DOCSLIB.ORG

Front Matter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Front Matter Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information The Cambridge Companion to American Poetry since 1945 The extent to which American poetry reinvented itself after World War II is a testament to the changing social, political, and economic landscape of twentieth- century American life. Registering an important shift in the way scholars contextualize modern and contemporary American literature, this Companion explores how American poetry has documented and, at times, helped propel the literary and cultural revolutions of the past sixty-five years. Offering authoritative and accessible essays from fourteen distinguished scholars, the Companion sheds new light on the Beat, Black Arts, and other movements while examining institutions that govern poetic practice in the United States today. The text also introduces seminal figures like Sylvia Plath, John Ashbery, and Gwendolyn Brooks while situating them alongside phenomena such as the “academic poet” and popular forms such as spoken word and rap, revealing the breadth of their shared history. Students, scholars, and readers will find this Companion an indispensable guide to postwar and late-twentieth-century American poetry. Jennifer Ashton is Associate Professor of English at the University of Illinois at Chicago, where she teaches literary theory and the history of poetry. She is author of From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century and has published articles in Modernism/Modernity, Modern Philology, American Literary History, and Western Humanities Review. A complete list of books in the series is at the back of this book. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information THE CAMbriDge COMpaNION to AMericaN PoetrY SINCE 1945 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information TH E C A M bri D ge C O M pa N io N to AMericaN PoetrY SINCE 1945 EDITED BY JENNIFER ASHtoN University of Illinois at Chicago © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521147958 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2013 Printed in the United States of America A catalog record for this publication is available from the British Library. Library of Congress Cataloging in Publication data The Cambridge companion to American poetry since 1945 / [edited by] Jennifer Ashton. p. cm. – (Cambridge companions to literature) Includes bibliographical references and index. ISBN 978-0-521-76695-1 (hardback) – ISBN 978-0-521-14795-8 (pbk.) 1. American poetry – 20th century – History and criticism. I. Ashton, Jennifer, 1964– PS323.5.C27 2012 811′.509–dc23 2012016512 ISBN 978-0-521-76695-1 Hardback ISBN 978-0-521-14795-8 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet Web sites referred to in this publication and does not guarantee that any content on such Web sites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information CONTENTS Notes on Contributors page ix Acknowledgments xiii Chronology of Publications and Events xv 1. Periodizing Poetic Practice since 1945 1 Jennifer Ashton 2. From the Late Modernism of the “Objectivists” to the Proto-postmodernism of “Projective Verse” 16 Mark Scroggins 3. Confessional Poetry 31 Deborah Nelson 4. Surrealism as a Living Modernism: What the New York Poets Learned from Two Generations of New York Painting 47 Charles Altieri 5. The San Francisco Renaissance 66 Michael Davidson 6. Three Generations of Beat Poetics 80 Ronna C. Johnson 7. The Poetics of Chant and Inner/Outer Space: The Black Arts Movement 94 Margo Natalie Crawford 8. Feminist Poetries 109 Lisa Sewell vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information Contents 9. Ecopoetries in America 127 Nick Selby 10. Language Writing 143 Steve McCaffery 11. American Poetry and Its Institutions 158 Hank Lazer 12. The Contemporary “Mainstream” Lyric 173 Christina Pugh 13. Poems in and out of School: Allen Grossman and Susan Howe 187 Oren Izenberg 14. Rap, Hip Hop, Spoken Word 202 Michael W. Clune 15. Poetry of the Twenty-First Century: The First Decade 216 Jennifer Ashton Index 231 viii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information Notes ON CONtributors Charles Altieri teaches in the English Department at UC Berkeley. His most recent books are The Particulars of Rapture (Cornell University Press, 2004) and The Art of Twentieth-Century American Poetry: Modernism and After (Blackwell, 2009). He has just completed a book manuscript, Wallace Stevens and the Phenomenology of