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Que Le Style Soit Avec Vous !
VOUS REPRENDREZ BIEN GACHET SOPHIE UN PEU DE STYLE ? Se concocter un look sans passer par la case shopping est le ! concept de ce livre : les tenues des icônes de style sont décryptées pour donner les clés d’une allure qui va faire impression. EN QUATRE CHAPITRES, ON APPREND : Toutes les astuces des VIP qu’on peut copier Les gimmicks qui permettent de rendre son style inoubliable Les différentes possibilités de pimenter nos basiques QUE Les « fashion faux pas » qu’il faut oser Un livre très illustré (350 photographies) qui se lit comme un CARNET D’INSPIRATION. LE STYLE Journaliste de mode, SOPHIE GACHET a couru les fashion SOIT AVEC weeks dans le monde pour le magazine ELLE de 1998 à 2019. Coauteure avec Ines de la Fressange du best-seller La Parisienne, elle a écrit avec la créatrice et mannequin quatre autres ouvrages aux éditions Flammarion. Grâce à son décryptage du style VOUS ! des célébrités, elle nous aide à adopter les bons looks. SOPHIE GACHET QUE LE STYLE SOIT AVEC VOUS STYLE AVEC LE QUE SOIT / Prix France : 24,90 ISBN : 978-2-0815-2020-2 Getty Images Plus / 20-IX iStock -:HSMASB=ZWUWUW: © Studio Light and Shade Flammarion Flammarion Flammarion cover.indd 1-3 26/06/2020 11:17 QUE LE STYLE SOIT AVEC VOUS ! FICHIER_IMP_OK2.indd 1 16/06/2020 14:28 Julie Rouart Directrice éditoriale Delphine Montagne Responsable de l’administration éditoriale Gaëlle Lassée Directrice littéraire Tiphaine Bréguë Conception graphique Nathalie Sawmy Relecture sur épreuves Titouan Roland Fabrication Bussière Photogravure © Flammarion, Paris, 2020 Dépôt -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
Fashioning Gender Fashioning Gender
FASHIONING GENDER FASHIONING GENDER: A CASE STUDY OF THE FASHION INDUSTRY BY ALLYSON STOKES, B.A.(H), M.A. A THESIS SUBMITTED TO THE DEPARTMENT OF SOCIOLOGY AND THE SCHOOL OF GRADUATE STUDIES OF MCMASTER UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY c Copyright by Allyson Stokes, August 2013 All Rights Reserved Doctor of Philosophy (2013) McMaster University (Sociology) Hamilton, Ontario, Canada TITLE: Fashioning Gender: A Case Study of the Fashion Industry AUTHOR: Allyson Stokes BA.H., MA SUPERVISOR: Dr. Tina Fetner NUMBER OF PAGES: xii, 169 ii For Johnny. iii Abstract This dissertation uses the case of the fashion industry to explore gender inequality in cre- ative cultural work. Data come from 63 in-depth interviews, media texts, labor market statistics, and observation at Toronto’s fashion week. The three articles comprising this sandwich thesis address: (1) processes through which femininity and feminized labor are devalued; (2) the gendered distribution of symbolic capital among fashion designers; and (3) the gendered organization of the fashion industry and the “ideal creative worker.” In chapter two, I apply devaluation theory to the fashion industry in Canada. This chap- ter makes two contributions to literature on the devaluation of femininity and “women’s work.” First, while devaluation is typically used to explain the gender wage gap, I also address symbolic aspects of devaluation related to respect, prestige, and interpretations of worth. Second, this paper shows that processes of devaluation vary and are heavily shaped by the context in which work is performed. I address five processes of devaluation in fash- ion: (1) trivialization, (2) the privileging of men and masculinity, (3) the production of a smokescreen of glamour, (4) the use of free labor and “free stuff,” and (5) the construction of symbolic boundaries between “work horses” and “show ponies.” In chapter three, I use media analysis to investigate male advantage in the predomi- nantly female field of fashion design. -
S Secretfashion Show 2014,Outfit in Viale Alberato,Cupc
