DOCSLIB.ORG

Research Report Events & Activities July 2015 — December 2018 Kunsthistorisches Institut in Florenz — Max-Planck-Institut Institut in Florenz Kunsthistorisches

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Research Report Events & Activities July 2015 — December 2018 Kunsthistorisches Institut in Florenz — Max-Planck-Institut Institut in Florenz Kunsthistorisches Research Report Events & Activities July 2015 — December 2018 Kunsthistorisches Institut in Florenz — Max-Planck-Institut Institut in Florenz Kunsthistorisches Research Report Kunsthistorisches Institut in Florenz Max-Planck-Institut Events & Activities July 2015 — December 2018 Kunsthistorisches Institut in Florenz Max-Planck-Institut Via Giuseppe Giusti 44 50121 Florence, Italy Phone +39 055 249 11-1 Fax + 39 055 249 11-55 www.khi.fi.it © 2019 Editors: Alessandro Nova and Gerhard Wolf Copy editing and proof-reading: Hannah Baader, Carolin Behrmann, Helene Bongers, Robert Brennan, Jason Di Resta, Dario Donetti, Hana Gründler, Stephanie Hanke, Annette Hoffmann, Lucy Jarman, Fabian Jonietz, Albert Kirchengast, Marco Musillo, Oliver O’Donnell, Jessica N. Richardson, Brigitte Sölch, Eva-Maria Troelenberg, Tim Urban, and Samuel Vitali Design and typesetting: Micaela Mau Print and binding: Stabilimento Grafico Rindi Cover image: Antonio Di Cecco, Monte Vettore, June 2018 Contents 7 Scientific Advisory Board 9 Events & Activities of the Institute 11 Conferences 31 Evening Lectures 34 Seminars & Workshops 38 Matinées & Soirées 39 Study Trips 41 Awards, Roundtables & Presentations 42 Labor 45 Ortstermin 46 Study Groups 47 Studienkurse 50 Online Exhibitions 51 Exhibition Collaborations 53 Academic Activities of the Researchers 54 Teaching 57 Talks 81 External Conference Organization 84 Curated Exhibitions 86 Varia 93 Publications 94 Publications of the Institute 97 Publications of the Researchers 117 Staff Directories Scientific Advisory Board Prof. Dr. Maria Luisa Catoni IMT School for Advanced Studies Lucca Prof. Dr. Elizabeth Edwards De Montfort University Prof. Dr. Jaś Elsner Corpus Christi College Prof. Dr. Charlotte Klonk Humboldt-Universität zu Berlin Institut für Kunst- und Bildgeschichte Prof. Dr. Yukio Lippit Harvard University Department of History of Art + Architecture Prof. Dr. Peter N. Miller Bard Graduate Center Gallery Prof. Dr. Philippe Morel Université Paris I Panthéon-Sorbonne Institut National d’Histoire de l’Art Prof. Dr. Patricia Rubin New York University Institute of Fine Arts Prof. Dr. Peter J. Schneemann Universität Bern Institut für Kunstgeschichte 7 Events & Activities of the Institute Conferences Chapel | Giovanni Careri The Ancestors of Christ | David Summers 17.–19.09.2015 The Great Sabbath. Michelangelo, Pico, and the Sistine Chapel Leonardo e gli altri | Leonardo in Dialogue Ceiling | Kim Butler Im/maculate Bodies in the Sistine Chapel | Vitale International Conference Zanchettin L’architettura dipinta della volta | Peter Gillgren Being in Organized by Francesca Borgo, Rodolfo Maffeis, and Alessandro the Sistine Chapel: The Wennerberg Experience | Bernadine Barnes Nova Viewing the Last Judgment from within and outside the Sistine Chapel | Peter Lukehart The Afterlife of Nude Saints in Michelangelo’s Last Francesca Borgo and Rodolfo Maffeis Welcome and Introduction | Judgment | Massimiliano Rossi L’età dell’oro: la maniera moderna Guido Rebecchini Leonardo, la corte di Mantova e il ritratto di nella Sistina come paradigma epocale Isabella d’Este. Indagini su un’opera contesa | Maddalena Spagnolo Destini incrociati: Leonardo e Correggio | Jill Pederson Leonardo, Bramante, and the Academy in Sforza Milan | Tommaso Mozzati Devozione per Leonardo: il magistero vinciano da Fra’ Bartolomeo 07.10.2015 a Ridolfo del Ghirlandaio | Joost Keizer Leonardo and Michelangelo Zu Ende geflochten: Edition Giorgio Vasari on Allegory | Christian Kleinbub