Value. Jennifer Ashton teaches in the University of Illinois at Chicago and is one of the founding editors of nonsite.org. She is the author of From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century (Cambridge University Press, 2005) and a contributor to The Cambridge History of American Women’s Writing, edited by Dale Bauer (Cambridge University Press, 2012). Her scholarly articles have appeared in ELH, Modernism/Modernity, Modern Philology, ALH, Western Humanities Review, and the international online arts journal, Interval(le)s. Michael W. Clune is Assistant Professor of English at Case Western Reserve University. He is the author of American Literature and the Free Market, 1945– 2000 (Cambridge University Press, 2010). Elements of his new book project, Writing Against Time, have appeared in Representations, Criticism, and Behavioral and Brain Sciences. Margo Natalie Crawford is the author of Dilution Anxiety and the Black Phallus (Ohio State University Press, 2008) and the coeditor, with Lisa Gail Collins and Alondra Nelson, of New Thoughts on the Black Arts Movement (Rutgers University Press, 2006). She is associate professor of African American literature and visual culture at Cornell University. Michael Davidson is Distinguished Professor of Literature at the University of California, San Diego. He is the author of The San Francisco Renaissance: Poetics and Community at Mid-Century (Cambridge University Press, 1989), Ghostlier Demarcations: Modern Poetry and the Material Word (University of California Press, 1997), Guys Like Us: Citing Masculinity in Cold War Poetics (University of ix © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information Notes on Contributors Chicago, 2003), and Concerto for the Left Hand: Disability and the Defamiliar Body (University of Michigan, 2008). His most recent book, Outskirts of Form: Practicing Cultural Poetics, was published in 2011 by Wesleyan University Press. He is the editor of The New Collected Poems of George Oppen (New Directions, 2002). He is the author of five books of poetry, the most recent of which is The Arcades (O Books, 1998). He is the coauthor, with Lyn Hejinian, Barrett Watten, and Ron Silliman, of Leningrad (Mercury House Press, 1991). He has written extensively on disability issues, most recently “Hearing Things: The Scandal of Speech in Deaf Performance,” in Disability Studies: Enabling the Humanities, ed. Sharon Snyder et al. (Modern Language Association, 2002); “Phantom Limbs: Film Noir and the Disabled Body,” GLQ 9:1–2 (2003); Universal Design: The Work of Disability in an Age of Globalization, The Disability Studies Reader, ed. Lennard Davis (Routledge, 2010); and “Pregnant Men: Modernism, Disability, and Biofuturity in Djuna Barnes,” Novel 54.3 (Summer 2010). Oren Izenberg
Load more

Recommended publications
  • Addison Street Poetry Walk
    THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K.
    [Show full text]
  • April 2005 Updrafts
    Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity.
    [Show full text]
  • Letters Mingle Soules
    Syracuse Scholar (1979-1991) Volume 8 Issue 1 Syracuse Scholar Spring 1987 Article 2 5-15-1987 Letters Mingle Soules Ben Howard Follow this and additional works at: https://surface.syr.edu/suscholar Recommended Citation Howard, Ben (1987) "Letters Mingle Soules," Syracuse Scholar (1979-1991): Vol. 8 : Iss. 1 , Article 2. Available at: https://surface.syr.edu/suscholar/vol8/iss1/2 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Howard: Letters Mingle Soules Letters Mingle Soules Si1; mure than kisses) letters mingle Soules; Fm; thus friends absent speake. -Donne, "To Sir Henry Wotton" BEN HOWARD EW LITERARY FORMS are more inviting than the familiar IF letter. And few can claim a more enduring appeal than that imi­ tation of personal correspondence, the letter in verse. Over the centu­ ries, whether its author has been Horace or Ovid, Dryden or Pope, Auden or Richard Howard, the verse letter has offered a rare mixture of dignity and familiarity, uniting graceful talk with intimate revela­ tion. The arresting immediacy of the classic verse epistles-Pope's to Arbuthnot, Jonson's to Sackville, Donne's to Watton-derives in part from their authors' distinctive voices. But it is also a quality intrinsic to the genre. More than other modes, the verse letter can readily com­ bine the polished phrase and the improvised excursus, the studied speech and the wayward meditation. The richness of the epistolary tradition has not been lost on con­ temporary poets.
    [Show full text]
  • The Music Lover's Poetry Anthology
    THE MUSIC LOVER'S POETRY ANTHOLOGY EditedbyHELEN HANDLEY HOUGHTON andMAUREEN MCCARTHY DRAPER A Karen & Michael Brazillef Book PERSEA BOOKS/NEW YORK Contents Foreword xiii Introduction xvii LISTENING TO MUSIC In Music I Czeslaw Milosz 3 On Hearing A Symphony of Beethoven / ? Edna St. Vincent Millay 4 from Magnificat / Bill Holm 5 Listening / Dick Davis 6 Listening to the Koln Concert / Robert Bly 7 The Dumka / B. H. Fairchild 8 Fond Memory / Eavan Boland 10 [Bbssoms at Night] / Issa 11 Sonata / Edward Hirsch 12 Muse I Linda Pastan 13 Earphones / Michael Ryan 14 Elevator Music / Henry Taylor 15 Loud Music / Stephen Dobyns 16 Sunday Morning with the Sensational Nightingales / Billy Collins 17 Radio I Cornelius Eady 19 Country Radio / Daniel Hall 21 The Power of Music to Disturb / Lisel Mueller 23 Music / Charles Baudelaire 25 On Hearing a Flute at Night / Li Yi 26 The Eventual Music / Liam Rector 27 [Heart, Not So Heavy as Mine] / Emily Dickinson 28 To Music, To Becalm His Fever /Robert Herrick 29 Evening Music / May Sarton 31 The Victor Dog / James Merrill 32 A One-Eyed Cat Named Hathaway / Henri Coulette 34 SONGS & SINGING The Choir / Galway Kinnell 37 Music I Anne Porter 38 / Ask My Mother to Sing / Li-Young Lee 40 Where the Breath Is / Adam Zagajewski 41 Songs I Philip Levine 42 from Messiah (Christmas Portions) / Mark Doty 44 Joy I Lisel Mueller 45 The Singer's House / Seamus Heaney 46 First Song / Galway Kinnell 48 [I Shall Keep Singing!] / Emily Dickinson 49 Everyone Sang / Siegfried Sassoon 50 The Composer / W.H.
    [Show full text]
  • 14Th Presenter Bios
    The 14th Lewes Creative Writers’ Conference Presenter Bios Fleda Brown Fleda Brown’s tenth collection of poems, Flying Through a Hole in the Storm (2021) won the Hollis Summers Prize from Ohio University Press. Earlier poems can be found in The Woods Are On Fire: New & Selected Poems, chosen by Ted Kooser for the University of Nebraska poetry series in 2017. Her work has appeared three times in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice been a finalist for the National Poetry Series. Her new memoir, Mortality, with Friends will be out from Wayne State University Press Fall 2021. She is professor emerita at the University of Delaware and was poet laureate of Delaware from 2001-2007. Ellen Prentiss Campbell Ellen Prentisss Campbell’s debut short story collection, Contents Under Pressure (Broadkill River Press) was nominated for the National Book Award. Her first novel, The Bowl with Gold Seams, (Apprentice House Press, Loyola, Maryland) received the Indie Excellence Award for Historical Fiction. Known By Heart: Collected Stories (Apprentice House Press) was published in May 2020. Her novel, Frieda’s Song (Apprentice House Press, May 2021) is inspired by the life and work of renowned psychiatrist Frieda Fromm-Reichmann who fled Nazi Germany in 1935 and came to the Chestnut Lodge Sanatorium in Rockville, Maryland. Anne Colwell Anne Colwell writes poetry, fiction, and nonfiction. She has published two books of poems, Believing Their Shadows, (Word Poetry 2010) and Mother’s Maiden Name (Word Poetry 2013).
    [Show full text]
  • 9781940696928.Pdf
    Scenes philip whalen of edited and with an Life afterword by david brazil wave books at the seattle and new york Capital Published by Wave Books www.wavepoetry.com Copyright © 2020 by The Estate of Philip Whalen Afterword copyright © 2020 by David Brazil All rights reserved Wave Books titles are distributed to the trade by Consortium Book Sales and Distribution Phone: 800-283-3572 / san 631-760x Library of Congress Cataloging-in-Publication Data Names: Whalen, Philip, author. | Brazil, David (Poet), author of afterword. Title: Scenes of life at the capital / Philip Whalen ; afterword by David Brazil. Description: Seattle : Wave Books, [2020] Identifiers: lccn 2019030141 | isbn 9781940696928 (trade paperback) Classification: lcc ps3545.h117 s3 2020 | ddc 811/.54—dc23 LC record available at https://lccn.loc.gov/2019030141 Designed by Crisis Printed in the United States of America Scenes of Life at the Capital was originally published by Grey Fox Press, Bolinas, CA, 1971, and reprinted in The Collected Poems of Philip Whalen (Wesleyan University Press, 2007). Reprinted with permission of The Estate of Philip Whalen and Wesleyan University Press. Scans from Philip Whalen’s notebooks appear courtesy of The Bancroft Library, University of California, Berkeley. 9 8 7 6 5 4 3 2 1 Having returned at last and being carefully seated On the floor—somebody else’s floor, as usual— Far away across that ocean which looked Through Newport windows years ago—somebody else’s livingroom— Another messed-up weedy garden Tall floppy improbably red flowers All the leaves turned over in the rain Ridged furry scrotum veins Hedges glisten tile roof tin roof telephone pole Decoratively tormented black pine Slowly repeating its careful program Endlessly regretting but here is original done once Not to be reproduced nor electronically remembered Loosten up.
    [Show full text]
  • Saints of Hysteria a Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad
    Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Soft Skull Press Brooklyn, NY 2007 Contents Denise Duhamel, Maureen Seaton & David Trinidad i Introduction Charles Henri Ford et al. International Chainpoem 1 Neal Cassady, Allen Ginsberg & Jack Kerouac Pull My Daisy 3 Copyright © 2007 by Denise Duhamel, Maureen Seaton & David Trinidad Jack Kerouac & Lew Welch Masterpiece 5 Cover art: Good’n Fruity Madonna © 1968 Joe Brainard John Ashbery & Kenneth Koch Used by permission of the Estate of Joe Brainard. A Postcard to Popeye 7 Crone Rhapsody 9 Credits & acknowledgments for the poems begin on page 389. Jane Freilicher & Kenneth Koch The Car 12 Soft Skull project editor & book designer: Shanna Compton Bill Berkson & Frank O’Hara St. Bridget’s Neighborhood 13 A note on the text: Because the poems in this anthology were created over seven decades Song Heard Around St. Bridget’s 16 by more than 200 authors, certain idiosyncrasies of style, orthography, and form St. Bridget’s Efficacy 17 have been preserved in order to present the works as their authors intended. These Reverdy 19 variations are characteristic textural effects of the collaborative process Bill Berkson, Michael Brownstein & Ron Padgett and should not be interpreted as errors. Waves of Particles 21 Ron Padgett & James Schuyler Soft Skull Press Within the Dome 22 55 Washington Street
    [Show full text]
  • Guide to the Papers of the Summer Seminar of the Arts
    Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances.
