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2015 23Rd Annual Poets House Showcase Exhibition Catalog
2015 23rd Annual Poets House Showcase Exhibition Catalog |Poets House|10 River Terrace|New York, NY 10282|poetshouse.org| 5 The 2015 Poets House Showcase is made possible through the generosity of the hundreds of publishers and authors who have graciously donated their works. We are deeply grateful to Deborah Saltonstall Pease (1943 – 2014) for her foundational support. Many thanks are also due to the National Endowment for the Arts, the New York State Council on the Arts, the NYC Department of Cultural Affairs, the Leon Levy Foundation, and the many members of Poets House for their support of this project. 6 I believe that poetry is an action in which there enter as equal partners solitude and solidarity, emotion and action, the nearness to oneself, the nearness to mankind and to the secret manifestations of nature. – Pablo Neruda Towards the Splendid City Nobel Lecture, 1971 WELCOME to the 2015 Poets House Showcase! Each summer at Poets House, we celebrate all of the poetry published in the previous year in an all-inclusive exhibition and festival of readings from new work. In this year’s Showcase, we are very proud to present over 3,000 poetry books, chapbooks, broadsides, artist’s books, and multimedia projects, which represent the work of over 700 publishers, from commercial publishers to micropresses, both domestic and foreign. For twenty-three years, the annual Showcase has provided foundational support for our 60,000-volume library by helping us keep our collection current and relevant. With each Showcase, Poets House—one of the most extensive poetry collections in the nation—continues to build this comprehensive poetry record of our time. -
The Poetry of Wilmer Mills
University of South Carolina Scholar Commons Theses and Dissertations 2016 The oP etry Of Wilmer Mills Rachael Acheson University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Acheson, R.(2016). The Poetry Of Wilmer Mills. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/3876 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE POETRY OF WILMER MILLS by Rachael Acheson Bachelor of Arts Hillsdale College, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in English College of Arts and Sciences University of South Carolina 2016 Accepted by: Patrick Scott, Director of Thesis Anthony Jarrells, Reader Paul Allen Miller, Vice Provost and Interim Dean of Graduate Studies © Copyright by Rachael Acheson, 2016 All Rights Reserved. ii DEDICATION I would like to dedicate this project to my mother, Kathy Sue Acheson, who never had the opportunity to attend college, but who devoted over fifteen years of her life to my education in the hope that I would. She was diagnosed with stage VI cancer the same year Mr. Mills died from it, but she continues to this day to prove a well of fathomless inspiration, support, and love. This paper, and the degree it seeks to culminate, would not exist without her. iii ACKNOWLEDGEMENTS I would like to thank John N. -
A Tradition of Excellence Continues
The Newsletter of the Creative Writing Program at the University of Houston WWW.UH.EDU/CWP A Tradition of Excellence Continues: John Antel Dean, CLASS Wyman Herendeen English Dept. Chair j. Kastely CWP Director Kathy Smathers Assistant Director Shatera Dixon Program Coordinator 713.743.3015 [email protected] This year we welcome two new and one visiting faculty member—all are exciting writers; all are compelling teachers. 2006-2007 Edition Every effort has been made to include faculty, students, and alumni news. Items not included will be published in the next edition. As we begin another academic year, I am struck by how much change the Program has endured in the past year. After the departure of several faculty members the previous year, we have hired Alexander Parsons and Mat John- son as new faculty members in fiction into tenure track positions, and we also hired Liz Waldner as a visitor in poetry for the year. Our colleague, Daniel Stern, passed away this Spring, and he will be missed. Adam Zagajew- ski will take a visiting position in the Committee on Social Thought at the University of Chicago this year, and that Committee will most likely become his new academic home. Ed Hirsh submitted his letter of resignation this Spring, and although Ed had been in New York at the Guggenheim for the last five years, he had still officially been a member of the Creative Writing Program on leave. And Antonya Nelson returned from leave this Spring to continue her teaching at UH. So there has been much change. -
PONSOT, MARIE. Marie Ponsot Papers, 1931-2014
PONSOT, MARIE. Marie Ponsot papers, 1931-2014 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Ponsot, Marie. Title: Marie Ponsot papers, 1931-2014 Call Number: Manuscript Collection No. 1298 Extent: 18.75 linear feet (38 boxes) and 1 oversized papers box and 1 oversized papers folder (OP) Abstract: Papers of poet and translator Marie Ponsot, including journals and correspondence, as well as writings and translations by Ponsot. Language: Materials entirely in English. Administrative Information Restrictions on Access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2014. Citation [after identification of item(s)], Marie Ponsot papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Marie Ponsot papers, circa 1938-2013 Manuscript Collection No. 1298 Processing Arranged and described at the folder level by Ingrid Meintjes, Anastasiia Strakhova, and Sarah Quigley, 2015. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. -
Publications of J.T. Barbarese
Publications of J.T. Barbarese Books, Other than Textbooks, Including Scholarly Monographs The Black Beach, poems (Denton, TX: University of North Texas Press, 2005). A Very Small World, poems (Alexandria, VA: Orchises Press, 2005). The Children of Heracles, in "Euripides, 4," volume four of the complete works of Euripides in literary translation in the Penn Greek Drama Series (Philadelphia, PA: University of Pennsylvania Press, 1999). New Science, poems (Athens, GA: University of Georgia Press, 1989). Under the Blue Moon, poems (Athens, GA: University of Georgia Press, 1985). Chapters in Books or Monographs “A Bert And Ernie Stylistics: Introducing Hemingway Through A Discussion Of Hemingway’s Style,” in Teaching Hemingway’s A Farewell to Arms, edited by Lisa Tyler, Kent State University Press, 2008. "Introduction," The Wonderful Wizard of Oz (NY: Barnes and Noble Classics), July 2005. "Afterword," Little Men, Signet/New American Library (NY: Penguin-Putnam, 2004), 331-341. "John Finlay’s Hermetic Light and the Seductions of Truth," in In Light Apart: The Achievement of John Finlay, ed. David Middleton (Glenside, PA: The Aldine Press, 1999), 53-62. "Hart Crane's Difficult Passage," in The Columbia History of American Poetry, edited by Jay Parini and Brett Millier (NY: Columbia University Press, 1993). "Ezra Pound's Imagist Aesthetics: Lustra to ‘Mauberley,’" in The Columbia History of American Poetry (NY: Columbia University Press, 1993). Reprinted in part the Modern American Poetry Website, http:www.english.uiuc.edu/maps. Articles in Refereed Journals “Charlotte's "Text": A Note on the Etymology of Web,” in The Looking Glass, 9.1 (January 2, 2005), http://www.the-looking-glass.net/v9i1/illuminating.html. -
Thecooperunion for the Advancement of Science and Art
