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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
The 1957 Howl Obscenity Trial and Sexual Liberation
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references. -
Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2013 "Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957 Kayla D. Meyers College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Studies Commons Recommended Citation Meyers, Kayla D., ""Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957" (2013). Undergraduate Honors Theses. Paper 767. https://scholarworks.wm.edu/honorstheses/767 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Obscene Odes on the Windows of the Skull”: Deconstructing The Memory of the Howl Trial of 1957 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Kayla Danielle Meyers Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Charles McGovern, Director ________________________________________ Arthur Knight ________________________________________ Marc Raphael Williamsburg, VA December 3, 2013 Table of Contents Introduction: The Poet is Holy.........................................................................................................2 -
The Poetry of Wilmer Mills
University of South Carolina Scholar Commons Theses and Dissertations 2016 The oP etry Of Wilmer Mills Rachael Acheson University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Acheson, R.(2016). The Poetry Of Wilmer Mills. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/3876 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE POETRY OF WILMER MILLS by Rachael Acheson Bachelor of Arts Hillsdale College, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in English College of Arts and Sciences University of South Carolina 2016 Accepted by: Patrick Scott, Director of Thesis Anthony Jarrells, Reader Paul Allen Miller, Vice Provost and Interim Dean of Graduate Studies © Copyright by Rachael Acheson, 2016 All Rights Reserved. ii DEDICATION I would like to dedicate this project to my mother, Kathy Sue Acheson, who never had the opportunity to attend college, but who devoted over fifteen years of her life to my education in the hope that I would. She was diagnosed with stage VI cancer the same year Mr. Mills died from it, but she continues to this day to prove a well of fathomless inspiration, support, and love. This paper, and the degree it seeks to culminate, would not exist without her. iii ACKNOWLEDGEMENTS I would like to thank John N. -
COVER Web.Indd
Poetic Patriarch The singular Richard Wilbur displays a “Mozartean felicity” with verse. During the extended World War II battle of Monte Cassino, Richard Wilbur spent a lot of time in a foxhole. The Germans had pinned down his army division in a valley, firing their 88s from the hills above. “As Waugh said, a lot of war is just waiting around,” says Wilbur, who used that waiting time to read Edgar Allan Poe, among others, and to write poems. Years later, he observed that if there were no atheists in foxholes, there were plenty of poets. “Poems were a way of putting your world in order, a bit,” he explains. Wilbur, A.M. ’47, JF ’50, sent one of those battlefield poems to Wilbur’s Collected Poems 1943-2004, critic Adam Kirsch ’97 wrote, his wife, Charlee, who showed it to a friend who was an editor at “No other twentieth-century American poet, with the possible the Saturday Evening Post. The magazine immediately published it. exception of James Merrill, demonstrates such a Mozartean fe- Wilbur mailed many more poems home; when he left the army, licity in the writing of verse. This is partly a matter of formal he had $400, a wife and daughter to support, and a stack of mastery: Wilbur has written the best blank verse of any Ameri- wartime poetry. On the GI Bill, he enrolled in a Harvard doctoral can poet since Frost.” program in English literature. “I figured I’d become a great scholar of Europe in the seventeenth century,” he recalls. The Near the fairgrounds in the western Massachusetts town stack of poems, joined by others that he continued to write, grew of Cummington, a gently winding country road leads to the in a desk drawer. -
The Mid-Twentieth-Century American Poetic Speaker in the Works of Robert Lowell, Frank O’Hara, and George Oppen
“THE OCCASION OF THESE RUSES”: THE MID-TWENTIETH-CENTURY AMERICAN POETIC SPEAKER IN THE WORKS OF ROBERT LOWELL, FRANK O’HARA, AND GEORGE OPPEN A dissertation submitted by Matthew C. Nelson In partial fulfillment for the requirements for the degree of Doctor of Philosophy In English TUFTS UNIVERSITY May 2016 ADVISER: VIRGINIA JACKSON Abstract This dissertation argues for a new history of mid-twentieth-century American poetry shaped by the emergence of the figure of the poetic speaker as a default mode of reading. Now a central fiction of lyric reading, the figure of the poetic speaker developed gradually and unevenly over the course of the twentieth century. While the field of historical poetics draws attention to alternative, non-lyric modes of address, this dissertation examines how three poets writing in this period adapted the normative fiction of the poetic speaker in order to explore new modes of address. By choosing three mid-century poets who are rarely studied beside one another, this dissertation resists the aesthetic factionalism that structures most historical models of this period. My first chapter, “Robert Lowell’s Crisis of Reading: The Confessional Subject as the Culmination of the Romantic Tradition of Poetry,” examines the origins of M.L. Rosenthal’s phrase “confessional poetry” and analyzes how that the autobiographical effect of Robert Lowell’s poetry emerges from a strange, collage-like construction of multiple texts and non- autobiographical subjects. My second chapter reads Frank O’Hara’s poetry as a form of intentionally averted communication that treats the act of writing as a surrogate for the poet’s true object of desire. -
F18-Farrar-Straus-And-Giroux.Pdf
18F Macm Farrar, Straus and Giroux LEAD The Piranhas The Boy Bosses of Naples: A Novel by Roberto Saviano, translated by Antony Shugaar In Naples, there is a new kind of gang ruling the streets: the paranze, or the children's gangs, groups of teenage boys who divide their time between counting Facebook likes, playing Call of Duty on their PlayStations, and patrolling the streets armed with pistols and AK-47s, terrorizing local residents in order to mark out their Mafia bosses' territory. Roberto Saviano's The Piranhas tells the story of the rise of one such gang and its leader, Nicolas-known to his friends and enemies as the Maharajah. Nicolas's ambitions reach far beyond doing other men's bidding: he wants to be the one giving the orders, calling the shots, and ruling the city. But the violence he is accustomed to wielding and witnessing soon spirals beyond his control-with tragic consequences. "With the openhearted rashness that belongs to every true writer, Saviano returns to tell the story of the fierce and grieving heart of Naples." -Elena Farrar, Straus and Giroux Ferrante On Sale: Sep 1/18 6 x 9 • 368 pages 9780374230029 • $35.00 • CL - With dust jacket Author Bio Fiction / Literary Location: Roberto Saviano - Under police protection Notes Roberto Saviano was born in 1979 and studied philosophy at the University of Naples. Gomorrah, his first book, has won many awards, including the prestigious Viareggio Literary Award. Promotion National review attention Antony Shugaar is a writer and translator. He is the author of Coast to Coast -
The Piranhas the Boy Bosses of Naples: a Novel Roberto Saviano; Translated from the Italian by Antony Shugaar
The Piranhas The Boy Bosses of Naples: A Novel Roberto Saviano; Translated from the Italian by Antony Shugaar The saga of a city under the rule of a criminal network and the Neapolitan boys who create their own gang In Naples, there is a new kind of gang ruling the streets: the paranze, or the children’s gangs, groups of teenage boys who divide their time between counting Facebook likes, playing Call of Duty on their PlayStations, and FICTION patrolling the streets armed with pistols and AK-47s, terrorizing local residents in order to mark out their Mafia bosses’ territory. Farrar, Straus and Giroux | 9/4/2018 9780374230029 | $27.00 / $35.00 Can. Hardcover with dust jacket | 368 pages Roberto Saviano’s The Piranhas tells the story of the rise of one such gang Carton Qty: 20 | 9 in H | 6 in W and its leader, Nicolas—known to his friends and enemies as the Maharajah. Brit., trans., 1st ser., dram.: The Wylie Agency Nicolas’s ambitions reach far beyond doing other men’s bidding: he wants to Audio: FSG be the one giving the orders, calling the shots, and ruling the city. But the violence he is accustomed to wielding and witnessing soon spirals beyond MARKETING his control—with tragic consequences. National review attention Roberto Saviano was born in 1979 and studied philosophy at the University of Print features and profiles Men’s interest media outreach Naples. Gomorrah, his first book, has won many awards, including the prestigious NPR and radio interviews Viareggio Literary Award. Original author essays Author appearances Antony Shugaar is a writer and translator. -
Publications of J.T. Barbarese
Publications of J.T. Barbarese Books, Other than Textbooks, Including Scholarly Monographs The Black Beach, poems (Denton, TX: University of North Texas Press, 2005). A Very Small World, poems (Alexandria, VA: Orchises Press, 2005). The Children of Heracles, in "Euripides, 4," volume four of the complete works of Euripides in literary translation in the Penn Greek Drama Series (Philadelphia, PA: University of Pennsylvania Press, 1999). New Science, poems (Athens, GA: University of Georgia Press, 1989). Under the Blue Moon, poems (Athens, GA: University of Georgia Press, 1985). Chapters in Books or Monographs “A Bert And Ernie Stylistics: Introducing Hemingway Through A Discussion Of Hemingway’s Style,” in Teaching Hemingway’s A Farewell to Arms, edited by Lisa Tyler, Kent State University Press, 