    [Show full text]
  • Catalog 2008-2009
    S w e et B riar College Catalog 2008-2009 2008-2009 College Calendar Fall Semester 2008 August 23, 2008 ____________________________________________ New students arrive August 27, 2008 __________________________________________ Opening Convocation August 28, 2008 _________________________________________________ Classes begin September 26, 2008 _____________________________________________ Founders’ Day September 25-27, 2008 ___________________________________Homecoming Weekend October 2-3, 2008 ________________________________________________ Reading Days October 17-19, 2008 __________________________________________ Families Weekend November 5, 2008 _____________________________ Registration for Spring Term Begins November 21, 2008 _________________________Thanksgiving vacation begins, 5:30 p.m. (Residence Halls close November 22 at 8 a.m.) December 1, 2008_______________________________________________ Classes resume December 12, 2008________________________________________________ Classes End December 13, 2008________________________________________________Reading Day December 14-19, 2008 ____________________________________________ Examinations December 19, 2008_________________________________ Winter break begins, 5:30 p.m. (Residence Halls close December 19 at 5:30 p.m.) Spring Semester 2009 January 21, 2009 ___________________________________________ Spring Term begins March 13, 2009 __________________________________ Spring vacation begins, 5:30 p.m. (Residence Halls close March 14 at 8 a.m.) March 23, 2009 _________________________________________________
    [Show full text]
  • The 6Th Annual Louisiana Studies Conference
    1 The 6th Annual Louisiana Studies Conference Conference Keynote Speaker: Barry Ancelet, Professor and Granger & Debaillon Endowed Professor in Francophone Studies and Head, Department of Modern Languages, University of Louisiana at Lafayette Conference Keynote Roundtable: Moderator: Julie Kane, Professor of English, Northwestern State University, Louisiana Poet Laureate, 2011-2013 Participants: Darrell Bourque, Professor Emeritus, University of Louisiana at Lafayette, Poet Laureate of Louisiana, 2009-2011 Clayton Delery-Edwards, Director of Academic Services, Louisiana School for Math, Science, and the Arts Gina Ferrara, Instructor of English, Delgado Community College Mona Lisa Saloy, Professor of English and Folklore, Dillard University Conference Co-Chairs: Lisa Abney, Vice President of Academic and Student Affairs, and Professor of English, Northwestern State University Jason Church, Materials Conservator, National Center for Preservation Technology and Training Shane Rasmussen, Director of the Louisiana Folklife Center and Associate Professor of English, Northwestern State University Conference Programming: Jason Church Shane Rasmussen Conference Hosts: Leslie Gruesbeck, Assistant Professor of Art and Gallery Director, Northwestern State University Greg Handel, Acting Director of the School of Creative and Performing Arts and Associate Professor of Music, Northwestern State University Selection Committees: NSU Louisiana High School Essay Contest: Shane Rasmussen, Chair Jason Church 2 Sarah McFarland, Director of Graduate Studies
    [Show full text]
  • Women and Ecopoetics: an Introduction in Context
    Harriet Tarlo Women and ecopoetics: an introduction in context This introduction contextualises and introduces the material within the special feature on women and ecopoetics as well as exploring the contributors’ and, on occasion, my own thoughts on the subject. I shall identify some common creative practices and ideological threads whilst respecting the sheer diversity of practitioners and practice presented here. After all, this issue features essays, statements, images, open form poetry, performance pieces, prose poetry, site specific work and found poetry from writers with experience as poets, critics, artists, educators, librarians and media workers. I have organised this work into sections as follows: Poems (selections of work from seven women poets); Recycles (selections of work making use of found text from eight women poets); Essays (seven essays on women poets from an eco-poetical perspective) and Working Notes/Ecopoetical statements. In addition to the working notes from featured poets which take the form traditional in How2, this section contains a number of short statements from writers made in response to the women and ecopoetics theme. Those that stand well alone also appear as “postcards” which has had the added advantage of their acting as a provocative “trail” for the special feature, as well as being a part of it of course. Generic segregation and classification of contents is, in some ways, contrary to the spirit of How2 and perhaps to ecopoetics too, yet it is I think helpful to reading work online to have some method of navigating our way around it. However, I should like to draw attention to the particularly hybrid nature of many of the contributions here.
    [Show full text]
  • How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kane, Julie Ellen, "How the Villanelle's Form Got Fixed." (1999). LSU Historical Dissertations and Theses. 6892. https://digitalcommons.lsu.edu/gradschool_disstheses/6892 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been rqxroduced from the microfilm master. UMI films the text directfy firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiice, vdiile others may be from any typ e o f com pater printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, b^innm g at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]