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The Mid-Twentieth-Century American Poetic Speaker in the Works of Robert Lowell, Frank O’Hara, and George Oppen
“THE OCCASION OF THESE RUSES”: THE MID-TWENTIETH-CENTURY AMERICAN POETIC SPEAKER IN THE WORKS OF ROBERT LOWELL, FRANK O’HARA, AND GEORGE OPPEN A dissertation submitted by Matthew C. Nelson In partial fulfillment for the requirements for the degree of Doctor of Philosophy In English TUFTS UNIVERSITY May 2016 ADVISER: VIRGINIA JACKSON Abstract This dissertation argues for a new history of mid-twentieth-century American poetry shaped by the emergence of the figure of the poetic speaker as a default mode of reading. Now a central fiction of lyric reading, the figure of the poetic speaker developed gradually and unevenly over the course of the twentieth century. While the field of historical poetics draws attention to alternative, non-lyric modes of address, this dissertation examines how three poets writing in this period adapted the normative fiction of the poetic speaker in order to explore new modes of address. By choosing three mid-century poets who are rarely studied beside one another, this dissertation resists the aesthetic factionalism that structures most historical models of this period. My first chapter, “Robert Lowell’s Crisis of Reading: The Confessional Subject as the Culmination of the Romantic Tradition of Poetry,” examines the origins of M.L. Rosenthal’s phrase “confessional poetry” and analyzes how that the autobiographical effect of Robert Lowell’s poetry emerges from a strange, collage-like construction of multiple texts and non- autobiographical subjects. My second chapter reads Frank O’Hara’s poetry as a form of intentionally averted communication that treats the act of writing as a surrogate for the poet’s true object of desire. -
The Piranhas the Boy Bosses of Naples: a Novel Roberto Saviano; Translated from the Italian by Antony Shugaar
The Piranhas The Boy Bosses of Naples: A Novel Roberto Saviano; Translated from the Italian by Antony Shugaar The saga of a city under the rule of a criminal network and the Neapolitan boys who create their own gang In Naples, there is a new kind of gang ruling the streets: the paranze, or the children’s gangs, groups of teenage boys who divide their time between counting Facebook likes, playing Call of Duty on their PlayStations, and FICTION patrolling the streets armed with pistols and AK-47s, terrorizing local residents in order to mark out their Mafia bosses’ territory. Farrar, Straus and Giroux | 9/4/2018 9780374230029 | $27.00 / $35.00 Can. Hardcover with dust jacket | 368 pages Roberto Saviano’s The Piranhas tells the story of the rise of one such gang Carton Qty: 20 | 9 in H | 6 in W and its leader, Nicolas—known to his friends and enemies as the Maharajah. Brit., trans., 1st ser., dram.: The Wylie Agency Nicolas’s ambitions reach far beyond doing other men’s bidding: he wants to Audio: FSG be the one giving the orders, calling the shots, and ruling the city. But the violence he is accustomed to wielding and witnessing soon spirals beyond MARKETING his control—with tragic consequences. National review attention Roberto Saviano was born in 1979 and studied philosophy at the University of Print features and profiles Men’s interest media outreach Naples. Gomorrah, his first book, has won many awards, including the prestigious NPR and radio interviews Viareggio Literary Award. Original author essays Author appearances Antony Shugaar is a writer and translator. -
The Oxford Book of American Poetry
The Oxford Book of American Poetry Chosen and Edited by DAVID LEHMAN Associate Editor JOHN BREHM OXFORD UNIVERSITY PRESS 2006 Contents INTRODUCTION vii ACKNOWLEDGMENTS xxiii ANNE BRADSTREET (C. 1612-1672) The Prologue 1 from Contemplations (When I behold the heavens as in their prime) 2 The Author to Her Book 3 Before the Birth of One of Her Children 3 To My Dear and Loving Husband 4 EDWARD TAYLOR (C. 1642-1729) Meditation III (Canticles 1.3: Thy Good Ointment) 5 Meditation VI (Canticles II 1:1 am... the lily of the valleys) 6 The Preface 6 Upon a Spider Catching a Fly 7 Huswifery 9 PHILIP FRENEAU (1752-1832) On the Emigration to America and Peopling the Western Country 10 The Wild Honey Suckle 11 The Indian Burying Ground 12 PHILLIS WHEATLEY (C. 1753-1784) On Being Brought from Africa to America 13 To The Right Honourable William, Earl of Dartmouth 14 JOEL BARLOW (1754-1812) The Hasty-Pudding: Canto I 15 FRANCIS SCOTT KEY (1779-1843) Defence of Fort McHenry 18 xxvi CONTENTS CLEMENT MOORE (1779-1863) A Visit from St. Nicholas 20 FITZ-GREENE HALLECK (1790-1867) from Fanny 21 WILLIAM CULLEN BRYANT (1794-1878) Thanatopsis 24 To a Waterfowl 26 Sonnet - To an American Painter Departing for Europe 26 RALPH WALDO EMERSON (1803-1882) A Letter 27 Concord Hymn 28 Each and All 28 Water 30 Blight 30 TheRhodora 31 The Snow-Storm 32 Hamatreya 3 3 Fable 34 Ode, Inscribed to W. H. Channing 35 Give All to Love 37 Bacchus 38 Brahma 40 Days 40 HENRY WADSWORTH LONGFELLOW (1807-1882) The Bridge 41 The Fire of Drift-Wood 42 The Jewish Cemetery at Newport 44 -