In the middle of nowhere IT: Buongiorno! Come state? Avete passato bene il weekend prolungato? Io sono rimasta a casa, ho fatto l’albero e ho decorato l’esterno della casa. Domenica sono andata con Piero a vedere un bosco in Slovenia, di solito la gente normale passa le domeniche in famiglia o va in giro, io, invece, le passo nei boschi Eravamo in un posto che è tagliato fuori dal mondo e dove non c’era il guardrail…solo Piero è capace di trovare posti così sperduti e dimenticati?? All’inizio ho pensato di non pubblicare queste foto, perchè non sono venute proprio benissimo, le abbiamo fatte velocemente, perché fuori erano quasi 0 gradi. Spero che comunque vi piacciano. Vi auguro buon mercoledi! EN: Hello! How are you? I have spent the weekend at home, I did the tree and I decorated outside the home. On Sunday I went with Piero to see a forest in Slovenia, the usual, normal people pass Sunday in family or around, instead I pass Sunday in the forests We were in a place that is cut outside the world and where not even a guardrail, only Piero is capable of to find places so astray and forgotten ?? At the beginning I thought about not to publish these photos, because there are not the best, we have done them quickly, and outside were almost 0 degrees. I hope that however you like it. I wish you good Wednesday! SI: Zivijo! Kako ste? Jaz sem vikend prezivela doma, sem okrasila drevo in zunanjost hise. V nedeljo pa sva si sla s Pierotom ogledati en gozd v Slovenijo, obicajno normalni ljudje prezivijo nedelje v krogu druzine ali odzunaj, jaz pa jih prezivljam v gozdovih Sla sva si ogledat en gozd, odrezan od sveta, kjer ni niti obcestne ograje, samo Piero je zmozen dobiti kraje, ki so pozabljeni in odrezani od sveta?? Na zacetku sem mislila, da ne objavim teh fotografij, ker niso prov najboljse, smo jih na hitro naredili, ker je bilo odzunaj okrog 0 stopinj. -
Taís De F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRI
Taís de F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Santa Maria, RS 2014/1 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Trabalho Final de Graduação II (TFG II) apresentado ao Curso de Publicidade e Propaganda, Área de Ciências Sociais, do Centro Universitário Franciscano – Unifra, como requisito para conclusão de curso. Orientadora: Prof.ª Me. Morgana Hamester Santa Maria, RS 2014/1 2 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW _________________________________________________ Profª Me. Morgana Hamester (UNIFRA) _________________________________________________ Prof Me. Carlos Alberto Badke (UNIFRA) _________________________________________________ Profª Claudia Souto (UNIFRA) 3 AGRADECIMENTOS Inicialmente gostaria de agradecer aos meus pais por terem me proporcionado todas as chances possíveis e impossíveis para que eu tivesse acesso ao ensino superior que eles nunca tiveram, meus irmãos por terem me aguentado e me ajudado durante esse tempo, meus tios e tias, que da mesma forma que meus pais, sempre me incentivaram a estudar, meus avós que sempre me ajudarem nos momentos difíceis com sua sabedoria e experiência. Gostaria também de agradecer em especial à tia Edi, minha dinda, minha madrinha de coração que junto com meus pais, sempre me deu todo tipo de apoio para que eu não desistisse, mesmo nos momentos mais difíceis. Meu amigo Rafa que me deu a ideia do tema e ter me ajudado até a finalização do mesmo. -
Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation. -
Victoria's Secret Fashion Show Heads to London
ET's Kevin Frazier Flies With the Angels as Victoria's Secret Fashion Show Heads to London 4:09 PM PST, December 01, 2014 Forty-seven Victoria's Secret Angels headed to London for the VS Fashion Show and ET's Kevin Frazier flew in style with the models. Angels Alessandra Ambrosio and Adriana Lima, both 33, will be hanging up their wings this year, and we were there for Adriana's lingerie fitting in New York before heading across the pond. "The outfit itself is like a corset dress with details for lace and leather -- like shiny leather and it's something that I love," said Adriana. Adriana's outfit is just one of 81 that viewers will see on the runway for the Dec. 2 show. The event will also include a return performance by Taylor Swift with Ariana Grande, Ed Sheeran and Hozier also on the bill. After the fitting it was on to the U.K. via a special Victoria's Secrret flight. "Everywhere you turn there are models," Kevin observed. "That's just how it works on this flight." Before boarding, Kevin and the Angels took plenty of selfies forr the old scrapbook. "Usually I see you holding a microphone," Adriana told Kevin. "This is the first time I've seen you holding a camera." Once on the plane, Kevin was tucked in by Alessandra and Adriana. "You all need to take a nap," Alessandra advised before the six-hour flight. "Here you go," Alessandra said, placing a blindfold over Kevin's eyes. The tricky part came when they touched down in London and had to get 47 models and their entourage through customs. -
