Robert Dudley, 1St Earl of Leicester
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Elizabeth I: a Single Female Ruler at a Time When Men Had the Power
GCSE History –British Depth Studies: Elizabethan England c1568-1603 Elizabeth and her Government KEY INDIVIDUALS KEY WORDS Elizabeth I: A single female ruler at a time when men had the power. Was very intelligent but had a difficult Inherit: An heir receives money, property or a title from someone who has died childhood. Treason: Betraying the country you are from, in particular trying to kill or throw the person or people Henry VIII: The monarch of England between 1509 – 1547, he famously broke from Rome and was the first in charge. Head of the Protestant church in England. He had 6 wives and was the father to Mary I, Elizabeth I and Privy council: A group of people, usually noble men or politicians who give advice to a Monarch. Edward VI. Patronage: Someone who has been given the power to control something and gets privileges. Anne Boleyn: Elizabeth I’s mother, Henry broke from Rome to divorce Catherine his previous wife and Succession: When one person follows another in a position, usually gaining the title of the person marry her. She was executed for adultery. before. Edward VI: Henry I third child and his only son. He was King first (1547 -1553)before his older sisters, he Heir: A person legally entitled to someone's property or title after they have died, they continue the was a Protestant and put in place strict rules against Catholicism. work of the person before them. Mary I : Elizabeth’s older sister. She became Queen in 1553-1558 and tried to make England Catholic. -
Chartmaking in England and Its Context, 1500–1660
58 • Chartmaking in England and Its Context, 1500 –1660 Sarah Tyacke Introduction was necessary to challenge the Dutch carrying trade. In this transitional period, charts were an additional tool for The introduction of chartmaking was part of the profes- the navigator, who continued to use his own experience, sionalization of English navigation in this period, but the written notes, rutters, and human pilots when he could making of charts did not emerge inevitably. Mariners dis- acquire them, sometimes by force. Where the navigators trusted them, and their reluctance to use charts at all, of could not obtain up-to-date or even basic chart informa- any sort, continued until at least the 1580s. Before the tion from foreign sources, they had to make charts them- 1530s, chartmaking in any sense does not seem to have selves. Consequently, by the 1590s, a number of ship- been practiced by the English, or indeed the Scots, Irish, masters and other practitioners had begun to make and or Welsh.1 At that time, however, coastal views and plans sell hand-drawn charts in London. in connection with the defense of the country began to be In this chapter the focus is on charts as artifacts and made and, at the same time, measured land surveys were not on navigational methods and instruments.4 We are introduced into England by the Italians and others.2 This lack of domestic production does not mean that charts I acknowledge the assistance of Catherine Delano-Smith, Francis Her- and other navigational aids were unknown, but that they bert, Tony Campbell, Andrew Cook, and Peter Barber, who have kindly commented on the text and provided references and corrections. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
The Height of the Shaft, and in the Form of the Cross Upon the Apex Were Suggested
182 LEICESTERSHIRE ARCHITECTURAL SOCIETY. the height of the shaft, and in the form of the cross upon the apex were suggested. Mr. Johnson also by way of explanation of his drawing contributed the following Paper upon TOWN CROSSES, which was, in his absence, read by Mr. North:— THE subject of "Town Crosses" is open to much enquiry. Without going very closely into the matter, I have found much to interest any one who takes pleasure in rambling amongst the relics of the past—not, however, so much from the erections themselves, as from the associations which are connected with them. They seem to divide themselves into three distinct heads or classes: Market Crosses, Memorial Crosses, and Town or Village Crosses. Of the antiquity of the first-named we have plenty of proof as far back as the thirteenth century, and I need only quote that in existence at Higham Ferrers, the capitals and mouldings of which are decidedly the work of that period. The form of the Market Cross is generally polygonal, with an open archway niche on two of its sides. The really good specimens to be found are few. More frequently, structures of a debased character, some sur mounted by a kind of dome, seem to have replaced the original ones. Evidently, the centre or the principal part of the town was used as the site of these erections, and some of the principal his torical events are connected with them. The illustrated descrip tions to be met with give but little idea of the style (there were no Le Keux or Jewitts in those early days) but the remains are curious, and from many of the occurrences which are depicted in manuscripts and other ancient works, being found in connection with the Town Crosses, it is clear that they were looked upon with a degree of importance, if not of veneration. -
