Philip Whalen Papers, Circa 1923-2002 (Bulk 1960-1997)
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Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
On Gary Snyder's This Present Moment
ANQ: A Quarterly Journal of Short Articles, Notes and Reviews ISSN: 0895-769X (Print) 1940-3364 (Online) Journal homepage: http://www.tandfonline.com/loi/vanq20 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman To cite this article: Mark Gonnerman (2017) Both Sides Now: On Gary Snyder’s This Present Moment, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 30:2, 88-92, DOI: 10.1080/0895769X.2016.1277128 To link to this article: http://dx.doi.org/10.1080/0895769X.2016.1277128 Published online: 15 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=vanq20 Download by: [Mark Gonnerman] Date: 20 March 2017, At: 09:02 ANQ: A QUARTERLY JOURNAL OF SHORT ARTICLES, NOTES, AND REVIEWS 2017, VOL. 30, NO. 2, 88–92 http://dx.doi.org/10.1080/0895769X.2016.1277128 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman William James Center for Consciousness Studies, Palo Alto, California, USA To finish the moment, to find the journey’s end in every step of the road, to live the greatest number of good hours is wisdom. … Since our office is with moments, let us husband them. —Ralph Waldo Emerson, “Experience” (1844) In This Present Moment: New Poems (hereafter cited as TPM), Gary Snyder circles back to and corrals many of the basic themes that have defined his long life as an artivist (activist artist): the Wild, reinhabitation, work, play, myth, ritual, poetics, epistemology, ethics, impermanence, con- noisseurship, and the endless work of cultural transmission and translation. -
In Case You Didn't Know
ICYDK (In Case You Didn’t Know) Short Biographical notes on the boldly named (compiled by Steven Lavoie). Lawrence Ferlinghetti ~ first language was French Eugene O’Neill ~ built Tao House near Danville to entertain Charles Chaplin Henry Miller ~ in Paris in the 1930s Kenneth Rexroth ~ MC at Six Gallery, Oct. 7, 1955 Herb Caen ~ coined words using Russian endings for San Francisco newspapers Allen Ginsberg ~ read “Howl” at Six Gallery, Oct. 7, 1955 Lenny Bruce ~ arrested for obscenity at the Jazz Workshop, San Francisco, Oct. 4, 1961 Carol Doda ~ wore Rudi Gernreich’s monokini at the Condor Club William Carlos Williams ~ Allen Ginsberg’s mentor Duncan McNaughton ~ established the Poetics Program at the New College of San Francisco Patrick Marks ~ see text Steve Dickison ~ born in Duluth, Minn. Bill Berkson ~ friend of Frank O’Hara Robert Duncan ~ partner of Jess Jack Spicer ~ co-founder of Six Gallery Helen Adam ~ a Scot Philip Whalen ~ Zen abbot from Oregon Richard Brautigan ~ Aquarius who fished Joanne Kyger ~ born in Vallejo, Calif. Clark Coolidge ~ drummer for Serpent Power Michael McClure ~ read at Six Gallery, Oct. 7, 1955; Libra, from Wichita, Kans. Ginger Rogers ~ movie star Billie Holliday ~ played by Diana Ross in a biopic with Richard Pryor Lester Young ~ from Count Basie’s Orchestra Mal Waldron ~ also played with Charles Mingus Larry Rivers ~ read eulogy at O’Hara’s funeral Philip Guston ~ birth name “Goldstein,” born in Montreal, first language was French Alice Neel ~ Aquarius, portrait painter black-listed as a communist Jean Dubuffet ~ French painter, wine seller Joe Brainard ~ grew up in Tulsa, Okla. -
Senses of Place in the Poetry of Gary Snyder and Derek Walcott
RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT A thesis presented to the faculty of the Graduate School of Western Carolina University in partial fulfillment of the requirements for the degree of Master of Arts in English. By Jason T. Hertz Director: Dr. Laura Wright Associate Professor of English English Department Committee Members: Dr. Catherine Carter, English Prof. Deidre Elliott, English May 2011 ACKNOWLEDGEMENTS I would like to thank my committee members and director for their assistance and encouragement. I am especially grateful to Professor Laura Wright for being a wise and reliable adviser. I also extend sincere thanks to the following people, without whom this thesis would not have been possible: Mom and Dad, Tristan and Rikki, Michael, and Miranda. I offer my warmest regards and thanks to my extended family for their continued love and support. Above all, I thank my grandmother Lorraine. TABLE OF CONTENTS Abstract . 4 Introduction: Recasting the Castaway as an Island Re-Inhabitant . 6 Chapter One: Regarding Wave and Suwanose-Jima . 18 Chapter Two: O-Mer-Os, Singing the Sea‘s Quiet Culture . 37 Chapter Three: Snyder‘s and Walcott‘s Bioregional Muse . 56 Conclusion . 78 Works Cited . 83 ABSTRACT RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT Jason T. Hertz, M.A. Western Carolina University (May 2011) Director: Dr. Laura Wright Building on the castaway narratives in both Gary Snyder‘s and Derek Walcott‘s poetry, I use Yann Martel‘s novel Life of Pi as a contemporary analogue for reading Snyder‘s Pacific journeys, in Regarding Wave and Turtle Island, and the quests of Omeros’ fisherman protagonist, Achille. -
