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The Morrison Archives1
41 THE MORRISON ARCHIVES1 CAROLINE DAKERS Central Saint Martins College of Arts and Design, University of the Arts London The first stage of cataloguing the archives of the nineteenth century merchant James Morrison has been completed by John D’Arcy (formerly of the Wiltshire and Swindon History Centre) for Alastair, 3rd Baron Margadale. When the database is finished it will be possible to access a very important private collection of relevance to historians of nineteenth and twentieth century business and economics, collecting, parliament, agriculture and land management. The archives have been organised by D’Arcy in 300 large boxes each containing up to 10 kilograms of papers. The catalogue has 3,000 entries, some of which cover hundreds of letters or papers. When completed the database will have thousands of subjects. When the archives are accessible (probably mid-2012) visits will probably be organised via John D’Arcy and the Fonthill Estate and there will be a small charge.2 Part of the Morrison archive in the original nineteenth century tin boxes (Caroline Dakers) 42 I have been using the archives for a study of the Morrisons, A genius for money, business, art and the Morrisons, published by Yale University Press in November 2011. Here, for those who are unfamiliar with the remarkable family, I introduce James Morrison and his achievements, describe how such an extensive collection was formed, and highlight some of the most important parts. Without the support of the late James Morrison, Baron Margadale and his son Alastair (3rd Baron Margadale), neither this research nor the catalogue compiled by D’Arcy, would have been possible. -
Letter C Introduction This Index Covers Volumes 110–112 and 114–120 Inclusive (1992–2000) of Archaeologia Cantiana, Volume 113 Being the Preceding General Index
Archaeologia Cantiana - On-line Index 2012 GENERAL INDEX TO VOLUMES CX 1992 ( 110 ) to CXX 2000 ( 120 ) Letter C Introduction This index covers volumes 110–112 and 114–120 inclusive (1992–2000) of Archaeologia Cantiana, volume 113 being the preceding General Index. It includes all significant persons, places and subjects with the exception of books reviewed. Volume numbers are shown in bold type and illustrations are denoted by page numbers in italic type or by (illus.) where figures occur throughout the text. The letter n after a page number indicates that the reference will be found in a footnote and pull-out pages are referred to as f – facing. Alphabetisation is word by word. Women are indexed by their maiden name, where known, with cross references from any married name(s). All places within historic Kent are included and are arranged by civil parish. Places that fall within Greater London are to be found listed under their London Borough. Places outside Kent that play a significant part in the text are followed by their post 1974 county. Place names with two elements (e.g. East Peckham, Upper Hardres) will be found indexed under their full place name. T. G. LAWSON, Honorary Editor Kent Archaeological Society, February 2012 Abbreviations m. married Ald. Alderman E. Sussex East Sussex M.P. Member of Parliament b. born ed./eds. editor/editors Notts. Nottinghamshire B. & N.E.S. Bath and North East f facing Oxon. Oxfordshire Somerset fl. floruit P.M. Prime Minister Berks. Berkshire G. London Greater London Pembs. Pembrokeshire Bt. Baronet Gen. General Revd Reverend Bucks. -
Belton Setting Study
Belton House and Park Setting Study and Policy Development South Kesteven District Council and National Trust January 2010 Belton House and Park Setting Study and Policy Development Final 10.01.10 Notice This report was produced by Atkins Ltd for South Kesteven District Council and The National Trust for the specific purpose of supporting the development of policy for the setting of Belton House and Park. This report may not be used by any person other than South Kesteven District Council and The National Trust without South Kesteven District Council’s and The National Trust’s express permission. In any event, Atkins accepts no liability for any costs, liabilities or losses arising as a result of the use of or reliance upon the contents of this report by any person other than South Kesteven District Council and The National Trust. Document History JOB NUMBER: 50780778 DOCUMENT REF: Belton Final September 2009 (revised).doc 4 Final (typographic KS/JB/CF KS AC AC 10/01/10 corrections) 3 Final KS/JB/CF KS AC AC 29/09/09 2 Final Draft KS/JB/CF KS AC AC 17/6/09 1 1st full draft for client KS/JB/CF KS AC AC 3/4/09 discussion Revision Purpose Description Originated Checked Reviewed Authorised Date 50780778/Belton Final Final Jan 2010 (revised).doc Contents Section Page 1. INTRODUCTION 4 1.1 Purpose & Scope of the Study 4 1.2 The National Trust Belton House Estate 4 1.3 Structure of the Report 4 1.4 Method 5 1.5 Planning Background 6 2. -
The Court Post Office
The Court Post Office BRITISH STAMPS Her Majesty is on record as having referred to the Royal Family as ‘The Firm’ and, like any successful business, it has to process large quantities of incoming and outgoing mail. In early 2012, the authors were given the opportunity of visiting Buckingham Palace to interview The Court Postmaster, David Baxter, and this article is the result of that visit. It also contains information gleaned from a previous visit made in 2004 in instances where there have been no changes to the arrangements in place. The Court Post Office: Part One By Glenn H Morgan and John Holman Detailed arrangements about the Court Post cancellations by hand. up full-time residency in Kensington Palace. were first published inRoyal Household Mail The role of Court Postmaster involves Their outgoing mail envelopes are cancelled in 1992 (Ref. 1). This was later updated for managing all employees, plus the incoming with the Buckingham Palace franking the period 1990-2004 in ‘The Court Post and outgoing mail for and from the Royal machine when at their London office, which Office’ series of five articles (Ref 2). This Family members and their Households, much can be readily identified when separated from present article serves to introduce the subject as it would have done in the first Elizabethan the contents due to the use of a ‘W’ (William) and to record current postal and certifying era. Until recently there was a Deputy Court or a ‘C’ (Catherine) on the envelope flap. markings used on mail in all the Royal offices Postmaster, but the role became vacant and is The Duke also still uses envelopes with a and residences. -
Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2018 Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf Lauren Nicole Benke University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Benke, Lauren Nicole, "Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf" (2018). Electronic Theses and Dissertations. 1401. https://digitalcommons.du.edu/etd/1401 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Lauren N. Benke March 2018 Advisor: Eleanor McNees © Lauren N. Benke 2018 All Rights Reserved Author: Lauren N. Benke Title: Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf Advisor: Eleanor McNees Degree Date: March 2018 ABSTRACT This theoretical project seeks to introduce a new critical methodology for evaluating gesture—both represented in text and paratextual—in the works of Virginia Woolf—specifically The Voyage Out (1915), Orlando (1928), The Waves (1931), and Between the Acts (1941)—and James Joyce—particularly Ulysses (1922) and Finnegans Wake (1939). -
Whole Day Download the Hansard
Wednesday Volume 672 26 February 2020 No. 30 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Wednesday 26 February 2020 © Parliamentary Copyright House of Commons 2020 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 299 26 FEBRUARY 2020 300 Stephen Crabb: As we prepare to celebrate St David’s House of Commons Day, now is a good moment to celebrate the enormous and excellent progress that has been made in reducing unemployment in Wales. Does my right hon. Friend Wednesday 26 February 2020 agree that what is really encouraging is the fact that the long-term lag between Welsh employment levels and the The House met at half-past Eleven o’clock UK average has now closed, with more people in Wales going out to work than ever before? PRAYERS Simon Hart: I am grateful to my right hon. Friend and constituency neighbour for raising this issue. He will be as pleased as I am that the figures in his own [MR SPEAKER in the Chair] constituency, when compared with 2010, are as good as they are. It is absolutely right that the Government’s job, in collaboration with the Welsh Government if that is necessary, is to ensure we create the circumstances Oral Answers to Questions where that trend continues. He has my absolute assurance that that will be the case. Christina Rees (Neath) (Lab/Co-op): Will the Secretary WALES of State provide the House with specific details on how many people have been affected by the catastrophic flood damage to residential properties and businesses The Secretary of State was asked— across Wales, and exactly how much has been lost to the Universal Credit Welsh economy so far? Simon Hart: I should start by saying that, during the 1. -