Dr. Sana Mahmoud Abbasi ABSTRACT KEYWORDS
ORIGINAL RESEARCH PAPER Volume-7 | Issue-3 | March-2018 | PRINT ISSN No 2277 - 8179 INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH “THE MAKING OF THE VICTORIA'S SECRET FANTASY BRA 2017 BY: MOUAWAD JEWELRY HOUSE” “A STUDY OF THE RELATIONSHIP BETWEEN FASHION AND JEWELRY DESIGN, AND THE MAKING OF THE MOST EXPENSIVE BRA IN HISTORY, AND REACHING FIVE GUINNESS'S WORLD RECORDS” Fashion Design Dr. Sana Mahmoud Dar Al Hekma University, Jeddah, Saudi Arabia Chair of the Fashion Design Department Abbasi (College of Design & Architecture) ABSTRACT Mouwad jewelry House has a proven record that emphasize the strong relationship between Fashion and Jewelry Design. Since 2011, Mouwad Jewelry has collaborated with Victoria's Secret to create the final high jewelry- meets-lingerie pieces. The maison has produced 10 different Fantasy Bras since the start of the collaboration, and the dynamic between the two brands is clearly very strong and innovative. The 2003 Very sexy Fantasy Bra made the Guinness World Record as the most expensive bra ever at US $ 11 Million Dollars. This is five times the jewelry house has sent a world record by producing the most expensive jewelry box, named “The Eternity Jewelry Coffer” for the amount US $ 3.5 million Dollars. The price tag on the 2017 Champagne Nights bra comes in at US $ 2 million Dollars. This study will look into the history of the jewelry house Mouwad and the collaboration between the maison and Victoria's Secret High Fashionable Bras made out of precious stones and diamonds. The company has collaborated on jewelry designs with celebrities including the fashion model Heidi Klum and has accessorized actresses including Nicole Kidman and Angelina Jolie. -
Thesis About Haircut Policy
Thesis About Haircut Policy Ralph testified incomprehensibly as knockabout Jerald womanising her spas quarrelling lasciviously. Which Galen Christianising so editorially that Brady misshapes her effronteries? Untractable Leonid sometimes short-lists any fingerprinting ensheathing dramatically. This dissertation explores various topics in the economics of healthcare specifically the. He grew directly tested on school rules of the status might be extended to create a professional development written and recommendations for themselves, two variables and stay away! How to policy only haircuts and thesis defense that hunt had. Optional Assignment Essay Writing Comparison & Contrast. On 1 May the Education Ministry published its new Regulations on Hairstyles of Students BE 2563 2020 in both Royal Gazette The document updates. 21st century trade with him much bigger confidence of like trying the new and none The style and good and suddenly gotten very. Schools should should open until safety is assured California. Have examined a thesis titled The Effect of School Discipline on Students' Social. We need to policy must be made sleeping on the haircut and positioned themselves with vast experience in the monitor can make it? 'New Haircut' Casting Call Brooklyn College Film Auditions. Classroom rules and assignment due dates Textbook Explanations of topics or concepts in history chapter Essay Details facts and examples that she explain the. Rules and regulations in big school are best for support enable discipline for students make sure school orderly and reckless the speaking of the faint The main. Thesis topics Vernimmencom. Why You Shouldn't Get a Mullet for Haircuts Kibin. School's and Policy Discriminated Against Boys Appeals. -
FALL / WINTER 2017/2018 2017. Is It Fall and Winter?