Conscience and the Constitution) Emiko Omori (Rabbit in the Moon); Jim Houston & Jeanne Wakatsuki (FAREWELL to MANZANAR); Frank Emi-Ht
1 OMURA, THE FAIR PLAY COMMITTEE & YASUI PANEL Frank Abe (Conscience and the Constitution) Emiko Omori (Rabbit in the Moon); Jim Houston & Jeanne Wakatsuki (FAREWELL TO MANZANAR); Frank Emi-Ht. Mt. Fair Play Committee; Yosh Kuromiya -resister Ht, Mt; Albert Saijo-Ht. Mt. 442nd, "OUTSPEAKS A RHAPSODY" Moderated by: James and Lane Hirabayashi OMURA, THE FAIR PLAY COMMITTEE & YASUI NARRATOR On November 25, 1942, the Minidoka Irrigator printed a letter from Minoru Yasui to George Tani. Tani had been recruited from Oakland to work as an optometrist, at Minidoka, a camp for people from Seattle and Portland. All the optometrist's at Minidoka refused to work for the maximum salary of $19. a month. Tani and Yasui had never met. Both were members of the JACL. Tani was surprised by Yasui's personal letter and appealing to Tani from jail to raise money for his defense fund. Why didn't he write to JACL people from Portland? YASUI "Well, I won my case for all good, loyal American citizens. Damn, I wish I were in a position to carry the fight further, but because of my personal citizenship status, I'm going to have my hands full. But even if I were to sacrifice my American citizenship which I have never and never will voluntarily relinquish, I'm glad to have established the fundamental citizenship rights of Americans citizens. "If the JACL doesn't carry on for me, all that I have endured thus far will have been in vain. George, rally the Nisei around and see if some definite steps cannot be taken to liberate the Nisei as a matter of right." NARRATOR Tani gave the letter the camp newspaper Minidoka 2 Irrigator: NEWSVOICE MINIDOKA IRRIGATOR Internee newspaper of Minidoka Relocation Center, Hunt, Idaho. -
9781940696928.Pdf
Scenes philip whalen of edited and with an Life afterword by david brazil wave books at the seattle and new york Capital Published by Wave Books www.wavepoetry.com Copyright © 2020 by The Estate of Philip Whalen Afterword copyright © 2020 by David Brazil All rights reserved Wave Books titles are distributed to the trade by Consortium Book Sales and Distribution Phone: 800-283-3572 / san 631-760x Library of Congress Cataloging-in-Publication Data Names: Whalen, Philip, author. | Brazil, David (Poet), author of afterword. Title: Scenes of life at the capital / Philip Whalen ; afterword by David Brazil. Description: Seattle : Wave Books, [2020] Identifiers: lccn 2019030141 | isbn 9781940696928 (trade paperback) Classification: lcc ps3545.h117 s3 2020 | ddc 811/.54—dc23 LC record available at https://lccn.loc.gov/2019030141 Designed by Crisis Printed in the United States of America Scenes of Life at the Capital was originally published by Grey Fox Press, Bolinas, CA, 1971, and reprinted in The Collected Poems of Philip Whalen (Wesleyan University Press, 2007). Reprinted with permission of The Estate of Philip Whalen and Wesleyan University Press. Scans from Philip Whalen’s notebooks appear courtesy of The Bancroft Library, University of California, Berkeley. 9 8 7 6 5 4 3 2 1 Having returned at last and being carefully seated On the floor—somebody else’s floor, as usual— Far away across that ocean which looked Through Newport windows years ago—somebody else’s livingroom— Another messed-up weedy garden Tall floppy improbably red flowers All the leaves turned over in the rain Ridged furry scrotum veins Hedges glisten tile roof tin roof telephone pole Decoratively tormented black pine Slowly repeating its careful program Endlessly regretting but here is original done once Not to be reproduced nor electronically remembered Loosten up. -
Alexander Literary Firsts & Poetry Rare Books
