DOCSLIB.ORG

Annotated Catalogue & Index to Portraits, by M. Holloway

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Digitized by the Internet Archive in 2016 https://archive.org/details/b24859357 THE COLLECTION OF ENGRAVINGS, FORMED BETWEEN THE YEARS 1 86o-68, BY ALFRED MORRISON. ANNOTATED CATALOGUE INDEX TO PORTRAITS, M. HOLLOWAY. ^ribatelg ^rtnteii. 1868. 3 003 re >rl (a) f <2Mg <©ne f^unfcrefc Copies ^rinteft. COLLECTION OF E N G RAVI N G S FONTHILL HOUSE. ADAM (Jacob.) Born at Vienna, living in 1808. 1748 ; he Marriage Ceremony of the Archduke Francis of Austria with the Princess Elizabeth of WURTEMBURG, performed in the Parochial Church of the Court, Vienna, 6th January, 1788. After I. Ch. Sambach. 1 iENEAS (P.) Worked in Holland about 1680. Amelia Anhaltina, daughter of John George Prince of Anhalt Dessaw—married in 1683 Henry Casimir Prince of Nassau, who was born died 1657 ; 1696. Large oval mezzotint. 2 B —1 — 2 — AKERSLOOT (Wilhelm.) Worked at Harlem in 1626. Frederick Henry of Nassau, Prince of Orange, Stadt- holder, succeeded his brother Maurice. Turenne studied under him the Art of War, 1628—recovered Breda from the Spaniards, 1637—born 1584 ; died 1647. Whole length in armour. From the Mariette Collection. 3 Amelia DE SOLMS, wife of Frederic Henry Prince of Orange. Whole length, with her son Prince William (afterwards William II), and her daughter Louise Henriette, Electress of Brandenburg. Dated 1628. From the Mariette Collection. 4 ALDEGREVER (Heinrich.) Born at Paderborn in 15025 worked at Nuremberg; pupil of Durer; died 1558. Bartsch, Vol. VIII,/. 362. John of Leyden, King of the Anabaptists at Munster headed the Revolt in 1 5 34—taken prisoner and put to death in 1536. (182). 5 Luther (Martin). Engraved in 1540. (184). From the Marshall Collection. 6 Helle (Albert von der) said to be the Inventor of Pocket Watches. JEt. 28. “ H. Aldegrever fee. 1538.” (186). 7 Aldegrever (Heinrich) Painter and Engraver born — 1502 ; died 1558. (188). Half length, in a flat hat. “JEt. 28, 1530.” 8 Aldegrever (Heinrich) at the age of 35. (189). 9 Design for the sheath of a Poignard. (259). From the Marshall Collection. 10 Design for two Spoons. Dated 1539. (268). From the Dumesnil and Thiers Collections. 1 8 — 3 “ ALLARD (Karl). Worked at Amsterdam about 1750. Cleaveland (Barbara Dutchess of) Wife of Roger Palmer, afterwards Earl of Castlemaine—Mistress of Charles II. Ob. 1709. 7hree-quarters, seated, mezzotint, after Sir P. Lely. 12 ALTDORFER (Albrecht). Born at Altdorf in worked 1488 ; at Ratisbonne, and died in 1538. Bartsch, Vol. vm,p. 41. DESIGN for a goblet composed of shells. (81;. 13 Design for a goblet. (84). 14 AMMAN (Jobst). Born at Zurich in 15393 died at Nuremberg 1591. COLIGNY (Gaspard II de) Admiral of France. Took up arms with Conde to resist the edict of Charles IX. against the Huguenots, 1561—murdered in the Massacre of St. Bar- tholomew, 1572. Three-quarters, oval, with a View of the Massacre beneath, dated “ 157 3.” 15 Frederick, Bishop of Wurzberg, 1558, died 1573. Oval, half-length, seated, in a rich dress, surrounded with shields of arms and a profusely ornamented border. Dated 1572. 16 ANDERLONI (Pietro). Born at Brescia in pupil Professor at 1785 5 of Longhi5 of the Academy Milan in 183a. Holy Family with St. John, called “II Passeggio,” after Raphael. Artist’s proof. “P. A. F. 1832,” with the letter D in the inscription left white. The picture is in the Bridgewater Gallery. 17 Judgment of Solomon, from the Fresco by Raphael in the Stanze of the Vatican. A rtist’s proof before the border. 1 — 4 — ANDERLONI (Pietro). Madonna and Child, with adoring Angels, after Titian. Artist’s proof, with “ P. A. F.” etched. \g Moses with the Daughters of Jethro at the Well, after Nicholas Poussin. Artist’s proof, with the white sandal. 20 The Woman taken in Adultery, after Titian. Artist's proof, with the whiteflower. 21 ANDREA (Zoan). Worked in Italy at the commencement of the 16th Century. Bartsch, Vol. XIII. p. 293. A Dance of four Women, in the style of Mantegna (18) 22 Panels of Ornamental Designs (23-29). Nos. 25, 26, 29 are printed on one sheet. From the Drugulin Collection. 23 ANONYMOUS PORTRAITS. Anne, daughter of Frederick II. King of Denmark, Consort of James I, of England; died 1619. Whole-length, holding a glove in her right hand, a flower in her left. “ P. Kaerius excudit.” 24 Anson (George Lord) Circumnavigator, born 1697. In conjunction with Admiral Warren, defeated the French off Cape Finisterre, died 1762. Three-quarter length mezzotint ; a ship in the distance. 25 Ariosto Lodovico and Giacobo Sannazaro, an Italian poet, born at Naples 1458, died 1530. Engraved in the style of the School of Marc Antonio. First state, before the plate was divided, the two portraits having been engraved on one plate ; from the Marshall Collection. 26 — 5 — ANONYMOUS—PORTRAITS. Balmerino (Arthur Lord) beheaded August 18, 1746. Small mezzotint 27 Bannister (Charles) Comedian. Half-length oval mezzotint. Proof before any letters. 28 (Dr. Controversist ob. “The lively BASTWICK John) ; 1654. Portrareture of Mr. John Bastwick, Dr. of Physick, late Captayne of a foote Company.” Whole length ; staunching the bloodfrom his ear. 29 Baxter (Richard) Celebrated Nonconformist Divine, born 1615, died 1691. Half length ; a book on the table before him, eight English verses beneath, commencing— “ Farewell vain world. As thou hast been to me Dust and a shadow; those I leave with thee. The unseen vital substance I committ To Him that’s substance, light and life to it.” 30 Blith (Walter) Author of “ The English Improver Improved, or the Survey of husbandry surveyed,” 1652. A native of Devonshire, and senior Uncle to Oliver Cromwell, to whom this volume is dedicated. Whole-length, surrounded by mathematical instruments 31 Blood (Thomas) “Colonel,” notorious for his attack on the Duke of Ormond, with the intent to hang him at Tyburn, and his attempt to steal the Crown and Regalia from the Tower. Half length oval mezzotint, in the disguise of a parson as he went to steal the crown. 32 Bonner (Edmund) Bishop of Hereford in 1538, London in 1540. Ob. 1569. A woodcut, representing the whipping of Thomas Henshawe, takenfrom “Fox’s Acts and Monuments, London, 1 562.” 