Leonardo, Raphael, and the Theory Symposium of Painting | Wolf-Dietrich Löhr »Morosus«. La disciplina di Leonardo In collaboration with the Verlag Klaus Wagenbach, the Staatliche secondo la critica di Giovio | Diane Bodart Il gioco del grottesco: Museen zu Berlin, the Embassy of the Italian Republic in Berlin, and Leonardo e i pittori veneti di primo Cinquecento | Geoff Lehman the Italian Cultural Institute Berlin Leonardo, Van Eyck and the Epistemology of Landscape | Christopher Venue: Bode-Museum – Staatliche Museen zu Berlin P. Heuer Without a Master: Fossils, Force and Leonardo | Rebecca Zorach Nature, Imagination, and Authority: Leonardo in Seventeenth- Bernd Lindemann Begrüßung | Klaus Wagenbach Vasari bei Century France | Jeanette Kohl Verrocchio. Immanence and Evidence Wagenbach | Alessandro Nova Die Edition | Andreas Beyer Wer nicht in Quattrocento Sculpture | Mira Becker Leonardo’s Figures, the im Vasari steht. Giuseppe Arcimboldo, Benvenuto Cellini und Andrea Materiality of Lombard Sculpture and the Aesthetics of the »Moti« | Palladio sorgen sich um ihren Ruhm | Henry Keazor »Sometimes, the Matteo Burioni Leonardo and Northern Geometries. Iterations of reader will find, the artist can be as fascinating as his art.« Vasari the Centrally Planned Church | Carolyn Yerkes and Michael Cole und Leonardo in der Graphic Novel Chiaroscuro | Tanja Michalsky Leonardo on the Stairs Vasari in Neapel … hoffend, dass aufgrund seiner Anregungen endlich wieder große und ehrwürdige Werke geschaffen würden | Marco Ruffini The Lives without the Medici? | Sonderführung auf den Spuren Vasaris durch das Bode-Museum 05.–06.10.2015 The Sistine Chapel International Study Day Organized by Arnold Nesselrath and Ulrich Pfisterer 08.–09.10.2015 In collaboration with the Institut für Kunstgeschichte der Ludwig- Migrating Histories of Art: Self-Translations of a Maximilians-Universität, the Zentralinstitut für Kunstgeschichte, the Discipline Musei Vaticani, and the Gabinetto Disegni e Stampe delle Gallerie Workshop degli Uffizi Organized by Maria Teresa Costa and Hans Christian Hönes Venues: Kunsthistorisches Institut in Florenz, Gabinetto Disegni e Within the framework of the research project Bilderfahrzeuge. Aby Stampe delle Gallerie degli Uffizi (Florence), and Musei Vaticani Warburg’s Legacy and the Future of Iconology (Rome) In collaboration with the Warburg Institute, the Deutsches Forum für Kunstgeschichte, the Humboldt-Universität zu Berlin and Arnold Nesselrath and Ulrich Pfisterer Welcome and Introduction | the Warburg Haus Stefano Pierguidi The Rivalry of the Quattrocento Painters | Ulrich Funded by the Bundesministerium für Bildung und Forschung Pfisterer Speed! On the Chronology of the Quattrocento Frescoes | Tristan Weddigen Raphael’s Tapestries for the Sistine Chapel | Marzia Gerhard Wolf Welcome | Maria Teresa Costa and Hans Christian Faietti Introduction: The Piermatteo d’Amelia-Drawing of the Ceiling | Hönes Introduction | Verena Jung Transferring Your View on Art into Visit to the Sistine Chapel with an Introduction by Chiara Franceschini | Another Language. Self-Translation and Translation in the Arts | Linda Peter Howard The Visual Art of Preaching in the Frescoes of the Sistine Sandino Narrative Identities in Life History Recordings. The Case of 11 Conferences Leon Vilaincour | Johannes von Müller Speaking Art’s Own Language: (1907) bis zur E 42 in Rom (1936–60) | Yan Geng »Guangchang« as Winckelmann Writing Italian | Burcu Dogramaci Writing on Art and Political Space: Re-Imaging Public Square of the Twentieth-Century Architecture in Turkish Exile | Sigrid Weigel Translation without Original China | Anna Emmerling Blickachsen im Video – Harun Farockis and the Work of Self-Translation. The Case of Hannah Arendt | Yumiko Videograms of a Revolution | Godehard Janzing Pariser Plätze 2.0. Saito Loanwords in Yoko Tawada’s Japanese Translation of