2008. "Introduction," The Wonderful Wizard of Oz (NY: Barnes and Noble Classics), July 2005. "Afterword," Little Men, Signet/New American Library (NY: Penguin-Putnam, 2004), 331-341. "John Finlay’s Hermetic Light and the Seductions of Truth," in In Light Apart: The Achievement of John Finlay, ed. David Middleton (Glenside, PA: The Aldine Press, 1999), 53-62. "Hart Crane's Difficult Passage," in The Columbia History of American Poetry, edited by Jay Parini and Brett Millier (NY: Columbia University Press, 1993). "Ezra Pound's Imagist Aesthetics: Lustra to ‘Mauberley,’" in The Columbia History of American Poetry (NY: Columbia University Press, 1993). Reprinted in part the Modern American Poetry Website, http:www.english.uiuc.edu/maps. Articles in Refereed Journals “Charlotte's "Text": A Note on the Etymology of Web,” in The Looking Glass, 9.1 (January 2, 2005), http://www.the-looking-glass.net/v9i1/illuminating.html. -
The Oxford Book of American Poetry
The Oxford Book of American Poetry Chosen and Edited by DAVID LEHMAN Associate Editor JOHN BREHM OXFORD UNIVERSITY PRESS 2006 Contents INTRODUCTION vii ACKNOWLEDGMENTS xxiii ANNE BRADSTREET (C. 1612-1672) The Prologue 1 from Contemplations (When I behold the heavens as in their prime) 2 The Author to Her Book 3 Before the Birth of One of Her Children 3 To My Dear and Loving Husband 4 EDWARD TAYLOR (C. 1642-1729) Meditation III (Canticles 1.3: Thy Good Ointment) 5 Meditation VI (Canticles II 1:1 am... the lily of the valleys) 6 The Preface 6 Upon a Spider Catching a Fly 7 Huswifery 9 PHILIP FRENEAU (1752-1832) On the Emigration to America and Peopling the Western Country 10 The Wild Honey Suckle 11 The Indian Burying Ground 12 PHILLIS WHEATLEY (C. 1753-1784) On Being Brought from Africa to America 13 To The Right Honourable William, Earl of Dartmouth 14 JOEL BARLOW (1754-1812) The Hasty-Pudding: Canto I 15 FRANCIS SCOTT KEY (1779-1843) Defence of Fort McHenry 18 xxvi CONTENTS CLEMENT MOORE (1779-1863) A Visit from St. Nicholas 20 FITZ-GREENE HALLECK (1790-1867) from Fanny 21 WILLIAM CULLEN BRYANT (1794-1878) Thanatopsis 24 To a Waterfowl 26 Sonnet - To an American Painter Departing for Europe 26 RALPH WALDO EMERSON (1803-1882) A Letter 27 Concord Hymn 28 Each and All 28 Water 30 Blight 30 TheRhodora 31 The Snow-Storm 32 Hamatreya 3 3 Fable 34 Ode, Inscribed to W. H. Channing 35 Give All to Love 37 Bacchus 38 Brahma 40 Days 40 HENRY WADSWORTH LONGFELLOW (1807-1882) The Bridge 41 The Fire of Drift-Wood 42 The Jewish Cemetery at Newport 44 -
Robert Lowell's Life-Writing and Memory Gye-Yu Kang Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2003 Robert Lowell's life-writing and memory Gye-Yu Kang Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the English Language and Literature Commons Recommended Citation Kang, Gye-Yu, "Robert Lowell's life-writing and memory" (2003). LSU Master's Theses. 1420. https://digitalcommons.lsu.edu/gradschool_theses/1420 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ROBERT LOWELL’S LIFE-WRITING AND MEMORY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of English by Gye-Yu Kang B.A., Cheju National University, 1986 M.A., Korea University, 1995 August 2003 Table of Contents Abstract ………………………………………………………………………………….. iii Introduction …………………………………………………………………………….... 1 Chapter One Memory as an Imaginative Reconstruction: 91 Revere Street …... 4 Chapter Two Life Changed to Landscape: Life Studies ………………………... 17 Chapter Three The Past Changes More Than the Present: Day by Day ………. 39 Conclusion ……………………………………………………………………………... 52 Works Cited ……………………………………………………………………………. 55 Vita ……………………………………………………………………………………… 58 ii Abstract This thesis examines Robert Lowell’s use of memory in such autobiographical works as Life Studies and Day by Day. In those volumes, Lowell returns to recollect his private past; his act of remembering becomes the poetic process by which Lowell is able to create the retrospective truth of his life. -
HECHT, ANTHONY, 1923-2004. Anthony Hecht Papers, 1894-2005
HECHT, ANTHONY, 1923-2004. Anthony Hecht papers, 1894-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Hecht, Anthony, 1923-2004. Title: Anthony Hecht papers, 1894-2005 Call Number: Manuscript Collection No. 926 Extent: 96.5 linear feet (187 boxes), 3 oversized papers boxes and 3 oversized papers folders (OP), 7 bound volumes (BV), 4 oversized bound volumes (OBV), 1 extra oversized paper (XOP) and AV Masters: 1 linear foot (2 boxes) Abstract: Papers of American poet Anthony Hecht, including correspondence, manuscripts and typescripts of writings, personal files, academic files, printed material, subject files, a small group of audiovisual materials, photographs, scrapbooks, and artwork. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Subseries 1.1, Family Correspondence and Subseries 1.2, General Correspondence, contains some correspondence that is closed to researchers. Some personal files in the Series 4 are also closed to researchers. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection.