Royal Deeside & the Castle Trail
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Members' Centre and Friends' Group Events
MEMBERS’ CENTRE AND FRIENDS’ GROUP EVENTS AUTUMN/WINTER 2019 Joining a centre or group is a great way to get more out of your membership and learn more about the work of the Trust. All groups also raise vital funds for Trust places and projects across the country. Please note that most groups charge a small annual membership subscription, separate to your Trust membership. The groups host a range of lectures, outings, social events and tours for their members throughout the year. For more information please contact each group directly. ABERDEEN AND DISTRICT MEMBERS’ Thursday 13 February, 2.00pm: Talk by Dr Thursday 3 October, 2.15pm: Annual CENTRE (SC000109) Fiona-Jane Brown “Forgotten Fittie” at the general meeting, followed by a talk from Ben Aberdeen Maritime Museum, Shiprow. Judith Falconer, Programme Secretary Reiss of the Morton Photography Project, which has supported the Trust in curating Tel: 01224 938150 Tuesday 17 March, 7.30pm: Annual general and conserving its photographic collection. Email: [email protected] meeting followed by a talk by Gordon Guide Hall, Myre Car Park, Forfar. Murdoch “Join the National Trust….. and see Booking is essential for events marked * the world” at the Aberdeenshire Cricket October date TBC: Visit to Drum Castle to There is a charge for guests attending talks. Club, Morningside Road. see the “A Considered Place” exhibition. For further information, please contact the Tuesday 17 September, 7.30pm: Talk by * Day excursion in early May TBC Membership Secretary. Finlay McKichan “Lord Seaforth: Highland landowner, Caribbean governor and slave * Annual holiday in early June TBC Saturday 2 November, 10–12 noon: Coffee owner” at the Aberdeenshire Cricket Club, morning at the Old Parish Church Hall, Morningside Road. -
National Collecting Scheme Scotland National
National Collecting Scheme Scotland National Collecting Scheme Scotland is an initiative that supports public collections across Scotland to acquire and present challenging contemporary visual art. The initiative also seeks to enable curators within those organisations to extend their knowledge and understanding of contemporary visual arts, and to develop their engagement with the visual arts sector in Scotland. Scotland is home to some very fine public collections, which are of local, national and international significance. It is the aim of the NCSS that those public collections are able to reflect the range and vibrancy of contemporary art created here and abroad, that they can help build new audiences for the contemporary visual arts, as well as engage and work with artists and visual arts organisations. Some facts : • NCSS is an initiative of the Scottish Arts Council. • Currently NCSS has seven museum partners. These are Aberdeen Art Gallery, McManus Galleries, Dundee, Edinburgh City Art Centre, Gallery of Modern Art, Glasgow, Hunterian Art Gallery, Paisley Museum and Art Gallery, and the Pier Arts Centre, Orkney. • In its first phase - 2003-2006 - NCSS enabled a total of 122 acquisitions by six public collections (including craft in its first phase). In 2007-2008 a further 18 works of visual art have been acquired. The Scottish Arts Council will support further acquisitions in 2008-2009. • NCSS member were also involved in an innovative joint commissioning project – the first of its kind in the UK. They collaborated to commission Joanne Tatham & Tom O’Sullivan to create a substantial and ambitious new work of art for Scotland • Aberdeen Art Gallery hosted the Scotland & Venice exhibition December 2007- January 2008. -
National Dimensions
