Rightviewquarterly Dharma in Practice WINTER 2009
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The Poetry of Gary Snyder 3K'(QJOLVKWKHVLV8QLYHUVLW\RI6RXWK)ORULGD)ORULGD
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BEYOND THINKING a Guide to Zen Meditation
ABOUT THE BOOK Spiritual practice is not some kind of striving to produce enlightenment, but an expression of the enlightenment already inherent in all things: Such is the Zen teaching of Dogen Zenji (1200–1253) whose profound writings have been studied and revered for more than seven hundred years, influencing practitioners far beyond his native Japan and the Soto school he is credited with founding. In focusing on Dogen’s most practical words of instruction and encouragement for Zen students, this new collection highlights the timelessness of his teaching and shows it to be as applicable to anyone today as it was in the great teacher’s own time. Selections include Dogen’s famous meditation instructions; his advice on the practice of zazen, or sitting meditation; guidelines for community life; and some of his most inspirational talks. Also included are a bibliography and an extensive glossary. DOGEN (1200–1253) is known as the founder of the Japanese Soto Zen sect. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. Translators Reb Anderson Edward Brown Norman Fischer Blanche Hartman Taigen Dan Leighton Alan Senauke Kazuaki Tanahashi Katherine Thanas Mel Weitsman Dan Welch Michael Wenger Contributing Translator Philip Whalen BEYOND THINKING A Guide to Zen Meditation Zen Master Dogen Edited by Kazuaki Tanahashi Introduction by Norman Fischer SHAMBHALA Boston & London 2012 SHAMBHALA PUBLICATIONS, INC. Horticultural Hall 300 Massachusetts Avenue -
Introduction
Introduction JOHN WHALEN-BRIDGE AND GARY STORHOFF BUDDHISM AND AMERICAN IMAGINED COMMUNITIES Postwar American writers rebelled in a variety of ways.1 Writers in the first twenty years after the war struggled against censorship laws and canons of taste, and court cases were fought about books dealing with sex in an explicit manner. Books such as Lolita and Catcher in the Rye were the site of censorship battles between librarians and church groups, not just because these books brought up sex as a subject, but also because they presented conventional tastes regarding literature, art, and morality as ridiculously provincial or as phony.2 Buddhist writers from this period such as J.D. Salinger, Gary Snyder, and Allen Ginsberg, to name some of the most famous Buddhist popularizers of the 1950s, did both. They experimented with a kind of formlessness in which the work took on the qualities of a mind supposed to be freer from delusion than those against which that mind was being defined. The Glass stories, Snyder’s mixing of Poundian translation and indigenous song, and Ginsberg’s charming and elegant yawp from the rooftop were all forms of complaint against mainstream society, which was felt to be crassly materialistic, a society of people too selfish to appreciate the literary celebration of generosity. In the words of Hettie Jones, the Beats were interested in Buddhism as an “antimaterialist point of view” that was “very attractive to those of us who © 2009 State University of New York Press, Albany 2 John Whalen-Bridge and Gary Storhoff were disaffected with the organized religion we were brought up with” (Mortenson 7). -
Gary Snyder's Idiosyncratic Buddhist Poetics and the "Razoredge"
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2006 Gary Snyder's idiosyncratic Buddhist poetics and the "razoredge". David Gerhardt Thimme 1970- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Thimme, David Gerhardt 1970-, "Gary Snyder's idiosyncratic Buddhist poetics and the "razoredge"." (2006). Electronic Theses and Dissertations. Paper 1428. https://doi.org/10.18297/etd/1428 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. GARY SNYDER'S IDIOSYNCRATIC BUDDHIST'POETICS AND THE "RAZOREDGE" By David Gerhardt Thimme B.S., Bradley University, 1993 Main Advisor Dr. Aaron Jaffe A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English University of Louisville Louisville, Kentucky December 2006 GARY SNYDER’S IDIOSYNCRATIC BUDDHIST POETICS AND THE “RAZOREDGE” By David Gerhardt Thimme M.A., Louisville, 2006 A Thesis Approved on November 21, 2006 by the following Thesis Committee: Thesis Director ii ACKNOWLEDGMENTS I would like to thank my main advisor and friend, Dr. Aaron Jaffe, for his excellent guidance during this long journey of discovery. I would also like to thank the other committee members, Dr. -