THE FASHION GROUP FOUNDATION PRESENTS FALL / WINTER 2017/2018 TREND OVERVIEW BY MARYLOU LUTHER N E W Y O R K • LONDON • MILAN • PARIS DOLCE & GABBANA 2017. Is it Fall and Winter? Now and Next? Or a fluid season of see it/buy it and see it/wait for it? The key word is fluid, as in… Gender Fluid. As more women lead the same business lives as men, the more the clothes for those shared needs become less sex-specific. Raf Simons of Calvin Klein and Anna Sui showed men and women in identical outfits. For the first time, significant numbers of male models shared the runways with female models. Some designers showed menswear separately from women’s wear but sequentially at the same site. Transgender Fluid. Marc Jacobs and Proenza Schouler hired transgender models. Transsexuals also modeled in London, Milan and Paris. On the runways, diversity is the meme of the season. Model selections are more inclusive—not only gender fluid, but also age fluid, race fluid, size fluid, religion fluid. And Location Fluid. Philipp Plein leaves Milan for New York. Rodarte’s Kate and Laura Mulleavy leave New York for Paris. Tommy Hilfiger, Rebecca Minkoff and Rachel Comey leave New York for Los Angeles. Tom Ford returns to New York from London and Los Angeles. Given all this fluidity, you could say: This is Fashion’s Watershed Moment. The moment of Woman as Warrior—armed and ready for the battlefield. Woman in Control of Her Body—to reveal, as in the peekaboobs by Anthony Vaccarello for Yves Saint Laurent. -
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in arXiv:2004.12276v2 [cs.CV] 18 Jul 2020 fields including autonomous driving [52], product recognition [32,14], etc. -
“Hago Esto Porque Es Muy Divertido.” the DIAMOND DREAM FANTASY BRA 1997 $ 3,000,000
THE MILLION DOLLAR FANTASY BRA 1996 $ 1,000,000 DISEÑADO POR VICTORIA’S SECRET HORAS DE TRABAJO 300 COMPUESTO POR - 100 QUILATES DE DIAMANTES - VARIEDAD DE OTRAS PIEDRAS PRECIOSAS ÁNGEL CLAUDIA SCHIFFER NACIONALIDAD ALEMANIA DESFILES CON EL FANTASY BRA 1ª VEZ “Hago esto porque es muy divertido.” THE DIAMOND DREAM FANTASY BRA 1997 $ 3,000,000 DISEÑADO POR HARRY WINSTON HORAS DE TRABAJO 500 COMPUESTO POR - 93 PIEDRAS PRECIOSAS DE CORTE PERA - ALREDEDOR DE 100 DIAMANTES EN LOS RIBETES - UN DIAMANTE DE 42 QUILATES DE CORTE PERA EN EL CENTRO ÁNGEL TYRA BANKS NACIONALIDAD EEUU DESFILES CON EL FANTASY BRA 1ª VEZ “Estaba muy nerviosa por hacer el desfile de Victoria’s Secret por primera vez porque ellos consiguen que las modelos ganen fama mundial.” THE DREAM FANTASY BRA 1998 $ 5,000,000 DISEÑADO POR JANIS SAVITT PARA M&J HORAS DE TRABAJO 300 COMPUESTO POR - 77 QUILATES DE RUBÍES TALLA MARQUESA - 330 QUILATES DE DIAMANTES DE TALLAS MARQUESA Y PERA - TODOS ENGARZADOS EN PLATINO ÁNGEL DANIELA PESTOVA NACIONALIDAD REPÚBLICA CHECA DESFILES CON EL FANTASY BRA 1ª VEZ “Si no lo haces ahora igual no te lo piden el ano~ que viene.” THE MILLENIUM FANTASY BRA 1999 $ 10,000,000 DISEÑADO POR VICTORIAS’S SECRET HORAS DE TRABAJO 300 COMPUESTO POR - 2.000 DIAMANTES ENGARZADOS EN PLATINO - VARIOS ZAFIROS DE CORTE DIAMANTE ÁNGEL HEIDI KLUM NACIONALIDAD ALEMANIA DESFILES CON EL FANTASY BRA 1ª VEZ ´ THE RED HOT FANTASY BRA 2000 $ 15,000,000 DISEÑADO POR VICTORIAS’S SECRET HORAS DE TRABAJO 370 COMPUESTO POR - 1.300 PIEDRAS PRECIOSAS - 300 QUILATES DE RUBÍES TAILANDESES