A Study Into the Material Culture of the Morgan Family of Tredegar House
A Study into the Material Culture of the Morgan Family of INTRODUCTION Tredegar House in the late-Seventeenth Century There are many reasons why people wanted to own material goods, some practical, some financial, some psychological. This makes it necessary to explore social as well as economic factors. 1 Becky Gingell As Lorna Weatherill’s comments above, there are a variety of ways in which the study of material culture can be examined, as well as a number of reasons for such an investigation. The study of material culture can provide a vivid insight into the past, and a vast amount can be discovered about the individuals who owned the household goods. The ability to purchase new items was obviously determined by the person’s financial background and whether they were a spendthrift by nature, or perhaps less inclined to use their wealth, ranging from practical necessities of the household to the accumulation of personal niceties, to the more fundamental psychological reasons for owning such goods – desire and emulation. The Morgan family of Tredegar has had a long association with the county of Monmouthshire dating as far back as the fifteenth century and finally ending in the twentieth century when the house was finally sold. Each member of the Morgan family was famous during their lifetime and several grew to be significant entrepreneurs, while others became renowned for their eccentric behaviour. What this study will concentrate upon is the ownership of Tredegar House during the late-seventeenth century and the way in which the estate was run coinciding with the material culture of the owners during this period. -
A Highland Paradise
A Highland paradise Balmoral Castle, Scotland A home of Her Majesty The Queen The product of Queen Victoria and Prince Albert’s enthusiasm for the Highlands, Balmoral remains a much- loved home of the Royal Family. Mary Miers looks at the history of the castle and its role as a sporting estate Photographs by Paul Barker enjoying all the activities that have come to identify the royal Highland holiday—picnic- ing and excursions into the hills, shooting, dancing, attending Highland games and listening to piping. three years later, they were back, sailing from osborne up the west coast to tour the islands and then spending a month at the Marquis of abercorn’s ardverikie estate on Loch Laggan, where albert first donned a kilt, Landseer was a guest and they got their first prolonged taste of the infamous Highland weather. It did not put them off; indeed, the royal love of remote, cold places, and their stamina for enduring the elements and the dis- comforts of long outdoor expeditions, is legendary. earlier tourists had come north to observe the sublime; the royal Family relished the full physical experience, get- ting out into the wilds and pitting them- selves against the elements. as osborne neared completion on the Isle of Wight, Victoria and albert set their hearts Fig 3: The castle drawing room in 1857, one of 11 interior views by James Roberts on acquiring a Highland holiday home. and then, a fortuitous accident occurred: the route, to be greeted by a pageant of piping, included the neighbouring estates of Mar. -
The Festival Players Theatre Company Press Release