A Buddhist Perspective on the Global Environmental Crisis: Poetics of the Wild Cynthia D
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Mindfulness Studies Theses (GSASS) Winter 2-2018 A Buddhist Perspective on the Global Environmental Crisis: Poetics of the Wild Cynthia D. Trone Follow this and additional works at: https://digitalcommons.lesley.edu/mindfulness_theses Part of the Social and Behavioral Sciences Commons Running head: POETICS OF THE WILD A Buddhist Perspective on the Global Environmental Crisis: Poetics of the Wild Cynthia D. Trone February, 2018 Lesley University Melissa Jean, MFA, Ph.D. Nancy Waring, MA, Ph.D. POETICS OF THE WILD Copyright by Cynthia D. Trone February, 2018 POETICS OF THE WILD Abstract My thesis is about a Buddhist perspective on the global environmental crisis, including an explo- ration of how both ancient and modern poetry express a compassionate response to nature, a so- cial science survey, and a creative project of my own poetry. The exploration in the rationale pa- per suggests that looking inward may be an important way to begin to understand individual re- sponsibility for the global environmental crisis. In consideration of this is a discussion of ancient Buddhist wisdom and teachings about, and the relevance of, mindfulness, compassion, interde- pendence, and impermanence. In a creative extension of this discussion, an exploration of Bud- dhist-inspired nature poetry follows. Both ancient and modern poetics address the human condi- tion and interconnection with the planet in deep, heartfelt and insightful ways. I call this Poetics of the Wild, to describe the vast, passionate art of language that captures the wildness of nature, as well as the wildness of the creative mind in expressing our connection to it. -
Philip Whalen Papers, Circa 1923-2002 (Bulk 1960-1997)
http://oac.cdlib.org/findaid/ark:/13030/kt2199q0t9 Online items available Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Processed by Dean Smith. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2003 The Regents of the University of California. All rights reserved. Finding Aid to the Philip Whalen BANC MSS 2000/93 p 1 Papers, circa 1923-2002 (bulk 1960-1997) Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Collection number: BANC MSS 2000/93 p The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Dean Smith. Date Completed: 2002 June Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Philip Whalen papers Date (inclusive): circa 1923-2002 Date (bulk): 1960-1997 Collection Number: BANC MSS 2000/93 p Creator: Whalen, Philip Extent: 2 cartons, 36 boxes, 11 oversize folders, 3 oversize boxes, and 1 tubecirca 30 linear feet4 digital objects (5 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: The Philip Whalen Papers, circa 1940-2001, consist of the writings (notebooks, poems, prose works), correspondence, professional papers, artwork and personal papers that detail Whalen’s dual life as poet (coming to prominence during San Francisco’s Beat era of the 50’s and often associated with his fellow Reed graduates, Gary Snyder and Lew Welch), and later, Buddhist monk. -
THE EMERGENCE of BUDDHIST AMERICAN LITERATURE SUNY Series in Buddhism and American Culture
THE EMERGENCE OF BUDDHIST AMERICAN LITERATURE SUNY series in Buddhism and American Culture John Whalen-Bridge and Gary Storhoff, editors The Emergence of Buddhist American Literature EDITED BY JOHN WHALEN-BRIDGE GARY STORHOFF Foreword by Maxine Hong Kingston and Afterword by Charles Johnson Cover art image of stack of books © Monika3stepsahead/Dreamstime.com Cover art image of Buddha © maodesign/istockphoto Published by STATE UNIVERSITY OF NEW YORK PRESS ALBANY © 2009 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval systemor transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production by Diane Ganeles Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data The emergence of Buddhist American literature / edited by John Whalen-Bridge and Gary Storhoff ; foreword by Maxine Hong Kingston ; afterword by Charles Johnson. p. cm. — (Suny series in Buddhism and American culture) Includes bibliographical references and index. ISBN 978-1-4384-2653-2 (hardcover : alk. paper) 1. American literature—Buddhist authors—History and criticism. 2. American literature—20th century—History and criticism. 3. American literature—Buddhist influences. 4. Buddhism in literature. 5. Buddhism and literature—United States. I. Whalen-Bridge, John, 1961– II. Storhoff, Gary, 1947– PS153.B83E44 2009 810.9’382943—dc22 2008034847 10 9 8 7 6 5 4 3 2 1 John Whalen-Bridge would like to dedicate his work on The Emergence of Buddhist American Literature to his two sons, Thomas and William. -