CATALOGUE THIRTY-TWO Mark Alexander Alexander Rare Books 234 Camp Street ALEXANDER LITERARY FIRSTS Barre, VT 05641 Office: (802) 476-0838 & POETRY RARE BOOKS Cell: (802) 522-0257 [email protected] All items are US, UK or CN First Editions & First Printings unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days.; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards via electronic invoice (Paypal) accepted. Net so days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (generally via Priority Mail) & Canada; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for cover scans or photos of most items. We encourage you to visit for the latest acquisitions. ------------- Due to ever increasing inventory, we will be increasing the frequency of electronic catalogues. If you receive our printed catalogues we encourage you to sign up for our electronic catalogues, also. We will continue to mail print catalogues four CATALOGUE THIRTY-TWO times a year. Electronic catalogues will include recently acquired Summer 2013 items as well as sales. Catalogue 32 5. Adam, Helen. Third Eye Shining. [San Francisco]: Intersection, 1980. First edition thus. Illustrated broadside with a poem by Adam. Designed and printed by Arion Press on Arches. Artwork by 1. A. C. D. (ed.); THE 11. Boulder, CO: Summer 1972. First edition. Adam tipped onto the broadside. One of 100 numbered and signed Stapled mimeograph magazine with a cover illustration by Charles diJulio. copies, this copy not numbered (presumably hors commerce), Printed on rectos only. -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books). -
Women and Ecopoetics: an Introduction in Context
Harriet Tarlo Women and ecopoetics: an introduction in context This introduction contextualises and introduces the material within the special feature on women and ecopoetics as well as exploring the contributors’ and, on occasion, my own thoughts on the subject. I shall identify some common creative practices and ideological threads whilst respecting the sheer diversity of practitioners and practice presented here. After all, this issue features essays, statements, images, open form poetry, performance pieces, prose poetry, site specific work and found poetry from writers with experience as poets, critics, artists, educators, librarians and media workers. I have organised this work into sections as follows: Poems (selections of work from seven women poets); Recycles (selections of work making use of found text from eight women poets); Essays (seven essays on women poets from an eco-poetical perspective) and Working Notes/Ecopoetical statements. In addition to the working notes from featured poets which take the form traditional in How2, this section contains a number of short statements from writers made in response to the women and ecopoetics theme. Those that stand well alone also appear as “postcards” which has had the added advantage of their acting as a provocative “trail” for the special feature, as well as being a part of it of course. Generic segregation and classification of contents is, in some ways, contrary to the spirit of How2 and perhaps to ecopoetics too, yet it is I think helpful to reading work online to have some method of navigating our way around it. However, I should like to draw attention to the particularly hybrid nature of many of the contributions here. -
The Poetry of Gary Snyder 3K'(QJOLVKWKHVLV8QLYHUVLW\RI6RXWK)ORULGD)ORULGD
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BEYOND THINKING a Guide to Zen Meditation
ABOUT THE BOOK Spiritual practice is not some kind of striving to produce enlightenment, but an expression of the enlightenment already inherent in all things: Such is the Zen teaching of Dogen Zenji (1200–1253) whose profound writings have been studied and revered for more than seven hundred years, influencing practitioners far beyond his native Japan and the Soto school he is credited with founding. In focusing on Dogen’s most practical words of instruction and encouragement for Zen students, this new collection highlights the timelessness of his teaching and shows it to be as applicable to anyone today as it was in the great teacher’s own time. Selections include Dogen’s famous meditation instructions; his advice on the practice of zazen, or sitting meditation; guidelines for community life; and some of his most inspirational talks. Also included are a bibliography and an extensive glossary. DOGEN (1200–1253) is known as the founder of the Japanese Soto Zen sect. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. Translators Reb Anderson Edward Brown Norman Fischer Blanche Hartman Taigen Dan Leighton Alan Senauke Kazuaki Tanahashi Katherine Thanas Mel Weitsman Dan Welch Michael Wenger Contributing Translator Philip Whalen BEYOND THINKING A Guide to Zen Meditation Zen Master Dogen Edited by Kazuaki Tanahashi Introduction by Norman Fischer SHAMBHALA Boston & London 2012 SHAMBHALA PUBLICATIONS, INC. Horticultural Hall 300 Massachusetts Avenue -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson.