Tjayiwara Unmuru Celebrate Native Title Determination
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Indigenous Design Issuesceduna Aboriginal Children and Family
INDIGENOUS DESIGN ISSUES: CEDUNA ABORIGINAL CHILDREN AND FAMILY CENTRE ___________________________________________________________________________________ 1 INDIGENOUS DESIGN ISSUES: CEDUNA ABORIGINAL CHILDREN AND FAMILY CENTRE ___________________________________________________________________________________ 2 INDIGENOUS DESIGN ISSUES: CEDUNA ABORIGINAL CHILDREN AND FAMILY CENTRE ___________________________________________________________________________________ TABLE OF CONTENTS PREFACE .................................................................................................................................... 5 ACKNOWELDGEMENTS............................................................................................................ 5 INTRODUCTION ......................................................................................................................... 5 PART 1: PRECEDENTS AND “BEST PRACTICE„ DESIGN ....................................................10 The Design of Early Learning, Child-care and Children and Family Centres for Aboriginal People ..................................................................................................................................10 Conceptions of Quality ........................................................................................................ 10 Precedents: Pre-Schools, Kindergartens, Child and Family Centres ..................................12 Kulai Aboriginal Preschool ............................................................................................. -
The Meaning of Folklore: the Analytical Essays of Alan Dundes
Play and Folklore no. 52, November 2009 Play and Folklore Music for Children in the Torres Strait - the Recordings of Karl Neuenfeldt Kids can Squawl: Politics and Poetics of Woody Guthrie’s Children Songs Tradition, Change and Globalisation in Moroccan Children’s Toy and Play Culture The Meaning of Folklore: The Analytical Essays of Alan Dundes Sydney High School Playground Games and Pranks A Cross-cultural Study: Gender Differences in Children’s Play 1 From the Editors Play and Folklore no. 52 has been an unusual challenge, with articles from Beijing, Rome and France dealing with aspects of children’s play in China, the Netherlands, America and Morocco. The issue also includes articles from Perth and Sydney, and the historical perspective runs from the 12th century to the present day. As the year 2009 is ending, the project ‘Childhood, Tradition and Change’ is entering its fourth, and final, year. This national study of the historical and contemporary practices and signifi- cance of Australian children’s playlore has been funded by the Australian Research Council together with Melbourne, Deakin and Curtin Universities and the National Library of Australia and Museum Victoria. In 2010 the research team will be carrying out its final fieldwork in primary school playgrounds, beginning the analysis of the rich body of data already obtained, and preparing the book which is the project’s final outcome. We are pleased to include Graham Seal’s review of the analytic essays of Alan Dundes, as edited by Simon Bronner. Both the book itself and Seal’s review pay tribute to the seminal work of one of the world’s most distinguished folklorists. -
Presentation Tile
Authentic and engaging artist-led Education Programs with Thomas Readett Ngarrindjeri, Arrernte peoples 1 Acknowledgement 2 Warm up: Round Robin 3 4 See image caption from slide 2. installation view: TARNANTHI featuring Mumu by Pepai Jangala Carroll, 2015, Art Gallery of South Australia, Adelaide; photo: Saul Steed. 