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The Poetry of Gary Snyder 3K'(QJOLVKWKHVLV8QLYHUVLW\RI6RXWK)ORULGD)ORULGD
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BEYOND THINKING a Guide to Zen Meditation
ABOUT THE BOOK Spiritual practice is not some kind of striving to produce enlightenment, but an expression of the enlightenment already inherent in all things: Such is the Zen teaching of Dogen Zenji (1200–1253) whose profound writings have been studied and revered for more than seven hundred years, influencing practitioners far beyond his native Japan and the Soto school he is credited with founding. In focusing on Dogen’s most practical words of instruction and encouragement for Zen students, this new collection highlights the timelessness of his teaching and shows it to be as applicable to anyone today as it was in the great teacher’s own time. Selections include Dogen’s famous meditation instructions; his advice on the practice of zazen, or sitting meditation; guidelines for community life; and some of his most inspirational talks. Also included are a bibliography and an extensive glossary. DOGEN (1200–1253) is known as the founder of the Japanese Soto Zen sect. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. Translators Reb Anderson Edward Brown Norman Fischer Blanche Hartman Taigen Dan Leighton Alan Senauke Kazuaki Tanahashi Katherine Thanas Mel Weitsman Dan Welch Michael Wenger Contributing Translator Philip Whalen BEYOND THINKING A Guide to Zen Meditation Zen Master Dogen Edited by Kazuaki Tanahashi Introduction by Norman Fischer SHAMBHALA Boston & London 2012 SHAMBHALA PUBLICATIONS, INC. Horticultural Hall 300 Massachusetts Avenue -
Gary Snyder's Idiosyncratic Buddhist Poetics and the "Razoredge"
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2006 Gary Snyder's idiosyncratic Buddhist poetics and the "razoredge". David Gerhardt Thimme 1970- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Thimme, David Gerhardt 1970-, "Gary Snyder's idiosyncratic Buddhist poetics and the "razoredge"." (2006). Electronic Theses and Dissertations. Paper 1428. https://doi.org/10.18297/etd/1428 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. GARY SNYDER'S IDIOSYNCRATIC BUDDHIST'POETICS AND THE "RAZOREDGE" By David Gerhardt Thimme B.S., Bradley University, 1993 Main Advisor Dr. Aaron Jaffe A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English University of Louisville Louisville, Kentucky December 2006 GARY SNYDER’S IDIOSYNCRATIC BUDDHIST POETICS AND THE “RAZOREDGE” By David Gerhardt Thimme M.A., Louisville, 2006 A Thesis Approved on November 21, 2006 by the following Thesis Committee: Thesis Director ii ACKNOWLEDGMENTS I would like to thank my main advisor and friend, Dr. Aaron Jaffe, for his excellent guidance during this long journey of discovery. I would also like to thank the other committee members, Dr. -
A Buddhist Perspective on the Global Environmental Crisis: Poetics of the Wild Cynthia D
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Mindfulness Studies Theses (GSASS) Winter 2-2018 A Buddhist Perspective on the Global Environmental Crisis: Poetics of the Wild Cynthia D. Trone Follow this and additional works at: https://digitalcommons.lesley.edu/mindfulness_theses Part of the Social and Behavioral Sciences Commons Running head: POETICS OF THE WILD A Buddhist Perspective on the Global Environmental Crisis: Poetics of the Wild Cynthia D. Trone February, 2018 Lesley University Melissa Jean, MFA, Ph.D. Nancy Waring, MA, Ph.D. POETICS OF THE WILD Copyright by Cynthia D. Trone February, 2018 POETICS OF THE WILD Abstract My thesis is about a Buddhist perspective on the global environmental crisis, including an explo- ration of how both ancient and modern poetry express a compassionate response to nature, a so- cial science survey, and a creative project of my own poetry. The exploration in the rationale pa- per suggests that looking inward may be an important way to begin to understand individual re- sponsibility for the global environmental crisis. In consideration of this is a discussion of ancient Buddhist wisdom and teachings about, and the relevance of, mindfulness, compassion, interde- pendence, and impermanence. In a creative extension of this discussion, an exploration of Bud- dhist-inspired nature poetry follows. Both ancient and modern poetics address the human condi- tion and interconnection with the planet in deep, heartfelt and insightful ways. I call this Poetics of the Wild, to describe the vast, passionate art of language that captures the wildness of nature, as well as the wildness of the creative mind in expressing our connection to it. -
