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Mimesis Journal. Scritture Della Performance
Mimesis Journal Books collana di «Mimesis Journal. Scritture della performance» ISSN 2283-8783 comitato scientifico Antonio Attisani Università degli Studi di Torino Florinda Cambria Università degli Studi di Milano Lorenzo Mango Università degli Studi L’Orientale di Napoli Tatiana Motta Lima Universidade Federal do Estado do Rio de Janeiro Franco Perrelli Università degli Studi di Torino Antonio Pizzo Università degli Studi di Torino Kris Salata Florida State University Carlo Sini Università degli Studi di Milano Éric Vautrin Université de Caën Mimesis Journal Books ISSN 2283-8783 1. Jerzy Grotowski. L’eredità vivente isbn 978-88-97523-29-1 a cura di Antonio Attisani ebook www.aAccademia.it/grotowski 2. Logiche della performance. isbn 978-88-97523-27-7 Dalla singolarità francescana alla nuova mimesi di Antonio Attisani ebook www.aAccademia.it/performance 3. Neodrammatico digitale. isbn 978-88-97523-37-6 Scena multimediale e racconto interattivo di Antonio Pizzo ebook www.aAccademia.it/neodrammatico 4. Lugné-Poe e l’Œuvre simbolista. isbn 978-88-97523-64-2 Una biografia tea trale (1869-1899) di Giuliana Altamura ebook www.aAccademia.it/lugnepoe 5. Teorie e visioni dell’esperienza “teatrale”. isbn 978-88-97523-87-1 L’arte performativa tra natura e culture di Edoar do Giovanni Carlotti ebook www.aAccademia.it/carlotti 6. Carmelo Bene fra tea tro e spettacolo isbn 978-88-97523-89-5 di Salvatore Vendittelli a cura di Armando Petrini ebook www.aAccademia.it/vendittelli 7. L’attore di fuoco. Martin Buber e il teatro isbn 978-88-99200-39-8 di Marcella Scopelliti ebook www.aAccademia.it/scopelliti 8. -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
Disseminating Jewish Literatures
Disseminating Jewish Literatures Disseminating Jewish Literatures Knowledge, Research, Curricula Edited by Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar ISBN 978-3-11-061899-0 e-ISBN (PDF) 978-3-11-061900-3 e-ISBN (EPUB) 978-3-11-061907-2 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020908027 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar published by Walter de Gruyter GmbH, Berlin/Boston Cover image: FinnBrandt / E+ / Getty Images Printing and binding: CPI books GmbH, Leck www.degruyter.com Introduction This volume is dedicated to the rich multilingualism and polyphonyofJewish literarywriting.Itoffers an interdisciplinary array of suggestions on issues of re- search and teachingrelated to further promotingthe integration of modern Jew- ish literary studies into the different philological disciplines. It collects the pro- ceedings of the Gentner Symposium fundedbythe Minerva Foundation, which was held at the Freie Universität Berlin from June 27 to 29,2018. During this three-daysymposium at the Max Planck Society’sHarnack House, more than fifty scholars from awide rangeofdisciplines in modern philologydiscussed the integration of Jewish literature into research and teaching. Among the partic- ipants werespecialists in American, Arabic, German, Hebrew,Hungarian, Ro- mance and LatinAmerican,Slavic, Turkish, and Yiddish literature as well as comparative literature. -
Ibsen and Israeli Modernist Writers
humanities Article Exile, Pistols, and Promised Lands: Ibsen and Israeli Modernist Writers Irina Ruppo Discipline of English, School of English and Creative Arts, National University of Ireland Galway, H91 TK33 Galway, Ireland; [email protected] Received: 2 August 2019; Accepted: 12 September 2019; Published: 17 September 2019 Abstract: Allusions to Henrik Ibsen’s plays in the works of two prominent Israeli modernist writers, Amos Oz’s autobiographical A Tale of Love and Darkness (2004) and David Grossman’s The Zigzag Kid (1994) examined in the context of the Israeli reception of Ibsen in the 1950s and 1960s. To establish the variety of meanings Ibsen’s plays had for the audiences of the Habimah production of Peer Gynt in 1952 and The Kameri production of Hedda Gabler in 1966, this article draws on newspaper reviews and actors’ memoirs, as well as providing an analysis of Leah Goldberg’s translation of Peer Gynt. It emerges that both authors enlisted Ibsen in their exploration of the myths surrounding the formation of Israeli nationhood and identity. Keywords: Ibsen; Henrik; Oz; Amos; Grossman; David; Goldberg; Leah; modernism; Israel; Israeli literature; Peer Gynt; Hedda Gabler; translation; adaptation; Zionism 1. Introduction The year is 1970, the setting is a Jerusalem school, and the dramatis personae are an irate teacher, the near-13-year-old Nonny Feuerberg, and Gabi, his beloved guardian and his father’s secretary. Gabi demands that Nonny be given one more chance to stay in the school despite his ‘limitations’: ‘What you may see as limitations, I happen to consider advantages!’ She swelled larger in front of Mrs Marcus, like a cobra protecting her young. -
Chapter Six: Dialogic Creation
Chapter Six: Dialogic Creation A.Melting Pot When Rachel and Jeremiah Shapirah were chosen to found and direct Hadassim by the heads of WIZO, their first step was to span the whole of the country for the teachers that would fit in with the spirit of Schwabe’s Teacher-Scout group. More specifically, they were looking for young, inexperienced instructors free of influences that could compromise the educational fountainhead which Hadassim would become. It was for the best that Rachel and Jeremiah weren’t philosophers. There have been many new ideas in the realm of education, but philosophical originators have a bad track record when it comes to implementing such ideas. It was precisely the Shapirahs’ accomplishment to synthesize and implement Schwabe’s philosophy in the practical arena of educational design. Schwabe was there, in person, to consult them throughout the process (until his death in the fifties). The result of this division of labor was a wholly new creation: we, the students, were the end and purpose of it; we were there to “see the voices” – just as the Jewish people had once “seen the voice” of God at Mount Sinai. Ultimately, life in the village rested on a triumvirate of sorts: Schwabe, Shapirah and Spira, with Buber and Margolin adding their own voices. These interwoven dimensions reached their climactic expression in Micha’s dancing – in public, during the Shavuout holiday, and in private, in his Jerusalem apartment. The course followed by Rachel and Jeremiah during Hadassim’s first decade, from the moment they were given direction over the village until the mid-fifties, was a model of optimal policy formulation and execution. -
President Obama and Prime Minister Netanyahu
PRESIDENT OBAMA AND PRIME MINISTER NETANYAHU ACTACT NOWNOW TOTO ACHIEVEACHIEVE AA TWO-STATETWO-STATE SOLUTIONSOLUTION PROMINENT ISRAELIS SAY THAT RECOGNIZING A PALESTINIAN STATE AND NEGOTIATING NOW ARE IN ISRAEL’S INTERESTS. WE THINK LEAVING IT TO THE UNITED NATIONS IN SEPTEMBER IS NOT. THE FOLLOWING AD RAN THIS WEEK IN ISRAELI NEWSPAPERS: Recognizing a Palestinian state based on the 1967 borders is vital for Israel’s existence We, the citizens of Israel, call on the public to support isolation of Israel in the world. the recognition of a democratic Palestinian state as a The successful implementation of the agreements condition for ending the conflict, and reaching agreed requires two leaderships, Israeli and Palestinian, which borders on the basis of the 1967 borders. Recognition recognize each other, choose peace and are fully of such a Palestinian state is vital for Israel’s existence. committed to it. This is the only policy that leaves It is the only way to guarantee the resolution of the Israel’s fate and security in its own hands. Any other conflict by negotiations, to prevent the eruption of policy contradicts the promise of Zionism and the another round of massive violence and end the risky welfare of the Jewish people. We, the undersigned, therefore call upon any person seeking peace and liberty and upon all nations to join us in welcoming the Palestinian Declaration of Independence, and to support the efforts of the citizens of the two states to maintain peaceful relations on the basis of secure borders and good neighborliness. The end of the occupation is a fundamental condition for the liberation of the two peoples, the realization of the Israeli Declaration of Independence and a future of peaceful coexistence. -
INFORMATION ISSUED by the Assomim W Mash Iimeas in CREAT BRITAOI F^Obert Weltsch Logical Upheaval from Which Some Lessons Will Have to Be Drawn
Volume XXVIII No. 12 December, 1973 INFORMATION ISSUED BY THE Assomim w masH iimeas IN CREAT BRITAOI f^obert Weltsch logical upheaval from which some lessons will have to be drawn. If this is done, it may help towards the achievement of peace for which Israelis and other Jews are longing. The deep WHERE DO WE GO FROM HERE ? wounds of the past weeks were, perhaps, re quired to put facts straight which should Reflections on the Yom Kippur War always have been obvious but were mostly blurred by distorting glasses. Coming back from Jerusalem after a month been mobilised not for war but as a routine The observer could not rid himself of the unexpected shock, heart-breaking experi deployment of reservists. Fury spread among impression that the present much spoken-of ences and supreme tension, one becomes aware the public against those responsible for a crisis of confidence, justified as it is, derives p a momentous historical drama unfolding debacle of a sort which Israelis had been only from a short-term event, however grave "* breath-taking tempo. It may signal a new taught would be unthinkable. Later, official and painful, and does not go to the root of urn of events, a new orientation and perhaps spokesmen made contradictory and obviously the matter. The real cause of the crisis is the He advent of a more promising epoch, if untrue declarations (such as, to quote only continuous misinterpretation of Israel's basic eason, good will and humanity prevail. At one blatant instance, on the second day of the situation. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 Permalink https://escholarship.org/uc/item/3mq0x9w4 Author Erez, Oded Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Oded Erez 2016 ABSTRACT OF THE DISSERTATION Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 by Oded Erez Doctor of Philosophy in Musicology Universoty of California, Los Angeles, 2016 Professor Tamara Judith-Marie Levitz, Chair This dissertation provides a history of the practice of Greek popular music in Israel from the early 1950s to the 1980s, demonstrating how it played a significant role in processes of ethnization. I argue that it was the ambiguous play between Greek music’s discursive value (its “image”) and the semiotic potential of its sound and music-adjacent practices, that allowed for its double-reception by Euro-Israeli elites and Working-class immigrants from Arab and Muslim countries (Mizrahim). This ambiguity positioned Greek music as a site for bypassing, negotiating, and subverting the dichotomy between Jew and Arab. As embodied in the 1960s by the biggest local star of Greek music––Aris San (1940- 1992) ––and by Greek international films such as Zorba the Greek, Greece and “Greekness” were often perceived as an unthreatening (i.e. -
Nicolas Philibert
31e FESTIVAL INTERNATIONAL DU FILM DE LA ROCHELLE 27 JUIN – 7 JUILLET 2003 PRÉSIDENT Jacques Chavier DÉLÉGUÉE GÉNÉRALE Prune Engler DIRECTION ARTISTIQUE Prune Engler Sylvie Pras assistées de Sophie Mirouze ADMINISTRATION Philippe Reilhac CHARGÉ DE MISSION Arnaud Dumatin PARTENARIATS ROCHELAIS Arnaud Dumatin Jean-Michel Porcheron DIRECTION TECHNIQUE Pierre-Jean Bouyer COMPTABILITÉ Monique Savinaud PRESSE matilde incerti assistée de Hervé Dupont PROGRAMMATION VIDÉO & TRADUCTIONS Brent Klinkum PUBLICATIONS Anne Berrou assistée de Caroline Maleville MAQUETTE Olivier Dechaud SITE INTERNET Nicolas Le Thierry d’Ennequin AFFICHE DU FESTIVAL Stanislas Bouvier PHOTOGRAPHIES Régis d’Audeville ACCUEIL Floraline Tison STAGIAIRES Thibault Capéran Manon Delauge Clara de Margerie Caroline Maleville Aurélia Mounier Tiphaine Rousse-Lacordaire Sandra Prévost BUREAU DU FESTIVAL (PARIS) 16 rue Saint-Sabin 75011 Paris Tél.: 01 48 06 16 66 Fax: 01 48 06 15 40 Email : [email protected] Site internet : www.festival-larochelle.org BUREAU DU FESTIVAL (LA COURSIVE) 4 rue Saint-Jean-du-Pérot 17025 La Rochelle Cedex 1 Tél. : 05 46 51 54 00 Fax : 05 46 52 28 96 Avec la collaboration de toute l’équipe de La Coursive, Scène Nationale La Rochelle L’année dernière à La Rochelle Patrick Raynal Christophe Honoré Nuit blanche du film noir 17 fois Cécile Cassard Régis d’Audeville 2 Photographies Ghassan Salhab Terra incognita Yves Caro Nouvelles images Jacques Nolot La Chatte à deux têtes L’année dernière à La Rochelle Mahamat-Saleh Haroun Abouna Juliette Binoche -
Yehuda Bauer Et Al 22.09.11