Robert Lowell's Life-Writing and Memory Gye-Yu Kang Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2003 Robert Lowell's life-writing and memory Gye-Yu Kang Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the English Language and Literature Commons Recommended Citation Kang, Gye-Yu, "Robert Lowell's life-writing and memory" (2003). LSU Master's Theses. 1420. https://digitalcommons.lsu.edu/gradschool_theses/1420 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ROBERT LOWELL’S LIFE-WRITING AND MEMORY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of English by Gye-Yu Kang B.A., Cheju National University, 1986 M.A., Korea University, 1995 August 2003 Table of Contents Abstract ………………………………………………………………………………….. iii Introduction …………………………………………………………………………….... 1 Chapter One Memory as an Imaginative Reconstruction: 91 Revere Street …... 4 Chapter Two Life Changed to Landscape: Life Studies ………………………... 17 Chapter Three The Past Changes More Than the Present: Day by Day ………. 39 Conclusion ……………………………………………………………………………... 52 Works Cited ……………………………………………………………………………. 55 Vita ……………………………………………………………………………………… 58 ii Abstract This thesis examines Robert Lowell’s use of memory in such autobiographical works as Life Studies and Day by Day. In those volumes, Lowell returns to recollect his private past; his act of remembering becomes the poetic process by which Lowell is able to create the retrospective truth of his life. -
The SRPR Review Essay: FORM DYSFUNCTION
THE SRPR REVIEW ESSAY: FORM DYSFUNCTION SPENCER SHort Forms: Whole, Rhythm, Hierarchy, Network Caroline Levine Princeton University Press, 2015 192 pages; paperback, $19.95 American Sonnets for My Past and Future Assassin Terrance Hayes Penguin Books, 2018 112 pages; paperback, $18.00 Widening Income Inequality: Poems Frederick Seidel Farrar, Straus and Giroux, 2016 128 pages; paperback, $14.00 “A Judge cannot but lament, when such cases as the present are brought into judgment…” wrote the Honorable Thomas Ruffin in 1829, faced with a question of first impression, “whether a cruel and unreasonable battery on a slave, by the hirer, is indictable.”1 Ruffin was only a year into what would become an esteemed thirty-year tenure on the North Carolina Supreme Court. The “hirer” was James Mann, a bankrupt ex-sea captain, and the slave, Lydia, was owned by a 15-year-old orphan named Elizabeth Jones, inherited on the death of Jones’s parents.2 While being punished for a minor offense, Lydia broke free and Mann shot her nonfatally.3 Authorities, finding this 1. State v. Mann, 13 N.C. 263, 264 (1829). 2. Sally Greene, “State v. Mann Exhumed,” North Carolina Law Review 87, no. 3 (2009): 701, 714–19. 3. Ibid. 103 extreme, charged Mann with assault; an all-white jury convicted him.4 Although the law permitted slave owners to “correct” slave behavior however they saw fit (up to the point of death), it said nothing about the power of lessees like Mann.5 The question produced something of a cri de couer from Ruffin. -
THE CATHOLIC UNIVERSITY of AMERICA American Poetry at Mid
THE CATHOLIC UNIVERSITY OF AMERICA American Poetry at Mid-Century: Warren, Jarrell, and Lowell A DISSERTATION Submitted to the Faculty of the Department of English School of Arts and Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy By Joan Romano Shifflett Washington, D.C. 2013 American Poetry at Mid-Century: Warren, Jarrell, and Lowell Joan Romano Shifflett, Ph.D. Director: Ernest Suarez, Ph.D. This dissertation explores the artistic and personal connections between three writers who helped change American poetry: Robert Penn Warren, Randall Jarrell, and Robert Lowell. All three poets maintained a close working relationship throughout their careers, particularly as they experimented with looser poetic forms and more personal poetry in the fifties and after. Various studies have explored their careers within sundry contexts, but no sustained examination of their relationships with one another exists. In focusing on literary history and aesthetics, this study develops an historical narrative that includes close-readings of primary texts within a variety of contexts. Established views of formalism, high modernism, and the New Criticism are interwoven into the study as tools for examining poetic structure within selected poems. Contexts concerning current criticism on these authors are also interlaced throughout the study and discussed in relation to particular historical and aesthetic issues. Having closely scrutinized the personal exchanges and creative output of all three poets, this study illuminates the significance of these writers’ relationships to American poetry at mid- century and beyond. Though the more experimental schools of poetry would not reach their height until the 1950s, by the 1940s Warren, Jarrell, and Lowell were already searching for a new aesthetic. -
