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Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
Ursula O'farrell
native and a poet of the Central Coast, I have long Further Reading URSULA O’FARREll since abandoned Jeffers as a model of either personal Melba Berry Bennett, The Stone Mason of Tor House: The Life and Works of Robinson Jeffers or poetic conduct. His inhumanism (which is really Charles Bukowski, Selected Letters Volume 4: 1987–1994 Paradise Revisted, 2012 more like antihumanism) wielded as an ideological T. S. Eliot, The Waste Land and Other Poems oil on canvas, 20 x 16 in. bludgeon diminishes much of his writing, just as William Everson, Archetype West: The Pacific Coast as a Rich’s genderism and Pablo Neruda’s communism Literary Region often compromise their imaginations with canned Lawrence Ferlinghetti, A Coney Island of the Mind political formulas, rhetorical evidence of righteous- Dana Gioia, Can Poetry Matter? Essays on Poetry and ness but tedious and redundant as art. Yet Jeffers, as American Culture Pound called Whitman (and like the insufferable Homer, The Iliad, translated by Richmond Lattimore Pound himself), is “a pigheaded father” who despite Randall Jarrell, Poetry and the Age his faults has much to teach. I’ve learned from him Robinson Jeffers, The Beginning and the End to ignore current trends and hold to my own vision __________, Not Man Apart of what must be written; to trust my own voice (as __________, Rock and Hawk, edited by Robert Hass Duncan advised) and to take seriously the truth of my __________, Selected Poems own experience; to attend to the reality of the physical __________, The Selected Poetry of Robinson Jeffers world and attempt to embody it in my writing; to have __________, The Women at Point Sur and Other Poems no patience with vanity and ego (including mine) and James Karman, Robinson Jeffers: Poet of California Stanley Kunitz, A Kind of Order, A Kind of Folly: Essays and to beware of poetic presumptuousness and frivolous- Interviews ness alike. -
30 Broadsides
30 Broadsides May 8, 2018 A Fatal Fall Through Thin Ice 1. [Broadside]. [Accidental Death]. [Illinois]. $50.00 Reward! The Above Reward will be Paid for the Recovery the [sic] Body of Miss Jennie Warren, Who was Drowned by Breaking Through the Ice at Hampton, Saturday, February 1st. Hampton, Illinois: S.n., c.1875. 13" x 9-1/2" broadside. Light browning, some wear and chipping to edges, vertical and horizontal fold lines, some with clean tears, which are mended on verso with archival tape, tiny hole near center where fold lines cross. A curious, and poignant, item. $350. * The victim was "17 years of age, short, dark completed, weight about 115 pounds." This appears to be an unrecorded broadside. Order This Item 1836 Broadside of Laws Regulating Albany's Public Markets 2. [Broadside]. [Albany, New York]. A Law in Addition to a Law, Entitled "Of the Public Market Houses." Passed February 1, 1836. The Mayor, Aldermen and Commonalty of the City of Albany, in Common Council Convened, do Ordain as Follows:... Erastus Corning, Mayor. Albany: Printed by E. B. Child, No. 6 South Pearl-Street, 1836. 17-1/2" x 12-3/4" broadside, mounted and matted, text printed inside wide decorative typographical border. Toning, faint vertical and horizontal fold lines. A few expert repairs, with no loss to text, and minor fading to text in five lines. $1,500. * An unrecorded broadside in eleven sections outlining regulations concerning the handling of meat, poultry and other food in Centre Market in Albany, New York. This was one of three public markets established in 1836; the others were the North Market and South Market. -
Imprint: Oregon 1935
Imprint:Oregon 1°A S Fall-Spring 1978-1979 °M z-i William Everson Waldport: an Interview with William Everson Introduction During World War II the problem of what to do with conscientious objectors who refused to engage in certain types of moreor less war-related work was resolved by the establishment of so-called ConscientiousObjectors Camps, more formallyCivilian Public Service Camps. They were sponsored by the "peace churches,"the Brethren, Mennonite and American Friends Service Committee. By 1945 there were more than 110 such camps and sub-camps throughout the United States. The origins and pur- poses of these camps are well described in the interview which follows. There were three such camps in Oregon: No. 21 (Cascade Locks) opened Dec. 5, 1941: No.56 (Waldport) opened Oct. 24, 1942: No.59 (Elkton) opened Nov.?, 1942. All were engaged in forest maintenance directed by the U. S. Forest Service or by the Oregon and California Revested Lands Administration, Such work consisted of tree planting, blister rust control, fire fighting and trail building, a continuation, essenti- ally, of work done formerly by the receniiy defunct Civilian Conservation Corps. In the usual manner of all such camps, the CO camps produced house organs, usual- ly weekly or monthly mimeographed newspapers. These papers were sponsoredand encouraged by the camp administration itself. winch regarded them as a harmless and even useful outlet for expression. There were, however, some exceptions tothis expec- tation. Among Oregon camps, for example, there wasa proliferation of camp newspapers out of Elkton. This may be partially explainedbythe fact that Elkton was operated as aheadquarters camp and sent contingentsto sub-camps located as far south as Kiam. -
