In Case You Didn't Know

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ICYDK (In Case You Didn’t Know) Short Biographical notes on the boldly named (compiled by Steven Lavoie). Lawrence Ferlinghetti ~ first language was French Eugene O’Neill ~ built Tao House near Danville to entertain Charles Chaplin Henry Miller ~ in Paris in the 1930s Kenneth Rexroth ~ MC at Six Gallery, Oct. 7, 1955 Herb Caen ~ coined words using Russian endings for San Francisco newspapers Allen Ginsberg ~ read “Howl” at Six Gallery, Oct. 7, 1955 Lenny Bruce ~ arrested for obscenity at the Jazz Workshop, San Francisco, Oct. 4, 1961 Carol Doda ~ wore Rudi Gernreich’s monokini at the Condor Club William Carlos Williams ~ Allen Ginsberg’s mentor Duncan McNaughton ~ established the Poetics Program at the New College of San Francisco Patrick Marks ~ see text Steve Dickison ~ born in Duluth, Minn. Bill Berkson ~ friend of Frank O’Hara Robert Duncan ~ partner of Jess Jack Spicer ~ co-founder of Six Gallery Helen Adam ~ a Scot Philip Whalen ~ Zen abbot from Oregon Richard Brautigan ~ Aquarius who fished Joanne Kyger ~ born in Vallejo, Calif. Clark Coolidge ~ drummer for Serpent Power Michael McClure ~ read at Six Gallery, Oct. 7, 1955; Libra, from Wichita, Kans. Ginger Rogers ~ movie star Billie Holliday ~ played by Diana Ross in a biopic with Richard Pryor Lester Young ~ from Count Basie’s Orchestra Mal Waldron ~ also played with Charles Mingus Larry Rivers ~ read eulogy at O’Hara’s funeral Philip Guston ~ birth name “Goldstein,” born in Montreal, first language was French Alice Neel ~ Aquarius, portrait painter black-listed as a communist Jean Dubuffet ~ French painter, wine seller Joe Brainard ~ grew up in Tulsa, Okla. Richard O. Moore ~ pacifist, helped organize KPFA-FM Kenneth Rexroth ~ see text George Leite ~ first “beatnik”?, grew up in San Leandro Bern Porter ~Aquarius, published Henry Miller Tom Parkinson ~ decades at the University of California, Berkeley Elaine Katzenberger ~ executive director, City Lights Books Maureen O’Hara ~ Maureen Granville-Smith, not the movie star Kathleen Fraser ~ 20 years at San Francisco State Crystal Sasaki ~ dance student at Cal Alana Siegel ~ valedictorian at Plainedge High School, Long Island, New York Kit Robinson ~ went to Yale University with Alan Bernheimer Laura Moriarty ~ sister-in-law of Kit Robinson Paul Hoover ~ 12 years at San Francisco State, from Chicago Rod Padgett ~ born in Tulsa, Okla. Ted Berrigan ~ University of Tulsa alumnus Hilton Obenzinger ~ teaches at Stanford University, from Brooklyn Colter Jacobsen ~ artist represented by Gallery Paule Anglim Elaine Kahn ~ “founding member of the P. Splash Puppet Collective” Garrett Caples ~ co-editor of the Collected Poems of Philip Lamantia, lives in Oakland Alan Bernheimer ~ went to Yale University with Kit Robinson David Meltzer ~ lead singer & songwriter in Serpent Power Gloria Frym ~ studied with Robert Creeley, 15 years at New College of California Michael Palmer ~ all-star third-baseman for the Best Minds Jim Nisbet ~ furniture maker from North Carolina Tinker Green ~ 20 years at Brobeck, Phleger & Harrison, came here from Vermont .

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235-Newsletter.Pdf
The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Simone White Monday Night Talk Series Coordinator: Corrine Fitzpatrick Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Matt Longabucco Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Lezlie Hall Archivist: Will Edmiston Box Office: Aria Boutet, Courtney Frederick, Gabriella Mattis Interns/Volunteers: Mel Elberg, Phoebe Lifton, Jasmine An, Davy Knittle, Olivia Grayson, Catherine Vail, Kate Nichols, Jim Behrle, Douglas Rothschild Volunteer Development Committee Members: Stephanie Gray, Susan Landers Board of Directors: Gillian McCain (President), John S. Hall (Vice-President), Jonathan Morrill (Treasurer), Jo Ann Wasserman (Secretary), Carol Overby, Camille Rankine, Kimberly Lyons, Todd Colby, Ted Greenwald, Erica Hunt, Elinor Nauen, Evelyn Reilly and Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs and publications are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The Poetry Project’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
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Philip Whalen Papers, Circa 1923-2002 (Bulk 1960-1997)
http://oac.cdlib.org/findaid/ark:/13030/kt2199q0t9 Online items available Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Processed by Dean Smith. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2003 The Regents of the University of California. All rights reserved. Finding Aid to the Philip Whalen BANC MSS 2000/93 p 1 Papers, circa 1923-2002 (bulk 1960-1997) Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Collection number: BANC MSS 2000/93 p The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Dean Smith. Date Completed: 2002 June Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Philip Whalen papers Date (inclusive): circa 1923-2002 Date (bulk): 1960-1997 Collection Number: BANC MSS 2000/93 p Creator: Whalen, Philip Extent: 2 cartons, 36 boxes, 11 oversize folders, 3 oversize boxes, and 1 tubecirca 30 linear feet4 digital objects (5 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: The Philip Whalen Papers, circa 1940-2001, consist of the writings (notebooks, poems, prose works), correspondence, professional papers, artwork and personal papers that detail Whalen’s dual life as poet (coming to prominence during San Francisco’s Beat era of the 50’s and often associated with his fellow Reed graduates, Gary Snyder and Lew Welch), and later, Buddhist monk.
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September 2006 Updrafts
Chaparral from the updrafts California Federation of Chaparral Poets, Inc. serving California poets for over 65 years Volume 67, No. 6 • September, 2006 President Michael Palmer wins Stevens Award James Shuman, PSJ The Academy of American Poets announced September 5 that Michael Palmer has First Vice President been selected as the recipient of the 2006 Wallace Stevens Award. The $100,000 prize David Lapierre, PCR recognizes outstanding and proven mastery in the art of poetry. Second Vice President The judges for the award were poets Robert Hass, which was short-listed for the Canadian Grifﬁ n Poetry Katharine Wilson, RF Fanny Howe, Susan Stewart, Arthur Sze, and Dean Prize; Codes Appearing: Poems 1979–1988 (2001); Th ird Vice President Young. Robert Hass, on selecting Palmer to receive The Promises of Glass (2000); The Lion Bridge: Se- Dan Saucedo, Tw the award, wrote: Fourth Vice President lected Poems 1972–1995 (1998); At Passages (1996); Michael Palmer is the foremost experimental poet Donna Honeycutt, Ap Sun (1988); First Figure (1984); Notes for Echo Lake of his generation and perhaps of the last several Treasurer (1981); Without Music (1977); The Circular Gates generations. A gorgeous writer who has taken Roberta Bearden, PSJ (1974); and Blake’s Newton (1972). He is also the cues from Wallace Stevens, the Black Mountain Recording Secretary author of a prose work, The Danish Notebook (Avec poets, John Ashbery, contemporary French poets, Lee Collins, Tw Books, 1999). the poetics of Octavio Paz, and from language Corresponding Secretary Palmer’s work, which is both alluringly lyrical and poetries. He is one of the most original craftsmen Dorothy Marshall, Tw intensely avant-garde, has inspired a wide range of at work in English at the present time.
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Imc Robert Creeley
^IMC ROBERT CREELEY: A WRITING BIOGRAPHY AND INVENTORY by GERALDINE MARY NOVIK B.A., University of British Columbia, 1966 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA February, 1973 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date February 7, 1973 ABSTRACT Now, in 1973, it is possible to say that Robert Creeley is a major American poet. The Inventory of works by and about Creeley which comprises more than half of this dissertation documents the publication process that brought him to this stature. The companion Writing Biography establishes Creeley additionally as the key impulse in the new American writing movement that found its first outlet in Origin, Black Mountain Review, Divers Books, Jargon Books, and other alternative little magazines and presses in the fifties. After the second world war a new generation of writers began to define themselves in opposition to the New Criticism and academic poetry then prevalent and in support of Pound and Williams, and as these writers started to appear in tentative little magazines a further definition took place.
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Small Press Poetry Collection
Small Press Poetry Collection Alphabetical by press UPDATED MARCH 2019 Numbers 20 Pages 1204. Bernstein, Charles and Susan Bee. The nude formalism. Los Angeles: 20 Pages 1989. 811 Books 998. Corless-Smith, Martin. of the Universe The way things are On the Nature of things The Nature of and being by Lucretius: Incorporating marginalia. [Phoenix, Arizona]: 811 Books [1999] A Aard Press 541. Aaboe, Ruth. Zyzh. London: Aard Press 1978. Abbeygate Books 1339. Cooke, David. On the front. Grimsby: Abbeygate Books 2009. 1340. Cooke, David. Bruegel’s dancers. Grimsby: Abbeygate Books 2009. Acadia Press 484. Adam, Helen. Ballads. Illustrated by Jess. New York: Acadia Press 1964. Active in Airtime 1206. Hawkins, Ralph. Pelt. Brightlingsea, Essex: Active in Airtime 2002. 1219. Hawkins, Ralph. Writ. Colchester: Active in Airtime 1993. Actual Size Press 734. Raworth, Tom. Heavy light. New York: Actual Size Press [1984]. 947. Muckle, John and Ian Davidson. It is now as it was then. London: MICA in association with Actual Size 1983. 1228. De Wit, Johan. Rose poems. [London]: Actual Size 1986. Adam McKeown 1375. Intimacy. Edited by Adam McKeown. Maidstone, Kent: Adam McKeown 1992–1998. Volumes 1–3, 5. Adrian Blamires 1358. Blamires, Adrian. Eliza’s entertainments. [Reading: The Author 2015] Adventures in Poetry 100. O’Hara, Frank. Belgrade, November 19, 1963. New York City: Adventures in Poetry [1972 or 1973] 911. Bernheimer, Alan. The Spoonlight Institute. Princeton NJ: Adventures in Poetry 2009. Afterdays Press 1319. Hullah, Paul and Susan Mowatt. Unquenched. [Edinburgh]: Afterdays Press 2002. Aggie Weston’s 201. Mills, Stuart. ‘There is nothing outside the text’.
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Bernadette Mayer Papers
http://oac.cdlib.org/findaid/ark:/13030/tf0199n71x No online items Bernadette Mayer Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2019 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Bernadette Mayer Papers MSS 0420 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Bernadette Mayer Papers Identifier/Call Number: MSS 0420 Physical Description: 30.0 Linear feet(70 archives boxes, 1 card file box and 7 oversize file folders) Date (inclusive): 1958-2017 Abstract: Papers of Bernadette Mayer, writer, teacher, editor, and publisher. Most often associated with the New York School, Mayer uses compositional methods such as chance operations, collage and cut-up. Materials include correspondence with writers, artists, publishers, and friends; manuscripts and typescripts; notebooks and loose notes; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Scope and Content of Collection The Bernadette Mayer Papers document Mayer's career as a writer and teacher and, to a lesser extent, her career as a publisher and editor. Additionally, the papers reflect the broader community of artists and writers known as the New York School. Materials include correspondence from writers, artists, publishers, and friends; notebooks and loose notes; manuscripts and typescripts of Mayer's works; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Accession Processed in 1998 Arranged in eleven series: 1) BIOGRAPHICAL MATERIAL, 2) CORRESPONDENCE, 3) WRITINGS, 4) NOTEBOOKS, 5) WRITINGS OF OTHERS, 6) TEACHING MATERIAL, 7) EDITING MATERIAL, 8) EPHEMERA, 9) PHOTOGRAPHS, 10) SOUND RECORDINGS, and 11) ORIGINALS OF PRESERVATION PHOTOCOPIES.
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Against Expression: an Anthology of Conceptual Writing
Against Expression Against Expression An Anthology of Conceptual Writing E D I T E D B Y C R A I G D W O R K I N A N D KENNETH GOLDSMITH Northwestern University Press Evanston Illinois Northwestern University Press www .nupress.northwestern .edu Copyright © by Northwestern University Press. Published . All rights reserved. Printed in the United States of America + e editors and the publisher have made every reasonable eﬀ ort to contact the copyright holders to obtain permission to use the material reprinted in this book. Acknowledgments are printed starting on page . Library of Congress Cataloging-in-Publication Data Against expression : an anthology of conceptual writing / edited by Craig Dworkin and Kenneth Goldsmith. p. cm. — (Avant- garde and modernism collection) Includes bibliographical references. ---- (pbk. : alk. paper) . Literature, Experimental. Literature, Modern—th century. Literature, Modern—st century. Experimental poetry. Conceptual art. I. Dworkin, Craig Douglas. II. Goldsmith, Kenneth. .A .—dc o + e paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, .-. To Marjorie Perlo! Contents Why Conceptual Writing? Why Now? xvii Kenneth Goldsmith + e Fate of Echo, xxiii Craig Dworkin Monica Aasprong, from Soldatmarkedet Walter Abish, from Skin Deep Vito Acconci, from Contacts/ Contexts (Frame of Reference): Ten Pages of Reading Roget’s ! esaurus from Removal, Move (Line of Evidence): + e Grid Locations of Streets, Alphabetized, Hagstrom’s Maps of the Five Boroughs: . Manhattan Kathy Acker, from Great Expectations Sally Alatalo, from Unforeseen Alliances Paal Bjelke Andersen, from + e Grefsen Address Anonymous, Eroticism David Antin, A List of the Delusions of the Insane: What + ey Are Afraid Of from Novel Poem from + e Separation Meditations Louis Aragon, Suicide Nathan Austin, from Survey Says! J.
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Surrealist Poetics in Contemporary American Poetry
THE CATHOLIC UNIVERSITY OF AMERICA Surrealist Poetics in Contemporary American Poetry A DISSERTATION Submitted to the Faculty of the Department of English School of Arts & Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy By Brooks B. Lampe Washington, D.C. 2014 Surrealist Poetics in Contemporary American Poetry Brooks B. Lampe, Ph.D. Director: Ernest Suarez, Ph.D. The surrealist movement, begun in the 1920s and developed and articulated most visibly and forcefully by André Breton, has unequivocally changed American poetry, yet the nature and history of its impact until recently has not been thoroughly and consistently recounted. The panoramic range of its influence has been implicitly understood but difficult to identify partly because of the ambivalence with which it has been received by American writers and audiences. Surrealism’s call to a “systematic derangement of all the senses” has rarely existed comfortably alongside other modern poetic approaches. Nevertheless, some poets have successfully negotiated this tension and extended surrealism to the context of postmodern American culture. A critical history of surrealism’s influence on American poetry is quickly gaining momentum through the work of scholars, including Andrew Joron, Michael Skau, Charles Borkuis, David Arnold and Garrett Caples. This dissertation joins these scholars by investigating how selected American poets and poetic schools received, transformed, and transmitted surrealism in the second half of the twentieth century, especially during the mid-‘50s through the early ‘80s, when the movement’s influence in the States was rapid and most definitive. First, I summarize the impact of the surrealist movement on American poets through World War II, including Charles Henri Ford, Ezra Pound, William Carlos Williams, and Philip Lamantia, and briefly examine Julian Levy’s anthology, Surrealism (1936).
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Parker, Kerouac, and Innovative Sound: the Rhythms of Bebop in Beat Writing
Parker, Kerouac, and Innovative Sound: The Rhythms of Bebop in Beat Writing Emily McClay Honors Senior Thesis April 20, 2007 Table of Figures Figure 1. Measures 33-34 of “Koko” . 18 2. Measures 1-17 of “Koko” . 18 3. Measures 8-14 of “Koko” . 19 4. Measures 39-45 of “Koko” . 20 Literature often influences music, as composers throughout history have frequently set texts to music and have also been inspired by them to create programmatic works. However, although the literary world has nearly always influenced music, it rarely occurs that music has an impact on a movement of literature. Certainly music in a broad sense has inspired literature, but I would argue that up until the mid-twentieth century, no musical movement had inspired a literary one so much as bebop influenced the writing of the Beat Generation. They, as well as myriad writers and poets, have written about jazz, but more interesting is how the nuances and stylistic tendencies of bebop—particularly the sound of this music—affected the entire writing style of a group of poets and novelists. A large part of this is, of course, improvisation, but breath and pacing have much to do with it as well. The influence of improvisation also carried over into Beat performance art, as it was not uncommon for writers to perform poetry or sections of novels, either previously written or made up on the spot, with a jazz band. Charlie Parker, as one of the main innovators of bebop, had an obvious impact on the Beats. Parker's innovations in bebop can clearly be seen as an influence on Beat writers and on Jack Kerouac especially, both in his writing and in his method of writing.
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The Little Magazine in America, Mid-1950S to Mid-1980S
The Little Magazine in America, mid-1950s to mid-1980s: A Collection from the Golden Age of the Small Press Mimeo Revolution We are pleased to offer for sale an extraordinary collection of little magazines from the golden age of the small press mimeo revolution. The collection documents, with great breadth and depth, the intellectual, spiritual, and material diversity of poet-driven publishing in the US and, to a lesser extent, Canada and the UK from the mid-1950s to the mid-1980s. Keith and Rosmarie Waldrop review page proofs at Burning Deck Press (Providence Journal, 1980s). The present collection has emerged in tandem with our ongoing projects to chronicle and archive the proliferation of avant-garde underground small press publications, including the acclaimed New York Public Library exhibition and book A Secret Location on the Lower East Side, curated and written by Steve Clay and Rodney Phillips, as well as our new expanded resource website, From a Secret Location, launched in January 2017 by Granary Books. The collection includes a strong representation of seminal works from various movements and groupings such as the New York School, British Poetry Revival, Beats, Black Mountain, San Francisco Renaissance, Ethnopoetics, Black Arts, Venice West, Meat poets, Wichita Vortex, and Language poets. Concrete and visual poetry is also well represented. One of the chief strengths of the collection is its range of inclusivity, which reveals an international network of poet-driven and -distributed publications that developed into a vast underground economy, from Vancouver to Cardiff and Bolinas to Buffalo, with hundreds of stops in between.
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Poetry Reading Flyers of the Mimeograph Revolution
Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St.
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Free Digital Edition
Poets In A Box or Pluto In Motion Poets In A Box or Pluto In Motion Philip Good REALITY BEACH © 2018 by Phillip Good ALL RIGHTS RESERVED REALITY BEACH #12 Print edition of 100 Digital edition 2020 REALITY BEACH Albany, NY REALITYBEACH.ORG Preface I went to Phil’s room to get a whisk broom there was a pile of 13-line poems two to page, on his desk, they said to me why don’t you introduce us, after all we’re sort of about you; they were alchemical poems if you will or even if you won’t, polished magical stanzas like gay girls making love to gay guys, all over the house I mean the room leading to another room, one stanza after the other and you know what? Some I’d never seen before yet they were in this house where I thought I knew all the rooms so I started reading more closely to see what would happen and using a letter as a hand, each word offered me some money until I had to begin again and again and I became so rich I had 17 houses, even more swimming pools and there were forests everywhere with no deer ticks in them, I went to the meeting of the eagles and they made me an honorary one, I only had to repeat 13 times over I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry I’m hungry —Bernadette Mayer Poets In A Box or Pluto In Motion Introduction Everyone loved to locate Utopia believed to be somewhere just north of the devil’s workshop Some of those who contributed to the confusion were Ron Padgett (not to be confused with Kenneth Koch), Allen Ginsberg,
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