5 What is TARNANTHI? TARNANTHI is a platform for Aboriginal and Torres Strait Islander artists from across the country to share important stories through contemporary art. TARNANTHI is a national event held annually by the Art Gallery of South Australia. Although TARNANTHI at AGSA is annual, biannually TARNANTHI turns into a city-wide festival and hosts hundreds of artists across multiple venues across Adelaide. On the year that the festival isn’t on, TARNANTHI focuses on only one feature artist or artist collective at AGSA. Jimmy Donegan, born 1940, Roma Young, born 1952, Ngaanyatjarra people, Western Australia/Pitjantjatjara people, South Australia; Kunmanara (Ray) Ken, 1940–2018, Brenton Ken, born 1944, Witjiti George, born 1938, Sammy Dodd, born 1946, Pitjantjatjara/Yankunytjatjara people, South Australia; Freddy Ken, born 1951, Naomi Kantjuriny, born 1944, Nyurpaya Kaika Burton, born 1940, Willy Kaika Burton, born 1941, Rupert Jack, born 1951, Adrian Intjalki, born 1943, Kunmanara (Gordon) Ingkatji, c.1930–2016, Arnie Frank, born 1960, Stanley Douglas, born 1944, Maureen Douglas, born 1966, Willy Muntjantji Martin, born 1950, Taylor Wanyima Cooper, born 1940, Noel Burton, born 1994, Kunmanara (Hector) Burton, 1937–2017, -
FPA Legislation Committee Tabled Docu~Ent No. \
FPA Legislation Committee Tabled Docu~ent No. \, By: Mr~ C'-tn~:S AOlSC, Date: b IV\a,c<J..-. J,od.D , e,. t\-40.M I ---------- - ~ -- Australian Government National IndigeJrums Australlfans Agency OFFICIAL Chief Executive Officer Ray Griggs AO, CSC Reference: EC20~000257 Senator Tim Ayres Labor Senator for New South Wales Deputy Chair, Senate Finance and Public Administration Committee 6 March 2020 Re: Additional Estimates 2019-2020 Dear Senatafyres ~l Thank you for your letter dated 25 February 2020 requesting information about Indigenous Advancement Strategy (IAS) and Aboriginals Benefit Account (ABA) grants and unsuccessful applications for the periods 1 January- 30 June 2019 and 1 July 2019 (Agency establishment) - 25 February 2020. The National Indigenous Australians Agency has prepared the attached information; due to reporting cycles, we have provided the requested information for the period 1 January 2019 - 31 January 2020. However we can provide the information for the additional period if required. As requested, assessment scores are provided for the merit-based grant rounds: NAIDOC and ABA. Assessment scores for NAIDOC and ABA are not comparable, as NAIDOC is scored out of 20 and ABA is scored out of 15. Please note as there were no NAIDOC or ABA grants/ unsuccessful applications between 1 July 2019 and 31 January 2020, Attachments Band D do not include assessment scores. Please also note the physical location of unsuccessful applicants has been included, while the service delivery locations is provided for funded grants. In relation to ABA grants, we have included the then Department's recommendations to the Minister, as requested. -
NAIDOC Week SA 2019 7 JULY - 14 JULY Voice
NAIDOC Week SA 2019 7 JULY - 14 JULY Voice . Treaty . Truth Let’s work together for a shared future WHEN EVENT RSVP DETAILS WHERE ONGOING Until Mon 15 Aboriginal Building Public event Aboriginal graphic design is covering the Ground floor July 2019 Wrap glass windows of 77 Grenfell Street. For more 77 Grenfell Street Free information, contact Khatija at 8343 2449 or email Adelaide SA 5000 Sponsored by Department [email protected] of Planning, Transport and Infrastructure Until Sat 20 The Kardi Munaintya Public transport This specially designed tram is operational Tram Route July 2019 Tram throughout the year and is showcased during Adelaide SA 5000 Reconciliation and NAIDOC weeks. For more Sponsored by Department information, contact Khatija at 8343 2449 or email of Planning, Transport and [email protected] Infrastructure Until Sun 21 Ngarrindjeri Exhibitions Public event Two exhibitions - Ngarrindjeri Ruwe by 27 Sixth Street July 2019 Cedric Varcoe maps Ngarrindjeri lands and Murray Bridge Presented by Murray Free waters, sharing ancestor stories fundamental SA 5253 Gallery open Bridge Regional Gallery to Ngarrindjeri culture. Connected features Tue - Sat contemporary weaving practices by Ngarrindjeri 10:00am – artists from Murray Bridge to Meningie, Victor 4:00pm Harbour to Raukkan including Ellen Trevorrow, Sun 11:00am Phyllis Williams, Robert Wuldi, Cedric Varcoe, Deb – 4:00pm Rankine, Elly Wilson, Alice Abdulla, Joe Trevorrow, Hank Trevorrow, and Ngarrindjeri Weavers Collaborators. For more information, contact the Gallery at 8539 1420 or email [email protected] Until Thu 25 Vietnam – One In, All In Public event Country Arts SA presents a new exhibition The Walter Nichols July 2019 honouring the untold stories of South Australian Memorial Gallery Hosted by Country Arts SA Free Aboriginal veterans of the Vietnam War, before, Nautilus Art Centre For Port Lincoln during and after. -
Spirit Festival Takes Centre Stage
Aboriginal Way Issue 48, Mar 2012 A publication of South Australian Native Title Services Spirit Festival takes centre stage Tandanya, the National Aboriginal Cultural Institute has hosted another successful Spirit Festival. Thousands of people attended, immersing themselves in Aboriginal and Islander culture. Left is Panjiti Lewis from Ernabella. For more photos from the Spirit Festival turn to pages 8 and 9. Photo supplied by Tandanya andRaymond Zada.Photosupplied Tandanya by Judges and magistrates have The Ripple Effect Supreme Court Judges and with assistance from Courts Administration Magistrates from Adelaide have Authority Aboriginal Programmes Manager taken steps to break down the Ms Sarah Alpers and Senior Aboriginal cultural barriers between Aboriginal Justice Officer Mr Paul Tanner. people and the legal system by The visit promoted cross-cultural spending time on the Anangu awareness between the judiciary and Pitjantjatjara Yankunytjatjara Lands. Aboriginal communities, and to improve Not only did 17 judges and magistrates understanding between the cultures spend five days and nights on the lands about law and justice matters. visiting communities but a DVD has been Justice Sulan said the trip was also in made of the trip so that others can learn keeping with Recommendation 96 of the from the experience. 1991 Royal Commission into Aboriginal The DVD is called The Ripple Effect and it Deaths in Custody. explains how decisions made by judges “…that recommendation calls on Australian and magistrates affect entire communities judiciary to make itself aware of Aboriginal hundreds of kilometres away. culture and practices through cultural The DVD was launched at a ceremony in the awareness programs and informal Above: Caption. -
Limited Review of the Anangu Pitjantjatjara Yankunytjatjara Land Rights Act 1981, I Am Pleased to Present the Following Final Report and Recommendations
Limited review of the Anangu Pitjantjatjara Yankunytjatjara Land Rights Act 1981 Final Report The Hon Ian Hunter MLC Minister for Aboriginal Affairs and Reconciliation Parliament House ADELAIDE SA 5000 Dear Minister On behalf of the Review Panel appointed to assist in a limited review of the Anangu Pitjantjatjara Yankunytjatjara Land Rights Act 1981, I am pleased to present the following Final Report and recommendations. This Final Report follows the Interim Report of 21 November 2013. It takes into account further consultations as recommended in the Interim Report and the discussions and outcome of the Special General Meeting convened by the Executive Board of Anangu Pitjantjatjara Yankunytjatjara to discuss and decide on the recommendations made by the Panel in the Interim Report. As with the Interim Report, this Final Report has been prepared in accordance with the Terms of Reference provided and following consultation and discussion across the APY Lands as described. The recommendations in this Final Report are largely the same as those set out in the Interim Report, with small but important modifications to four of the recommendations to better accord with what Anangu have told the Panel subsequent to the Interim Report. The Panel underscores that the recommendations in this Final Report have not been either confirmed or rejected by all Anangu for reasons which are indicated in this Report. Further processes are recommended to enable Anangu to reach a consensus about the recommendations. Yours sincerely Hon. Dr. Robyn Layton AO QC Panel Chair April 2014 P a g e | 2 Table of Contents Acknowledgements .......................................................................................................... 7 Executive Summary ......................................................................................................... -
First AIATSIS Summit Held in Adelaide