Facts on File Companion to 20Th-Century American Poetry
THE FACTS ON FILE COMPANION TO 20th-CENTURY AMERICAN POETRY CD EDITED BY BURT KIMMELMAN For Diane and Jane, as always The Facts On File Companion to 20th-Century American Poetry Copyright © 2005 by Burt Kimmelman All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data The Facts On File companion to 20th-century poetry /[edited by] Burt Kimmelman. p. cm. Includes bibliographical references and index. ISBN 0-8160-4698-0 (alk. paper) 1. American poetry—20th century—History and criticism—Handbooks, manuals, etc. I. Title: Companion to 20th-century poetry. II. Kimmelman, Burt. III. Facts On File, Inc. PS323.5.F33 2004 811'.509—dc22 2004050661 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design adapted by James Scotto-Lavino Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS CD ACKNOWLEDGMENTS v FOREWORD vi INTRODUCTION xiv A-TO-Z ENTRIES 1 APPENDIXES I. -
Carlyle Ferren Macintyre Papers, 1930-1967
http://oac.cdlib.org/findaid/ark:/13030/kt9b69p2gs No online items Finding Aid for the Carlyle Ferren Macintyre Papers, 1930-1967 Processed by Esther Vécsey; machine-readable finding aid created by Alight Tsai UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Finding Aid for the Carlyle Ferren 709 1 Macintyre Papers, 1930-1967 Finding Aid for the Carlyle Ferren Macintyre Papers, 1930-1967 Collection number: 709 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Esther Vécsey, 31 March 1961 Revisions by: Manuscripts Division staff, 30 November 1965 Additions by: Lilace Hatayama, October 1986 and Dydia DeLyser, 8 January 1991 Encoded by: Alight Tsai Encoding supervision by: Caroline Cubé Text converted and initial container list EAD tagging by: Apex Data Services Online finding aid edited by: Josh Fiala, May 2002 © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Carlyle Ferren Macintyre Papers, Date (inclusive): 1930-1967 Collection number: 709 Creator: MacIntyre, Carlyle Ferren, 1890-1967 Extent: 37 boxes (18.5 linear ft.) 1 oversize box Repository: University of California, Los Angeles. -
5.00 #214 February/MARCH 2008 the Jack Kerouac School of Disembodied Poetics Summer Writing Program 2008
$5.00 #214 FEBRUARY/MARCH 2008 The Jack Kerouac School of Disembodied Poetics Summer Writing Program 2008 7EEKLY7ORKSHOPSs*UNEn*ULYs"OULDER #/ WEEK ONE: June 16–22 The Wall: Troubling of Race, Class, Economics, Gender and Imagination Samuel R. Delany, Marcella Durand, Laird Hunt, Brenda Iijima, Bhanu Kapil, Miranda Mellis, Akilah Oliver, Maureen Owen, Margaret Randall, Max Regan, Joe Richey, Roberto Tejada and Julia Seko (printshop) WEEK TWO: June 23–29 Elective Affinities: Against the Grain: Writerly Utopias Will Alexander, Sinan Antoon, Jack Collom, Linh Dinh, Anselm Hollo, Daniel Kane, Douglas Martin, Harryette Mullen, Laura Mullen, Alice Notley, Elizabeth Robinson, Eleni Sikelianos, Orlando White and Charles Alexander (printshop) WEEK THREE: June 30–July 6 Activism, Environmentalism: The Big Picture Amiri Baraka, Lee Ann Brown, Junior Burke, George Evans, Bobbie Louise Hawkins, Lewis MacAdams, Eileen Myles, Kristin Prevallet, Selah Saterstrom, Stacy Szymaszek, Anne Waldman, Daisy Zamora and Karen Randall (printshop) WEEK FOUR: July 7–13 Performance, Community: Policies of the USA in the Larger World Dodie Bellamy, Rikki Ducornet, Brian Evenson, Raymond Federman, Forrest Gander, Bob Holman,Pierre Joris, Ilya Kaminsky, Kevin Killian, Anna Moschovakis, Sawako Nakayasu, Anne Tardos, Steven Taylor, Peter & Donna Thomas (printshop) Credit and noncredit programs available Poetry s&ICTIONs4RANSLATION Letterpress Printing For more information on workshops, visit www.naropa.edu/swp. To request a catalog, call 303-245-4600 or email [email protected]. Keeping the world safe for poetry since 1974 THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #214 FEBRUARY/MARCH 2008 NEWSLETTER EDITOR John Coletti 4 ANNOUNCEMENTS DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 6 READING REPORTS THE POETRY PROJECT LTD. -
The Magazine of the Broadside WINTER 2012
