David Hawksworth's Graham Greene Collection
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Graham Greene Exhibition Catalogue
The Cherry Record Collection of Josephine Reid’s Papers and Books Relating to Our thanks to the following donors who made the acquisition possible: Paul Almond (1949) GRAHAM GREENE Professor John Stephenson (1953) Professor John-Christopher Spender (1957) Roger Jefferies (1957) Paul Lewis (1958) Peter Buckman (1959) Matthew Nimetz (1960) Doug Rosenthal (1961) Alan James (1962) Stephen Crew (1964) Jim Rogers (1964) Emeritus Professor Paul Crittenden (1965) Alan Heeks (1966) Geoff Wright (1967) Neil Record (1972) Julie Record Richard Jones (1977) Mark Storey (1981) Danny Truell (1982) Alison Roberts (1984) Claire Foster-Gilbert (1984) Virginia Preston (1985) Richard Locke (1985) Jonathan Lewin (1992) Adam Dixon (1994) Sarah Longair (1998) Jo Valentine (2001) Jeff Kulkarni (2001) Sean McDaniel (2002) Alice McDaniel (2003) Blackwell Charitable Trust Friends of the National Libraries ISBN 978-1-78280-500-7 An exhibition held at BALLIOL COLLEGE HISTORIC COLLECTIONS CENTRE 9 781782 805007 > ST CROSS CHURCH, ST CROSS ROAD, OXFORD 25 & 26 April 2015 EXHIBITION AND CATALOGUE BY Naomi Tiley Librarian, Balliol College Anna Sander Archivist, Balliol College FOREWORD BY Sir Anthony Kenny Master of Balliol College 1978–1989 Seamus Perry COVER ILLUSTRATIONS: Fellow Librarian, Balliol College Studio portrait of Josephine Reid taken in the late 1940s or early Neil Record 1950s. Photographer unknown. Balliol 1972 Handwriting © Josephine Reid’s Estate Details from postcards from Graham Greene to Josephine Reid © Verdant SA. The organisers are indebted to -
'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p. -
Norman Macleod
Norman Macleod "This strange, rather sad story": The Reflexive Design of Graham Greene's The Third Man. The circumstances surrounding the genesis and composition of Gra ham Greene's The Third Man ( 1950) have recently been recalled by Judy Adamson and Philip Stratford, in an essay1 largely devoted to characterizing some quite unwarranted editorial emendations which differentiate the earliest American editions from British (and other textually sound) versions of The Third Man. It turns out that these are changes which had the effect of giving the American reader a text which (for whatever reasons, possibly political) presented the Ameri can and Russian occupation forces in Vienna, and the central charac ter of Harry Lime, and his dishonourable deeds and connections, in a blander, softer light than Greene could ever have intended; indeed, according to Adamson and Stratford, Greene did not "know of the extensive changes made to his story in the American book and now claims to be 'horrified' by them"2 • Such obscurely purposeful editorial meddlings are perhaps the kind of thing that the textual and creative history of The Third Man could have led us to expect: they can be placed alongside other more official changes (usually introduced with Greene's approval and frequently of his own doing) which befell the original tale in its transposition from idea-resuscitated-from-old notebook to story to treatment to script to finished film. Adamson and Stratford show that these approved and 'official' changes involved revisions both of dramatis personae and of plot, and that they were often introduced for good artistic or practical reasons. -
Visual Theologies in Graham Greene's 'Dark and Magical Heart
Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ by Dorcas Wangui MA (Lancaster) BA (Lancaster) Submitted for the Degree of Doctor of Philosophy September 2017 Wangui 1 Abstract Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ This study explores the ways in which Catholic images, statues, and icons haunt the fictional, spiritual wasteland of Greene’s writing, nicknamed ‘Greeneland’. It is also prompted by a real space, discovered by Greene during his 1938 trip to Mexico, which was subsequently fictionalised in The Power and the Glory (1940), and which he described as ‘a short cut to the dark and magical heart of faith’. This is a space in which modern notions of disenchantment meets a primal need for magic – or the miraculous – and where the