33 Burleigh (William Eecil Lord) ob. 1598. “Master of Her highnes Wardes and Liveries, one of the Lordes of her Maiesties Privie counsaile and lord High Tresorer of Eng- land.” “ Cor Unum, Via una.” Oval. 34 — 6 — ANONYMOUS—PORTRAITS. Calvin (JOH :) Celebrated Reformer, born 1509, died 1564. Whole length holding book. “ exc.” , a C. J. Visscher 35 CHARLES I. King of England, born 1600, beheaded 1649. Whole length, seated at a table, his arm leaning on a skull, “ Eikon Basilikon” before him, Doctor Gauden by his side, and a jester removing the crown from his head. Twelve lines of English verse beneath, commencing—“ The Curtain’s drawne, all may perceive the plot.” 36 Charles I. after Van Dyck. Oval, with high-crowned hat and mantle, the star of the Order of the Garter on the right shoulder, three lines of Dutch inscription beneath. “C. J. Visscher exc.” From the Corrie Collection i 37 CHARLES II., King of England, born 1630, died 1685. “ Represente sur un piedestal, place sur l’avantcour (Buitenhof) a La Haye, et adord par le peuple. Caricature sur l’inclination des Etats-g^n^raux pour faire la paix avec le Roi on lit sur le piddestal en ecriture ancienne : De ; Groote Afgodt van Hollant, 1674. Sans nom de graveur. pet. in-40 .” “ On a cru voir dans cette statue Guillaume III. mais toute la figure, la couronne et le sceptre prouvent assez que c’est Charles II. Tres- belle gravure, probablement par C. van Dalen.” This description is taken from a Catalogue printed at the Hague, where the print was purchased. 38 CHARLES V, Emperor of Germany, son of Philip (eldest son of Maximilian I) and Joanna, daughter and heiress of Ferdinand and Isabella of Spain—born 1500—elected Emperor 1519— died 1558. Large half length, in armottr, holding a sword, woodcut after Titian. From the Tunno Collection. 39 Chesterfield (Philip Dormer Stanhope, Earl of) died, setat. 1783 ; 78. Three-quarters length seated mezzotint, Proof before any , , letters. 40 : — 7 — ANONYMOUS—PORTRAITS. Cocker (Edward) Writing Master and Arithmetician—ob. set. 1677 ; 46. Half length, in oval, holding a pen, figures of Mars and Minerva in penmanship on either side, and of angels crowning him with a wreath above; also his ornamented prospectus in facsimile as follows “ Such as would learn to write all or any of the most curious Hands practised in England, or Hands used by other Nations, and the art of Arithmetic, in whole Numbers, Fractions, Decimalls, or Logarithms, may be commendably taught, with Expedition By Edward Cocker, Dwelling in Pauls Church Yard, betwixt the Signes of the Sugar Loaf, and the Naked Boy, right over against Pauls Chaine, Where you may have choice of Copy Books made by the same author.” “ Such as desire to learn privately, may be attended at their lodgings. Also you may have any thing fairly written by the said E. C.” 41 Colley (Anthony) “Med. Londinensis.” ALtat. suae 41 Nat. 1628. From the Gulston, and Bindley Collections. 42 Cromartie (George Earl of) convicted of Treason, 1746, but not excuted—ob. 1766. Small mezzotint. 43 Cromwell (Elizabeth) wife of the Protector, daughter of Sir James Bourchier, of the same family and name as the ancient Earls of Essex, related also to John Hampden —ob. 1672. In a black hood, to the right a monkey, beneath four lines of “ English verse, prefixed to The Court and Kitchen of Elizabeth Cromwell,” &c. 1664. i2mo. From the Tunno Collection.
Recommended publications
  • THE BRITISH ARMY in the LOW COUNTRIES, 1793-1814 By