Philip Whalen Papers, Circa 1923-2002 (Bulk 1960-1997)
http://oac.cdlib.org/findaid/ark:/13030/kt2199q0t9 Online items available Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Processed by Dean Smith. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2003 The Regents of the University of California. All rights reserved. Finding Aid to the Philip Whalen BANC MSS 2000/93 p 1 Papers, circa 1923-2002 (bulk 1960-1997) Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Collection number: BANC MSS 2000/93 p The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Dean Smith. Date Completed: 2002 June Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Philip Whalen papers Date (inclusive): circa 1923-2002 Date (bulk): 1960-1997 Collection Number: BANC MSS 2000/93 p Creator: Whalen, Philip Extent: 2 cartons, 36 boxes, 11 oversize folders, 3 oversize boxes, and 1 tubecirca 30 linear feet4 digital objects (5 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: The Philip Whalen Papers, circa 1940-2001, consist of the writings (notebooks, poems, prose works), correspondence, professional papers, artwork and personal papers that detail Whalen’s dual life as poet (coming to prominence during San Francisco’s Beat era of the 50’s and often associated with his fellow Reed graduates, Gary Snyder and Lew Welch), and later, Buddhist monk. -
THE EMERGENCE of BUDDHIST AMERICAN LITERATURE SUNY Series in Buddhism and American Culture
THE EMERGENCE OF BUDDHIST AMERICAN LITERATURE SUNY series in Buddhism and American Culture John Whalen-Bridge and Gary Storhoff, editors The Emergence of Buddhist American Literature EDITED BY JOHN WHALEN-BRIDGE GARY STORHOFF Foreword by Maxine Hong Kingston and Afterword by Charles Johnson Cover art image of stack of books © Monika3stepsahead/Dreamstime.com Cover art image of Buddha © maodesign/istockphoto Published by STATE UNIVERSITY OF NEW YORK PRESS ALBANY © 2009 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval systemor transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production by Diane Ganeles Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data The emergence of Buddhist American literature / edited by John Whalen-Bridge and Gary Storhoff ; foreword by Maxine Hong Kingston ; afterword by Charles Johnson. p. cm. — (Suny series in Buddhism and American culture) Includes bibliographical references and index. ISBN 978-1-4384-2653-2 (hardcover : alk. paper) 1. American literature—Buddhist authors—History and criticism. 2. American literature—20th century—History and criticism. 3. American literature—Buddhist influences. 4. Buddhism in literature. 5. Buddhism and literature—United States. I. Whalen-Bridge, John, 1961– II. Storhoff, Gary, 1947– PS153.B83E44 2009 810.9’382943—dc22 2008034847 10 9 8 7 6 5 4 3 2 1 John Whalen-Bridge would like to dedicate his work on The Emergence of Buddhist American Literature to his two sons, Thomas and William. -
Transpacific Transcendence: the Buddhist Poetics of Jack Kerouac, Gary Snyder, and Philip Whalen
TRANSPACIFIC TRANSCENDENCE: THE BUDDHIST POETICS OF JACK KEROUAC, GARY SNYDER, AND PHILIP WHALEN BY Copyright 2010 Todd R. Giles Ph.D., University of Kansas 2010 Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chair, Joseph Harrington ______________________________ Kenneth Irby ______________________________ Philip Barnard ______________________________ James Carothers ______________________________ Stanley Lombardo Date Defended: September 8, 2010 ii The Dissertation Committee for Todd R. Giles certifies that this is the approved version of the following dissertation: TRANSPACIFIC TRANSCENDENCE: THE BUDDHIST POETICS OF JACK KEROUAC, GARY SNYDER, AND PHILIP WHALEN Committee: ______________________________ Chair, Joseph Harrington ______________________________ Kenneth Irby ______________________________ Philip Barnard ______________________________ James Carothers ______________________________ Stanley Lombardo Date Approved: September 8, 2010 iii Abstract "Transpacific Transcendence: The Buddhist Poetics of Jack Kerouac, Gary Snyder, and Philip Whalen," directed by Joseph Harrington, examines the influence of East Asian literature and philosophy on post-World War II American poetry. Kerouac's "Desolation Blues," Snyder's "On Vulture Peak," and Whalen's "The Slop Barrel" were all written one year after the famous Six Gallery reading in San Francisco where Allen Ginsberg -
