Publications of J.T. Barbarese

Books, Other than Textbooks, Including Scholarly Monographs

The Black Beach, poems (Denton, TX: University of North Texas Press, 2005).

A Very Small World, poems (Alexandria, VA: Orchises Press, 2005).

The Children of Heracles, in "Euripides, 4," volume four of the complete works of Euripides in literary translation in the Penn Greek Drama Series (Philadelphia, PA: University of Pennsylvania Press, 1999).

New Science, poems (Athens, GA: University of Georgia Press, 1989).

Under the Blue Moon, poems (Athens, GA: University of Georgia Press, 1985).

Chapters in Books or Monographs

“A Bert And Ernie Stylistics: Introducing Hemingway Through A Discussion Of Hemingway’s Style,” in Teaching Hemingway’s A Farewell to Arms, edited by Lisa Tyler, Kent State University Press, 2008.

"Introduction," The Wonderful Wizard of Oz (NY: Barnes and Noble Classics), July 2005.

"Afterword," Little Men, Signet/New American Library (NY: Penguin-Putnam, 2004), 331-341.

"John Finlay’s Hermetic Light and the Seductions of Truth," in In Light Apart: The Achievement of John Finlay, ed. David Middleton (Glenside, PA: The Aldine Press, 1999), 53-62.

"Hart Crane's Difficult Passage," in The Columbia History of American Poetry, edited by Jay Parini and Brett Millier (NY: Columbia University Press, 1993).

"Ezra Pound's Imagist Aesthetics: Lustra to ‘Mauberley,’" in The Columbia History of American Poetry (NY: Columbia University Press, 1993). Reprinted in part the Modern American Poetry Website, http:www.english.uiuc.edu/maps.

Articles in Refereed Journals

“Charlotte's "Text": A Note on the Etymology of Web,” in The Looking Glass, 9.1 (January 2, 2005), http://www.the-looking-glass.net/v9i1/illuminating.html.

“Theology for Atheists: Reading Ammons,” The Journal of Modern Literature, 26.3/4 (Summer 2003), 73-83.

“Dramas of Naming in Coleridge,” Studies in English Literature, 37.4 (Autumn 1997), 673-98.

"Michael André Bernstein, The Tale of the Tribe: Ezra Pound and the Modern Verse Epic," in The Journal of Modern Literature, 9.3/4 (1982), 515-16.

"Massimo Bacigalupo, The Forméd Trace: The Later Poetry of Ezra Pound," in The Journal of Modern Literature, 8.3/4 (1981), 591-92.

Articles in Non-refereed or General Journals

“Harry Potter: Messiah for Kids,” The South-Jersey Courier Post, Sunday, July 8, 2007. Permanently archived at http://www.courierpostonline.com/apps/pbcs.dll/frontpage.

"These poets prove lying between lines is nothing new,” The Philadelphia Inquirer, South Jersey Edition, Sunday, 3 August 4, 2003, “Burlington Voices.”

“Ready or Not,” The Philadelphia Inquirer, South Jersey Commentary, Friday, February 28, 2003. http://www.philly.com/mld/inquirer/news/opinion/local1/5282394.htm.

“Lessons on Race,” The Philadelphia Inquirer, Commentary, Tuesday, February 4, 2003, B2. http://www.philly.com/mld/inquirer/news/opinion/local2/region/5098452.htm.

“The Political Force of Poetry,” The Philadelphia Inquirer, South Jersey Commentary, December 27, 2002. http://www.philly.com/mld/inquirer/news/opinion/local1/4821037.htm.

“Bearing up under the Costs of Life,” The Philadelphia Inquirer, Commentary, November 13, 2002, B2. http://www.philly.com/mld/inquirer/news/opinion/local2/region/4505200.htm.

“Reenacting an Ancient Ritual on a Rare Day in Fairmount Park,” The Philadelphia Inquirer, December 26, 1996, A27.

“Notes on Some Recent Translations of Dante,” forthcoming in The Sewanee Review. “Class Trip,” The Philadelphia Inquirer, November 23, 1996, A11.

“Feeding the Slot Machines to Find Life’s Meaning,” The Philadelphia Inquirer, October 24, 1996, E7.

“A Slice of Death,” The Philadelphia Inquirer Magazine, "Upfront," April 21, 1991.

“The Book on Bartleby,” The Philadelphia Inquirer Magazine, “Upfront,” February 19, 1989, 6.

“A Farewell to Releasio,” Philadelphia Magazine, 79.3 (1988), 129. “Steps," Philadelphia Magazine, 78.11 (1987), 176.

“Halfball Rules,” Philadelphia Magazine, 78.6 (1987), 84.

Electronic Publications, Refereed

“Charlotte's ‘Text’: A Note on the Etymology of Web,” in The Looking Glass 9.1 (January 2, 2005), http://www.the-looking-glass.net/v9i1/illuminating.html.

Individual Short Stories

“Super 8,” in Story Quarterly Online, http://www.narrativemagazine.com/SQ/.

"Winter Dogs,” Story Quarterly, 41 (2005), 424-31.

“Jesus and Magdalene as Children,” Story Quarterly, 39 (Fall 2003), 342-46.

“Cold Heaven,” Story Quarterly, 38 (Fall 2002), 274-83.

“The Miracle” (as “A Real Occasion”), WebDelSol, “Editor’s Picks,” June 2000, http://webdelsol.com/Del_Sol_Review/epicks5/barbarese.htm.

“Ashkelon is Fine,” Story Quarterly, 36 (2000), 199-202.

“Being Misha,” Story Quarterly, 35 (1999), 188-91.

"Where I Come From,” The North American Review, 284.2 (March/April 1999), 36-37. “Ugly,” Story Quarterly, 34 (1998), 159-65.

“Shrooming,” The North American Review, 238.6 (November/December 1998), 22-23.

“Patrimony,” The North American Review, May/August 1998, 38.

Individual Poems in National Anthologies

“Walking My Son on the Beach,” in Wild Dreams: The Best of Italian-Americana (NY: Fordham University Press, 2008), 246.

“Trying to Be Penitent,” in Poetry Daily Essentials 2007, ed. Diane Boller and Don Selby (ILL: Sourcebooks, 2007), 141-42.

“Our Fathers,” in The Portable Italian American, ed. Bill Tonelli (William Holt 2003), 261.

“Diorama,” in And What Rough Beast: Poems at the End of the Century, edited by Robert McGovern and Stephen Haven (Ashland, OH: Ashland Poetry Press 1999), 4.

Individual Poems Published in Literary Journals and Magazines

“Brown Shoes” and “Speed-Walker,” Poetry Northwest, New Series 3.2 (Fall 2008/Winter 2009), 7.

“Mary Jo Kopechne,” “Home is Where,” and “Martha” Boulevard 25.1 (Fall 2009), 56-59.

“Red Light Rapture” and “Heaven,” The Denver Quarterly 44.1 (2009), 12-13

“Earth Science,” Poetry 193. 4 (January 2009), 308.

“The Nine Rings of J.F.K.,” published in The Southern Review, 44.1 (Winter 2008), 71-74.

“Walking Crosstown,” The Southern Review 44.4 (Autumn 2008), 717.

“On a Wall” and “Sundown with Paycheck and Pitchfork,” The Cortland Review (August, 2008). http://www.cortlandreview.com/issue/40/index.html?ref=nl0808

“At the Vietnam Memorial” and “Scar,” Margie Volume 7 (2008), 51-52.

“Koré,” Southern Poetry Review 45:1, 45.

“To Desmond Tutu” and “Plots,” Margie 6 (2007), 32-33.

“After Dropping the Kids off” and “Tears of Things,” The Sewanee Review CXV: 1 (Winter 2007), 85-86.

“The Lost Beatitudes,” Tiferet, 2.1 (2005), 76-77. Also online at http://www.tiferetjournal.com/documents/Barbarese.pdf.

“Consumer Love Song,” “Art,” Margie, 4 (2005), 38-9.

“On the 7-Something to Penn Station,” The Progressive, 69.5 (May 2005), 42. “Spring,” reprinted on Poetry Daily, 10 January, 2005, and archived at http://www.poems.com/archive.htm.

“Grief,” The Times Literary Supplement No. 5540 (June 5 2009), 12. “Pity,” “Creed,” The Denver Quarterly, 39.2 (2004), 2-4.

“Jesus and the Dust,” Margie, 3 (2004), 44.

“Today on Sports Radio WIP,” The Georgia Review, LVIII.2 (Summer 2004), 403-04.

“Cities of God,” Washington Square, 14 (Summer 2004), 123.

“Trying to be Penitent,” Boulevard, 19:2-3.56-57 (Spring 2004), 125-27.

“The Leaf on the Nursery Floor,” “Merman,” Poetry, CLXXIII.4 (January 2004), 2123-15.

“Merman” was reprinted in Poetry Daily, on February 8, 2004, and now archived at http://www.cstone.net/~poems/mermabar.htm.

“The Boy on his Father’s Shoulders,” Margie, 2 (2004), 35.

“The Landscape Wants to be Understood Slowly,” Poetry, CLXXXIII.2 (November 2003), 90.

“Night Baseball: Seasonal Doggerel,” The Philadelphia Inquirer, South Jersey Commentary, Monday, May 26, 2003, B2.

“Walking My Son on the Beach,” Italian-Americana XXI.2 (Summer 2003), 187- 88. “Featured Poet: J.T. Barbarese.”

“Poem Based on Two Clauses in Copleston,” “Poem in Time of Infinite Justice,” and “Outside the V.F.W. Post (After Prevert)” in Boulevard, 18 (Spring 2003).2 and 3, 47-50.

“Hearing Roy Orbison on the Tape Loop at Starbucks,” republished in Poetry Daily, 17 April 2003 http://www.poems.com/hearibar.htm.

“Suddenly” and “Hearing Roy Orbison on the Tape Loop at Starbucks,” The Georgia Review, (Winter 2002) 894-96.

“Dream Talking with General Massoud” and “Spinoza,” The Denver Quarterly, 37.3 (Fall, 2002), 4-5.

“Running Late,” Italian-Americana, XXI.1 (Winter 2002) 68.

“Danielle,” Margie, 1 (2002), 27.

“Carapace” and “Local Actuary Dies Playing Softball,” Boulevard, 17.3 (Spring 2002), 142-43.

“Teaching the Slider,” The Atlantic Monthly, 289.4 (April 2002), 48. Archived at Poetry Audio Links at Laurable. http://www.laurable.com/audio.html.

“Robert Frost,” “For Coleridge,” and “On a Picture by Emma D. Sewall,” The Sewanee Review, CIX. 2 (Spring 2001), 198-200.

“Joy,” The Cortland Review, 10 (February 10, 2000), http://www.cortlandreview.com. Archived at Poetry Audio Links at Laurable. http://www.laurable.com/audio.html.

“Babbitt Blamed Romanticism” and “When Mike,” Denver Quarterly, 35.3 (Fall 2000), 23-26.

“Politics” and “Watching a Kid Do His Homework,” Boulevard, 16. 1&2 (Fall 2000), 108-9.

“Fossils,” The Atlantic Monthly, 286.3 (September 2000), 95. Archived at Poetry Audio Links at Laurable. http://www.laurable.com/audio.html. Reprinted in The Well-Crafted Argument, by Fred White and Simone Billings (NY: Houghton Mifflin, 2005), 600-601. Reprinted in Language of the Earth, ed. Rhodes (UK: Blackwell), June 2007.

“Sea-Wrack Religion,” The Georgia Review (Spring 2000), 9-10.

“Elegy for L.J.B.,” reprinted in Poetry Daily, June 8, 2000 http://www.poems.com.

“Elegy for L.J.B.” and “Adam,” The Denver Quarterly, 34.4 (Winter 2000), 9-11.

“Earth,” reprinted in Poetry Daily, 7 November 1999, http://www.poems.com.

“When the Snow Fell,” “Written on the Inside Cover of a Book of Poetry,” and “Plato on the Beach” The Southern Review, 35.4 (Autumn 1999), 655-58.

“This,” “Earth,” and “The Couple on the Left of Me,” Boulevard, 15.1-2 (Fall 1999), 8-10.

“On an Oddly Beautiful Face” and “On a Photo of Collateral Damage,” Chelsea, 66 (July, 1999), 88-89.

“After” and “On,” Stand, 40.2 (Spring 1999), 45-46.

“Where the Successful Live,” Academic Questions, 12.2 (Spring 1999), 32-33.

“Burning the Orange Peels,” The Southern Review, 35.2 (Spring 1999), 201.

“Night-Light,” “The Nun Who Died that Summer,” The Southern Review, 34.4 (Autumn 1998), 627-28.

“Spring,” “The Neighbors,” Boulevard, 13.3 (Spring 1998), 92-93.

“First, You’re Born,” “Julianna by the Water,” The Southern Review, 33.3 (Summer 1997), 476.

“The Immigrants,” “A Blur on a Window Sill,” The Philadelphia Inquirer, July 6, 1997, H4.

“The Immaculate Conception,” The Southern Review, 32.3 (Summer 1996), 404.

“For Jenny Manfre,” The Denver Quarterly, 31.2 (Fall 1996), 8-9.

“Postcard: Family, Ca. 1950 (Photographer Unknown),” The Sewanee Review, 103.4 (Fall 1995), 487-92.

“Labor Day: Tall Trees' Creaking,” The Southern Review, 28.3 (1992), 641-42.

“The Young Wife Counts Her Kids on the Beach,” “Photo of Pebbles Beside a Bomb Crater,” Denver Quarterly, 26.1 (1991), 7-9.

“Solstice,” “Bad Conscience,” “The Fallen Thing,” “Fog Covering The Pier,” The Southern Review, 26.3 (1990), 864-66.

“Downtown Ronny Smash,” “Testament,” “South Street,” “The Middle Class Enter Heaven,” “The Sunbeam,” “Eclipse,” Featured Poet in The Painted Bride Quarterly, no. 36 (1990), 60-70.

“Cross,” Boulevard, 4.2 (No. 11, Fall 1989), 176.

“You,” “Full Moon,” “New Science,” The Sewanee Review, 97.2 (1989), [173]-75. “Kite Flying, 29 August,” Antioch Review, 47.1 (1989), 63.

“Strange and Wonderful,” The Atlantic Monthly (February 1988), 60.

“Windy,” Southwest Review, 73.2 (1988), 252.

“The Jets in the Dirt,” "Broken Windows," Denver Quarterly, 23.1 (1988), 32-37. “Phnom Penh,” Kansas Quarterly, 20.3 (1988), 113.

“Winter Dawn,” The North American Review, 273.4 (1988), 40.

“Schuyler Street,” Boulevard, 2.3 (1987), 91-4.

“Through the Windows At Walt's,” The Carolina Quarterly, 38.2 (1986), 8-11.

“Get Up, Get up,” Indiana Review, 9.1 (1986), 61-3.

“That Last Spring,” The Carolina Quarterly, 37.2 (1985), 71.

"Through the Sunshower off Stage Point," Indiana Review, 8.1 (1985), 20-21.

“Firewood Talk,” The Carolina Quarterly, 38.1 (1985), 25-27.

“Sunshine,” Denver Quarterly, 20.1 (1985), 67.

“Joseph,” The Carolina Quarterly, 37.1 (1984), 11.

“Praise For the Milkshake Maker,” The Piedmont Literary Review, 9.3 (1984).

“A Woman,” Telescope, 4 (1983), 12-15.

“The Book of Curses,” Porch, 4.2 (1981), 13-26.

“Mnemosyne,” The Smith, 22 (1980), 100-01.

“Axeman,” The Plum Series, 2 (1979), 4.

“Against Psychosis,” “Possession of the Girl in the Yellow Room,” The Richmond Broom, Series 1.2 (1978), 40-43.

“An American Chemist to his Friend, A Poet,” The Kansas Quarterly, 10.2 (1978), 78. “Cape May: 1968,” Beyond Baroque, 781 (Spring 1978), 40-43.