The 5Th Earl of Leicester
Looking back at the Leicesters he Earls of Leicester have lived in SO MANY LEICESTERS! Holkham Hall since the middle of he earldom of Leicester was first Tcreated in 1107, but whenever an the 18th century. Thomas Coke, earl dies without a son to inherit the T title it lapses and can then be granted who built the hall and created the park, is to an entirely unrelated family. Over the starting point for this exhibition, which the centuries this happened three times before Thomas was created earl in illustrates succeeding generations as far as the 1744. Previous Earls of Leicester had 7th and present Earl of Leicester. included Simon de Montfort, champion of the barons against the crown in the Their story would not exist, however, without the 13th century, and Queen Elizabeth I’s century of family ambition that paved the way for favourite, Robert Dudley. Thomas Coke’s achievements. The Coke family has no connection with any of these earlier Earls of Leicester. fortune made in the law. Sir Edward Coke, Attorney homas Coke’s only son died before AGeneral and Chief Justice under Queen Elizabeth Thim so the peerage once again fell and James I, used his wealth to endow all his sons with into abeyance when he died in 1759. The hall and estate passed to his great-nephew, property. He bought one of three manors at Holkham in 1609 a commoner, who was always known as in order to bequeath it to his fourth son, John. ‘Coke of Norfolk’. In 1837, when he was 83, the title was re-created for him. -
Queen Elizabeth I's Pregnancy, Secret Marriage and Childbirth
Queen Elizabeth I’s Pregnancy, Secret Marriage and Childbirth Evidence concerning Queen Elizabeth I’s secret marriage to Robert Dudley, Earl of Leicester, and the Queen’s pregnancy and childbirth. Author: Peter Dawkins Queen Elizabeth I’s Pregnancy, Secret Marriage and Childbirth In November 1560 the Queen’s “looks” were quite consistent with a pregnant woman, and in December 1560, according to Mme D. von Kunow, a secret despatch among the Escurial Papers said that the Queen was expecting a child by Robert Dudley. In early 1561, it was reported that Elizabeth was bedridden with a mysterious illness that caused her body to swell. In addition, there were rumours that some private or formal betrothal had passed between the Queen and Robert Dudley.1 On 31 December 1560 Throckmorton, the English ambassador in Paris, wrote to Cecil, querying what to do “if her Majesty do so foully forget herself in her marriage as the bruit runneth here,” for the Spanish ambassador, who had just visited him, did “earnestly require me to tell him whether the Queen’s Majesty was not secretly married to Lord Robert; for, said he, I assure you, the Court is full of it, and the rumours of her doings be very strange in all courts and countries.” Throckmorton also wrote privately to the Queen and Dudley, saying that if the rumours were true, he would be unable to effect any successful diplomacy at the French Court or elsewhere. Cecil responded to him on 15 January 1561 with a warning: “I advise you not to meddle with the matters of this Court, otherwise than ye may be well advised from hence. -
Galloping Onto the Throne: Queen Elizabeth I and the Symbolism of the Horse
Heidegger 1 Galloping onto the Throne: Queen Elizabeth I and the Symbolism of the Horse University of California, San Diego, Department of History, Undergraduate Honors Thesis By: Hannah von Heidegger Advisor: Ulrike Strasser, Ph.D. April 2019 Heidegger 2 Introduction As she prepared for the impending attack of the Spanish Armada, Queen Elizabeth I of England purportedly proclaimed proudly while on horseback to her troops, “I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king, and of a king of England too.”1 This line superbly captures the two identities that Elizabeth had to balance as a queen in the early modern period: the limitations imposed by her sex and her position as the leader of England. Viewed through the lens of stereotypical gender expectations in the early modern period, these two roles appear incompatible. Yet, Elizabeth I successfully managed the unique path of a female monarch with no male counterpart. Elizabeth was Queen of England from the 17th of November 1558, when her half-sister Queen Mary passed away, until her own death from sickness on March 24th, 1603, making her one of England’s longest reigning monarchs. She deliberately avoided several marriages, including high-profile unions with Philip II of Spain, King Eric of Sweden, and the Archduke Charles of Austria. Elizabeth’s position in her early years as ruler was uncertain due to several factors: a strong backlash to the rise of female rulers at the time; her cousin Mary Queen of Scots’ Catholic hereditary claim; and her being labeled a bastard by her father, Henry VIII. -