presentation of concepts like ‘salvation’ are defamiliarised as savage processes that test humanity. This brutal nature of faith is reflected in the pagan aesthetics of Greeneland which focus on the macabre and heretical images of Christianity and how for Greene, these images magically transform the darkness of doubt into desperate redemption. As an amateur spy, playwright and screen writer Greene’s visual imagination was a strength to his work and this study will focus on how the visuality of Greene’s faith remains in dialogue with debates concerning the ‘liquidation of religion’ in society, as presented by Graham Ward. The thesis places Greene’s work in dialogue with other Catholic novelists and filmmakers, particularly in relation to their own visual-religious aesthetics, such as Martin Scorsese and David Lodge. -
Graham Greene's the Living Room: an Uncomfortable Catholic Play In
ATLANTIS Journal of the Spanish Association of Anglo-American Studies 40.1 (June 2018): 77-95 issn 0210-6124 | e-issn 1989-6840 doi: http://doi.org/10.28914/Atlantis-2018-40.1.04 Graham Greene’s The Living Room: An Uncomfortable Catholic Play in Franco’s Spain Mónica Olivares Leyva Universidad de Alcalá [email protected] This article addresses the debate over Graham Greene’s The Living Room (1953) in Franco’s Spain, where theatre critics created a controversy over the play by questioning whether this Catholic dramatic work was heretical or orthodox. It was regarded as a cultural asset to the national stage, but it was also interpreted as a threat to Catholics of wavering faith. In addition, this study uses the censorship files to examine the attitude of the Franco regime towards the play. Contrary to popular belief, Franco’s government did not favour the reception of this play despite the fact that Greene was an internationally renowned Catholic writer. On the contrary, banned four times, it ranks among Greene’s most censored works under Franco’s rule. The article concludes by suggesting that The Living Room became an uncomfortable Catholic play because it clashed with the tenets of the regime. Keywords: Graham Greene; Franco’s regime; theatre; criticism; censorship . El cuarto de estar, de Graham Greene: una obra católica incómoda en la España de Franco Este artículo pone de manifiesto el debate que tuvo lugar en la España de Franco en torno a El cuarto de estar (1953), de Graham Greene. Los críticos teatrales suscitaron una polémica a su alrededor al cuestionar si se trataba de una obra dramática católica de carácter herético u ortodoxo. -
THE CATHOLIC TREATMENT OP SIN and REDEMPTION in the NOVELS of GRAHAM GREENE by Thomas M„ Sheehan
UNIVERSITY D'OTTAWA » ECOLE PES GRADUE5 .. / THE CATHOLIC TREATMENT OP SIN AND REDEMPTION IN THE NOVELS OF GRAHAM GREENE by Thomas M„ Sheehan Thesis presented to the English Department of the Graduate School of the faculty of Arts of the University of Ottawa as partial fulfillment of the requirements for the degree of Doctor of Philosophy *****$*# *$> Ottawa, Canada and Louisville, Kentucky I960 UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UMI Number: DC53535 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53535 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D'OTTAWA - ECOLE DES GRADUES ACKNOWLEDGMENTS This thesis was prepared under the supervision of Dr. Emmett 0'Grady, Head of the English Department of the University of Ottawa. The writer is indebted t© Mr. P. B. Lysaght of London, England for invaluable material on Graham Greene that was not readily available either in the United States or in Canada. The writer is also indebted to the librar ians of Nazareth College, and Sellarmine College, Louisville, Kentucky for the use of their facilities. -
A Philosophical and Literary Analysis, Lublin: Wyda
160 RECENZJE Warto zatem wróci4 do prostej prawdy na gruncie dyskusji o tobsamoVci wspó- czesnego uniwersytetu, przede wszystkim katolickiego: filozofia uczy ubywania rozumu , a bez tej umiejBtnoVci trudno porusza4 siB w oparach absurdu i gupoty Vwiata. Rezyg- nacja z jej nauczania jest równoznaczna z rezygnacj= uczenia tego, jak ubywa4 rozumu. Anna G=b Katedra Historii Filozofii Nowobytnej i Wspóczesnej na Wydziale Filozofii KUL Jan Kos, Freedom as an Uncertain Cause in Graham Greene’s Novels: A Philosophical and Literary Analysis , Lublin: Wydawnictwo KUL 2012. ISBN: 978-83-7702-542-0. Jan Kos, professor at the John Paul II Catholic University in Lublin, is an author of the first comprehensive study on Graham Greene (1904-1991) written in English and published in Poland. This Polish philosopher whose main interest is social and political ethics made every effort to provide a broad panorama of Greene’s literary and philo- sophical landscape, i.e. to show the theological, philosophical, and literary aspects of Graham Greene’s writing. Freedom as an Uncertain Cause in Graham Greene’s Novels was written by an author who competently (Kos studied both philosophy and English) discloses and describes the philosophical (mainly ethical) and theological threads hidden in different forms of Greene’s works. Who was Graham Greene? He was an English novelist, short-story writer, playwright, and journalist. After studying at Balliol College, Oxford, Greene converted to Roman Catholicism in 1926. This decision was partly made under the influence of his future wife, Vivien Dayrell-Browning, whom he married in 1927. Sometime later he moved to Lon- don, where he worked as a copy editor (1926-1930) on the editorial staff of The Times newspaper. -
The Third Man
Graham Greene - The Third Man A classic tale of friendship and betrayal William Golding I. Life of the author Henry Graham Greene was born on 2 October 1904 in Berkhamsted, Hertfordshire, England and was one of six children. At the age of eight he attended the Berkhamsted school where his father Charles was the head teacher. As a teenager he was under so immense pressure that he got psychological problems and suffered a nervous breakdown. In 1922 he was enrolled on the Balliol College, Oxford and in 1926 after graduation he started to work for the London Times as sub-editor and for the Nottingham Journal as journalist, where he met his later wife Vivien Dayrell-Browning. In February 1926 before marring his wife he was received into the Roman Catholic Church, which had influenced him and his writings (moral, religious, social themes). In 1929 his first novel The Man Within was published, so he became a freelance writer in 1930, but his popularity wasn´t sealed before Stamboul Train (Orient Express) was published in 1932. In 1935 he became the house film critic for The Spectator. In 1938 he published Brighton Rock and visited Mexico to report on the religious persecution there and as a result he wrote The Lawless Roads and The Power and the Glory. In 1940 he was promoted to literary editor for The Spectator. In 1941 - World War Two - he began to spy voluntarily for the British Foreign Office in Sierra Leone, western Africa and resigned in 1943 because of being accused of collusion and traitorous activities that never substantiated. -
Graham Greene)
Jerzy Gronau WĘDRÓWKI PO BIBLIOGRAFII ANGIELSKIEGO AUTORA GRAHAMA GREENE (HENRY GRAHAM GREENE) ( 1904 – 1991) Kraków 2006 Jerzy GRONAU – Wędrówki po BIBLIOGRAFII Grahama GREENE - 2 - ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Wstęp: Genezą tego pracowania były: - moja emerytura, - chęć powtórzenia swego rodzaju „zabawy umysłowej” którą przeżywałem przy innych pracach podobnego charakteru, - konstatacja – o braku w polskim piśmiennictwie aktualnej bibliografii tego autora. 1. Od początku mej pracy nie posługiwałem się żadną bibliografią, lecz tylko danymi z katalogów bibliotek i sprzedawców książek. Dopiero przy znacznym zaawansowaniu opracowania, dotarłem do wcześniejszych opracowań bibliograficznych (podanych w źródłach opracowania) i uzupełniłem swoje dane. Żadna z polskich bibliotek tak naukowych jak i publicznych nie posiada nawet w przybliżeniu kompletu polskich wydawnictw tego autora. Podobnie jest też z zagranicznymi renomowanymi bibliotekami. 2 W języku angielskim ( także w niemieckim i francuskim) przy porządkowaniu wg alfabetu nazw - tytułów, zamieszanie wprowadzają rodzajniki ‘The’. ‘A’, ‘An’. Stąd powstała dodatkowo tabela w języku angielskim – ze skróconymi nazwami, bez rodzajników. 3. Zaznaczyć muszę, że w językach angielskim, niemieckim i francuskim, wprowadziłem do tabel tylko nazwy spotkanych tytułów – bez specjalnej uwagi na określone wydania książkowe czy czasopisma w których ukazywały się -