Issue 83, Winter 2021 A publication by South Australian Native Title Services www.nativetitlesa.org Ngarrindjeri elder Major ‘Moogy’ Sumner AM performs a smoking ceremony on the banks of the Karrawirra Parri (River Torrens) for delegates on Day 3 of the Summit. Kaurna elder Jeffrey Newchurch sits to the left. First AIATSIS Summit held in Adelaide This year the Australian Institute of The AIATSIS Summit was held from was a chance to reconnect and celebrate academics, and legal experts. It was an Aboriginal and Torres Strait Islander 31 May to 4 June at the Adelaide Mabo Day and National Reconciliation opportunity to strengthen Aboriginal and Studies (AIATSIS) combined the biennial Convention Centre with hosts Kaurna Week as a community on Kaurna land. Torres Strait Islander cultures, knowledge, and governance following the isolation Indigenous Research Conference and Yerta Aboriginal Corporation (KYAC) and Over 900 delegates attended across the brought on by the COVID-19 pandemic. Native Title Conference to make the co-convenor South Australian Native five days which included presentations first AIATSIS Summit. Title Services (SANTS). The Summit and workshops led by community leaders, Continued on page 2 Inside: Nauo and Wirangu agree on consent determinations 4 New carbon farming Code recognises native title rights 5 Kaurna cultural burn makes history 6 Book launch: Sorry and Beyond – Healing the Stolen Generations 10 First AIATSIS Summit held in Adelaide Continued from page 1 Bunuba woman June Oscar AO, the Aboriginal and Torres Strait Islander What we heard at the Social Justice Commissioner, shared AIATSIS Summit the Wiyi Yani U Thangani (Women’s Voices) Aboriginal Commissioner for Children Report. -
Goddess Pf 1967 Music Credits
music composer Jen Anderson Music Supervisor Christine Woodruff Music engineers Ross Cockle Jen Anderson Music Mixer Ross Cockle Keyboard Programming Jen Anderson All Instruments Played by Jen Anderson except: Marianella Percussion Alex Pertout Shakuhachi & Ocarina Ann Norman Cello Helen Mountford Piano Accordion Mark Wallis Nylon String Guitar & Dan Tranh Michael Livett MUSIC Junk City Written by Rick Brewster/Bob Spencer/Bernard "Doc" Neeson © 1989 Frilanded Pty Ltd/Rondor Music (Used by Permission of Rondor Music (Aust) Pty Ltd)/ Universal Music Publishing Pty Ltd/Empire Music Pty Ltd. (All rights administered by EMI Songs Australia Pty Ltd.) Performed by The Angels Courtesy of Shock Records Piano Sonata in C Minor KV 457 Written by W. A. Mozart Performed by Jeno Jando Courtesy of Naxos Dogs Are Talking Written by Rick Brewster/Bernard "Doc" Neeson/Jim Hilburn/ Brent Eccles/Bob Spencer © 1990 Frilanded Pty Ltd/Rondor Music. (Used by Permission of Rondor Music (Aust) Pty Ltd.)/ Empire Music Pty Ltd (All Rights Administered by EMI Songs Australia Pty Ltd) & EMI Music Publishing Australia Pty Ltd/Universal Music Publishing Pty Ltd/ Rough Cut Music Pty Ltd Performed by The Angels Courtesy of Shock Records Der Fliegende Hollander (The Flying Dutchman) Written by Richard Wagner Performed by Muff/Haubold/Knodt/Seiffert/ Budapest Radio Chorus/ORF Symphony/Steinberg Courtesy of Naxos Walk Don't Run Written by John Smith peermusic Pty Ltd Performed by The Ventures (P) 1960 Liberty Records, a division of EMI Records USA Licensed courtesy of EMI -
March 2016 Council Meeting Minutes
MINUTES OF THE ORDINARY MEETING OF THE TORRES SHIRE COUNCIL HELD IN THE SHIRE OFFICES, DOUGLAS STREET, THURSDAY ISLAND ON TUESDAY, 15 MARCH 2016 ___________________________________________________________________________________________________________________________________ PRESENT Mayor Pedro Stephen AM (Chair), Cr. Yen Loban, Cr. John Abednego, Cr. Allan Ketchell, Dalassa Yorkston (Chief Executive Officer), Andrew Brown (Director Corporate and Community Services), Bill Cuthbertson (Director Engineering and Infrastructure Services) and Nola Ward Page (Minute Secretary) The meeting opened with a prayer by Mayor Stephen at 9.08am. ACKNOWLEDGEMENT The Mayor acknowledged the traditional owners The Kaurareg People upon whose land we hold our meeting also the elders representing the clans from the four winds of Zenadth Kes. APOLOGY An apology was received from Cr. Willie Wigness. Min. 16/03/1 Moved Cr. Loban, Seconded Cr. Abednego “That the apology received from Cr. Wigness be accepted.” Carried CONDOLENCES As a mark of respect, Council observed a minute’s silence in memory of: Elder Palm Baigau Stephen Mr Ali Drummond (Snr) Ms Sarah (Serai) Lowah Mr Leigh Milbourne Ms Melora Elthia Nai Arthur Pitt Pauls Mills DISCLOSURES OF INTEREST UNDER THE LOCAL GOVERNMENT ACT - Nil CONFIRMATION OF MINUTES Min. 16/03/2 Moved Cr. Ketchell, Seconded Cr. Loban “That Council receive the Minutes of the Ordinary Meeting of 16 February 2016 and confirm as a true and correct record of the proceedings.” Carried MATTERS OF ACTION FROM PREVIOUS MEETING - Nil MAYOR’S REPORT Acknowledgement of the Zendath Kes Traditional Owners past and present Queensland Road Safety Grant The Department of Transport and Main Roads offers funding to community groups for community initiatives that work to address road safety issues in support of the strategic objectives of the Queensland Road Safety Action Plan 2015-2017 and the Queensland Road Safety Strategy 2015-2012. -
Languages and Dialects of the Goldfields Region
Languages and Dialects of the Goldfields Region The Goldfields region of Western Australia is home to around 7,200 Aboriginal people who represent 12% of the region’s population.1 An estimated 2,900 people speak an Aboriginal language as a first language.2 Many of the remaining Aboriginal population speak an Aboriginal language as a second or subsequent language, are a partial speaker, recaller and/or speak an Aboriginal dialect of English or speak Standard Australian English. Identifying the languages and their dialects of the northern, western and southern districts of the region has proven to be difficult as there is meager historical linguistic material prior to 2011. Multiple forms of names are recorded in historical material and the relationships between the names needed to be investigated. However, Ngaanyatjarra and dialects, and Yankunytjatjarra as well as Walpiri and Pintupi from the Northern Territory have been well documented. Speakers of each of these languages are found in the Goldfields region. The southern and western Goldfields regions were heavily impacted during European settlement due to a number of mineral booms, in particular during initial gold rushes between 1890 and 1910. The region experienced an influx of around 20,000 people in a 2-year period during the first gold rushes at Coolgardie and Kalgoorlie. This boom decimated a number of Aboriginal populations through the spread of disease and starvation, competition for sparse water and food, and through massacres. Most Aboriginal people who survived the first wave of European settlement were relocated to the nine missions established in the region or were sent to other missions outside the area such as Mogumber Mission near Perth. -
Publisher Version (Open Access)
Issue No. 7 (September 2003) — New Media Technologies The Technology, Aesthetic and Cultural Politics of a Collaborative, Transnational Music Recording Project: Veiga, Veiga and the Itinerant Overdubs By Denis Crowdy and Karl Neuenfeldt New media innovations and the popularity of ‘world music’ have facilitated crosscultural and transnational recording projects in the past few decades. New media technology makes collaboration at a distance feasible and a market for the very eclectic genre(s) of ‘world music’ makes projects potentially economically viable. Beginning approximately in the mid- 1980s with the popularity, and contentiousness, of Paul Simon’s Graceland project (Meintjes 1990) and other ‘world music’ projects such as Deep Forest (Feld 2000), academic researchers have explored the nature, legality and cultural dynamics of such recordings (e.g. Mills 1996; Zemp 1996). An ancillary to such research has been research into the multifaceted roles of academics in such kinds of cultural production. Cultural production here includes the overlapping components of most contemporary cultural products, including their ‘circuit of culture’ (production, regulation, identity, representation and consumption) (Du Gay 1997). Such research provides insights into the processes and end products of cultural production of a particular ‘art world’ of shared aesthetics (Becker 1982), in this case popular music. Examples of such academic involvement include: production and participation in educational dance performances (Mackinlay 2001), soundscape and acoustic ecology recordings (Feld 1991, 2001; Feld and Crowdy 2002), and commercial or community-orientated music CDs (Scales 2002, Neuenfeldt 2001). This article describes and analyses the aesthetic, technological and cultural processes informing the cultural production of Veiga, Veiga, a song recorded by 73-year-old Australian Torres Strait Islander Henry (Seaman) Dan.