Opium für Politische Öffentlichkeit im Schatten der Republik | Niklas Maak Ovid | Antonio Somaini Eisenstein’s General History of Cinema (1946– Piazza chiusa – Piazza aperta. Image and Counter Image of Public 48): Genealogies, Migrations, Remediations | Jennifer Cooke Frederic Urban Spaces | Bram Kempers Medialization of the Modern Piazza in Antal or a Connoisseur Turned Social Historian of Art | Giovanna Holland | Katja Bernhardt Gewendete Zeit – der Alexanderplatz in den Targia Edgar Wind’s Self-Translations. Genealogies, Crossroads and visuellen Medien seit 1989 | Jakob Hartmann Die mediale Produktion Perspectives of a Cultural-Theoretical Tradition | Uwe Fleckner »... des Raumes – Bild-Politiken und ihre Aktualisierung durch Stadtnutzer Always Living in a Foreign Tongue«. Carl Einstein and the Language am Beispiel eines Lissabonner Platzes | Bettina Morlang-Schardon of Exile | Irving Lavin American Panofsky | Irving Lavin in conversation Der Platz als Urban Screen – Die Plaza del Obradoiro in Santiago de with Gerhard Wolf Compostela im Lichte von Projection Mapping (2011/2012) 20.10.2015 30.–31.10.2015 Medieval Charm: Illuminated Manuscripts for Royal, I 150 anni del Bargello e la cultura dei musei Aristocratic, and Ecclesiastical Patronage nazionali in Europa intorno alla metà dell’Ottocento International Conference International Symposium Organized by Stefano U. Baldassarri, Francesca Marini, and Florence Organized by Ilaria Ciseri and Gerhard Wolf Moly In collaboration with the Museo Nazionale del Bargello In collaboration with the International Studies Institute, the Dutch Venue: Museo Nazionale del Bargello (Florence) University Institute for Art History, the Biblioteca Riccardiana, the Universitat de Lleida, and the Crédit Agricole – France Paola Grifoni Welcome | Ilaria Ciseri and Gerhard Wolf Introduction | Venue: International Studies Institute (Florence) Christopher Marsden The Italianness of the South Kensington Museum | Elisabeth Taburet-Delahaye La double origine du musée Stefano U. Baldassarri Welcome Remarks | Giovanna Lazzi Keynote | de Cluny | Ilaria Ciseri Il Bargello e le due mostre del 1865 | Geneviève Florence
Load more

Recommended publications
  • Emerging Trends in Real Estate Europe 2016
    Emerging Trends in Real Estate® Beyond the capital Europe 2016 Contents 26 Chapter 3 Markets to watch 4 Chapter 1 Business environment 2 16 Executive Chapter 2 summary Real estate capital markets Cover image: Marie-Elisabeth Lüders Building, Berlin, Germany 2 Emerging Trends in Real Estate® Europe 2016 Contents 71 About the survey Emerging Trends in Real Estate® Europe 2016 Beyond the capital A publication from PwC and the Urban Land Institute 60 Chapter 4 Changing places Emerging Trends in Real Estate® Europe 2016 1 Executive summary Executive summary 2 Emerging Trends in Real Estate® Europe 2016 Executive summary Capital flows and city rankings will always attract the headlines, The vast majority of respondents are but this year Emerging Trends Europe shines a spotlight on confident in their ability to thrive in 2016. fundamental changes at the business end of the real estate However, they acknowledge it is an increasingly competitive global field for industry. It reveals an industry trying to come to terms with the real estate. They are aware that if the wall needs of occupiers and the disruptive forces of technology, of capital recedes, European markets demographics, social change and rapid urbanisation. could be left exposed. Then it will be the strength of the underlying market These ground-level disruptions are Low interest rates and the sheer weight fundamentals and management’s permeating through the entire real estate of capital bearing down on European operational skills that come into focus. value chain. Investors are focused on real estate mean that most remain bullish cities and assets rather than countries.
    [Show full text]
  • University of Southampton Research Repository
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Katarzyna Kosior (2017) "Becoming and Queen in Early Modern Europe: East and West", University of Southampton, Faculty of the Humanities, History Department, PhD Thesis, 257 pages. University of Southampton FACULTY OF HUMANITIES Becoming a Queen in Early Modern Europe East and West KATARZYNA KOSIOR Doctor of Philosophy in History 2017 ~ 2 ~ UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy BECOMING A QUEEN IN EARLY MODERN EUROPE: EAST AND WEST Katarzyna Kosior My thesis approaches sixteenth-century European queenship through an analysis of the ceremonies and rituals accompanying the marriages of Polish and French queens consort: betrothal, wedding, coronation and childbirth. The thesis explores the importance of these events for queens as both a personal and public experience, and questions the existence of distinctly Western and Eastern styles of queenship. A comparative study of ‘Eastern’ and ‘Western’ ceremony in the sixteenth century has never been attempted before and sixteenth- century Polish queens usually do not appear in any collective works about queenship, even those which claim to have a pan-European focus.
    [Show full text]
  • How to Play in a Band with 2 Chordal Instruments
    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • 1 Jerusalem and the Work of Discontinuity Elizabeth Key Fowden He Was Not Changing a Technique, but an Ontology. John Berger
    Jerusalem and the Work of Discontinuity Elizabeth Key Fowden He was not changing a technique, but an ontology. John Berger, “Seker Ahmet and the Forest”1 In a review of Kamal Boullata’s 2009 book Palestinian Art: From 1850 to the Present, the critic Jean Fisher noted that “among Boullata’s most stunning insights . is that the crucible of Palestinian modernism is to be found in the Arabisation and progressive naturalisation of Byzantine iconography.”2 But Boullata himself did not follow this course. Instead, the Orthodox icon stimulated him to travel down a path away from the increasing naturalization of figural art toward varieties of abstraction, distilling the nonlinear perspective that lies at the existential heart of Orthodox iconography to create a modern artistic expression of a radically different sort from the Palestinian artists whose work he analyses in his book. Why did he take such a different path? Boullata has frequently observed that his own artistic impulse was first formed by three modes of artistic creation that coexisted in Jerusalem, where he was born and grew up: Byzantine icons, Arabic calligraphy, and Islamic ornament. He has not elaborated on the role of the Orthodox icon except to mention that his first lessons in painting were from the icon painter Khalil Halabi, who taught him to organize the multiple planes of an icon by the use of a grid. In his chapter “Peregrination Between Religious and Secular Painting,” Boullata also mentions “reverse perspective,” which he gleaned from the Byzantine art historian André Grabar, whose teacher in early twentieth-century St.
    [Show full text]
  • Hendrik Ziegler* Louis XIV N'a Cessé De Considérer L'espagne Comme Fennemie De La France. Dans Ses Mémoires, Instructions
    Originalveröffentlichung in: Sabatier, Gérard ; Torrione, Margarita (Hrsgg.): ¿ Louis XIV espagnol ? Madrid et Versailles, images et modèles. Paris 2009, S. 75-93 Le lion et le globe : la statue de Louis XIV par D omenico G uidi , ou l'Espagne humiliée Hendrik Ziegler* Louis XIV n ’a cessé de considérer l’Espagne comme Fennemie de la France. Dans ses Mémoires, instructions pour gouverner conçues à l’inten- tion du Dauphin, il ne manqua pas d ’évoquer la relation de concurrence jalouse et d ’« inimitié permanente » entre les deux peuples, qui n ’aurait jamais su être entièrement éliminée en dépit de son occultation passagère par des traités politiques et des mariages dynastiquesLe changement de rapport de force à partir des années 1650, confirmé par la paix des Pyrénées en 1659 qui allait durablement sceller la faiblesse militaire de l’Espagne, tarda à être reconnu du côté français : dans la perception des contemporains de Louis XIV, l’Espagne restait jusqu’au tournant du siècle un adversaire important et menaçant 2 . Pour cette raison, la politique étran- gère ludovicienne continua de poursuivre parmi ses principaux objectifs l’humiliation diplomatique, la lutte militaire et l’amputation territoriale de l’Espagne, jusqu’à ce que le testament de Charles II attribue la couronne espagnole à la maison de Bourbon. Dans le domaine de la politique artis- tique, le conflit franco-espagnol demeura également ouvert tout au long de la seconde moitié du xvii c siècle, ainsi qu’une statue de Louis XIV réalisée * Je remercie Diane H. Bodart et Gérard Sabatier qui m'ont apporté des informations et des idées précieuses, et pour leur relecture attentive de la traduction.