Covenantal Poetics: Jewish, Irish, and African American Modernisms Beyond the Lyric
Covenantal Poetics: Jewish, Irish, and African American Modernisms Beyond the Lyric by Joshua Logan Wall A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Doctoral Committee: Associate Professor Julian Levinson, Chair Emeritus Professor Laurence Goldstein Associate Professor Joshua Miller Professor Deborah Dash Moore Associate Professor Gillian White Joshua Logan Wall [email protected] ORCID iD : 0000-0002-6983-4850 © Joshua Logan Wall 2018 ACKNOWLEDGMENTS My work on this project was supported by a variety of individuals, but a handful of institutions also deserve recognition for providing me with opportunities to conduct research. Through the Rackham Graduate School at the University of Michigan, I was supported by a Pre- Doctoral Research Fellowship, a Humanities Research Fellowship, a One-Term Dissertation Fellowship, funding for summer research, and a variety of conference travel grants that allowed me to present early versions of this research. The Department of English Language and Literature and the Frankel Center for Judaic Studies also provided funding for conference travel; the Frankel Center, moreover, provided generous research and language study funding during my summers. Special collections libraries and librarians at the University of Texas, Yale University, the University of Chicago, and the University of Michigan were helpful and informative when I visited. I owe particular thanks to my committee members. Archival research has been a central component of this project, and Josh Miller’s advice and encouragement deserves much credit for this. He’s also among the university’s best listeners. Larry Goldstein first introduced me to the poetry of Lola Ridge. -
Rightviewquarterly Dharma in Practice WINTER 2009
RIGHTVIEWQuarterly Dharma in Practice WINTER 2009 Master Ji Ru, Editor-in-Chief Xianyang Carl Jerome, Editor Carol Corey, Layout and Artwork Will Holcomb, Production Assistance Subscribe at no cost at www.rightviewonline.org We welcome letters, comments and subscriptions. Write to [email protected] or the address below. RIGHTVIEW QUARTERLY is published at no cost to the subscriber by the Mid-America Buddhist Association (MABA) 299 Heger Lane Augusta, Missouri 63332-1445 USA The authors of their respective articles retain all copyrights. More artwork by Carol Corey may be seen at www.visualzen.net Our deepest gratitude to Concept Press in New York City, and Mr. King Au for their efforts and generosity in printing and distributing Rightview Quarterly. Rightview Online Visit our all new website Contact/Subscribe/Donate RightviewOnline.org ON THE COVER: Sculptor Shinjo Ito created this wood carving, Horyu Kuon, in1968. The work symbolizes the artist's hope that the chain of transmission which has faithfully handed down Shakyamuni's teachings for over 2500 years will remain unbroken. In English the four characters say: "Eternal is the dharma stream." The carving Homeis part of an exhibitionTeachings currently onSutras a world tour,Essays TheVision and PoetryArt of Shinjo Ito.Archives Links RightviewOnlineFor more information is produced go toby www.shinjoito.com.the Mid-America Buddhist Association (MABA), a Chan monastery in St. Louis, Missouri, USA. The site is dedicated to dharma in practice and is a companion to Rightview Quarterly magazine.The name of the magazine and the site refers to the first step of the Buddha's Eightfold Noble Path. -
PACIFIC WORLD Journal of the Institute of Buddhist Studies
PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 6 Fall 2004 TWO SPECIAL SECTIONS: ESSAYS CELEBRATING THE THIRTY-FIFTH ANNIVERSARY OF THE INSTITUTE OF BUDDHIST STUDIES, AND SIGN, SYMBOL, AND BODY IN TANTRA FRONT COVER PACIFIC WORLD: Journal of the Institute of Buddhist Studies Third Series, Number 6 Fall 2004 SPINE PACIFIC WORLD Journal of the Institute of Buddhist Studies HALF-TITLE PAGE i REVERSE HALF TITLE ii PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 6 Fall 2004 TWO SPECIAL SECTIONS: ESSAYS CELEBRATING THE THIRTY-FIFTH ANNIVERSARY OF THE INSTITUTE OF BUDDHIST STUDIES, AND SIGN, SYMBOL, AND BODY IN TANTRA TITLE iii Pacific World is an annual journal in English devoted to the dissemination of histori- cal, textual, critical, and