The Potting Shed by Graham Greene
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Exhibits Registrations
July ‘09 EXHIBITS In the Main Gallery MONDAY TUESDAY SATURDAY ART ADVISORY COUNCIL MEMBERS’ 6 14 “STREET ANGEL” (1928-101 min.). In HYPERTENSION SCREENING: Free 18 SHOW, throughout the summer. AAC MANHASSET BAY BOAT TOURS: Have “laughter-loving, careless, sordid Naples,” screening by St. Francis Hospital. 11 a.m. a look at Manhasset Bay – from the water! In the Photography Gallery a fugitive named Angela (Oscar winner to 2 p.m. A free 90-minute boat tour will explore Janet Gaynor) joins a circus and falls in Legendary Long the history and ecology of our corner of love with a vagabond painter named Gino TOPICAL TUESDAY: Islanders. What do Billy Joel, Martha Stew- Long Island Sound. Tour dates are July (Charles Farrell). Philip Klein and Henry art, Kiri Te Kanawa and astronaut Dr. Mary 18; August 8 and 29. The tour is free, but Roberts Symonds scripted, from a novel Cleave have in common? They have all you must register at the Information Desk by Monckton Hoffe, for director Frank lived on Long Island and were interviewed for the 30 available seats. Registration for Borzage. Ernest Palmer and Paul Ivano by Helene Herzig when she was feature the July 18 tour begins July 2; Registration provided the glistening cinematography. editor of North Shore Magazine. Herzig has for the August tours begins July 21. Phone Silent with orchestral score. 7:30 p.m. collected more than 70 of her interviews, registration is acceptable. Tours at 1 and written over a 20-year period. The celebri- 3 p.m. Call 883-4400, Ext. -
'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p. -
Norman Macleod
Norman Macleod "This strange, rather sad story": The Reflexive Design of Graham Greene's The Third Man. The circumstances surrounding the genesis and composition of Gra ham Greene's The Third Man ( 1950) have recently been recalled by Judy Adamson and Philip Stratford, in an essay1 largely devoted to characterizing some quite unwarranted editorial emendations which differentiate the earliest American editions from British (and other textually sound) versions of The Third Man. It turns out that these are changes which had the effect of giving the American reader a text which (for whatever reasons, possibly political) presented the Ameri can and Russian occupation forces in Vienna, and the central charac ter of Harry Lime, and his dishonourable deeds and connections, in a blander, softer light than Greene could ever have intended; indeed, according to Adamson and Stratford, Greene did not "know of the extensive changes made to his story in the American book and now claims to be 'horrified' by them"2 • Such obscurely purposeful editorial meddlings are perhaps the kind of thing that the textual and creative history of The Third Man could have led us to expect: they can be placed alongside other more official changes (usually introduced with Greene's approval and frequently of his own doing) which befell the original tale in its transposition from idea-resuscitated-from-old notebook to story to treatment to script to finished film. Adamson and Stratford show that these approved and 'official' changes involved revisions both of dramatis personae and of plot, and that they were often introduced for good artistic or practical reasons. -
Visual Theologies in Graham Greene's 'Dark and Magical Heart
Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ by Dorcas Wangui MA (Lancaster) BA (Lancaster) Submitted for the Degree of Doctor of Philosophy September 2017 Wangui 1 Abstract Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ This study explores the ways in which Catholic images, statues, and icons haunt the fictional, spiritual wasteland of Greene’s writing, nicknamed ‘Greeneland’. It is also prompted by a real space, discovered by Greene during his 1938 trip to Mexico, which was subsequently fictionalised in The Power and the Glory (1940), and which he described as ‘a short cut to the dark and magical heart of faith’. This is a space in which modern notions of disenchantment meets a primal need for magic – or the miraculous – and where the presentation of concepts like ‘salvation’ are defamiliarised as savage processes that test humanity. This brutal nature of faith is reflected in the pagan aesthetics of Greeneland which focus on the macabre and heretical images of Christianity and how for Greene, these images magically transform the darkness of doubt into desperate redemption. As an amateur spy, playwright and screen writer Greene’s visual imagination was a strength to his work and this study will focus on how the visuality of Greene’s faith remains in dialogue with debates concerning the ‘liquidation of religion’ in society, as presented by Graham Ward. The thesis places Greene’s work in dialogue with other Catholic novelists and filmmakers, particularly in relation to their own visual-religious aesthetics, such as Martin Scorsese and David Lodge. -
Digital Apprentice