    THE BRITISH ARMY in the LOW COUNTRIES, 1793-1814 By

    ‘FAIRLY OUT-GENERALLED AND DISGRACEFULLY BEATEN’: THE BRITISH ARMY IN THE LOW COUNTRIES, 1793-1814 by ANDREW ROBERT LIMM A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY. University of Birmingham School of History and Cultures College of Arts and Law October, 2014. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The history of the British Army in the French Revolutionary and Napoleonic Wars is generally associated with stories of British military victory and the campaigns of the Duke of Wellington. An intrinsic aspect of the historiography is the argument that, following British defeat in the Low Countries in 1795, the Army was transformed by the military reforms of His Royal Highness, Frederick Duke of York. This thesis provides a critical appraisal of the reform process with reference to the organisation, structure, ethos and learning capabilities of the British Army and evaluates the impact of the reforms upon British military performance in the Low Countries, in the period 1793 to 1814, via a series of narrative reconstructions. This thesis directly challenges the transformation argument and provides a re-evaluation of British military competency in the French Revolutionary and Napoleonic Wars.
  • Mythological Intertextuality in Nineteenth Century Ballet Repertory

    Mythological Intertextuality in Nineteenth Century Ballet Repertory

    Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. ..........................................
  • Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf

    Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf

    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2018 Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf Lauren Nicole Benke University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Benke, Lauren Nicole, "Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf" (2018). Electronic Theses and Dissertations. 1401. https://digitalcommons.du.edu/etd/1401 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Lauren N. Benke March 2018 Advisor: Eleanor McNees © Lauren N. Benke 2018 All Rights Reserved Author: Lauren N. Benke Title: Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf Advisor: Eleanor McNees Degree Date: March 2018 ABSTRACT This theoretical project seeks to introduce a new critical methodology for evaluating gesture—both represented in text and paratextual—in the works of Virginia Woolf—specifically The Voyage Out (1915), Orlando (1928), The Waves (1931), and Between the Acts (1941)—and James Joyce—particularly Ulysses (1922) and Finnegans Wake (1939).
  • The Art of Staying Neutral the Netherlands in the First World War, 1914-1918

    The Art of Staying Neutral the Netherlands in the First World War, 1914-1918

    9 789053 568187 abbenhuis06 11-04-2006 17:29 Pagina 1 THE ART OF STAYING NEUTRAL abbenhuis06 11-04-2006 17:29 Pagina 2 abbenhuis06 11-04-2006 17:29 Pagina 3 The Art of Staying Neutral The Netherlands in the First World War, 1914-1918 Maartje M. Abbenhuis abbenhuis06 11-04-2006 17:29 Pagina 4 Cover illustration: Dutch Border Patrols, © Spaarnestad Fotoarchief Cover design: Mesika Design, Hilversum Layout: PROgrafici, Goes isbn-10 90 5356 818 2 isbn-13 978 90 5356 8187 nur 689 © Amsterdam University Press, Amsterdam 2006 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. abbenhuis06 11-04-2006 17:29 Pagina 5 Table of Contents List of Tables, Maps and Illustrations / 9 Acknowledgements / 11 Preface by Piet de Rooij / 13 Introduction: The War Knocked on Our Door, It Did Not Step Inside: / 17 The Netherlands and the Great War Chapter 1: A Nation Too Small to Commit Great Stupidities: / 23 The Netherlands and Neutrality The Allure of Neutrality / 26 The Cornerstone of Northwest Europe / 30 Dutch Neutrality During the Great War / 35 Chapter 2: A Pack of Lions: The Dutch Armed Forces / 39 Strategies for Defending of the Indefensible / 39 Having to Do One’s Duty: Conscription / 41 Not True Reserves? Landweer and Landstorm Troops / 43 Few
  • Robert Dudley, 1St Earl of Leicester

    Robert Dudley, 1St Earl of Leicester

    Robert Dudley, 1st Earl of Leicester Robert Dudley, 1st Earl of Leicester, KG (24 June mours that he had arranged for his wife’s death continued 1532 or 1533[note 1] – 4 September 1588) was an English throughout his life, despite the coroner’s jury's verdict of nobleman and the favourite and close friend of Elizabeth accident. For 18 years he did not remarry for Queen Eliz- I from her first year on the throne until his death. The abeth’s sake and when he finally did, his new wife, Lettice Queen giving him reason to hope, he was a suitor for her Knollys, was permanently banished from court. This and hand for many years. the death of his only legitimate son and heir were heavy blows.[2] Shortly after the child’s death in 1584, a viru- Dudley’s youth was overshadowed by the downfall of his family in 1553 after his father, the Duke of Northumber- lent libel known as Leicester’s Commonwealth was circu- land, had unsuccessfully tried to establish Lady Jane Grey lating in England. It laid the foundation of a literary and historiographical tradition that often depicted the Earl as on the English throne. Robert Dudley was condemned to [3] death but was released in 1554 and took part in the Battle the Machiavellian “master courtier” and as a deplorable of St. Quentin under Philip II of Spain, which led to his figure around Elizabeth I. More recent research has led full rehabilitation. On Elizabeth I’s accession in Novem- to a reassessment of his place in Elizabethan government ber 1558, Dudley was appointed Master of the Horse.
  • Illustrated and Descriptive Catalogue and Price List of Stereopticons

    Illustrated and Descriptive Catalogue and Price List of Stereopticons

    —. ; I, £3,v; and Descriptive , Illustrated ;w j CATALOGUE AND PRICE LIST- t&fs — r~* yv4 • .'../-.it *.•:.< : .. 4^. ; • ’• • • wjv* r,.^ N •’«* - . of . - VJ r .. « 7 **: „ S ; \ 1 ’ ; «•»'•: V. .c; ^ . \sK? *• .* Stereopticons . * ' «». .. • ” J- r . .. itzsg' Lantern Slides 1 -f ~ Accessories for Projection Stereopticon and Film Exchange W. B. MOORE, Manager. j. :rnu J ; 104 to no Franlclin Street ‘ Washington . (Cor. CHICAGO INDEX TO LANTERNS, ETC. FOR INDEX TO SLIDES SEE INDEX AT CLOSE OF CATALOGUE. Page Acetylene Dissolver 28 Champion Lantern 3g to 42 “ Gas 60 Check Valve S3 •* 1 • .• Gas Burner.... ; 19 Chemicals, Oxygen 74, 81 ** < .' I j Gas Generator.. ; 61 to 66 Chirograph 136 “ Gas Generator, Perfection to 66 64 Chlorate of Potash, tee Oxygen Chemicals 74 Adapter from to sire lenses, see Chromatrope.... 164 Miscellaneous....... 174 Cloak, How Made 151 Advertising Slides, Blank, see Miscellaneous.. 174 ** Slides 38010,387 " Slides 144 Color Slides or Tinters .^140 “ Slides, Ink for Writing, see Colored Films 297 Miscellaneous, 174 Coloring Films 134 “ Posters * *...153 " Slides Alcohol Vapor Mantle Light 20A v 147 Combined Check or Safety Valve 83 Alternating.Carbons, Special... 139 Comic and Mysterious Films 155 Allen Universal Focusing Lens 124, 125 Comparison of Portable Gas Outfits 93, 94 America, Wonders cf Description, 148 “Condensing Lens 128 Amet's Oro-Carbi Light 86 to 92, 94 " Lens Mounting 128 •Ancient Costumes ....! 131 Connections, Electric Lamp and Rheostat... 96, 97 Approximate Length of Focus 123 " Electric Stage 139 Arc Lamp 13 to 16 Costumes 130 to 152, 380 to 3S7 ** Lamp and Rheostat, How to Connect 96 Cover Glasses, see Miscellaneous ,....174 Arnold's Improved Calcium Light Outfit.
  • University of Southampton Research Repository

    University of Southampton Research Repository

    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Katarzyna Kosior (2017) "Becoming and Queen in Early Modern Europe: East and West", University of Southampton, Faculty of the Humanities, History Department, PhD Thesis, 257 pages. University of Southampton FACULTY OF HUMANITIES Becoming a Queen in Early Modern Europe East and West KATARZYNA KOSIOR Doctor of Philosophy in History 2017 ~ 2 ~ UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy BECOMING A QUEEN IN EARLY MODERN EUROPE: EAST AND WEST Katarzyna Kosior My thesis approaches sixteenth-century European queenship through an analysis of the ceremonies and rituals accompanying the marriages of Polish and French queens consort: betrothal, wedding, coronation and childbirth. The thesis explores the importance of these events for queens as both a personal and public experience, and questions the existence of distinctly Western and Eastern styles of queenship. A comparative study of ‘Eastern’ and ‘Western’ ceremony in the sixteenth century has never been attempted before and sixteenth- century Polish queens usually do not appear in any collective works about queenship, even those which claim to have a pan-European focus.
  • Index I : Collections

    Index I : Collections

    INDEX I : COLLECTIONS This index lilts all the extant paintings, oil sketches and drawings catalogued in both volumes of Part vm . Copies have also been included. The works are lilted alphabetically according to place. AIX-EN-PROVENCE, ST. MAGDALEN’S Head Study of St. Catherine of Alex­ CHURCH andria, Cat. 88b, I, 137, 138, fig. T. Boeyermans, painting: 153 The Martyrdom of St. Paul, Cat. 138, ANTWERP, G, FAES II, 134 -137 , fig. 92 Anonymous, painting after Rubens: ALOST, ST. MARTIN’S CHURCH Angels Transporting the Dead Body Rubens, paintings: of St. Catherine of Alexandria, Cat. The Holy Virgin Holding the Infant 79. h I2 3> fig- 13 8 Christ, Cat. 143, 11, 146, 147, fig. ANTWERP, KONINKLIJK MUSEUM 106 VOOR SCHONE KUNSTEN St. Roch Interceding for the Plague­ Rubens, paintings: Stricken, Cat. 140, I, 22, 1 12 ; il, The Lalt Communion of St. Francis of I4 2-I4 7; fig. 102 Assisi, Cat. 102, I, 156 -16 2, fig. Studio of Rubens, paintings: 178; II, 180 St. Roch Fed by a Dog, Cat. 14 1, 11, St. Teresa of Avila Interceding for Ï44-X47, fig. 104 Bernardino de Mendoza, Cat. 155, The Death of St. Roch, Cat. 142, 11, i, 92; i i , 166-168, fig. 125 144-147, fig. 105 Anonymous, painting after Rubens: ALOST, A. CHRISTIAENS St. Thomas Aquinas, Cat. 15 7 ,11, 170, Anonymous, painting after Rubens: fig. 129 St. Magdalen Repentant, Cat. 130, II, ANTWERP, PRESBYTERY OF ST. ANDREW’S 119 CHURCH ALOST, F. VAN ESSCHE Anonymous, painting after Rubens: Anonymous, painting after Rubens: St.
  • Following Sub-Sections: 1) Languageintroduction, Grade 6

    Following Sub-Sections: 1) Languageintroduction, Grade 6

    DOCUMENT RESUME ED 051 153 SP 007 203 TITLE Curriculum Guide, English for Grades VI-IX. INST:aUTIO/ Boston Public Schools, Mass. PUB DATE 70 NOTE 307p.; School Document No 2-1970 AVAILABLE FROM Boston School Committee, 15 Beacon Street, Boston, Mass. 02108 ($3.75, check payable to The City of Boston) EtRS PRICE EDRS Price MF-$0.65 HC-$13.16 DESCRIPTORS Composition (Literary), *Curriculum Guides, *English Curriculum, English Literature, Grade 6, Grade 7, Grade 8, Grade 9, *Intermediate Grades, *Junior High Schools, Language Instruction, *Middle Schools ABSTRACT GRADES OR AGES: Grades 6-9. SUBJECT MATTER: English. ORGANIZATION AND PHYSICAL APPEARANCE: The guide has three main sections dealing with language, literature, and composition with the following sub-sections: 1) languageintroduction, grade 6, grade 7, grade 8, grade 9, chronology, bibliography, spelling, listening skills; 2) literature -- overview and teaching techuiguez, grade 6, grade 7, grade 8, grade 9, choral speaking; and 3) composition. The guide is mimeographed and spiral-bound with a soft cover. OBJECTIVES AND ACTIVITIES: Objectives are listed for the various topics. Suggested classroom activities andtudent enrichment activities are included in the text. INSTRUCTIONAL MATERIALS: References to texts and materials are given at the end of sone sub-sections. There is also a bibliography, and a list of suggested texts for composition. STUDENT ASSESSMENT: The section on composition includes a oriel description of evaluation techniques for the teacher. (MBM) .=r II PERSYSSieN TO PCPROOVCE THIS IVINP 1111111111 MATERIAL HAS BEEN GRAMM BY kg-21c.y 4-097:. elyzAre__,__ TO ERIC AND ORGANIZATIONS OPYRATING UNDER AGREEMENTS Was THE ,u$ OffiCE OF EDUCATIONFOP r'R REPFOPUCTION OUTSIDE THE ERIC ,a.'ENI REQUIRES PER MISSION CIF THE COPYRIGHT OWNER School Document No.
  • Sebasco Harbor Resort, Rte

    Sebasco Harbor Resort, Rte

    04_595881 ch01.qxd 6/28/06 9:57 PM Page 1 Chapter 1 Taking in the Scenery Awesome Vistas . 2 Seven Beautiful Bridges . 12 Drives . 20 Train Rides . 32 Boat Rides . 41 COPYRIGHTED MATERIAL Sequoia National Park. 04_595881 ch01.qxd 6/28/06 9:57 PM Page 2 TAKING IN THE SCENERY Awesome Vistas 1 Monument Valley The Iconic Wild West Landscape Ages 6 & up • Kayenta, Arizona, USA WHEN MOST OF US THINK of the American visits backcountry areas that are other- West, this is what clicks into our mental wise off-limits to visitors, including close- Viewmasters: A vast, flat sagebrush plain ups of several natural arches and with huge sandstone spires thrusting to Ancient Puebloan petroglyphs.) the sky like the crabbed fingers of a Sticking to the Valley Drive takes primeval Mother Earth clutching for the you to 11 scenic overlooks, once-in-a- heavens. Ever since movie director John lifetime photo ops with those incredible Ford first started shooting westerns here sandstone buttes for backdrop. Often in the 1930s, this landscape has felt famil- Navajos sell jewelry and other crafts at iar to millions who have never set foot the viewing areas, or even pose on horse- here. We’ve all seen it on the big screen, back to add local color to your snapshots but oh, what a difference to see it in real (a tip will be expected). life. John Wayne—John Ford’s favorite lead- If you possibly can, time your visit to ing cowboy—roamed these scrublands include sunset—as the sheer walls of on horseback, and seeing it from a West- these monoliths capture the light of the ern saddle does seem like the thing to do.
  • Insights from Stourhead Gardens

    Insights from Stourhead Gardens

    Open Research Online The Open University’s repository of research publications and other research outputs Myth In Reception: Insights From Stourhead Gardens Thesis How to cite: Harrison, John Edward (2018). Myth In Reception: Insights From Stourhead Gardens. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000d97e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Myth in reception: Insights from Stourhead gardens John Edward Harrison BSc (Hons) Psychology, University of Hertfordshire, UK Dip CS, Open University, UK PhD Neuroscience, University of London, UK Thesis submitted to The Open University in partial fulfilment of the requirement for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences (FASS) The Open University December 2017 1 Declaration I declare that this thesis represents my own work, except where due acknowledgement is made, and that is has not been previously submitted to the Open University or to any other institution for a degree, diploma or other qualification. 2 Abstract The focus of my thesis is the reception of classical myth in Georgian Britain as exemplified by responses to the garden imagery at Stourhead, Wiltshire. Previous explanations have tended to the view that the gardens were designed to recapitulate Virgil’s Aeneid.
  • J. J. González García, Charles V and the Habsburgs' Inventories, RIHA

    J. J. González García, Charles V and the Habsburgs' Inventories, RIHA

    RIHA Journal 0012 | 11 November 2010 Charles V and the Habsburgs' Inventories. Changing Patrimony as Dynastic Cult in Early Modern Europe Juan uis !on"#lez !arc$a Peer revie% and editing organized by& Instituto Amatller de Arte Hispánico, Barcelona 'evie%ers& Antoni José itarch, "antia#o Alcolea Blanc! (bstract Apart from a deep respect for the achievements of the Habsburgs, Emperor Maximilian I transmitted to his heirs a practical attitude towards their art collections. Pearls and precious stones were extracted from set pieces to produce new ones; old fashioned !eweller" or silver ob!ects were melted down; and tapestries, paintings and sculptures were publicl" sold to pay off debts. #" stud"ing how some of these goods were reused, recycled, and recirculated among the Habsburg famil" members, I will explain how crown patrimon" changed owners and $ingdoms, and how the cult of their d"nast", activel" promoted b" %harles &, heightened the notion of a collective consciousness which served as a topos for aristocratic collecting in the 'enaissance. Contents Introduction $!e %r#ani&ation o' (arl) Habsbur# Inventories and t!e Hierarchy o' *edia +!an#in# $aste and t!e *anipulation o' t!e %b,ect +!arles -'s Inventories and t!e +reation o' an (mpire /)nastic *arria#es, /)nastic Inventories Introduction ()* +he ro"al inventories of the Habsburgs are documents of extraordinar" importance for the anal"sis of art collecting in the Modern Age. +he" are often the onl" available tools to interpret the value, arrangement, uses and original functions of the ever changing princel" possessions , today !ust partiall" preserved ,, and provide us with references about the best European painters, sculptors, goldsmiths, weavers, or armourers of the time, to name but a few.