Jan Kłos, Freedom As an Uncertain Cause in Graham
160 RECENZJE Warto zatem wróci do prostej prawdy na gruncie dyskusji o tosamoci wspó- czesnego uniwersytetu, przede wszystkim katolickiego: filozofia uczy uywania rozumu, a bez tej umiejtnoci trudno porusza si w oparach absurdu i gupoty wiata. Rezyg- nacja z jej nauczania jest równoznaczna z rezygnacj= uczenia tego, jak uywa rozumu. Anna Gb Katedra Historii Filozofii Nowoytnej i Wspóczesnej na Wydziale Filozofii KUL Jan K o s, Freedom as an Uncertain Cause in Graham Greene’s Novels: A Philosophical and Literary Analysis, Lublin: Wydawnictwo KUL 2012. ISBN: 978-83-7702-542-0. Jan Kos, professor at the John Paul II Catholic University in Lublin, is an author of the first comprehensive study on Graham Greene (1904-1991) written in English and published in Poland. This Polish philosopher whose main interest is social and political ethics made every effort to provide a broad panorama of Greene’s literary and philo- sophical landscape, i.e. to show the theological, philosophical, and literary aspects of Graham Greene’s writing. Freedom as an Uncertain Cause in Graham Greene’s Novels was written by an author who competently (Kos studied both philosophy and English) discloses and describes the philosophical (mainly ethical) and theological threads hidden in different forms of Greene’s works. Who was Graham Greene? He was an English novelist, short-story writer, playwright, and journalist. After studying at Balliol College, Oxford, Greene converted to Roman Catholicism in 1926. This decision was partly made under the influence of his future wife, Vivien Dayrell-Browning, whom he married in 1927. Sometime later he moved to Lon- don, where he worked as a copy editor (1926-1930) on the editorial staff of The Times newspaper. -
Graham Greene: a Checklist
!"#$#%&!"''(')&*&+$',-./01 *21$3"405)&6/,$#"7&8#2'"&+301# 6'9/':'7&:3"-405) ;32",')&+3..'<'&=/1'"#12"'>&?3.@&AB>&C3@&A&4ADEF5>&GG@&EFHDI J2K./0$'7&KL)&College Literature ;1#K.'&M6=)&http://www.jstor.org/stable/25111648 . *,,'00'7)&ADNOANBOAP&AQ)BR Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. College Literature is collaborating with JSTOR to digitize, preserve and extend access to College Literature. http://www.jstor.org This content downloaded on Sat, 19 Jan 2013 16:27:50 PM All use subject to JSTOR Terms and Conditions BIBLIOGRAPHY GRAHAM GREENE: A CHECKLIST by Richard Hauer Costa A en years ago, when Graham Greene was nearing his seventieth birthday, Philip Stratford in his introduction to The Portable Graham Greene wrote that his man "was drawing into perspective .... Few other complete men of letters have resisted definition better." The compilation of even a highly selective checklist of books by and about Graham Greene makes the sheer variety of his interests?and those of critics and scholars?apparent. How ever, his most recent book, the nonfiction memoir Getting to Know the General: The Story of an Involvement (published in the United States just after his eightieth birthday) reveals that the elder statesman of living British writers is as peripatetic as ever, travelling to far-off places, making a revolu tion?or the promise of one?a part of the action, and installing a hero?himself?who performs honorably despite a paralysis of the spirit. -
Graham Greene: a Descriptive Catalog
University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 1979 Graham Greene: A Descriptive Catalog Robert H. Miller University of Louisville Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Miller, Robert H., "Graham Greene: A Descriptive Catalog" (1979). Literature in English, British Isles. 22. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/22 Graham Greene: A Descriptive Catalog This page intentionally left blank GRAHAM GREENE A Descriptive Catalog ROBERT H. MILLER Foreword by Harvey Curtis Webster THE UNIVERSITY PRESS OF KENTUCKY Copyright© 1979 by The University Press of Kentucky Paperback edition 2009 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Fuson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-8131-9303-8 (pbk: acid-free paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.