Transpacific Transcendence: the Buddhist Poetics of Jack Kerouac, Gary Snyder, and Philip Whalen
TRANSPACIFIC TRANSCENDENCE: THE BUDDHIST POETICS OF JACK KEROUAC, GARY SNYDER, AND PHILIP WHALEN BY Copyright 2010 Todd R. Giles Ph.D., University of Kansas 2010 Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chair, Joseph Harrington ______________________________ Kenneth Irby ______________________________ Philip Barnard ______________________________ James Carothers ______________________________ Stanley Lombardo Date Defended: September 8, 2010 ii The Dissertation Committee for Todd R. Giles certifies that this is the approved version of the following dissertation: TRANSPACIFIC TRANSCENDENCE: THE BUDDHIST POETICS OF JACK KEROUAC, GARY SNYDER, AND PHILIP WHALEN Committee: ______________________________ Chair, Joseph Harrington ______________________________ Kenneth Irby ______________________________ Philip Barnard ______________________________ James Carothers ______________________________ Stanley Lombardo Date Approved: September 8, 2010 iii Abstract "Transpacific Transcendence: The Buddhist Poetics of Jack Kerouac, Gary Snyder, and Philip Whalen," directed by Joseph Harrington, examines the influence of East Asian literature and philosophy on post-World War II American poetry. Kerouac's "Desolation Blues," Snyder's "On Vulture Peak," and Whalen's "The Slop Barrel" were all written one year after the famous Six Gallery reading in San Francisco where Allen Ginsberg -
PACIFIC WORLD Journal of the Institute of Buddhist Studies
PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 6 Fall 2004 TWO SPECIAL SECTIONS: ESSAYS CELEBRATING THE THIRTY-FIFTH ANNIVERSARY OF THE INSTITUTE OF BUDDHIST STUDIES, AND SIGN, SYMBOL, AND BODY IN TANTRA FRONT COVER PACIFIC WORLD: Journal of the Institute of Buddhist Studies Third Series, Number 6 Fall 2004 SPINE PACIFIC WORLD Journal of the Institute of Buddhist Studies HALF-TITLE PAGE i REVERSE HALF TITLE ii PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 6 Fall 2004 TWO SPECIAL SECTIONS: ESSAYS CELEBRATING THE THIRTY-FIFTH ANNIVERSARY OF THE INSTITUTE OF BUDDHIST STUDIES, AND SIGN, SYMBOL, AND BODY IN TANTRA TITLE iii Pacific World is an annual journal in English devoted to the dissemination of histori- cal, textual, critical, and interpretive articles on Buddhism generally and Shinshu Buddhism particularly to both academic and lay readerships. The journal is dis- tributed free of charge. Articles for consideration by the Pacific World are welcomed and are to be submitted in English and addressed to the Editor, Pacific World, P.O. Box 390460, Mountain View, CA 94039-0460, USA. Acknowledgment: This annual publication is made possible by the donation of Buddha Dharma Kyokai (Society), Inc. of Berkeley, California. Guidelines for Authors: Manuscripts (approximately 20 standard pages) should be typed double-spaced with 1-inch margins. Notes are to be endnotes with full bibliographic information in the note first mentioning a work, i.e., no separate bibliography. See The Chicago Manual of Style (15th edition), University of Chicago Press, §16.3 ff. Authors are responsible for the accuracy of all quotations and for supplying complete references. -
Philip Whalen