Poetry, Daoism, Physics and Systems Theory: a Poetics: a Set of Critical Essays
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2018 A coat of ashes: A collection of poems, incorporating a metafictional narrative - and - Poetry, Daoism, physics and systems theory: a poetics: A set of critical essays Janet Ruth Jackson Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Creative Writing Commons Recommended Citation Jackson, J. R. (2018). A coat of ashes: A collection of poems, incorporating a metafictional narrative - and - Poetry, Daoism, physics and systems theory: a poetics: A set of critical essays. https://ro.ecu.edu.au/ theses/2125 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/2125 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). -
The Griffin Poetry Prize Announces the 2007 Canadian And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Margaret Atwood Carolyn Forché THE GRIFFIN POETRY PRIZE ANNOUNCES THE 2007 Scott Griffin CANADIAN AND INTERNATIONAL SHORTLIST Robert Hass Michael Ondaatje An Unprecedented 483 Eligible Books Submitted Robin Robertson David Young TORONTO – April 3, 2007 – Scott Griffin, founder of The Griffin Trust For Excellence In Poetry and David Young, trustee, today announced the Canadian and International shortlist for this year’s prize. The C$100,000 Griffin Poetry Prize is one of the most lucrative poetry prizes in the world – exemplifying the international spirit of the form. The prize is awarded annually for the two best books of poetry, including translations, published in English in the previous year. Judges John Burnside, Charles Simic and Karen Solie read 483 books of poetry, including 18 translations, received from 15 countries around the globe. The seven finalists – three Canadian and four International – will be invited to read in Toronto at the MacMillan Theatre on Tuesday, June 5, 2007. The winners, who each receive C$50,000, will be announced on Wednesday, June 6, 2007 at the seventh annual Griffin Poetry Prize Awards Evening. Canadian Shortlist Airstream Land Yacht ● Ken Babstock House of Anansi Press Strike/Slip ● Don McKay McClelland & Stewart Ontological Necessities ● Priscila Uppal Exile Editions International Shortlist Tramp in Flames ● Paul Farley Picador Salvation Blues ● Rodney Jones Houghton Mifflin Ooga-Booga ● Frederick Seidel Farrar, Straus and Giroux Scar Tissue ● Charles Wright Farrar, Straus and Giroux THE GRIFFIN TRUST For Excellence In Poetry The judges for the 2007 Griffin Poetry Prize are the distinguished poets John Burnside (Dunfermline, Scotland), Charles Simic (New Hampshire, USA) and Karen Solie (Toronto, Canada). -
Poetry Third in Keillor’S Series of Anthologies, Good Poems, American Places Brings Together Poems That Cel- Rita Dove, Pulitzer Prize-Winning Poet and Former U.S
GARRISON KEILLOR, editor RITA DOVE, editor Good Poems, American Places The Penguin anthology of Y N Introduction by the editor Twentieth-century american Poetry D Third in Keillor’s series of anthologies, Good Poems, American Places brings together poems that cel- o. 169 I Rita Dove, Pulitzer Prize-winning poet and former U.S. Poet Laureate, introduces N ebrate the geography and culture that bind us together as a nation. Think of these poems as postcards sland, I readers to the most significant and compelling poems of the past hundred years. Se- from the road, by poets who’ve gotten carried away by a particular place—a town in Kansas, a kitchen lecting from the canon of American poetry throughout the twentieth century, Dove PA .S. Postage Presort Std window in Nantucket, a Manhattan street, a farm in western Minnesota. Featuring famous poets such U has created an anthology that represents the full spectrum of aesthetic sensibilities— Permit as Billy Collins, Nikki Giovanni, William Carlos Williams, Naomi Shihab Nye, Gary Snyder, and Mary Staten from styles and voices to themes and cultures—while balancing important poems poeTRY Oliver, as well as brash unknowns, the verses in this exhilarating collection prove that the heart can be with significant periods of each poet. exalted anywhere in America. Penguin PaPerback • 512 Pages • 978-0-14-312076-6 • $18.00 “Rita Dove’s Penguin Anthology of 20th-Century American Poetry is intelligent, gener- Also available: Good Poems 978-0-14-200344-2, Good Poems for Hard Times 978-0-14-303767-5 ous, surprising, and altogether thrilling to read—literally, a heart-thumping collec- tion....Most other poetry anthologies give us schools, corners, clubs, and identities, but this one gives us something beyond representative that gets at the extraordinary accomplishment and range of multi-vocal American poetry in the century. -