ONS NATIONAL DIM NATIONAL DIMENNATIONAL DIMENSIONS NAL DIMENSIONS DIMENSIONS NATIO This report was researched and written by AEA Consulting: Magnus von Wistinghausen Keith Morgan Katharine Housden This report sets out the collaborative work undertaken by the UK’s nationally funded museums, libraries and archives with other organisations across the UK, and assesses their impact on cultural provision across the nation. It focuses on the activities in recent years of members of the National Museum Directors’ Conference (NMDC), and is largely based on discussions with these institutions and selected partner organisations, as well as on a series of discussion days hosted by the NMDC in different regional centres in July 2003. It does not make specific reference to collaborative work between NMDC organisations themselves, and focuses on activities and initiatives that have taken place in the last few years. For the sake of simplicity the term ‘national museum’ is used throughout the report to describe all NMDC member organisations, notwithstanding the fact that these also include libraries and archives. In this report the term ‘national’ is used to denote institutions established by Act of Parliament as custodians of public collections that belong to the nation. It is acknowledged that the NMDC does not include all museums and other collecting institutions which carry the term ‘national’ as part of their name. Specific reference to their activities is not contained in this report. Published in the United Kingdom by the National Museum Directors' -
Excavations at Craigievar Castle, Aberdeenshire Moira K Greig* with Contributions by Colvin Greig, Bill Lindsay, Stewart Thain & Gordon Williamson
Proc Antiqc So Scot,(1993)3 12 , 381-93, fiche 2:B1-C4 Excavations at Craigievar Castle, Aberdeenshire Moira K Greig* with contributions by Colvin Greig, Bill Lindsay, Stewart Thain & Gordon Williamson ABSTRACT In the summer of 1990 the National Trust for Scotland funded an excavation to increase their knowledge of Craigievar Castle. This excavation revealed the remains of the east wall and part of the south wall of the original barmkin, along with two contemporary stone drains and a few post-holes. The excavation also recovered coins, pottery and glass. INTRODUCTION Aberdeenshire, now part of Grampian Region, is well known for its great castles. Of the later castles, built in the 17th century, many carried on the tradition of building a contiguous courtyard, or barmkin, although the defensive need for its surrounding wall was rarely required by that time. Today most of these castles have lost their barmkins or have only fragmentary remains, and little is known about their design (for the Lowlands, see Good & Tabraham 1988). However t Craigievaa , r Castlee paristh f n Leochel-Cushnii o h, J (N e 56670748), there exist almosn sa t complete stretc barmkif ho n wall. No contemporary records are known to exist that describe the interior of the courtyard t Craigievara , althoug assumn ca e ehon that there were stable byresd san brewerya , smithya , , and other necessary buildings. There are, however, within the castle, two 18th-century plans which, though differing in some of the structural details that they depict, do show definitive evidence of a barmkin wall enclosing a courtyard with internal buildings. -
Contemporary Art Society Annual Report 1982
Contemporary Art Society Annual Report and Statement of Accounts 1982 ate Gallery 0 John Islip Street Dndon SW1 P 4LL 1-821 5323 The Annual General Meeting of the Contemporary Art Society will be held at Warwick Arts Trust, 33, Warwick Square, S.W.1 on Tuesday, August 9th, 1 983 at 6.1 5 p.m. 1 . To receive and adopt the report of the committee and the accounts for the year ended December 31,1 982, together with the auditor's report. 2. To appoint auditors, special notice having been given, pursuant to section 1 42 of the Companies Act 1 948 and section 1 4 (1} (a) of the Companies ' Act 1 976, of the intention to propose the following resolution as an ordinary resolution:-- that Messrs. Neville Russell be, and are hereby, appointed auditors of the Society in place of the retiring auditors, Messrs. Sayers Butterworth, to hold office until the conclusion of the next general meeting at which accounts are laid before the Society. 3. To authorise the committee to determine Messrs. Neville Russell's remuneration for the coming year. 4. To elect to the committee the following who has been duly nominated; Philip Poilock, The retiring members are Joanna Drew and the Marquess of Dufferin and Ava. 5. Any other business. By order of the committee Petronilla Spencer-Silver Company Secretary May 28 1 983 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Untitled Drawing from a series of paintings made in Australia, 1 981 Chalk, charcoal and wash on paper 44£ x 62 inches/1 13x157 cm. -
The Court Post Office
The Court Post Office BRITISH STAMPS Her Majesty is on record as having referred to the Royal Family as ‘The Firm’ and, like any successful business, it has to process large quantities of incoming and outgoing mail. In early 2012, the authors were given the opportunity of visiting Buckingham Palace to interview The Court Postmaster, David Baxter, and this article is the result of that visit. It also contains information gleaned from a previous visit made in 2004 in instances where there have been no changes to the arrangements in place. The Court Post Office: Part One By Glenn H Morgan and John Holman Detailed arrangements about the Court Post cancellations by hand. up full-time residency in Kensington Palace. were first published inRoyal Household Mail The role of Court Postmaster involves Their outgoing mail envelopes are cancelled in 1992 (Ref. 1). This was later updated for managing all employees, plus the incoming with the Buckingham Palace franking the period 1990-2004 in ‘The Court Post and outgoing mail for and from the Royal machine when at their London office, which Office’ series of five articles (Ref 2). This Family members and their Households, much can be readily identified when separated from present article serves to introduce the subject as it would have done in the first Elizabethan the contents due to the use of a ‘W’ (William) and to record current postal and certifying era. Until recently there was a Deputy Court or a ‘C’ (Catherine) on the envelope flap. markings used on mail in all the Royal offices Postmaster, but the role became vacant and is The Duke also still uses envelopes with a and residences. -
KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt -
FOI-16-1243 - Market Research - Provost Skene"S House Date: 02 November 2016 14:19:29 Attachments: PSH Market & Audience Research Report Draft.Pdf
From: Foi Enquiries To: Subject: FOI-16-1243 - Market Research - Provost Skene"s House Date: 02 November 2016 14:19:29 Attachments: PSH Market & Audience Research Report Draft.pdf Dear , Thank you for your information request of 21 September 2016. Aberdeen City Council (ACC) has completed the necessary search for the information requested. Please accept our apologies for the delay in responding to your request. The following quote regarding the refurbishment of Provost Skene's House was attributed to Councillor Young in an article on page 6 in the Aberdeen Press and Journal dated 21st September 2016. "The market research indicates a strong desire for a family-friendly experience within the house." Please would you send me the market research material inclusive of the following: The scope of the market research, the dates the market research was carried out and by whom, the groups targeted by the research, and the market research report. Please find attached a copy of the Provost Skene House Market & Audience Research Report. We hope this helps with your request. Yours sincerely, Nicky Leiper Information Compliance Officer INFORMATION ABOUT THE HANDLING OF YOUR REQUEST ACC handled your request for information in accordance with the provisions of the Freedom of Information (Scotland) Act 2002. Please refer to the attached PDF for more information about your rights under FOISA. Information Compliance Team Communications and Promotion Office of Chief Executive Aberdeen City Council Room 1-24 Town House Broad Street ABERDEEN AB10 1AQ [email protected] 01224 523827/523602 Tel 03000 200 292 *03000 numbers are free to call if you have ‘free minutes’ included in your mobile call plan. -
THE PINNING STONES Culture and Community in Aberdeenshire
THE PINNING STONES Culture and community in Aberdeenshire When traditional rubble stone masonry walls were originally constructed it was common practice to use a variety of small stones, called pinnings, to make the larger stones secure in the wall. This gave rubble walls distinctively varied appearances across the country depend- ing upon what local practices and materials were used. Historic Scotland, Repointing Rubble First published in 2014 by Aberdeenshire Council Woodhill House, Westburn Road, Aberdeen AB16 5GB Text ©2014 François Matarasso Images ©2014 Anne Murray and Ray Smith The moral rights of the creators have been asserted. ISBN 978-0-9929334-0-1 This work is licensed under the Creative Commons Attribution-Non-Commercial-No Derivative Works 4.0 UK: England & Wales. You are free to copy, distribute, or display the digital version on condition that: you attribute the work to the author; the work is not used for commercial purposes; and you do not alter, transform, or add to it. Designed by Niamh Mooney, Aberdeenshire Council Printed by McKenzie Print THE PINNING STONES Culture and community in Aberdeenshire An essay by François Matarasso With additional research by Fiona Jack woodblock prints by Anne Murray and photographs by Ray Smith Commissioned by Aberdeenshire Council With support from Creative Scotland 2014 Foreword 10 PART ONE 1 Hidden in plain view 15 2 Place and People 25 3 A cultural mosaic 49 A physical heritage 52 A living heritage 62 A renewed culture 72 A distinctive voice in contemporary culture 89 4 Culture and -
Glen Lui 21 WALK 2
Glen Lui 21 WALK 2 Linn of Dee to Derry Lodge Distance 10.5km/6.5 miles Turn left and follow this through Glen Time 3 hours Lui, passing stands of Scots pine on the Start/Finish Linn of Dee car park surrounding slopes. Derry Cairngorm, GR NO063898 (parking charge) Ben Macdui and Beinn a’Bhuird are three Terrain Woodland and glen paths of Scotland’s highest peaks on show as and tracks you make your way through the glen. Map OS Landranger 73 Public transport Regular Stagecoach After crossing a bridge over the Lui Bluebird Service 201 from Aberdeen Water, the track swings left and continues to Braemar, 6 miles from the Linn through the open glen, home to red of Dee deer, buzzard and kestrel. Once populated by a number of townships, the This straightforward walk leaves from landscape of Glen Lui was transformed the natural gorge of the Linn of Dee by the decision to operate Mar Lodge and enters beautiful Glen Lui, one of Estate as a deer estate from the late 18th- the many gateways into the century, with the glen denuded of young Cairngorms. Excellent paths and trees by growing numbers of grazing tracks run to Derry Lodge, from which deer. Walk northwest along the track for experienced hillwalkers continue on another two miles to Derry Lodge. the challenging Lairig Ghru route to Rothiemurchus, by Aviemore. This The track maintains its northwest much shorter walk provides an ideal course and undulates gently alongside introduction to the wilder side of the heather-clad slopes, passing through a Cairngorms National Park without the strip of Scots pine woodland to reach navigation issues that walking in the now derelict Derry Lodge – once a much of the park can bring. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
The Biology and Management of the River Dee
THEBIOLOGY AND MANAGEMENT OFTHE RIVERDEE INSTITUTEofTERRESTRIAL ECOLOGY NATURALENVIRONMENT RESEARCH COUNCIL á Natural Environment Research Council INSTITUTE OF TERRESTRIAL ECOLOGY The biology and management of the River Dee Edited by DAVID JENKINS Banchory Research Station Hill of Brathens, Glassel BANCHORY Kincardineshire 2 Printed in Great Britain by The Lavenham Press Ltd, Lavenham, Suffolk NERC Copyright 1985 Published in 1985 by Institute of Terrestrial Ecology Administrative Headquarters Monks Wood Experimental Station Abbots Ripton HUNTINGDON PE17 2LS BRITISH LIBRARY CATALOGUING-IN-PUBLICATIONDATA The biology and management of the River Dee.—(ITE symposium, ISSN 0263-8614; no. 14) 1. Stream ecology—Scotland—Dee River 2. Dee, River (Grampian) I. Jenkins, D. (David), 1926– II. Institute of Terrestrial Ecology Ill. Series 574.526323'094124 OH141 ISBN 0 904282 88 0 COVER ILLUSTRATION River Dee west from Invercauld, with the high corries and plateau of 1196 m (3924 ft) Beinn a'Bhuird in the background marking the watershed boundary (Photograph N Picozzi) The centre pages illustrate part of Grampian Region showing the water shed of the River Dee. Acknowledgements All the papers were typed by Mrs L M Burnett and Mrs E J P Allen, ITE Banchory. Considerable help during the symposium was received from Dr N G Bayfield, Mr J W H Conroy and Mr A D Littlejohn. Mrs L M Burnett and Mrs J Jenkins helped with the organization of the symposium. Mrs J King checked all the references and Mrs P A Ward helped with the final editing and proof reading. The photographs were selected by Mr N Picozzi. The symposium was planned by a steering committee composed of Dr D Jenkins (ITE), Dr P S Maitland (ITE), Mr W M Shearer (DAES) and Mr J A Forster (NCC).