The Festival Players Theatre Company Press Release FESTIVAL PLAYERS SERVE UP AN ALL-MALE “AS YOU LIKE IT” AT CULZEAN CASTLE - 60-date UK tour travels from village greens to castles of celebrity and royalty – - AYRSHIRE : Culzean Castle (NTS), Maybole, Tuesday, June 26, 7.15pm - Tickets: 01655 884455 If you go down to the woods today – you could be in for a big surprise! For the Festival Players, one of Britain’s top touring theatre companies, is marking its 22nd year with a pacy performance that will certainly keep audiences guessing. This year they have chosen to perform Shakespeare’s pastoral romantic comedy As You Like It – one of Shakespeare’s greatest crowd pleasers. Set in the Forest of Arden all kinds of antics are going on – from amorous advances to clowning, disguise and gender reversals! And the Players will be giving audiences even more of a conundrum - by fielding an all male cast! The Gloucestershire-based Festival Players will tour the UK with an exclusively male cast between May 31 and August 27, stopping at the spectacular Italianate Culzean Castle & Country Park on June 26 – one of many National Trust for Scotland properties at which they perform this summer Touchstone & Audrey Rosalind/|Ganymede, Celia/Aliena, Orlando Phebe & Silvius Rosalind, Duke Frederick, Celia The Players, who set out to deliver high class open-air (and occasionally indoor) theatre and make Shakespeare accessible to all, will stage more than 60 performances of the famous play across England, Scotland and Wales – at English country houses, abbeys, parks and village greens to wonderful Welsh gardens like Aberglasney and dramatic Scottish castles including, for the first time, the royal residence of Balmoral. -
Conservation Management Plan 2017-2022
Garinish Island Ilnacullin and Bryce House Conservation Management Plan 2017-2022 Consultation Draft March 2017 Table of Contents Chapter 1: Understanding Garinish Island - Introduction, Background and Context 1.1 Introduction 1.2 OPW Approach & Philosophy 1.3 External Relationships 1.4 Purpose & Scope 1.5 Management Plan Structure 1.6 Historical Context & Cultural Value 1.7 Size & Location 1.8 Main Features 1.8.1 The Designed Landscape & Gardens 1.8.2 Architecture & Built Heritage 1.8.3 Collections & Presentation 1.8.4 Archaeology 1.8.5 Coastline & Islands 1.8.6 Trees, Shrubs & Herbaceous Planting 1.8.7 Natural Heritage – Geology, Climate, Ecology & Biodiversity 1.8.8 Paths & Access 1.8.9 Signage & Furniture 1.8.10 Depot Area 1.8.11 Utilities & Electricity 1.9 Legal Framework & Policy Context 1.9.1 Protective designations – Heritage & Natural Features 1.9.2 Current Governance 1.9.3 Planning & Development Legislation 1.9.4 Cork County Development Plan 2014 1.9.5 Bantry Electoral Area Local Area Plan 2015 1.9.6 'Non-statutory' Plans & Policies Chapter 2: Where are we Now? 2.1 Introduction 2.2 The Green Flag Award 2.3 A Welcoming Place 2.3.1 Welcoming 2.3.2 Good & Safe Access 2.3.3 Signage & Interpretation 2.3.4 Equal Access for All 2.3.5 'Something for Everyone' 2.4 Healthy, Safe & Secure 2.4.1 Safe Equipment & Facilities 2.4.2 Personal Security – Visitors and Staff 2.4.3 Dog Behaviour 2.4.4 Appropriate Provision of Facilities 2.4.5 Quality of Facilities 2.5 Clean & Well Maintained 2.5.1 Litter & Waste Management 2.5.2 Grounds Maintenance -
Charlecote Gardens Charlecote
Charlecote Gardens Charlecote Charlecote Gardens Charlecote CV35 9ER A stunning individual Grade II listed Georgian riverside family residence. Imaginatively extended via a three storey glazed atrium, the property stands in beautiful walled gardens descending to the River Dene. A pedestrian footbridge leads over to the meadow which extends to about 4.41 acres. Outstanding period living in a sought after village. ● Grade II listed Georgian residence ● River frontage of 550' to the River Dene ● About 4.41 acres ● Bridge and stables ● Three storey glazed atrium linking extension CHARLECOTE is designated as a Conservation Area and is best known for its historic Lucy family’s Elizabethan Mansion of Charlecote Park which is now held by the National Trust. The village also has a fine parish church, local hotel and garden centre. Offers in excess of £1,500,000 Everyday needs are catered for about a mile away in the village of Wellesbourne and more comprehensive facilities are available for in nearby Stratford upon Avon, Warwick and Leamington Spa. The M40 is approximately 5 miles away giving access to the wider motorway network. There are an excellent range of state, grammar and private schools to suit most requirements. 53 Henley Street & 1 Meer Street, CHARLECOTE GARDENS comprises a stunning individual Grade II listed Georgian riverside family residence. Imaginatively Stratford-Upon-Avon, Warwickshire CV37 6PT extended via a three storey glazed atrium, combining with stone mullioned windows and pillared balconies and porch. The property 01789 415444 stands in beautiful walled gardens descending to the River Dene. A pedestrian footbridge leads over to the meadow which extends [email protected] to about 4.41 acres.