Utah State University DigitalCommons@USU ENGL 6350 – Beat Exhibit Student Exhibits 5-6-2016 Philip Whalen Paden Carlson Follow this and additional works at: https://digitalcommons.usu.edu/beat_exhibit Recommended Citation Carlson, Paden, "Philip Whalen" (2016). ENGL 6350 – Beat Exhibit. 7. https://digitalcommons.usu.edu/beat_exhibit/7 This Book is brought to you for free and open access by the Student Exhibits at DigitalCommons@USU. It has been accepted for inclusion in ENGL 6350 – Beat Exhibit by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. PBILl Li :1'e Sketch Philip Whalen began his writing life as a poet dedicated to modernist literary techniques , later discovering his voice through experimental poetry that became increasingly influenced by his devotion to Zen Buddhism. During his early experimental phase, Whalen moved from job to job, including three summers as a fire lookout in Washington state. Even after achieving early fame through his participation in the 1955 Six Gallery reading, Whalen continued to search for spiritual meaning, making multiple trips to Japan to study Buddhism, during one of which he spent time with Gary Snyder, his roommate from Reed College and fellow participant in the Six Gallery reading. Whalen's interest in Zen Buddhism advanced to the point that he decided to dedicate his life to the practice and was ordained as a monk in 1973. Poetry continued to be an important part of Whalen's life, though he gradually devoted more time and energy to his administrative duties at the San Francisco Zen Center. Chronology 1923 - Born in Portland, Oregon. -
The Suturing of Poetic Ideology During the Early Years of the Loft and the Jack Kerouac School of Disembodied Poetics
The Urgency of Community: The Suturing of Poetic Ideology During the Early Years of the Loft and the Jack Kerouac School of Disembodied Poetics A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Rebecca Weaver IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Maria Damon and Jane Blocker, Co-advisers May 2011 Rebecca Weaver, Copyright 2011 Acknowledgements I owe a deep debt of thanks first to the directors of this project, Maria Damon and Jane Blocker, without whose genius, patience, and enthusiasm, this dissertation would have never existed. I am also incredibly and especially grateful for the insights and long conversations with my other committee members, Siobahn Craig and Edward Griffin. Many people, including poets, administrators, archivists, and program directors graciously gave me their time, words, and attention during the years I was researching this project: Amiri Baraka, Lisa Birman, Michael Dennis Browne, Reed Bye, Jack Collom, Clark and Susan Coolidge, Jim Dochniak, Phebe Hanson, Carla Harryman, Hettie Jones, Deborah Keenan, Ruth Kohtz, Eric Lorberer, Caroline Marshall, Sue Ann Martinson, Bernadette Mayers, John Minczeski, Jim Moore, Maureen Owen, Mary Rockcastle, Marly Rusoff, Greg Rutter, Larry Sutin, Anne Waldman, Lew Warsh, Marjorie Welish, David Wojahn, the staff at the Allen Ginsberg Library and Archives at Naropa University, the librarians at the Minnesota State Historical Society, the staff at the Special Collections Library at the University -
Enlightenment Unfolds Is a Sequel to Kaz Tanahashi’S Previous Collection, Moon in a Dewdrop, Which Has Become a Primary Source on Dogen for Western Zen Students
“Tanahashi is a writer and painter whose earlier collection, Moon in a Dewdrop, served as an introduction to the work of Dogen for many Western readers. This sequel collection draws from the complete range of Dogen’s writing. Some pieces have been widely translated and will be familiar to students of Zen, others have been reprinted from Moon in a Dewdrop, and still others appear here in English for the first time. Tanahashi worked with a number of co-translators, all of them Zen practitioners in Dogen’s lineage, and the result is an accessible and admirably consistent text. This is particularly impressive given the somewhat eccentric nature of Dogen’s prose, which can approach poetry and as a vehicle for Zen teachings often exists at the outer limits of usefulness of language in conveying meaning. Students of Zen will find this text essential.” —Mark Woodhouse, Library Journal ABOUT THE BOOK Enlightenment Unfolds is a sequel to Kaz Tanahashi’s previous collection, Moon in a Dewdrop, which has become a primary source on Dogen for Western Zen students. Dogen Zenji (1200– 1253) is unquestionably the most significant religious figure in Japanese history. Founder of the Soto school of Zen (which emphasizes the practice of zazen or sitting meditation), he was a prolific writer whose works have remained popular for six hundred years. Enlightenment Unfolds presents even more of the incisive and inspiring writings of this seminal figure, focusing on essays from his great life work, Treasury of the True Dharma Eye, as well as poems, talks, and correspondence, much of which appears here in English for the first time.