The Other W.S., William Stanley, Sixth Earl of Derby
The Other W.S., William Stanley, Sixth Earl of Derby John Raithel n the following, I hope to provide a reasonable summary of the evidence I that I believe points to William Stan- ley, the sixth earl of Derby, as the author of the works generally attributed to Shake- speare. I do not intend, of course, to pre- sent all the material here, but do hope to give a reasonable history of the Derbyite conviction, and in so doing point to some of the sources, compilers, and interpreters of this information, and then bring it up to date with recent discoveries and publica- tions. Beginning with the referenced works, I believe the interested reader will find much to flesh-out the skeleton sketched here. There are good reasons for suspecting that the traditional assignation of the authorship of Shakespeare’s works is misplaced. These are based on statements made about the works at the time of their appearance, evidence concerning the traditional candidate, and inferences derived from the works themselves. There are also good reasons for suspecting the true author to be William Stanley, the sixth earl of Derby. Some of these, too, are based on statements made about the author of the works, and inferences derived from the works themselves. And some are based on evidence concerning William Stanley. None of the statements, evidence, or inferences is conclusive—for Stanley or anyone else—or there would be no controversy. The case for Derby is made by examining the available material and attempting to weight it appropriately, assigning, for example, less weight to inferences drawn from the plays by a Derbyite—where there must be a natural bias toward interpreting the evidence in support of Derby—and more weight to a contemporary’s comments about the author, or to modern research by a non-Derbyite scholar. -
Mary Queen of Scots Vs. Elizabeth I: Manipulating Or Manipulated Bachelor’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Martina Jelínková Mary Queen of Scots vs. Elizabeth I: Manipulating or Manipulated Bachelor’s Diploma Thesis Supervisor: PhDr. Lidia Kyzlinková, CSc., M.Litt. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Martina Jelínková Acknowledgement I wish to express my gratitude to PhDr. Lidia Kyzlinková, CSc., M.Litt. for her invaluable advice and the time she dedicated to supervision of this thesis. I would also like to thank my friends for their support and encouragement. Table of Contents 1. Introduction .......................................................................................... 2 2. Historical Background ......................................................................... 4 2.1 Introduction to the Political Situation before Mary’s Accession ..... 4 2.2 Mary Queen of Scots: Matrimonial Alliances and Claims .............. 6 2.3 Negative Queenhood and Knox ...................................................... 9 3. Mary vs. Elizabeth ............................................................................. 13 3.1 The Mysterious Case of Amy Robsart .......................................... 13 3.2 The Murder of Lord Darnley ........................................................ 19 4. Fictional Representation: Fiction and Faction .................................... 28 5. Conclusion ........................................................................................ -
Kenilworth Plot Summary and Themes.Pdf
KENILWORTH By Sir Walter Scott Plot introduction Kenilworth is apparently set in 1575, and centers on the secret marriage of Robert Dudley, 1st Earl of Leicester, and Amy Robsart, daughter of Sir Hugh Robsart. The tragic series of events begins when Amy flees her father and her betrothed, Tressilian, to marry the Earl. Amy passionately loves her husband, and the Earl loves her in return, but he is driven by ambition. He is courting the favour of Queen Elizabeth I, and only by keeping his marriage to Amy secret can he hope to rise to the height of power that he desires. At the end of the book, the queen finally discovers the truth, to the shame of the Earl. But the disclosure has come too late, for Amy has been murdered by the Earl's even more ambitious steward, Varney. Explanation of the novel's title The title refers to Dudley's Kenilworth Castle in Kenilworth, Warwickshire. The novel opens, however, at Cumnor Place, near Abingdonin Berkshire (now Oxfordshire). Plot summary Giles Gosling, the innkeeper, had just welcomed his scape-grace nephew Michael Lambourne on his return from Flanders. He invited the Cornishman, Tressilian, and other guests to drink with them. Lambourne made a wager he would obtain an introduction to a certain young lady under the steward Foster's charge at Cumnor Place, seat of the Earl of Leicester, and the Cornish stranger begged permission to accompany him. On arriving there Tressilian found that this lady was his former lady-love, Amy. He would have carried back to her home, but she refused; and as he was leaving he quarrelled with Richard Varney, the earl's squire, and might have taken his life had not Lambourne intervened. -
Ruins in Sir Walter Scott's Historical Novel:A Case of Diachronic
Ruins in Sir Walter Scott’s unknown reasons. The state of ruins clearly presents the distance from the past, while by appreciating ruins Historical Novel:A Case of one feels close to the bygone era. Architectural ruins Diachronic Interpretation of then present diametrical relationships between the past and the present: identification and distanciation, Architecture to use Paul Ricoeur’s terminology. This paper will trace this function of architecture and identifying its Rumiko Handa, University pedigree in the nineteenth century, in which literary authors, artists, and stage managers incorporated of Nebraska-Lincoln buildings’ depictions to feed the historical imagination. In particular, it will discuss the role architectural ruins Abstract played in Sir Walter Scott’s historical novel, referring In cultural studies of architecture the terms “place” and to his Kenilworth: A Romance. “performance” suggest a need to consider its particular scope that is not often discussed in Firstly, Scott used actual buildings as the setting, architectural history and criticism. As David restoring them to the time of the events. The specific Leatherbarrow observed in his recent book, names of the building and their parts and their spatial Architecture Oriented Otherwise, “So much writing relationships substantiated the story. Secondly, Scott about architecture tends to evaluate it on the basis of narrated the building’s history, referring to the its intentions: how closely it corresponds to the artistic associated individuals and events, or creating his own will of the designer, the technical skills of the builder, nomenclature to give a genealogical meaning. He also or whether it reflects the spirit of the place and time in described the building's ornamentations, both actual which it was built.” We do not require a reminder from and imagined, referring to the past. -
BERKSHIRE. (KELLY's Diocese of Oxford
66 CUMNOR. :BERKSHIRE. (KELLY'S diocese of Oxford. The cthurclh of S:t. Michael is a'n edi- Leicester), in the presence of Edward VI. at Sheen fice of stone, generally in the Transitional Norman style, Court, Surrey, being then only 18 years of age; on the with insertions and additions of a century later, and 8th of Sept. 1560 while staying at Forst.er's house at consists of chancel, nave, north aisle, a chapel at the Cum'nor, she met with her death at the murderous east end of the sout':l aisle, which served as a mortuary hands of her host and his accomplice Sir Richard Var chapel for the abbey of .AJbingdon, nortJh pol'Ch and a ney; the latter died a miserable dea:th. in London: For battlemented we·S:tern tower containing a cl{)Ck and 6 ster, offering to divulge the particulars of the deed, was bells; the west doorway is Norman and tlhe tower arch a strangled in prison by Dudley's order, and the Earl him fine example of Transitional work: against tlhe north wall self died, 4 Sept. 15'88, at Corrrbury Manor house in of the chancel is :the rich altar-tomb of Anthony Forster, Oxfordshire, when his titles became extinct, his son, Sir e. 1572, and whose epitaph, of 32 verses, speaks highly of Robert Dudlcy, by his second wife, having failed to estab 'bim. as being amiab:e a'nd· accomplished; the tomb has lish his legitimacy; the remains of the hapless lady bra.sses of himself in armour,and /his wife Ann(W"i:liams), were brought from Oumnor to Gloucester (now Wor wi& several children: there are other brasses to Cathe- cester) College, Oxford, and thence taken, with great rine (Williams), wife of Henry 6taverton, gent.