“On Becoming Twenty-Eight,” Nimrod, 22.2 (1978), 8.

"Sestina: The Blue Angels," Karamu, 5.1 (1977): 26-27.

“Eurydice,” The Smith, 19 (1977), 161-64.

Individual Poems Reprinted

Poems that were published in magazines and republished in nationally and internationally distributed textbooks or anthologies.

“Poussiniana,” Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens, ed. Dennis Barone and James Finnegan, University of Iowa Press, 2009, p. 6.

“Fossils,” in The Well-Crafted Argument, by Fred White and Simone Billings (NY: Houghton Mifflin, 2008), 600-601. To be reprinted in the next edition of this text in 2010.

“Fossils,” reprinted in Language of the Earth, 2nd Edition, ed. Frank Rhodes, Richard Stone, Bruce D. Malamud (UK: Blackwell, 2009).

“Fossils,” reprinted in Language of the Earth, 2nd Edition, ed. Frank Rhodes, Richard Stone, Bruce D. Malamud (UK: Blackwell, 2008).

Critical Essays and Essay-Reviews

“Four Translations of Dante’s Inferno,” The Sewanee Review (Fall 2009), 647-55. Reprinted in Poetry Daily, 8-15 December 2009, at http://poems.com/special_features/prose/essay_barbarese.php

“Notes on Some Recent Translations of Dante,” forthcoming in The Sewanee Review. “On Shelley’s Mont Blanc,” Poetry Northwest Spring/Summer 2009, 24-26.

“Fifty Years of Jack Kerouac’s On the Road,” The Sewanee Review, CXII.4 (Fall 2004). “Charlotte's ‘Text’: A Note on the Etymology of Web,” in The Looking Glass, 9.1 (2 January, 2005), http://www.the-looking-glass.net/v9i1/illuminating.html

“Theology for Atheists: Reading Ammons,” The Journal of Modern Literature, 26.3/4 (Summer 2003), 73-83.

“Taking Poe Seriously,” The Georgia Review, LVIII.4 (Winter 2004), 802-15.

“A Note on the Death of A.R. Ammoms,” The Sewanee Review, CXI.3 (Summer 2003), 446-47.

“What Shelley Meant,” The Sewanee Review, CIX.4 (Fall 2001), 605-13.

“Modernist Technique and Expansive Poetry,” The Sewanee Review, CVIII.1 (Winter 2000), 147-51.

“The Sixth Palgrave’s: Who Needs It?” Palgrave's Golden Treasury and Victorian Poetry Anthologies, a special issue of Victorian Poetry, 37.2 (Summer 1999), 235-42.

“The Contemporaneity of Homer’s Odyssey,” a review of Robert Fagles’ translation of The Odyssey, The Sewanee Review, CVII. 2 (Spring 1999), [275]-283.

“Dramas of Naming in Coleridge,” Studies in English Literature, 37.4 (Autumn 1997), 673-98.

“Virgil in Our Century,” a review of Virgil and the Moderns, by Theodore Ziolkowski, in The Sewanee Review, 104.2 (Spring 1996).

“A Note on the Poetry of Henry Braun,” The Painted Bride Quarterly, No. 57 (1995), 13-17.

“Lives of F. Scott Fitzgerald,” The Sewanee Review, 103 (1995), 320-24.

A review of Webster’s Standard American Style Manual, in The Sewanee Review, 102.4 (Summer 1994), xciv-xcv.

“Modernity and the Divided Intellect,” The Sewanee Review, 102 (1994), 486-92.

“Crane, Tate, and the Limits of Modernism,” a review of Hart Crane and Allen Tate: Janus- Faced Modernism, in The Sewanee Review, 102.1 (1994), vii-xi.

“Versions of Romanticism,” The Sewanee Review, 101 (1993), 404-14.

“Landscapes of the American Psyche,” The Sewanee Review, 100 (1992), 599-626.

“The Great Gatsby and The American Dream,” a review of F. Scott Fitzgerald, The Great Gatsby, ed. Matthew J. Bruccoli, The Cambridge Edition of the Works of F. Scott Fitzgerald, in The Sewanee Review, 100 (1992), cxxi-xxiv.

“The Implicit Categories of Romantic Imagination,” a review of Harold Bloom, Ruin The Sacred Truths, in The Sewanee Review, 99 (1991), 145-48.

“Diane Ackerman’s Sensory Overload,” a review of The Natural History of the Senses, in Applause (August 1990), 35-36.

Wendell Berry, Home Economics, in The Georgia Review, 43 (1989), 208-09.

John Tytell, Ezra Pound: The Solitary Volcano, in The Georgia Review, 42 (1988), 656-57.

Ezra Pound and Dorothy Shakespeare: Their Letters, 1909-1914, in The Georgia Review, 40 (1986), 590-91.

“The Measure of the Eye: The Inadequacies of a Critical Metaphor,” Semeiotica, 58.3/4 (1986), 315-28.

“Homer Today,” a review of Paolo Vivante, Homer, in The Sewanee Review, 94 (1986), xxxix- xli.

Thomas M. Disch, The Businessman: A Tale of Terror, in Thrust, no. 22 (Summer 1985), 28-9.

“The Voice in the Workshop,” Mid-American Review, 4:2 (Fall 1984), 84-92.

“Art for Work's Sake,” a review of Wendell Berry, Standing By Words, in The Bloomsbury Review, 4.4 (1984), 15.

Wallace Fowlie, Aubade: A Teacher's Notebook, in The Georgia Review, 38 (1984), 900-01.

Michael André Bernstein, The Tale of the Tribe: Ezra Pound and the Modern Verse Epic, in The Journal of Modern Literature, 9.3/4 (1982), 515-16.

Massimo Bacigalupo, The Forméd Trace: The Later Poetry of Ezra Pound, in The Journal of Modern Literature, 8.3/4 (1981), 591-92.

“The Flag Code,” Tri-Quarterly 120, 105-7.

Works in Progress

Sweet Spot (poems).

American Transcripts (fiction).

After Prévert: Poems from Paroles (1946).

Book Reviews in The New York Times Book Review

Donald Hall, "The Painted Bed," The New York Times Book Review, Sunday, 14 April 2002, 20. http://query.nytimes.com/search/full-page?res=9F02E6D71E3AF937A25757C0A9649C8B63.

Gerald Stern, "American Sonnets," The New York Times Book Review, Sunday, 28 July 2002, 17. http://query.nytimes.com/search/full-page?res=9C0CE0DD1039F93BA15754C0A9649C8B63.

Stanley Moss, "A History of Color: New and Collected Poems," The New York Times Book Review, Sunday, 20 April 2003, 24. http://www.nytimes.com/2003/04/20/books/review/0420br- briefs.html.

William Logan, William Logan, "Macbeth in Venice," The New York Times Book Review, Sunday, 14 September 2003, 25. http://www.nytimes.com/2003/09/14/books/review/0914br- briefs.html.

Vijay Seshadri, "The Long Meadow," The New York Times Book Review, Sunday, 18 April 2004. http://www.nytimes.com/2004/04/18/books/review/0418books-briefs.html.

Book Reviews in The Philadelphia Inquirer and Elsewhere

A.R. Ammons, "Worldly Hopes;" Frederick Seidel, "Life on Earth," Sunday, 17 June 2001, Books, Online Review http://inq.philly.com/content/inquirer/2001/06/17/books/ONLINE17.htm.

Louise Gluck, "The Seven Ages," Books, H14, Sunday, 17 June 2001.

A.S. Byatt, "The Biographer’s Tale," The Star Ledger, 25 February 2001.

Gerald Stern, "Last Blue;" Jonathan Galassi, "North Street;" Mark Jarman, "Unholy Sonnets," April, 2000, page K6.

Ted Hughes, "Aeschylus’ Orestia," 5 September 1999.

Lyndell Gordon, "T.S. Eliot: An Imperfect Life," 8 August, 1999, pages H1 and H8. Howard Sounes, "Charles Bukowski: Locked in the Arms of a Crazy Life," 10 October, 1999.

J.D. McClatchy, "Twenty Questions (Posed by Poems)," Sunday 22 March 1998, Q4.

Wendell Berry, "A Timbered Choir: The Sabbath Poems 1979-1997," Sunday 28 April, 1998, Q6.

André Dubus, "Meditations from a Moveable Chair: Essays," 28 June 1998, Q7.

Gary Wills, "Witches and Jesuits: Shakespeare's Macbeth," 8 January 1995, View, E-2.

Matthew J. Bruccoli, ed., "F. Scott Fitzgerald: A Life in Letters," 30 July 1994, View, M-4.

Richard Holmes, "Dr. Johnson and Mr. Savage," 4 September 1994, View.

Christopher Bigsby, "Hester: A Novel about the Early Hester Prynne," Sunday, 6 November 1994, K2.

Michael Welzenbach, "Conversations with a Clown," 24 February 1991, View, 4-I.

Richard Holmes, "Coleridge: Early Visions," 1 July 1990, View, 1-I.

Humphrey Carpenter, "A Serious Character: The Life of Ezra Pound," 1 January 1989, View, 1-I.

Paul Johnson, "Intellectuals," 5 March 1989, View, 3-P.

"The Essays of Virginia Woolf: Volume 3, 1919-1924," 14 May 1989, View, 5-G.

Witold Gombrowicz, "Ferdydurke and Diaries: Volume 2, 1957-1961," trans. by Lillian Valee, 27 August 1989, View, 3-J.

"Abraham Lincoln: Speeches and Writings 1832-1858" and "Abraham Lincoln: Speeches and Writings 1859-1865," 31 December 1989, View, 1-C.

Octavio Paz, "Sor Juana: The Traps of Faith," 30 October 1988, View, 1-V.

"The Collected Poems of Hart Crane," edited by Marc Simon, 14 June 1987, View, 6.

"The Voice in the Workshop," Mid-American Review, 4:2 (Fall 1984), 84-92.

Michael Blumenthal, "Days We Would Rather Know," and Liam Rector, "The Sorrow of Architecture," 24 March 1985, View, 9.

Christopher Gilbert, "Across the Mutual Landscape," 2 December 1984, View, 5.

Reviews of The Black Beach

“The Black Hand Becomes the Big Box: Two Poets of South Philadelphia,” Dennis Barone, Italian Americana: Cultural and Historical Review, XXV. 1 (Winter 2007), 37-47.

A review of A Very Small World, by Carmine Sarracino, Prairie Schooner, 80.1 (Spring 2006), 208-9.

A review of The Black Beach, by Dan Chiasson, Poetry, CLXXXVII.2 (November 2005), 147- 48.

Reviews of New Science

Peter Thorpe, “Poetry Today,” The Rocky Mountain News, November 24, 1991.

Willard Spiegelman, “Poems for Readers whose Interests are Diverse,” The Philadelphia Inquirer, 4F, Sunday, March 25, 1990.

Carol Burbank, “Three Philadelphia Poets,” from The Philadelphia City Paper, September 1, 1989, 9.

Translations

“Art School” and “Liberation Day,” Boulevard, 23.1 (Fall 2007), 146.

“Park Bench Sphinx,” “Did You Hear the One About,” and “Taking It In,” adapted from Prévert, in SubTropics, 2 (Spring/Summer 2006), 42-53.

Translations of three poems by Jacques Prévert ("Riviera", "Le desespoir est assis sur un banc," "Chanson des escargots qui vont a l'enterrement . . ."), forthcoming in SubTropics.

“Rolling Poem”, Boulevard, 19.56-57 (Spring 2004), 125-27.

“Outside the V.F.W. Post (After Prévert),” Boulevard, 18.2&3 (Spring 2003), 50.

“Body Language (After Prévert),” Denver Quarterly, 36:3/4 (Fall/Winter 2002), 1-2.

Of Robert Wace de Caen’s Old French epic, "Roman de Brut"' (excerpts), O.ARS 4: Translations (b), 124-27 [1983].

"Of Apollinaire, Cocteau, and Ronsard," Anther, 1.4 (1976).