 27 January following months of widely celebrated exhibitions as well as events and activities across the state and at the Art Gallery of South Australia. The 2019 festival, which launched on 17 October and ran for more than 100 days, attracted a record-breaking 561,927 people across the state to exhibitions as part of the festival – a 40% increase in attendances from the 2017 festival. Internationally acclaimed and recognised as the largest festival of its kind in the world, this year’s Tarnanthi festival featured more than 1,200 artists, with works on display at AGSA and 38 partner venues, showcasing the diversity and ingenuity of contemporary Aboriginal and Torres Strait Islander artistic practice. Tarnanthi Artistic Director Nici Cumpston says, ‘It is an honour to present Tarnanthi, providing an opportunity for artists from across the country to develop bold new work. Tarnanthi is a genuine and authentic chance to exchange, share and learn from one another.’ Tarnanthi also encompassed its annual Tarnanthi Art Fair, artist talks, performances and events. The Tarnanthi Art Fair showcased artists from 45 art centres from across the country and attracted more than 6,500 art enthusiasts. Breaking all previous records, the Art Fair had a 108% increase in attendances since 2017 and generated more than $1.2 million in art sales, all of which go directly to the artists and art centres. -
Spirit Festival Takes Centre Stage
Aboriginal Way Issue 48, Mar 2012 A publication of South Australian Native Title Services Spirit Festival takes centre stage Tandanya, the National Aboriginal Cultural Institute has hosted another successful Spirit Festival. Thousands of people attended, immersing themselves in Aboriginal and Islander culture. Left is Panjiti Lewis from Ernabella. For more photos from the Spirit Festival turn to pages 8 and 9. Photo supplied by Tandanya andRaymond Zada.Photosupplied Tandanya by Judges and magistrates have The Ripple Effect Supreme Court Judges and with assistance from Courts Administration Magistrates from Adelaide have Authority Aboriginal Programmes Manager taken steps to break down the Ms Sarah Alpers and Senior Aboriginal cultural barriers between Aboriginal Justice Officer Mr Paul Tanner. people and the legal system by The visit promoted cross-cultural spending time on the Anangu awareness between the judiciary and Pitjantjatjara Yankunytjatjara Lands. Aboriginal communities, and to improve Not only did 17 judges and magistrates understanding between the cultures spend five days and nights on the lands about law and justice matters. visiting communities but a DVD has been Justice Sulan said the trip was also in made of the trip so that others can learn keeping with Recommendation 96 of the from the experience. 1991 Royal Commission into Aboriginal The DVD is called The Ripple Effect and it Deaths in Custody. explains how decisions made by judges “…that recommendation calls on Australian and magistrates affect entire communities judiciary to make itself aware of Aboriginal hundreds of kilometres away. culture and practices through cultural The DVD was launched at a ceremony in the awareness programs and informal Above: Caption. -
Tjayiwara Unmuru Celebrate Native Title Determination
Aboriginal Way Issue 54, October 2013 A publication of South Australian Native Title Services Tjayiwara Unmuru celebrate native title determination Tjayiwara Unmuru Federal Court Hearing participants in SA’s far north. De Rose Hill achieves Australia’s first native title compensation determination Australia’s first native title The name of De Rose Hill will go down Under the Native Title Act, native title and this meant open communication compensation consent in Australian legal history for a number holders may be entitled to compensation between parties and of course determination was granted to of reasons. on just terms where an invalid act impacts overcoming the language barriers and on native title rights and interests. we thank the State for its cooperation the De Rose Hill native title “First, because you brought one of the for what was at times a challenging holders in South Australia’s early claims for recognition of your native Karina Lester, De Rose Hill Ilpalka process,” said Ms Lester. far north earlier this month. title rights over this country, and because Aboriginal Corporation chairperson you had the first hearing of such a claim said this is also a significant achievement Native title holder Peter De Rose said the The hearing of the Federal Court was in South Australia.” for the State, who played a key role in compensation determination was a better held at an important rock hole, Ilpalka, this outcome and have worked closely experience compared to the group’s fight on De Rose Hill Station. Now, again, you are leading the charge. with De Rose Hill Ilpalka Aboriginal for native title recognition which lasted This is the first time an award of Corporation through the entire process. -
AGSA Announces Tarnanthi 2020 Exhibition 'Open Hands'
MEDIA RELEASE Monday 24 August 2020 AGSA announces the Tarnanthi 2020 program The Art Gallery of South Australia today announces the exhibition Open Hands for this year’s Tarnanthi, AGSA’s annual celebration of contemporary Aboriginal and Torres Strait Islander art. Open Hands will be held from 16 October until 31 January 2021 at the Art Gallery of South Australia. AGSA also announces that in 2020, the Tarnanthi Art Fair will be held from 4 - 6 December. Open Hands highlights how the creativity of First Nations women artists forms a vital cultural link in sharing knowledge across generations. Through the act of making, artists channel deep connections to Country and culture. Tarnanthi’s creative vision is led by Barkandji artist and curator Nici Cumpston, who has recently been recognised with an OAM for her leadership in presenting Aboriginal art. Cumpston OAM says, ‘Open Hands, celebrates the ongoing and often unseen work that women in communities do to maintain culture. Keeping these stories alive and sharing knowledge is deeply embedded within everyday life across Australia.’ For this year’s Tarnanthi, artists have expressed themselves in a variety of media, including painting, works on paper, photography, moving image, sound installation, weaving, ceramics and sculpture. The thread that binds these works together from across the continent is the role of art. The stories they share are as rich and diverse as their practices. MEDIA RELEASE Monday 24 August 2020 The next wave of work from artists in the Anangu Pitjantjatjara Yankunytjatjara (APY) lands of South Australia focuses on bold new ways forward with drawing – an important art form that is embedded in teaching culture. -
First AIATSIS Summit Held in Adelaide
Issue 83, Winter 2021 A publication by South Australian Native Title Services www.nativetitlesa.org Ngarrindjeri elder Major ‘Moogy’ Sumner AM performs a smoking ceremony on the banks of the Karrawirra Parri (River Torrens) for delegates on Day 3 of the Summit. Kaurna elder Jeffrey Newchurch sits to the left. First AIATSIS Summit held in Adelaide This year the Australian Institute of The AIATSIS Summit was held from was a chance to reconnect and celebrate academics, and legal experts. It was an Aboriginal and Torres Strait Islander 31 May to 4 June at the Adelaide Mabo Day and National Reconciliation opportunity to strengthen Aboriginal and Studies (AIATSIS) combined the biennial Convention Centre with hosts Kaurna Week as a community on Kaurna land. Torres Strait Islander cultures, knowledge, and governance following the isolation Indigenous Research Conference and Yerta Aboriginal Corporation (KYAC) and Over 900 delegates attended across the brought on by the COVID-19 pandemic. Native Title Conference to make the co-convenor South Australian Native five days which included presentations first AIATSIS Summit. Title Services (SANTS). The Summit and workshops led by community leaders, Continued on page 2 Inside: Nauo and Wirangu agree on consent determinations 4 New carbon farming Code recognises native title rights 5 Kaurna cultural burn makes history 6 Book launch: Sorry and Beyond – Healing the Stolen Generations 10 First AIATSIS Summit held in Adelaide Continued from page 1 Bunuba woman June Oscar AO, the Aboriginal and Torres Strait Islander What we heard at the Social Justice Commissioner, shared AIATSIS Summit the Wiyi Yani U Thangani (Women’s Voices) Aboriginal Commissioner for Children Report. -
Eyre and Western Planning Region Vivonne Bay Island Beach Date: February 2020 Local Government Area Other Road
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