THECOOPERUNION FOR THE ADVANCEMENT OF SCIENCE AND ART COURSE CATALOG 2014|15 COOPER.EDU TABLE OF CONTENTS 2014–15 Academic Calendar 2 Mission Statement 3 A Brief History 4 General Information 5 Programs 5 Facilities and Resources 6 Student Life 7 Admission Process 9 Tuition, Fees and Expenses 16 Financial Aid 17 Scholarships, Fellowships, Awards and Prizes 20 General Regulations 22 Code of Conduct 30 The Irwin S. Chanin School of Architecture 34 Mission Statement 34 Bachelor of Architecture Professional Degree Curriculum 35 Academic Standards and Regulations 37 Master of Architecture II Post-Professional Degree Curriculum 40 Academic Integrity 42 Facilities and Resources 43 Courses 45 Faculty 47 The School of Art 49 Mission Statement 49 Bachelor of Fine Arts Curriculum 50 Academic Standards and Regulations 53 Facilities and Resources 56 Courses 59 Faculty 66 The Albert Nerken School of Engineering 68 Mission Statement 68 Overview 69 Facilities and Research 70 Bachelor of Engineering Curriculum 72 Master of Engineering Curriculum and Requirements 75 Honors and Special Programs 76 Academic Standards and Regulations 78 Grades of Record 79 Departments and Programs 81 Courses 94 Faculty and Advisory Council 113 Faculty of Humanities and Social Sciences 116 Aims and Objectives 116 Academic Regulations 116 Courses 118 Faculty 128 Trustees, Officers, Deans, President’s Council, Administration, Emeriti, Alumni Association 129 Policies 131 Index 150 2 THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART 2014–15 ACADEMIC CALENDAR January 5 Monday AND HOLIDAY SCHEDULE Administrative offices reopen All grades are due in the Office of Admissions and Records before Noon August 26 Tuesday Move-in day for Residence Hall January 19 Monday Martin Luther King Jr.’s birthday (staff holiday) August 26–September 1 Tuesday–Monday New student orientation January 20 Tuesday Spring semester classes begin. -
5.00 #216 October/November 2008
$5.00 #216 OCTOBER/NOVEMBER 2008 New Books from Hanging Loose Press Tony Towle Sharon Mesmer Michael Cirelli William Corbett Winter Journey The Virgin Formica Lobster with Ol’ Opening Day Raves from his last “At turns intimate or Dirty Bastard A large new collection collection: Tony Towle boisterously satiric, “Vital and eye- of poems. Of past is “one of the New York The Virgin Formica catching and new.” – books: “Taut, School’s best-kept can gently detonate or David Lehman. precise...lucid and secrets.” – John erupt, carrying “Shows how hip-hop unflinching...” – Siri Ashbery. “Tony Towle’s readers along on is the evolution of Hustvedt. “One of the is one of the clear, ripples or classic poetry.” – few poets of our time authentic voices of shockwaves.” – Paul Kanye West. “Tender, who attends so well to American poetry.” – Violi. tough, revelatory...a the ear.” – Library Kenneth Koch. “Smart Praise for previous voice that doesn’t Journal. “Corbett is and sly, sure to disarm work: “. beautifully seem to have occurred interested in the and delight.” – Billy bold and vivaciously before.” – Patricia moment of clarity – Collins. His twelfth modern.” – Allen Smith. First revelation – and lets collection. Ginsberg. collection, by the the force and nature Paper, $16. Hardcover, Paper, $16. director of Urban of ‘seeing’...generate $26. Hardcover, $26. Word NYC. shapes in language.” – August Kleinzahler. Indran Marie Carter Paper, $16. Hardcover, $26. Paper, $16. Amirthanayagam The Trapeze Hardcover, $26. The Splintered Diaries R. Zamora Face: Tsunami Linmark Poems First book from the And keep in mind – editor of Word Jig: New The Evolution of a “These poems both Fiction from Scotland. -
HECHT, ANTHONY, 1923-2004. Anthony Hecht Papers, 1894-2005
HECHT, ANTHONY, 1923-2004. Anthony Hecht papers, 1894-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Hecht, Anthony, 1923-2004. Title: Anthony Hecht papers, 1894-2005 Call Number: Manuscript Collection No. 926 Extent: 96.5 linear feet (187 boxes), 3 oversized papers boxes and 3 oversized papers folders (OP), 7 bound volumes (BV), 4 oversized bound volumes (OBV), 1 extra oversized paper (XOP) and AV Masters: 1 linear foot (2 boxes) Abstract: Papers of American poet Anthony Hecht, including correspondence, manuscripts and typescripts of writings, personal files, academic files, printed material, subject files, a small group of audiovisual materials, photographs, scrapbooks, and artwork. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Subseries 1.1, Family Correspondence and Subseries 1.2, General Correspondence, contains some correspondence that is closed to researchers. Some personal files in the Series 4 are also closed to researchers. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. -
5.00 #218 February/MARCH 2009 the Jack Kerouac School of Disembodied Poetics Summer Writing Program 2009
$5.00 #218 FEBRUARY/MARCH 2009 The Jack Kerouac School of Disembodied Poetics Summer Writing Program 2009 7EEKLY7ORKSHOPS*UNEn*ULYs"OULDER #/ WEEK ONE: June 15–21 WEEK THREE: June 29–July 5 Outrider: Jack Kerouac School Lineages Polyvalent/Rhizomic Identities Faculty: Robin Blaser, Rebecca Brown, Junior Burke, Faculty: Rosa Alcalá, Mei-Mei Berssenbrugge, Sherwin Jack Collom, Samuel R. Delany, Renee Gladman, Brad Bitsui, Bei Dao, Clayton Eshleman, Gloria Frym, Mark Gooch, Bobbie Louise Hawkins, Anselm Hollo, Laird Hunt, McMorris, Semezdin Mehmedinovic, Leonard Schwartz, Joyce Johnson, Basil King, Martha King, Eileen Myles, Janine Christopher Stackhouse, Truong Tran, Lewis Warsh, Pommy Vega, A.B. Spellman and Julia Seko (printshop) Zhang Er and Shari DeGraw (printshop) WEEK TWO: June 22–28 WEEK FOUR: July 6–12 Contemplative Poethics: Artistic Sangha: Endangered Species and Imagination Performance, Publishing, Community & Collaboration Faculty: Reed Bye, Amy Catanzano, Maxine Chernoff, Laura Faculty: Michelle Ellsworth, Brian Evenson, Simone Forti, Elrick, Bhanu Kapil, Akilah Oliver, Elizabeth Robinson, Jerome C.S. Giscombe, Joanna Howard, Dan Machlin, Rusty Rothenberg, Selah Saterstrom, Eleni Sikelianos, Cecilia Morrison, Hoa Nguyen, Max Regan, Ed Roberson, Vicuña, Anne Waldman and Wesley Tanner (printshop) Alberto Ruy Sanchez, Dale Smith, Steven Taylor, Wang Ping and Mary Tasillo (printshop) #REDITANDNONCREDITPROGRAMSAVAILABLE0OETRYs&ICTIONs4RANSLATIONs,ETTERPRESS0RINTING For more information on workshops, visit www.naropa.edu/swp. To request a catalog, call 303-245-4600 or email [email protected]. +EEPINGTHEWORLD safe for poetry since 1974. THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #218 FEBRUARY/MARCH 2009 NEWSLETTER EDITOR John Coletti DISTRIBUTION Small Press Distribution, 4 ANNOUNCEMENTS 1341 Seventh St., Berkeley, CA 94710 THE POETRY PROJECT LTD. -
Classic Ransom Ryan Wilson
Classic Ransom Ryan Wilson The Hopkins Review, Volume 9, Number 1, Winter 2016 (New Series), pp. 6-27 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/thr.2016.0016 For additional information about this article https://muse.jhu.edu/article/609736 Accessed 13 Apr 2017 23:42 GMT Ryan Wilson CLASSIC RANSOM n a 1948 issue of The Sewanee Review celebrating John Crowe Ransom’s sixtieth birthday, Randall Jarrell remarked: “it is easy to see that his poetry will always be cared for; since he has written Ipoems that are perfectly realized and occasionally almost perfect— poems that the hypothetical generations of the future will be reading page by page with Wyatt, Campion, Marvell, and Mother Goose.” No doubt, Mr. Jarrell’s estimation of Ransom’s work proves just, but his prognostication has proven dubious. In 1991, Brad Leithauser lament- ed that “for some time now Ransom has been on the wane,” and more recently Dave Smith has noted, regarding the poems’ lack of availabil- ity, that “there is now cause to assert that their appeal, even perhaps their existence, is a matter of some doubt.” Worse still, even among those who “purport to admire them,” as Anthony Hecht complained in 1994, the poems “are still read with a shocking carelessness.” With the Un-Gyve Press recently publishing The Collected Poems of John Crowe Ransom, a volume that not only restores Ransom’s poems to print after nearly a quarter-century but also brings all Ransom’s poems together for the very first time, the matter of the poems’ existence has been resolved, but the matter of their appeal has not, and this is our concern. -
The Edge of Modernism Kalaidjian, Walter
The Edge of Modernism Kalaidjian, Walter Published by Johns Hopkins University Press Kalaidjian, Walter. The Edge of Modernism: American Poetry and the Traumatic Past. Johns Hopkins University Press, 2006. Project MUSE. doi:10.1353/book.60333. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60333 [ Access provided at 25 Sep 2021 02:14 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. FM_7074_Kalaidjian_JHUP 10/21/05 10:20 AM Page i The Edge of Modernism 00_FM_6155_JHUP 3/15/05 10:01 AM Page ii This page intentionally left blank FM_7074_Kalaidjian_JHUP 10/21/05 10:20 AM Page iii The Edge of Modernism American Poetry and the Traumatic Past The Johns Hopkins University Press Baltimore FM_7074_Kalaidjian_JHUP 10/21/05 10:20 AM Page iv © The Johns Hopkins University Press All rights reserved. Published Printed in the United States of America on acid-free paper The Johns Hopkins University Press North Charles Street Baltimore, Maryland - www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Kalaidjian, Walter B., – The edge of modernism : American poetry and the traumatic past / Walter Kalaidjian. p. cm. Includes bibliographical references ( p. ) and index. ISBN --- (hardcover : alk. paper) . American poetry—th century—History and criticism. Literature and history— United States—History—th century. Holocaust, Jewish (–), in literature. Anti-communist movements in literature. Modernism (Literature)—United States. Genocide in literature. Cold War in literature. 8. History in literature. Slavery in literature. I. Title. PS.HK Ј.—dc A catalog record for this book is available from the British Library. -
Susan L. Miller 325 Humboldt St. Apt. 3 Brooklyn, NY 11211 (718) 388-6351 [email protected]
Susan L. Miller 325 Humboldt St. Apt. 3 Brooklyn, NY 11211 (718) 388-6351 [email protected] Education Master of Fine Arts, New York University, May 2001. Full tuition fellowship, GPA 3.9. Bachelor of Arts in Modern Studies and Women’s Studies, University of Virginia, Charlottesville, VA, May 1996. GPA 3.8; Distinguished Major in Women’s Studies with High Honors; Echols Scholar; Dean’s List 1992-1996; Phi Beta Kappa. Teaching Experience 2008-present Rutgers University, New Brunswick, NJ Russell Teaching Fellow, Assistant Teaching Professor, Writers House, Department of English. Develop and implement college-level curriculum for Introduction to Creative Writing, Poetry Writing, Creative Nonfiction, and Advanced Poetry Writing classes. Develop and administer curriculum for independent study in Certificate in Creative Writing. Develop and implement college-level curriculum for Expository Writing with the support of the Writing Program. Develop Hybrid courses In Introduction to Creative Writing, Creative Nonfiction, and Advanced Poetry using Sakai platform. Teach reading skills, craft, and analytical skills as well as editing and revision for both Creative and Expository Writing courses. Assist students with oral presentations in all courses. Coordinate and implement Poetry Advances, a student reading series, as well as the LGBTQQIA reading series, and assist with Writers House Student Creativity Showcase readings. Lead teacher-training workshops for creative writing pedagogy at the Zimmerli Art Museum, and judge subsequent elementary-school student writing contest in Spring semester. Develop programs to extend the scope of Writers House, including development of courses for international study in Berlin, Germany. Promoted to Assistant Teaching Professor, summer 2015. Fall 2015 Caldwell University, Caldwell, New Jersey Visiting Writer, Department of English.