the magazine of the broadSIDE WINTER 2012 LOST& FOUND page 2 FEBRUARY 27–AUGUST 25, 2012 broadSIDE THE INSIDE STORY the magazine of the Joyous Homecoming LIBRARY OF VIRGINIA WINTER 2012 Eighteenth-century Stafford County records librarian of virginia discovered in New Jersey are returned to Virginia Sandra G. Treadway arly this year the Library will open an exhibition entitled Lost library board chair Eand Found. The exhibition features items from the past that Clifton A. Woodrum III have disappeared from the historical record as well as documents and artifacts, missing and presumed gone forever, that have editorial board resurfaced after many years. Suddenly, while the curators were Janice M. Hathcock Ann E. Henderson making their final choices about exhibition items from our Gregg D. Kimball collections, the Library was surprised to receive word of a very Mary Beth McIntire special “find” that has now made its way back home to Virginia. During the winter of 1862–1863, more than 100,000 Union editor soldiers with the Army of the Potomac tramped through and Ann E. Henderson camped in Stafford County, Virginia. By early in December 1862, the New York Times reported that military activity had left the copy editor Emily J. Salmon town of Stafford Court House “a scene of utter ruin.” One casualty of the Union occupation was the “house of records” located graphic designer behind the courthouse. Here, the Times recounted, “were deposited all the important Amy C. Winegardner deeds and papers pertaining to this section for a generation past.” Documents “were found lying about the floor to the depth of fifteen inches or more around the door-steps and in photography the door-yard.” Anyone who has ever tried to research Stafford County’s early history can Pierre Courtois attest to the accuracy of the newspaper’s prediction that “it is impossible to estimate the inconvenience and losses which will be incurred by this wholesale destruction.” contributors Barbara C. -
Poet in Profile: Larry Eigner by Joe Fritsch
JHR POETRY Poet in Profile: Larry Eigner By Joe Fritsch Poet and critic Larry Eigner (1926-1996) began writing poems in his teenage years and never quit. As a result, The Collected Poems of Larry Eigner (2010) comprises four tall volumes containing a total of 3,072 poems, which is precisely as remarkable a quantity as it seems. Comparatively, Shakespeare penned 154 sonnets and Thomas H. Johnson enumerated 1,775 poems for Emily Dickinson. Eigner’s poems vary in length (lines to pages) and subject (nature and climate change to pop culture and language) in ways too numerous to list, but an abiding artistic concern worth ample consideration is to be found in their innovative typography. In this untitled three-line poem from December 26, 1979, note the way each line grows by one letter added to the second word and each line drifts further away from the origin: It’s not too late for words1 The language is simple, but its tones—perhaps cautious optimism? desperation? refusal? humor?—are amplified by the way it is formatted. The barely Larry Eigner. Image credit: Larry Eigner VIA Poetry Foundation. Used with permission from the Eigner Estate. hanging-on, last-minute fulfillment of the poem’s promise achieved by “words” saving the day stages a small-scale drama that might be totally missed were it Published online 2 May 2017 at journalofhumanitiesinrehabilitation.org 1 © Emory University; authors retain copyright for their original articles POETRY POET IN PROFILE: LARRY EIGNER typed as a single line. cannot be called anything other than jubilant, the poet celebrates typing outright: That the typewriter was an indispensable part of Eigner’s poetic and critical practices is a claim that exceeds bare materiality, as any number of twentieth- D i s c o century writers composed on typewriters. -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. [ANTHOLOGY] JOYCE, James. Contact Collection of Contemporary Writers. (Edited by Robert McAlmon). 8vo, original printed wrappers. (Paris: Contact Editions Three Mountains Press, 1925). First edition, published jointly by McAlmon’s Contact Editions and William Bird’s Three Mountains Press. One of 300 copies printed in Dijon by Darantiere, who printed Joyce’s Ulysses. Slocum & Cahoon B7. With contributions by Djuna Barnes, Bryher, Mary Butts, Norman Douglas, Havelock Ellis, Ford Madox Ford, Wallace Gould, Ernest Hemingway, Marsden Hartley, H. D., John Herrman, Joyce, Mina Loy, Robert McAlmon, Ezra Pound, Dorothy Richardson, May Sinclair, Edith Sitwell, Gertrude Stein and William Carlos Williams. Includes Joyce’s “Work In Progress” from Finnegans Wake; Hemingway’s “Soldiers Home”, which first appeared in the American edition of In Our Time, Hanneman B3; and William Carlos Williams’ essay on Marianne Moore, Wallace B8. Front outer hinge cleanly split half- way up the book, not affecting integrity of the binding; bottom of spine slightly chipped, otherwise a bright clean copy. $2,250.00 BERRIGAN, Ted. The Sonnets. 4to, original pictorial wrappers, rebound in navy blue cloth with a red plastic title-label on spine. N. Y.: Published by Lorenz & Ellen Gude, 1964. First edition. Limited to 300 copies. A curious copy, one of Berrigan’s retained copies, presumably bound at his direction, and originally intended for Berrigan’s close friend and editor of this book, the poet Ron Padgett. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.