interpretive articles on Buddhism generally and Shinshu Buddhism particularly to both academic and lay readerships. The journal is dis- tributed free of charge. Articles for consideration by the Pacific World are welcomed and are to be submitted in English and addressed to the Editor, Pacific World, P.O. Box 390460, Mountain View, CA 94039-0460, USA. Acknowledgment: This annual publication is made possible by the donation of Buddha Dharma Kyokai (Society), Inc. of Berkeley, California. Guidelines for Authors: Manuscripts (approximately 20 standard pages) should be typed double-spaced with 1-inch margins. Notes are to be endnotes with full bibliographic information in the note first mentioning a work, i.e., no separate bibliography. See The Chicago Manual of Style (15th edition), University of Chicago Press, §16.3 ff. Authors are responsible for the accuracy of all quotations and for supplying complete references. -
George Oppen's Substantives
CHRISTOPHER OAKEY George Oppen’s Substantives: The Noun as Heideggerian Formal Indicator and Grundwort When Objectivist poet George Oppen published his first collection, Discrete Series, in 1934 it included a preface in which Ezra Pound defended him against “The charge of obscurity”. This charge, Pound writes, has been raised at regular or irregular intervals since the stone age, though there is no living man who is not surprised on first learning that KEATS was considered “obscure”. It takes a very elaborate reconstruction of England in Keats’ time to erect even a shaky hypothesis regarding the probable fixations and ossifications of the then hired bureaucracy of Albermarle St., London West.1 Pound’s statement suggests that, even in its own moment, a historical perspective is needed in order to properly grasp the significance of Oppen’s collection. It takes “a very elaborate reconstruction” of Keats’s England in order to understand Keats’s past obscurity. Similarly, Pound implies, if we are to understand Oppen’s obscurity in 1934 we must recognise a distance between the contextualising poetics of a mainstream audience and the poetics of an avant- garde. Obscurity is, in Pound’s assessment, simply a by-product of a form of difference inherent to the drive to “make it new”. This obscurity belongs as much to the poems’ forms as it does to their content. As in the third poem in the collection, beginning “Thus / Hides the / Parts—the prudery / Of Frigidaire” (NCP 7), the poems of Discrete Series regularly launch from a particular fascination with the quotidian. They do so in such a way, however, that the lyric address is often obstructed by the presence of what is, both materially and linguistically, already there. -
4 Williams and Cubism - 'Al Que Quiere!', 'Sour Grapes', and 'Spring and All'
79 4 WILLIAMS AND CUBISM - 'AL QUE QUIERE!', 'SOUR GRAPES', AND 'SPRING AND ALL' But for the moment everything is fresh, perfect, recreated ... Yes, the imagination, drunk with prohibitions, has destroyed and recre~ed everything afresh in the likeness of that which it was (1:93) . In a continuation of his imagist endeavours to make everything new, Williams' cubism defamiliarizes objects in order to cleanse them from all "prohibitions" and thus recreates "everything afresh". For Williams the imagination is the primary force in this process of perception, whether in merely analyzing or decomposing an object by means of shifting planes, or in synthesizing a number of isolated elements. Williams' poetic development, however, is by no means exclusively diachronic with his imagist style, for example, developing into a cubist style. The synchronicity of his style is perhaps clearest in the co presence of imagist and cubist poems in a particular period or book. Initially these cubist signs take the form of the breaking down or fragmentation of a scene, object, or experience. Increasingly, however, Williams' style does develop towards more structured and unified presentations which would be closer to synthetic cubism. This coincides largely with a dissociation from the disarray into which imagism declined in the period after 1916. According to Perloff (1983:173), the influence of the Imagist movement (and specifically that of Pound) on Williams, although it made a difference in his development, was no longer decisive by 19172; rather, "the poems of the late teens represent Williams' first attempt to create verbal-visual counterparts to the paintings and drawings" of the visual artists3.