    [Show full text]
  • J. J. González García, Charles V and the Habsburgs' Inventories, RIHA
    RIHA Journal 0012 | 11 November 2010 Charles V and the Habsburgs' Inventories. Changing Patrimony as Dynastic Cult in Early Modern Europe Juan uis !on"#lez !arc$a Peer revie% and editing organized by& Instituto Amatller de Arte Hispánico, Barcelona 'evie%ers& Antoni José itarch, "antia#o Alcolea Blanc! (bstract Apart from a deep respect for the achievements of the Habsburgs, Emperor Maximilian I transmitted to his heirs a practical attitude towards their art collections. Pearls and precious stones were extracted from set pieces to produce new ones; old fashioned !eweller" or silver ob!ects were melted down; and tapestries, paintings and sculptures were publicl" sold to pay off debts. #" stud"ing how some of these goods were reused, recycled, and recirculated among the Habsburg famil" members, I will explain how crown patrimon" changed owners and $ingdoms, and how the cult of their d"nast", activel" promoted b" %harles &, heightened the notion of a collective consciousness which served as a topos for aristocratic collecting in the 'enaissance. Contents Introduction $!e %r#ani&ation o' (arl) Habsbur# Inventories and t!e Hierarchy o' *edia +!an#in# $aste and t!e *anipulation o' t!e %b,ect +!arles -'s Inventories and t!e +reation o' an (mpire /)nastic *arria#es, /)nastic Inventories Introduction ()* +he ro"al inventories of the Habsburgs are documents of extraordinar" importance for the anal"sis of art collecting in the Modern Age. +he" are often the onl" available tools to interpret the value, arrangement, uses and original functions of the ever changing princel" possessions , today !ust partiall" preserved ,, and provide us with references about the best European painters, sculptors, goldsmiths, weavers, or armourers of the time, to name but a few.
    [Show full text]
  • LDC2018 Classifica Definitiva Toscana.Xlsx
    9° CENSIMENTO NAZIONALE I LUOGHI DEL CUORE CLASSIFICA REGIONALE TOSCANA POS. POS. REGIONE PROVINCIA COMUNE LUOGO TOTALE VOTI REGIONALE NAZIONALE 1 1 TOSCANA PISA CALCI MONTE PISANO 114.670 2 7 TOSCANA PISA PISA CHIESA DI SAN FRANCESCO A PISA 24.997 3 26 TOSCANA PRATO PRATO ORATORIO DI SAN BARTOLOMEO 14.162 4 35 TOSCANA PISTOIA PISTOIA IL PARTERRE DI PISTOIA 11.030 5 44 TOSCANA PISA SAN GIULIANO TERME ROCCA DI RIPAFRATTA 8.922 6 46 TOSCANA FIRENZE GREVE IN CHIANTI PIEVE DI SAN PIETRO A SILLANO 8.536 LA GUALCHIERA DI COIANO, O MULINO 7 55 TOSCANA PRATO PRATO NALDINI 7.180 GIARDINO ATELIER DI SCULTURA DEL 8 59 TOSCANA PISA SAN GIULIANO TERME MAESTRO SPOSITO 6.838 9 61 TOSCANA FIRENZE VINCI SAN DONATO IN GRETI-VINCI 6.651 10 71 TOSCANA