PDF Download
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Israel in 1982: the War in Lebanon
Israel in 1982: The War in Lebanon by RALPH MANDEL LS ISRAEL MOVED INTO its 36th year in 1982—the nation cele- brated 35 years of independence during the brief hiatus between the with- drawal from Sinai and the incursion into Lebanon—the country was deeply divided. Rocked by dissension over issues that in the past were the hallmark of unity, wracked by intensifying ethnic and religious-secular rifts, and through it all bedazzled by a bullish stock market that was at one and the same time fuel for and seeming haven from triple-digit inflation, Israelis found themselves living increasingly in a land of extremes, where the middle ground was often inhospitable when it was not totally inaccessible. Toward the end of the year, Amos Oz, one of Israel's leading novelists, set out on a journey in search of the true Israel and the genuine Israeli point of view. What he heard in his travels, as published in a series of articles in the daily Davar, seemed to confirm what many had sensed: Israel was deeply, perhaps irreconcilably, riven by two political philosophies, two attitudes toward Jewish historical destiny, two visions. "What will become of us all, I do not know," Oz wrote in concluding his article on the develop- ment town of Beit Shemesh in the Judean Hills, where the sons of the "Oriental" immigrants, now grown and prosperous, spewed out their loath- ing for the old Ashkenazi establishment. "If anyone has a solution, let him please step forward and spell it out—and the sooner the better. -
Live in Concert Dany Sanderson Synagogenkonzert Lesung Und
RF DO A IO R REN“ A TO AN M K I E R D E Konzert I D Sandra Kreisler „ Film Der letzte Mentsch Synagogenkonzert Live in Concert Dany Sanderson S A N DR ER A KREISL Lesung und Gespräch Dominique Horwitz E V I L N O S ER R G E R D E AN B S Z NY L DA A S - Z O A I N A F D Z O IT MIN RW Lesung und Gespräch IQUE HO Fania Oz-Salzberger www.juedischekulturwochen2014-frankfurt.de Kulturamt Dr. Dieter Graumann Prof. Dr. Felix Semmelroth Grußwort Sehr geehrte Damen und Herren, die Jüdische Gemeinde Frankfurt veranstaltet jährlich in Zusammenarbeit mit dem Kulturamt der Stadt Frankfurt am Main die Jüdischen Kulturwochen. Unser Bestreben ist es, nicht nur das Vergangene wieder aufleben zu lassen, sondern auch das heutige lebendige jüdische Leben in Frankfurt deutlich zu machen. Wir freuen uns, Ihnen das Judentum, die Religion, die Tradition und Lebensweise, die Philosophie und die Kultur, durch Musik, Lesungen, Vorträge, Filme, Führungen und Ausstellungen transparenter zu machen. Wir möchten darauf hinweisen, wie aktiv die Jüdische Gemeinde Frankfurt ist. Die Jüdische Gemeinde lebt und sie ist mit ihren regel- mäßig stattfindenden Veranstaltungen ein großer und beliebter Bestandteil der kultu- rellen Szene in Frankfurt. „Die rechte Aufgeschlossenheit ist das kostbarste menschliche Gut“ (Martin Buber). Seien Sie aufgeschlossen und neugierig. Wir heißen Sie herzlich willkommen. Dr. Dieter Graumann Prof. Dr. Felix Semmelroth Kulturdezernent der Kulturdezernent der Stadt Jüdischen Gemeinde Frankfurt am Main Frankfurt am Main K.d.ö.R. Eröffnung Sonntag, 7. September 2014, 17.00 Uhr Westend-Synagoge, Freiherr-vom-Stein-Straße 30 Begrüßung: Dr. -
Yoni Rechter
Yoni Rechter Teev Events Inc. 16501 Ventura Blvd, Encino, CA 91436 Tel (818) 483-8818, Fax (818) 482-2708 www.teev.com Biography Composer, pianist, singer and arranger, Yoni Rechter has made a major contribution to Israeli music in a career spanning more than 40 years, and is considered among Israel’s most important musicians. In the dozens of songs that Yoni composed, he created a wide variety of styles, incorporating numerous influences, from Sixties pop (mostly Beatles) to Jazz, Israeli to classical, east and west, into a fascinating personal statement. Rechter always composes with originality, great sensitivity to text, and for the best performers. He is considered the mark of quality and integrity in Israeli music. Yoni’s music is sophisticated and ever unexpected, constantly shifts tones and beats, and his classical piano training is evident. Many of his compositions have become staples of Israeli music, and one has on several occasions been voted the most popular Israeli song of all times. Yoni has worked closely with many of Israel’s top artists, including Arik Einstein, Gidi Gov, and Yehudit Ravitz. Perhaps his two most well-known collaborations are the legendary Kaveret group (a.k.a. Poogy), and Hakeves Ha-16 (The 16th Sheep), released in 1978 and still Israel’s most-popular album of children’s songs. A sought-after musical director, producer and arranger, Yoni has worked on numerous musicals, films, dance and albums. Rechter has also written classical music, and the Israeli Philharmonic Orchestra performed a concert dedicated to his songs and compositions. Hebrew University, Honoris causa Born in Tel Aviv, Yoni started playing piano at the age of 7, and decided to be a musician at age 12 when he discovered the Beatles. -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
Jerusalem Weimar 2015 Es Ist Mir Wichtig, Gerade Mit Den Deutschen in Anbetracht Unserer Geschichte Auf Einer Guten Basis Eine Andere Verbindung Zu Schaffen
Young Philharmonic Orchestra Jerusalem Weimar 2015 Es ist mir wichtig, gerade mit den Deutschen in Anbetracht unserer Geschichte auf einer guten Basis eine andere Verbindung zu schaffen. It is important to me to achieve a different connection to Germans in particular, considering our history, on a good basis. Nitzan Gal Violoncello Jerusalem Academy of Music and Dance 1 Erinnern mit Musik Remembering with Music Geschichte wird lebendig in der Perspektive des From another person’s perspective, history can Anderen. Ihr Musizieren ist eine Verheißung für come alive. Making music together is promising die Zukunft. Junge Musiker aus Israel und Deutsch- for the future. Young musicians from Israel and land bilden ein Orchester. Sie studieren an der Germany form an orchestra. They study at the Jerusalem Academy of Music and Dance und Jerusalem Academy of Music and Dance and in Weimar an der Hochschule für Musik Franz in Weimar at the University of Music Franz Liszt. Liszt. Ihr Repertoire sind Werke, in denen die ge- Their repertoire consists of works that reflect the schichtlichen Brüche und Katastrophen, die sie historic disruptions and catastrophes that separa- trennt und eint, aufscheinen und denen sie über te and unify them, giving them another chance to Leugnen und Vergessen neues Gehör geben. Sie be heard, after denial and forgetting. They play musizieren gemeinsam in einem Orchester. Sie together in one orchestra. They rehearse, give proben, geben Konzerte, diskutieren und feiern. concerts, have discussions and celebrate. During Im Sommer 2011 spielten sie erste Konzerte zum the summer of 2011, they performed their first Gedächtnis Buchenwalds, auf der Wartburg in concerts in memory of Buchenwald at the Wart- Eisenach, in Berlin, im Dezember dann in Sde Bo- burg castle in Eisenach, in Berlin, and then in De- ker, Jerusalem und Tel Aviv. -
Disseminating Jewish Literatures
Disseminating Jewish Literatures Disseminating Jewish Literatures Knowledge, Research, Curricula Edited by Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar ISBN 978-3-11-061899-0 e-ISBN (PDF) 978-3-11-061900-3 e-ISBN (EPUB) 978-3-11-061907-2 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020908027 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar published by Walter de Gruyter GmbH, Berlin/Boston Cover image: FinnBrandt / E+ / Getty Images Printing and binding: CPI books GmbH, Leck www.degruyter.com Introduction This volume is dedicated to the rich multilingualism and polyphonyofJewish literarywriting.Itoffers an interdisciplinary array of suggestions on issues of re- search and teachingrelated to further promotingthe integration of modern Jew- ish literary studies into the different philological disciplines. It collects the pro- ceedings of the Gentner Symposium fundedbythe Minerva Foundation, which was held at the Freie Universität Berlin from June 27 to 29,2018. During this three-daysymposium at the Max Planck Society’sHarnack House, more than fifty scholars from awide rangeofdisciplines in modern philologydiscussed the integration of Jewish literature into research and teaching. Among the partic- ipants werespecialists in American, Arabic, German, Hebrew,Hungarian, Ro- mance and LatinAmerican,Slavic, Turkish, and Yiddish literature as well as comparative literature. -