American Literature
new titles GARRISON KEILLOR, editor RITA DOVE, editor and classroom favorites in Good Poems, American Places The Penguin Anthology of Introduction by the editor Twentieth-century american poetry Th ird in Keillor’s series of anthologies, Good Poems, American Places brings together poems that cel- ebrate the geography and culture that bind us together as a nation. Th ink of these poems as postcards Rita Dove, Pulitzer Prize-winning poet and former U.S. Poet Laureate, introduces from the road, by poets who’ve gotten carried away by a particular place—a town in Kansas, a kitchen readers to the most signifi cant and compelling poems of the past hundred years. Se- lecting from the canon of American poetry throughout the twentieth century, Dove PAID window in Nantucket, a Manhattan street, a farm in western Minnesota. Featuring famous poets such Presort Std U.S. Postage as Billy Collins, Nikki Giovanni, William Carlos Williams, Naomi Shihab Nye, Gary Snyder, and Mary has created an anthology that represents the full spectrum of aesthetic sensibilities— Permit No. 169 AMERICAN Staten Island, NY Oliver, as well as brash unknowns, the verses in this exhilarating collection prove that the heart can be from styles and voices to themes and cultures—while balancing important poems exalted anywhere in America. with signifi cant periods of each poet. Viking HaRDcoVeR • 512 pages • 978-0-670-02254-0 • $28.95 “Rita Dove’s Penguin Anthology of 20th-Century American Poetry is intelligent, gener- penguin papeRback • 512 pages • 978-0-14-312076-6 • $18.00 • aVailable apRil 2012 ous, surprising, and altogether thrilling to read—literally, a heart-thumping collec- LITERATURE Also available: Good Poems 978-0-14-200344-2, Good Poems for Hard Times 978-0-14-303767-5 tion....Most other poetry anthologies give us schools, corners, clubs, and identities, but this one gives us something beyond representative that gets at the extraordinary from accomplishment and range of multi-vocal American poetry in the century. -
November 2015
founded in 1912 by harriet monroe November 2015 FOUNDED IN 1912 BY HARRIET MONROE volume ccvii • number 2 CONTENTS November 2015 POEMS zack strait 111 Blaze kathleen ossip 114 Old Strange Book ed roberson 118 May I Ask Rosetta Stone Serious Study of Love Song ( from the British Museum) Aunt Haint a.e. stallings 124 The Barnacle john beer 125 By and By emilia phillips 128 Dream of the Phone Booth charles harper webb 129 Swept Away carol frost 132 Alias City javier zamora 133 The Pier of La Herradura How I Learned to Walk Looking at a Coyote shane mccrae 136 Still When I Picture It the Face of God Is a White Man’s Face kazim ali 137 The Earthquake Days drew gardner 140 Sheep to Sweater eisder mosquera 142 The Angelfish Greet Odysseus patrick rosal 143 An Instance of an Island paula cunningham 146 At St. Malachy’s Church sina queyras 147 The Couriers Cut marianne boruch 150 Water at Night vona groarke 152 On Seeing Charlotte Brontë’s Underwear with my Daughter in Haworth les murray 154 Self and Dream Self kate farrell 156 Metaphysics brenda shaughnessy 157 McQueen Is Dead. Long Live McQueen. alan ramón clinton 164 Optical Unconscious (1) Optical Unconscious (2) hai-dang phan 166 My Father’s “Norton Introduction to Literature,” Third Edition (1981) camonghne felix 168 The Therapist Asks 3 lisa grove 169 In the Mouth of a Terrible, Toothless God A Lullaby, for the Fir Tree Growing in My Left Lung meghan o’rourke 172 The Night Where You No Longer Live marcus wicker 174 Taking Aim at a Macy’s Changing Room Mirror, I Blame Television THE LIVES -
Certain Aspects of Prosody in the Poetry of Robert Lowell
Certain aspects of prosody in the poetry of Robert Lowell Item Type text; Thesis-Reproduction (electronic) Authors Lamont, Thomas Aquinas, 1938- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 20:43:20 Link to Item http://hdl.handle.net/10150/318021 CERTAIN ASPECTS OF PROSODY IN THE POETRY OF ROBERT LOWELL by Thomas A, Lamont A Thesis Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College UNIVERSITY OF ARIZONA STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library* Brief quotations from this thesis are allowable without special permission^ provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship . In all other instances? however^ permission must be obtained from