GROSSETO MONTE ARGENTARIO TORRE DI CAPO D'OMO 5.617 11 130 TOSCANA LUCCA CASTELNUOVO DI GARFAGNANA FORTEZZA DI MONTALFONSO 3.573 12 136 TOSCANA PISA CAPANNOLI MARGINETTE, LE VIE DEL CUORE 3.372 13 137 TOSCANA FIRENZE BAGNO A RIPOLI GUALCHIERE DI REMOLE 3.360 14 143 TOSCANA FIRENZE VICCHIO EX STAZIONE DI FORNELLO 3.312 15 183 TOSCANA PISTOIA PESCIA CARTIERA LE CARTE 2.611 16 186 TOSCANA MASSA CARRARA TEATRO POLITEAMA 2.485 17 193 TOSCANA FIRENZE REGGELLO CASTELLO E PARCO DI SAMMEZZANO 2.382 18 208 TOSCANA PISA CALCI CERTOSA DI CALCI 2.001 19 209 TOSCANA GROSSETO ROCCASTRADA CRIPTA DELL'ABBAZIA GIUGNANO 1.982 20 228 TOSCANA FIRENZE FIRENZE GALLERIA RINALDO CARNIELO 1.512 21 230 TOSCANA GROSSETO ARCIDOSSO STRIBUGLIANO 1.486 22 242 TOSCANA LUCCA BAGNI DI LUCCA CHIESA DI SAN CASSIANO IN CONTRONE 1.253 23 245 TOSCANA
    [Show full text]
  • THE BERNARD and MARY BERENSON COLLECTION of EUROPEAN PAINTINGS at I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls
    THE BERNARD AND MARY BERENSON COLLECTION OF EUROPEAN PAINTINGS AT I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls GENERAL INDEX by Bonnie J. Blackburn Page numbers in italics indicate Albrighi, Luigi, 14, 34, 79, 143–44 Altichiero, 588 Amsterdam, Rijksmuseum catalogue entries. (Fig. 12.1) Alunno, Niccolò, 34, 59, 87–92, 618 Angelico (Fra), Virgin of Humility Alcanyiç, Miquel, and Starnina altarpiece for San Francesco, Cagli (no. SK-A-3011), 100 A Ascension (New York, (Milan, Brera, no. 504), 87, 91 Bellini, Giovanni, Virgin and Child Abbocatelli, Pentesilea di Guglielmo Metropolitan Museum altarpiece for San Nicolò, Foligno (nos. 3379 and A3287), 118 n. 4 degli, 574 of Art, no. 1876.10; New (Paris, Louvre, no. 53), 87 Bulgarini, Bartolomeo, Virgin of Abbott, Senda, 14, 43 nn. 17 and 41, 44 York, Hispanic Society of Annunciation for Confraternità Humility (no. A 4002), 193, 194 n. 60, 427, 674 n. 6 America, no. A2031), 527 dell’Annunziata, Perugia (Figs. 22.1, 22.2), 195–96 Abercorn, Duke of, 525 n. 3 Alessandro da Caravaggio, 203 (Perugia, Galleria Nazionale Cima da Conegliano (?), Virgin Aberdeen, Art Gallery Alesso di Benozzo and Gherardo dell’Umbria, no. 169), 92 and Child (no. SK–A 1219), Vecchietta, portable triptych del Fora Crucifixion (Claremont, Pomona 208 n. 14 (no. 4571), 607 Annunciation (App. 1), 536, 539 College Museum of Art, Giovanni di Paolo, Crucifixion Abraham, Bishop of Suzdal, 419 n. 2, 735 no. P 61.1.9), 92 n. 11 (no. SK-C-1596), 331 Accarigi family, 244 Alexander VI Borgia, Pope, 509, 576 Crucifixion (Foligno, Palazzo Gossaert, Jan, drawing of Hercules Acciaioli, Lorenzo, Bishop of Arezzo, Alexeivich, Alexei, Grand Duke of Arcivescovile), 90 Kills Eurythion (no.
    [Show full text]
  • Da Lugo … a Firenze
    DA LUGO … A FIRENZE Sveglia! Si parte alle ore 6:00! Pronti per stare in pullman 2 ore e mezzo? Firenze dista da Lugo 167 000 000 mm … indovina quanti km sono!! Tutti in pullman si parte … per una gita entusiasmante!! 1 UNA GITA SOCIAL! Tagga tutte le tue foto della gita su instagram con l’hashtag #firenzeallaseconda 2 INDICE Introduzione: Firenze pagina 4 Martedì 12 aprile 2016 Museo S. Marco (Beato Angelico) pagina 6 Cenacolo del Perugino pagina 8 Palazzo Medici Riccardi pagina 9 Cappella dei Magi pagina 11 Duomo e Campanile pagina 13 Battistero pagina 15 Piazza della Signoria pagina 17 Il David pagina 18 Ponte Vecchio pagina 20 Palazzo Vecchio pagina 22 Le vie di Firenze pagina 25 Mercoledì 13 aprile 2016 Orsanmichele pagina 27 Gli Uffizi pagina 29 Il museo di Galileo pagina 31 Palazzo Pitti pagina 34 Il giardino di Boboli pagina 36 3 INTRODUZIONE: FIRENZE Firenze è un comune Italiano di 382.961 abitanti, capoluogo della Toscana e ottavo comune italiano per popolazione. Il simbolo sullo stemma e sul gonfalone è il giglio di Firenze, simbolo della città fin dal secolo XI. Nel Medioevo Firenze è stato un importante centro culturale, commerciale, economico e finanziario. Nell'età moderna ha ricoperto il ruolo di capitale del Granducato di Toscana, dal 1569 al 1859, con il governo delle famiglie dei Medici e dei Lorena. Fu capitale d'Italia dal 1865 al 1871, dopo l'unificazione del Paese (1861). In seguito ad accordi internazionali, nel settembre del 1864 il governo italiano decise il trasferimento della capitale del Regno da Torino a Firenze, prendendo atto che in vista di una guerra con l'Austria la capitale doveva essere in posizione più centrale e protetta nella penisola e in attesa che Roma, capitale dello Stato della Chiesa, potesse essere unita all'Italia.
    [Show full text]
  • Downbeat.Com December 2020 U.K. £6.99
    DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Cortés After the Conquest of Mexico
    CORTÉS AFTER THE CONQUEST OF MEXICO: CONSTRUCTING LEGACY IN NEW SPAIN By RANDALL RAY LOUDAMY Bachelor of Arts Midwestern State University Wichita Falls, Texas 2003 Master of Arts Midwestern State University Wichita Falls, Texas 2007 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2013 CORTÉS AFTER THE CONQUEST OF MEXICO: CONSTRUCTING LEGACY IN NEW SPAIN Dissertation Approved: Dr. David D’Andrea Dissertation Adviser Dr. Michael Smith Dr. Joseph Byrnes Dr. James Cooper Dr. Cristina Cruz González ii Name: Randall Ray Loudamy Date of Degree: DECEMBER, 2013 Title of Study: CORTÉS AFTER THE CONQUEST OF MEXICO: CONSTRUCTING LEGACY IN NEW SPAIN Major Field: History Abstract: This dissertation examines an important yet woefully understudied aspect of Hernán Cortés after the conquest of Mexico. The Marquisate of the Valley of Oaxaca was carefully constructed during his lifetime to be his lasting legacy in New Spain. The goal of this dissertation is to reexamine published primary sources in light of this new argument and integrate unknown archival material to trace the development of a lasting legacy by Cortés and his direct heirs in Spanish colonial Mexico. Part one looks at Cortés’s life after the conquest of Mexico, giving particular attention to the themes of fame and honor and how these ideas guided his actions. The importance of land and property in and after the conquest is also highlighted. Part two is an examination of the marquisate, discussing the key features of the various landholdings and also their importance to the legacy Cortés sought to construct.
    [Show full text]
  • Unit 7: Activities - the Habsburgs
    Activites - The Habsburgs by Gema de la Torre is licensed under Unit 7: Activites – a Creative Commons Reconocimiento-NoComercial 4.0 Internacional License The Habsburgs Unit 7: Activities - The Habsburgs Index 1. Origin of the house of Habsburg. ................................................................................................... 1 2. Charles I ......................................................................................................................................... 2 2.1. Inheritance of Charles I .......................................................................................................... 2 2.2. Internal Problems. .................................................................................................................. 3 2.3. International Relations ........................................................................................................... 4 3. Philip II .......................................................................................................................................... 5 3.1. Philip II's Government ........................................................................................................... 5 4. Minor Austrias................................................................................................................................ 7 4.1. Philip III ................................................................................................................................. 8 4.2. Philip IV ................................................................................................................................
    [Show full text]