Robert Lowell: Bibliography 1939-1959, with an Illustrative Critique
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
John Ciardi Collection, Metuchen-Edison Historical Society, Metuchen, N.J
Finding Guide & Inventory John Ciardi Collection Metuchen-EdisonPage Historical 1 Society Our Mission The mission of the Metuchen-Edison Historical Society (MEHS) is to stimulate and promote an interest in and an appreciation of the history of the geographic area in and around the Borough of Metuchen and the Township of Edison in the County of Middlesex, New Jersey. To fulfill this mission, the society fosters the creation, collection, preservation, and maintenance of physical material related to the history of Metuchen and Edison, makes the material available to the public in various formats, and increases public awareness of this history. Board of Directors Steve Reuter, President Dominic Walker, Vice President Walter R. Stochel, Jr, Treasurer Marilyn Langholff, Recording Secretary Tyreen Reuter, Corresponding Secretary & Newsletter Editor Phyllis Boeddinghaus Russell Gehrum Kathy Glaser Lauren Kane Andy Kupersmit Catherine Langholff Byron Sondergard Frederick Wolke Marie Vajo Researchers wishing to cite this collection should include the following information: John Ciardi Collection, Metuchen-Edison Historical Society, Metuchen, N.J. ISBN-10: 1940714001 ISBN-13: 978-1-940714-00-4 September,Space 2013 reserved for optional ISBN and bar code. All Rights Reserved. Cover Image: W.C. Dripps Map of Metuchen, Middlesex County, New Jersey, 1876. Page 2 John Ciardi Collection Finding Guide & Inventory Grant Funding has been provided by the Middlesex County Cultural & Heritage Commission Middlesex County Board of Chosen Freeholders through a -
The 1957 Howl Obscenity Trial and Sexual Liberation
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references. -
Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2013 "Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957 Kayla D. Meyers College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Studies Commons Recommended Citation Meyers, Kayla D., ""Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957" (2013). Undergraduate Honors Theses. Paper 767. https://scholarworks.wm.edu/honorstheses/767 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Obscene Odes on the Windows of the Skull”: Deconstructing The Memory of the Howl Trial of 1957 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Kayla Danielle Meyers Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Charles McGovern, Director ________________________________________ Arthur Knight ________________________________________ Marc Raphael Williamsburg, VA December 3, 2013 Table of Contents Introduction: The Poet is Holy.........................................................................................................2 -
COVER Web.Indd
Poetic Patriarch The singular Richard Wilbur displays a “Mozartean felicity” with verse. During the extended World War II battle of Monte Cassino, Richard Wilbur spent a lot of time in a foxhole. The Germans had pinned down his army division in a valley, firing their 88s from the hills above. “As Waugh said, a lot of war is just waiting around,” says Wilbur, who used that waiting time to read Edgar Allan Poe, among others, and to write poems. Years later, he observed that if there were no atheists in foxholes, there were plenty of poets. “Poems were a way of putting your world in order, a bit,” he explains. Wilbur, A.M. ’47, JF ’50, sent one of those battlefield poems to Wilbur’s Collected Poems 1943-2004, critic Adam Kirsch ’97 wrote, his wife, Charlee, who showed it to a friend who was an editor at “No other twentieth-century American poet, with the possible the Saturday Evening Post. The magazine immediately published it. exception of James Merrill, demonstrates such a Mozartean fe- Wilbur mailed many more poems home; when he left the army, licity in the writing of verse. This is partly a matter of formal he had $400, a wife and daughter to support, and a stack of mastery: Wilbur has written the best blank verse of any Ameri- wartime poetry. On the GI Bill, he enrolled in a Harvard doctoral can poet since Frost.” program in English literature. “I figured I’d become a great scholar of Europe in the seventeenth century,” he recalls. The Near the fairgrounds in the western Massachusetts town stack of poems, joined by others that he continued to write, grew of Cummington, a gently winding country road leads to the in a desk drawer. -
Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
The CHARIOTEER ' a Quarterly Review of Modern Greek Culture Edited by Kimon Friar
The CHARIOTEER ' A Quarterly Review of Modern Greek Culture Edited by Kimon Friar NUMBER 3 1961 PREFACE TO POPE JOAN by LAWRENCE DURRELL .from POPE JOAN by EMMANUEL RoYIDIS Small Anthologies of MICHAEL TOMBROS I. M. PANAYOTOPOULOS TAKIS PAPATZONIS DREAM AND REALITY IN SATIRE text and cartoons by Minos Argyrakis NAUSICAA AND ODYSSEUS by HOMER and by NIKOS KAZANTZAKIS TWO POEMS by c. A. TRYPANIS from the OEDIPUS plays by SoPHOCLES THE SPHINX'S RIDDLE TO OEDIPUS by RANDALL JARRELL OEDIPUS by RICHARD EBERHART Fiction and Essays by MINAS DIMAKIS GHIKA ZAHARIAS PAPANDONIOU EVANGELOS PAPANOUTSOS ANGHELOS PROKOPIOU CLEON PARASCHOS NELLY THEODOROU MICHAEL TOMBROS Published by Parnassos, Greek Cultural Society of New York Sr. so ACKNOWLEDGMENTS To The Anglo-Hellenic Review for excerpts The Odyssey, by Homer, copyright © 1961 from "The Poetry of Takis Papatzonis" by by Robert Fitzgerald. To E. P. Dutton and Cleon Paraschos. To The Arizona Quarterly, Company for "Preface," by Lawrence Dur Summer, 1955, for "Outline of Error," by rell and excerpts from Pope Joan, by Emman Takis Papatzonis, translation and copyright uel Royidis, translated from the Greek by ©by Kimon Friar. To Atheneum for "The Lawrence Durrell, revised edition, copy Sphinx's Riddle to Oedipus," from The right© 1961 by Lawrence Durrell. To Faber Woman at the Washington Zoo, copyright© & Faber Limited for excerpts from Oedipus 1960 by Randall Jarrell. To The Atlantic the King and Oedipus at Colonus, translation Monthly, June, 1955, for "Before the Ad and copyright© 1961 by C. P. Trypanis. vent," by Takis Papatzonis, translation and To The New Age for excerpts from "1. -
Poetry for the People
06-0001 ETF_33_43 12/14/05 4:07 PM Page 33 U.S. Poet Laureates P OETRY 1937–1941 JOSEPH AUSLANDER FOR THE (1897–1965) 1943–1944 ALLEN TATE (1899–1979) P EOPLE 1944–1945 ROBERT PENN WARREN (1905–1989) 1945–1946 LOUISE BOGAN (1897–1970) 1946–1947 KARL SHAPIRO BY (1913–2000) K ITTY J OHNSON 1947–1948 ROBERT LOWELL (1917–1977) HE WRITING AND READING OF POETRY 1948–1949 “ LEONIE ADAMS is the sharing of wonderful discoveries,” according to Ted Kooser, U.S. (1899–1988) TPoet Laureate and winner of the 2005 Pulitzer Prize for Poetry. 1949–1950 Poetry can open our eyes to new ways of looking at experiences, emo- ELIZABETH BISHOP tions, people, everyday objects, and more. It takes us on voyages with poetic (1911–1979) devices such as imagery, metaphor, rhythm, and rhyme. The poet shares ideas 1950–1952 CONRAD AIKEN with readers and listeners; readers and listeners share ideas with each other. And (1889–1973) anyone can be part of this exchange. Although poetry is, perhaps wrongly, often 1952 seen as an exclusive domain of a cultured minority, many writers and readers of WILLIAM CARLOS WILLIAMS (1883–1963) poetry oppose this stereotype. There will likely always be debates about how 1956–1958 transparent, how easy to understand, poetry should be, and much poetry, by its RANDALL JARRELL very nature, will always be esoteric. But that’s no reason to keep it out of reach. (1914–1965) Today’s most honored poets embrace the idea that poetry should be accessible 1958–1959 ROBERT FROST to everyone. -
Collection of John Malcolm Brinnin-Kimon Friar Correspondence and Brinnin Literary Manuscripts
Special Collections Department Collection of John Malcolm Brinnin-Kimon Friar Correspondence and Brinnin Literary Manuscripts 1933 - 1988 (bulk dates 1936 - 1950) Manuscript Collection Number: 257 Accessioned: Gift of Kimon Friar, June 1991. Extent: 4 linear ft. Content: Correspondence, photographs, phonograph recordings, poems, and short stories. Access: Written permission is required for access during the lifetime of the correspondents. Processed: June 1992 and revised July 2000 by Anita A. Wellner. for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical Notes Scope and Contents Note Arrangement Note Series Outline Contents List Biographical Notes John Malcolm Brinnin Poet and biographer John Malcolm Brinnin was born in Halifax, Nova Scotia, on September 13, 1916, to John A. Brinnin and Frances Malcolm Brinnin. When he was young his family moved to Detroit, Michigan. Brinnin graduated from the University of Michigan in 1942 and within a year entered graduate school at Harvard University. Brinnin, who was also a critic, anthologist, and teacher, taught at Vassar, Boston University, the University of Connecticut, and Harvard. He was Director of the Young Men's and Young Women's Hebrew Association Poetry Center (the 92nd Street Y) in New York City during one of the Center's most successful periods (1949-1956). Brinnin was the first person to bring Welsh poet Dylan Thomas to the United States and was responsible for all of Dylan Thomas's reading tours in this country. Brinnin's best known work, Dylan Thomas in America, published in 1955, provides a personal memoir of Dylan Thomas's trips to America as Brinnin observed them, and carries a moving account of the period of Thomas's death in 1953. -
By Lindsay Ann Reid a Thesis Submitted in Conformity with the Requirements for the Degree of Doctor of Philosophy Graduate Depar
BIBLIOFICTIONS: OVIDIAN HEROINES AND THE TUDOR BOOK by Lindsay Ann Reid A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Lindsay Ann Reid (2009) ABSTRACT ―Bibliofictions: Ovidian Heroines and the Tudor Book‖ Lindsay Ann Reid Doctor of Philosophy, 2009 Graduate Department of English, University of Toronto This dissertation explores how the mythological heroines from Ovid‘s Heroides and Metamorphoses were catalogued, conflated, reconceived, and recontextualized in vernacular literature; in so doing, it joins considerations of voice, authority, and gender with reflections on Tudor technologies of textual reproduction and ideas about the book. In the late medieval and Renaissance eras, Ovid‘s poetry stimulated the imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid‘s characteristic bookishness—his interest in textual revision and his thematization of the physicality and malleability of art in its physical environments—was not lost upon these postclassical interpreters who engaged with his polysemous cast of female characters. His numerous English protégés replicated and expanded Ovid‘s metatextual concerns by reading and rewriting his metamorphic poetry in light of the metaphors through which they understood both established networks of scribal dissemination and emergent modes of printed book production. My study of Greco-Roman tradition and English ―bibliofictions‖ (or fictive representations of books, their life cycles, and the communication circuits in which they operate) melds literary analysis with the theoretical concerns of book history by focusing on intersections and interactions between physical, metaphorical, and imaginary books. -
Candy's Dandy
CAMPUS National Poetry Month Published by the Office of Institutional Advancement A Merced College News MagazineDIGESTVol. II Edition 9 APRIL 2013 Tech Savvy President Taylor ponders the impact Full-Time Appreciation Merced College steps out Manner of Speaking Editor offers a personal essay technology has on the teaching and learning experi- to honor and show appreciation to its part-time faculty on the life and legacy of John Ciardi, an important but ence, as well as on staff work load. Page 2 in April. Page 3 neglected American poet. Page 7 Candy’s Dandy Photo by Jay Sousa Members of the Associated Students of Merced College were busy raising money one candy bar at a time to fund a trip to Washington D.C. Seven students traveled to the nation’s capitol during Spring Break, including ASMC officer Damaris Raluy, 20, who was found manning the ‘candy window’ in the Student Union Building. CAMPUS DIGEST APRIL 2013 Conference Supports Technology for Learning Streamlining Processes and Easing Work Load Ultimately Helps Students By Dr. Ron Taylor Superintendent/President Accreditation Team Visit Set for April 22 “April is the We have confirmation of our accreditation site visit. Two previous cruelest month,” said T.S. Eliot, team members (from our 2011 visit) are scheduled to arrive next Monday, famously. He was April 22. talking about the The team members are: Dr. Sandra Mayo, president of Moreno Val- return of spring ley College, and Mr. Raj Bajaj, dean of Institutional Reporting, Riverside and how it de- CCD. feats winter, so In a side note, the original team chair, Dr. -
UIL Literary Criticism Poetry Selections 2017 2017 a 2017 B 2
UIL Literary Criticism Poetry Selections 2017 Rudyard Kipling's "The Hyaenas" Rudyard Kipling's "A Pict Song" A Linda Pastan's "Prosody 101" 17 Percy Bysshe Shelley's "Song" [Rarely, rarely . .] William Shakespeare's Sonnet 146 20 Rudyard Kipling's "The Power of the Dog" Rudyard Kipling's "Arithmetic on the Frontier" Rudyard Kipling's "A Charm" B Henry David Thoreau's "Smoke" E. E. Cummings's "if up's the word;and world goes greener" 17 Robert Frost's "Neither Out Far nor In Deep" 20 Edna St. Vincent Millay's "[What's this of death . ?]" Rudyard Kipling's "The Deep Sea Cables" Rudyard Kipling's "The Explanation" Rudyard Kipling's "[The Stream is shrunk—the pool is dry]" Rudyard Kipling's "The Two-Sided Man" Sally Ann Roberts's "It All Started with a Packet of Seeds" 17 D Edna St. Vincent Millay's "Love Is Not All" 0 2 Christina Rossetti's "[I dream of you to wake]" John Fitzgerald Kennedy's Inaugural Speech, 20 January 1961 Rudyard Kipling's "The Fabulists" Rudyard Kipling's "Recessional" Rudyard Kipling's "The Winners" R Jean Toomer's "November Cotton Flower" 17 Geoffrey Hill's "In Memory of Jane Fraser" 20 John Updike's "Player Piano" Walt Whitman's "When I Heard the Learn'd Astronomer" Rudyard Kipling's "Justice: October 1918" Rudyard Kipling's "The White Man's Burden" S Edna St. Vincent Millay's "[What lips my lips have kissed . .]" Wilfred Owen's "Futility" 17 Robert Francis's "Swimmer" 20 Anne Sexton's "Lobster" Maya Angelou's "My Arkansas" italics indicate that the poem is found in Part 4 UIL Literary Criticism Poetry Selections 2016 Robert Frost's "Mowing" A Seamus Heaney's "Follower" Anne Bradstreet's "To My Dear and Loving Husband" 16 0 Thomas Hardy's "Transformations" 2 Robert Frost's "The Figure in the Doorway" Robert Frost's "The Ovenbird" B Sylvia Plath's "Wreath for a Bridal" William Empson's "Missing Dates" 16 0 William Wordsworth's "Composed upon Westminster Bridge, Sept.