Introduction
Notes Introduction 1. The exact Hebrew name for this affair is the “Yemenite children Affair.” I use the word babies instead of children since at least two thirds of the kidnapped were in fact infants. 2. 1,053 complaints were submitted to all three commissions combined (1033 complaints of disappearances from camps and hospitals in Israel, and 20 from camp Hashed in Yemen). Rabbi Meshulam’s organization claimed to have information about 1,700 babies kidnapped prior to 1952 (450 of them from other Mizrahi ethnic groups) and about 4,500 babies kidnapped prior to 1956. These figures were neither discredited nor vali- dated by the last commission (Shoshi Zaid, The Child is Gone [Jerusalem: Geffen Books, 2001], 19–22). 3. During the immigrants’ stay in transit and absorption camps, the babies were taken to stone structures called baby houses. Mothers were allowed entry only a few times each day to nurse their babies. 4. See, for instance, the testimony of Naomi Gavra in Tzipi Talmor’s film Down a One Way Road (1997) and the testimony of Shoshana Farhi on the show Uvda (1996). 5. The transit camp Hashed in Yemen housed most of the immigrants before the flight to Israel. 6. This story is based on my interview with the Ovadiya family for a story I wrote for the newspaper Shishi in 1994 and a subsequent interview for the show Uvda in 1996. I should also note that this story as well as my aunt’s story does not represent the typical kidnapping scenario. 7. The Hebrew term “Sephardic” means “from Spain.” 8. -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss. -
The Bereaved Father and His Dead Son in the Works of A. B. Yehoshua
The Bereaved Father and His Dead Son in the Works of A. B. Yehoshua Adia Mendelson-Maoz Jewish Social Studies, Volume 17, Number 1, Fall 2010 (New Series), pp. 116-140 (Article) Published by Indiana University Press For additional information about this article http://muse.jhu.edu/journals/jss/summary/v017/17.1.mendelson-maoz.html Access provided by The Ohio State University (7 Jan 2014 18:42 GMT) The Bereaved Father and His Dead Son in the Works of A. B. Yehoshua Adia Mendelson-Maoz ABSTRACT In recent years, A. B. Yehoshua has been taken to task for tempering his criticism of Israeli politics and shifting closer to the political center. In this article, I shift the dis- cussion to a historical and poetic perspective through an interpretive evaluation of the bereaved father figure in Yehoshua’s oeuvre. His approach to the bereaved father has undergone a radical transformation. This is clearly seen in his latest works in which he has made the transition from a critical stance toward the bereaved father—one of the most potent images of Zionist ideology—to a more moderate position reflecting internalization and acceptance of bereavement. To investigate this development, I explore the use of the bereavement myth in several of Yehoshua’s works and offer a de- tailed comparison of his early novella Bi-techilat kayits 1970 (Early in the Summer of 1970; 1972) and his more recent work Esh yedidutit (Friendly Fire: A Duet; 2007). Key words: A. B. Yehoshua, Akedah, Hebrew literature n 1992, during a conference on A. B. -
And Other Israeli Plays Pdf Free Download
WANDERERS : AND OTHER ISRAELI PLAYS PDF, EPUB, EBOOK Sharon Aronson-Lehavi | 314 pages | 01 Jan 2010 | Seagull Books London Ltd | 9781906497064 | English | Greenford, United Kingdom Wanderers : And Other Israeli Plays PDF Book Voice of our community to wider society The Jewish News team regularly appears on TV, radio and on the pages of the national press to comment on stories about the Jewish community. Simchas and Shabbats all wrapped up in a box. Benny Gantz at a campaign rally. More from World Baghdad: At least 32 killed and dozens injured in twin suicide attack on Iraq's capital Joe Biden becomes America's 46th president, declaring: 'Democracy has prevailed' Madrid: 'Extremely loud' explosion in city centre - at least three people dead COVID US president Joe Biden signs 10 executive orders to curb spread of coronavirus COVID Coffins stacked high in crematorium of German town ravaged by coronavirus Italian police find stolen da Vinci copy - which museum did not know was missing. Size: 6" x 9". Unlike other Jewish media, we do not charge for content. Fill 2 Copy 11 Created with Sketch. Leading 18th and 19th century scholars, such as Gen. Cohen scored one of Liverpool's goals — as well as an own goal at the Kop end — in the decisive victory over Aston Villa that won them the League championship in May The anthology will include a substantive introduction discussing the theatrical contexts of the plays and some of the major issues that Israeli society deals with nowadays, an overview of the dramatic and theatrical work of the playwrights and an analysis of the plays. -
A Foundation for the Future
A FOUNDATION FOR THE FUTURE INVESTORS REPORT 2012–13 NORTHWESTERN UNIVERSITY Dear alumni and friends, As much as this is an Investors Report, it is also living proof that a passion for collaboration continues to define the Kellogg community. Your collective support has powered the forward movement of our ambitious strategic plan, fueled development of our cutting-edge curriculum, enabled our global thought leadership, and helped us attract the highest caliber of students and faculty—all key to solidifying our reputation among the world’s elite business schools. This year, you also helped set a new record for alumni support of Kellogg. Our applications and admissions numbers are up dramatically. We have outpaced our peer schools in career placements for new graduates. And we have broken ground on our new global hub. Your unwavering commitment to everything that Kellogg stands for helps make all that possible. Your continuing support keeps us on our trajectory to transform business education and practice to meet the challenges of the new economy. Thank you for investing in Kellogg today and securing the future for generations of courageous leaders to come. All the best, Sally Blount ’92, Dean 4 KELLOGG.NORTHWESTERN.EDU/INVEST contentS 6 Transforming Together 8 Early Investors 10 Kellogg Leadership Circle 13 Kellogg Investors Leaders Partners Innovators Activators Catalysts who gave $1,000 to $2,499 who gave up to $1,000 99 Corporate Affiliates 101 Kellogg Investors by Class Year 1929 1949 1962 1975 1988 2001 1934 1950 1963 1976 1989 2002 -
July 1999 Vol
TELFED JULY 1999 VOL. 25 NO. 3 A SOUTH AFRICAN ZIONIST FEDERATION (ISRAEL) PUBLICATION REAP ALL ABOUT IT! INSIDE: TELFED MOVES TO RA'ANANA PEOPLE: •Former South Africans make their mark in Poetry, Theatre and Music; Beth Chever 50th Reunion ART SCENE: •Making art that makes a difference ECO-ACTIOK'i^ Waiting for the trains to arrive? BOOK REVIEW Alon Liel'sbook on South Africa NUPTIALS, ARRIVALS.... A N D M O R E 46 SOKOLOV (2nd Floor) RAMAT-HASHARON Tel. 03-5488111 Home 09-7446967 Fax 03-5400077 Dear Friends, Even though it is now the middle of summer, the only thing that is really hot is the weather. It seems that most of our clientele prefer to travel in the "off season apd not to be involved in the summer rush. There are so many deals to near and far away places that it is no longer feasible to offer "specials" to anywhere —just know that they exist all the time to everywhere!!! This last weekend Carol and I spent a very special 4 days at the new Anassa Hotel — 35 minutes drive from the Paphos Airport in Cyprus, which is in itself only a 45 minute flight from Tel Aviv. I can honestly say that the hotel is without doubt the finest hotel I have ever stayed at — a real masterpiece — on the sea, beautiful setting, great food, but wow, it is expensive!!! — something to save for a special occasion. Give me a call and Til fill you in on all the details. Prices to South Africa on El A1 have been reduced for July/August, with all sorts of interesting deals, for example two for one on certain dates.