www.reiner-bernstein.de 1 – Erklärungen und Interviews Recognition of the Palestinian State – and then negotiations – rather than another Masada In front of our very eyes, an insane drama is being acted out. The Prime Minister of Israel is leading his citizens to Masada. Human morality, Jewish history and the interests of Israel – all clearly show the way to being the first state in the world to recognize, in the United Nations, our neighbor state and them to enter into negations, based on equality, regarding territorial exchanges and security arrangements. After all, the Palestinian State recognizes the State of Israel in the "67 borders. The Jewish People arose in the Land of Israel, there they developed their identity. The Palestinian People arose in Palestine, there they developed their identity. Therefore, we sincerely welcome the expected declaration of independence by the Palestinian State, Israel's neighbor, and within the borders at the time of our independence which were determined at the end of the War of Independence in 1949; the borders more commonly known as the '67 borders. This is the natural right of both the Jewish and the Palestinian people – as written in Israel's Declaration of Independence "to be masters of their own fate, like all other nations, in their own sovereign State". The independence of both peoples strengthens one and the other, it is both a moral and basic necessity at one and, the same time, it is the foundation upon which good, neighborly relations are built. We, the undersigned, call on all persons seeking peace and freedom, and upon all nations to join us in welcoming the Palestinian Declaration of Independence, to support it and to work and act together in order to encourage the citizens of both countries to live together in peace, based on the '67 borders and mutual agreement. -
Let My People Know Limmud FSU: the Story of Its First Decade
Let My People Know Limmud FSU: The Story of its First Decade LET MY PEOPLE KNOW Limmud FSU: The Story of its First Decade Mordechai Haimovitch Translated and Edited by Asher Weill Limmud FSU New York/Jerusalem Copyright@Limmud FSU International Foundation, New York, 2019 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form without the prior permission of the copyright holder Editor’s Notes. Many place names in this book are interchangeable because of the various stages of historical or political control. We have usually chosen to use the spellings associated with Jewish history: eg. Kiev not Kviv; Lvov not Lviv; Kishinev not Chișinău; Vilna not Vilnius, etc. Every attempt had been made to trace the source of the photographs in the book. Any corrections received will be made in future editions. Limmud FSU International Foundation 80, Central Park West New York, NY 10023 www.Limmudfsu.org This book has been published and produced by Weill Publishers, Jerusalem, on behalf of Limmud FSU International Foundation. ISBN 978-965-7405-03-1 Designed and printed by Yuval Tal, Ltd., Jerusalem Printed in Israel, 2019 CONTENTS Foreword - Natan Sharansky 9 Introduction 13 PART ONE: BACK IN THE USSR 1. A Spark is Kindled 21 2. Moscow: Eight Years On 43 3. The Volunteering Spirit 48 4. The Russians Jews Take Off 56 5. Keeping Faith in the Gulag 62 6. Cosmonauts Over the Skies of Beersheba 66 7. The Tsarina of a Cosmetics Empire 70 PART TWO: PART ONE: BACK IN THE USSR 8. -
Jews/Theater/Performance in an Intercultural World
Jews/Theater/Performance in an Intercultural World February 22-24, 2009 Co-convened by Edna Nahshon (Jewish Theological Seminary, New York), Jeanette R. Malkin (Hebrew University, Jerusalem) and Peter W. Marx (University of Mainz, Germany) The conference is supported by The Jewish Theological Seminary and the Office of Cultural Affairs, Consulate General of Israel in New York Conference Program For information and registration, please email [email protected] or call 212.678.8972 Sunday, February 22 9:30-10:30 Registration 10:30-11:00 Welcome and Opening Remarks 11:00-12:30 The Bible as Theater Shimon Levy (Tel Aviv University) The Bible as theater - a musical experience James Reynolds (Musician, Composer) 12:30-1:30 Lunch break (a list of dining facilities in the area will be provided) 1:30-3:30 Session 1: The Yiddish Stage Chair: David Roskies (Jewish Theological Seminary) Neil Levin, Jewish Theological Seminary Yiddish Musical as Agent of Americanization Debra Caplan, Harvard University A Tongue in Exile: Insiders and Outsiders on the Polylingual Yiddish Stage Donny Inbar, Israel Center of the Jewish Community Federation, San Francisco Enter the Yiddisher Jester, Exit the Philosopher: Der Yiddisher Daniel Deronda, Abraham Goldfaden's Last Play Rachel Rojanski, Haifa University Yiddish Theater in Israel: A Jewish Theater in a Hebrew State 1948-1952 4:00-5:30 Session 2: Theater of Jewish Communities from Muslim Countries Chair: Carol Martin (New York University) Brigitte Sion, New York University Between Zion and France: Theatrical Performances