October 2019 Digital Apprentice RESPONSIBLE TO: Head of Communications WORKING HOURS: This is a fixed term 18-month post starting in January 2020 SALARY: £21,500 (LLW) The post is Monday to Friday, 10:00–18:00, with one day to be spent at City & Islington College for study towards an accredited qualification. Some additional out-of-work hours may be required. ELIGIBILITY: To be eligible for this position that is funded with support from John Lyon’s Charity ● You must currently live in one of the following London Boroughs, and have been there for at least 2 years: Barnet, Brent, Camden, Ealing, Hammersmith & Fulham, Harrow, Kensington & Chelsea, Westminster, City of London ● You must be aged 19-24 ● You must not be in education, employment or training ● You must not be educated to degree-level or have been privately-educated The National Youth Theatre of Great Britain is a world-leading youth arts organisation. Established in 1956 as the world’s first youth theatre, we have nurtured the talent of hundreds of thousands of young people creating an enviable legacy over our 62 years. We inspire, nurture and showcase exceptional performers and theatre technicians from Great Britain and Northern Ireland, commissioning brave and relevant new writing and reinterpreting classic stories for our time. We are as ambitious as the young people we serve, platforming young talent onstage and backstage in West End theatres, in stadiums world-wide and at iconic sites both home and abroad. Our world-renowned alumni include Dame Helen Mirren, Daniel Craig, Chiwetel Ejiofor, Daniel Day-Lewis, Rosamund Pike, Orlando Bloom, Andrea Riseborough, David Harewood, Adeel Akhtar, Matt Smith and Zawe Ashton. -
Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon. -
SHIRCORE Jenny
McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films. -
Film Reviews Interviews Video Interviews
berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's -
Drehschluss Für Die Bestsellerverfilmung „Brighton Rock“ Mit Sam Riley, Andrea Riseborough Und Helen Mirren
PRESSEINFORMATION Drehschluss für die Bestsellerverfilmung „Brighton Rock“ mit Sam Riley, Andrea Riseborough und Helen Mirren Leipzig, 14. Dezember 2009 Am Freitag, den 11.12. fiel in London die letzte Klappe zu „Brighton Rock“, der Verfilmung des gleichnamigen Bestsellers von Graham Greene. Die achtwöchigen Dreharbeiten mit dem hochkarätigen Cast um Sam Riley, Andrea Riseborough, Helen Mirren und John Hurt fanden in Brighton, Eastbourne und London statt. KINOWELT bringt den Film 2011 in die deutschen Kinos. „Brighton Rock“ ist die Buchadaption des britischen Autors Graham Greene. Regisseur Rowan Joffe verlegt den 1938 erschienenen Roman in das Großbritannien der 60er Jahre – die klassische Ära des britischen Gangsters und der Jugendrebellion. In den Hauptrollen spielen Sam Riley („Control“) als Anti-Held an der Seite von Newcomerin Andrea Riseborough („Happy Go Lucky“), Oscar-Gewinnerin Helen Mirren („Die Queen“) und dem Charakterdarsteller John Hurt („The Limits of Control“). Produziert wurde „Brighton Rock“ vom preisgekrönten Produzenten Paul Webster („Abbitte“) für Kudos Pictures. „Brighton Rock“ ist zugleich die erste größere Produktion von Optimum Releasing, mit Unterstützung von BBC Films, UK Film Council´s Premiere Fund, UK Film Council´s Development Fund und StudioCanal. Bereits 1947 kam unter der Regie von John Boulting eine gleichnamige Verfilmung von Greenes Roman mit Lord Richard Attenborough in der Hauptrolle in die Kinos – einer der erfolgreichsten Filme des britischen Film Noir. Deutscher Verleih von „Brighton Rock“ ist die KINOWELT. Die britische Kinowelt-Schwesterfirma Optimum Releasing hat „Brighton Rock“ entwickelt und bringt den Film in Großbritannien in die Kinos. Der Verleih in Frankreich und der Weltvertrieb liegen beim Mutterkonzern StudioCanal. Zum Inhalt des Films: Das britische Seebad Brighton in den 60er Jahren: Mods vs. -
1. UK Films for Sale Cannes 2021
UK Films For Sale CANNES 2021 10 Lives GFM Animation Director: Chris Jenkins Email Company Genre: Animation Status: Production 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramović Email Company Director: Adina Istrate Genre: Documentary Status: Post-Production Absolute Denial SC Films International Cast: Nick Eriksen, Jeremy J. Smith-Sebasto, Harry Dyer, Heather Email Company Gonzalez, Jef Leeson Director: Ryan Braund Genre: Animation Status: Post-Production Airline Wars Phoenix Worldwide Cast: Freddy Laker, Freddy Laker Jr, Richard Branson, Robert Entertainment McFarlene, Stelios Haji-iannou, Bjorn Kjos, Norman Tebbit Email Company Genre: Documentary Status: Post-Production Alfred ITN Distribution Cast: Jean-Paul Gates Email Company Director: Steven Smith Genre: Thriller Status: Completed Ali & Ava Altitude Film Entertainment Cast: Claire Rushbrook, Adeel Akhtar Email Company Director: Clio Barnard Genre: Drama Status: Post-Production Alien: Battlefield Earth Vision Films Cast: Derek Nelson, Scot Scurlock, Peter Cosgrove, Cameron Bass Email Company Director: Andrew Jones Genre: Science-fiction Status: Completed Cannes 2021: UK Films for Sale 1 Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu