Live in Concert Dany Sanderson Synagogenkonzert Lesung Und
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Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
Yoni Rechter
Yoni Rechter Teev Events Inc. 16501 Ventura Blvd, Encino, CA 91436 Tel (818) 483-8818, Fax (818) 482-2708 www.teev.com Biography Composer, pianist, singer and arranger, Yoni Rechter has made a major contribution to Israeli music in a career spanning more than 40 years, and is considered among Israel’s most important musicians. In the dozens of songs that Yoni composed, he created a wide variety of styles, incorporating numerous influences, from Sixties pop (mostly Beatles) to Jazz, Israeli to classical, east and west, into a fascinating personal statement. Rechter always composes with originality, great sensitivity to text, and for the best performers. He is considered the mark of quality and integrity in Israeli music. Yoni’s music is sophisticated and ever unexpected, constantly shifts tones and beats, and his classical piano training is evident. Many of his compositions have become staples of Israeli music, and one has on several occasions been voted the most popular Israeli song of all times. Yoni has worked closely with many of Israel’s top artists, including Arik Einstein, Gidi Gov, and Yehudit Ravitz. Perhaps his two most well-known collaborations are the legendary Kaveret group (a.k.a. Poogy), and Hakeves Ha-16 (The 16th Sheep), released in 1978 and still Israel’s most-popular album of children’s songs. A sought-after musical director, producer and arranger, Yoni has worked on numerous musicals, films, dance and albums. Rechter has also written classical music, and the Israeli Philharmonic Orchestra performed a concert dedicated to his songs and compositions. Hebrew University, Honoris causa Born in Tel Aviv, Yoni started playing piano at the age of 7, and decided to be a musician at age 12 when he discovered the Beatles. -
Jerusalem Weimar 2015 Es Ist Mir Wichtig, Gerade Mit Den Deutschen in Anbetracht Unserer Geschichte Auf Einer Guten Basis Eine Andere Verbindung Zu Schaffen
Young Philharmonic Orchestra Jerusalem Weimar 2015 Es ist mir wichtig, gerade mit den Deutschen in Anbetracht unserer Geschichte auf einer guten Basis eine andere Verbindung zu schaffen. It is important to me to achieve a different connection to Germans in particular, considering our history, on a good basis. Nitzan Gal Violoncello Jerusalem Academy of Music and Dance 1 Erinnern mit Musik Remembering with Music Geschichte wird lebendig in der Perspektive des From another person’s perspective, history can Anderen. Ihr Musizieren ist eine Verheißung für come alive. Making music together is promising die Zukunft. Junge Musiker aus Israel und Deutsch- for the future. Young musicians from Israel and land bilden ein Orchester. Sie studieren an der Germany form an orchestra. They study at the Jerusalem Academy of Music and Dance und Jerusalem Academy of Music and Dance and in Weimar an der Hochschule für Musik Franz in Weimar at the University of Music Franz Liszt. Liszt. Ihr Repertoire sind Werke, in denen die ge- Their repertoire consists of works that reflect the schichtlichen Brüche und Katastrophen, die sie historic disruptions and catastrophes that separa- trennt und eint, aufscheinen und denen sie über te and unify them, giving them another chance to Leugnen und Vergessen neues Gehör geben. Sie be heard, after denial and forgetting. They play musizieren gemeinsam in einem Orchester. Sie together in one orchestra. They rehearse, give proben, geben Konzerte, diskutieren und feiern. concerts, have discussions and celebrate. During Im Sommer 2011 spielten sie erste Konzerte zum the summer of 2011, they performed their first Gedächtnis Buchenwalds, auf der Wartburg in concerts in memory of Buchenwald at the Wart- Eisenach, in Berlin, im Dezember dann in Sde Bo- burg castle in Eisenach, in Berlin, and then in De- ker, Jerusalem und Tel Aviv. -
Cohen V. Facebook
Case 1:16-cv-04453-NGG-LB Document 1-1 Filed 08/10/16 Page 1 of 113 PageID #: 70 EXHIBIT A Case 1:16-cv-04453-NGG-LB Document 1-1 Filed 08/10/16 Page 2 of 113 PageID #: 71 ~ SUPREME COURT OF THE STATE OF NEW YORK COUNTY OF KINGS --------------------------------------------------------------------- Index No: Pa~1, / l 5 RICHARD LAKIN; and additional plaintiffs listed on Rider A, Date Purchased: 10/~(~C~/ 15 Plaintiffs designate Kings County as the Plaintiffs, place of trial. The basis of vcnue is CPLR 503(a), -against- SUMMONS FA=CEBOOK, Q Plaintiffs residcs at: Defendant. c/o Shurat HaDin — Israel Law Center, 10 ---------------------------------------------- X flata'as Street, Ramat Gan, Israel TO THE ABOVE NAMED DEFENDANTS: YOU ARE HEREBY SUMMONED to answer the complaint in this action and to serve a copy of your answer, on the plaintiff s Attorneys within 20 days afi.er the service of this summons, exclusive ot'the day of service (or within 30 days aftcr scrvice is complctc if this summons is not personally delivered to you within the State ofNew York) and to file a copy of your answer with the Clerk of the above-named Court; and in case of your failure to appear or answer, judgment will be taken against you by default for the relief demanded in the complaint. Dated: Brooklyn, New York Octobcr 26, 2015 Yours, THE BERKMAN LAW OFFICE, LLC 0~ ~ ~ Atull~,r~.Jor he~+f zti/r ~ S`~ a by: 7 +~ '/ ° O' Q _.J Robert J. 111 Livingston Street, Suite 1928 Brooklyn, New York 11201 (718) 855-3627 ZECIA L 1 STS \~ NITSANA DARSHAN-LEITNER & CO Nitsana Darshan-Leitner . -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss. -
Board Rehires 21 Teachers Without Funds to Pay Them by JA C K ROGERS the Former Board President
BE COMMUNITY MINDED W EA T H ER OUTLOOK TH U RSD A Y & FRID A Y - Chance of showers SATU RD AY & SUNDAY - Sty? Ifilla ito (Utm w Partly cloudy - high In 70's, Io w sln50's SERVING HILLSIDE & NORTH ELIZABETH V O L. 52, NO. 28 T H E HILLSIDE TIMES, THURSDAY, M AY 6,1978 Board rehires 21 teachers without funds to pay them by JA C K ROGERS the former Board president. In another controversial act guidance position. ers of Mrs. Rose Stahnton When contacted by the at the April 28 meeting, the Sources close to the Board over the past few months. The Board of Educatlpo. has TIMES,Tony Panarese disput Board failed to rehire an told the T IM ES that the move M rs. Stahnton, now principal decided to offer 21 non- ed Flannery's remarks about elementary school guidance to save M ellon's job did not of George Washington School tenured teachers contracts the rehiring df the teachers. counselor when a motion was garner a majority because the and acting principal of Calvin for the 1976-77 school year What w e 're talking about is inadvertantly reworded and Board is holding the position Coolidge, reportedly wants to even though it may have to the first three weeks of school defeated by a tie vote. open for Calvin Coolidge vice switch permanently to the fire them In the fall if funding In September, which is usually According to the agenda for principal Stanley Rubin, if Coolidge job. is not made available by the reserved. -
A Foundation for the Future
A FOUNDATION FOR THE FUTURE INVESTORS REPORT 2012–13 NORTHWESTERN UNIVERSITY Dear alumni and friends, As much as this is an Investors Report, it is also living proof that a passion for collaboration continues to define the Kellogg community. Your collective support has powered the forward movement of our ambitious strategic plan, fueled development of our cutting-edge curriculum, enabled our global thought leadership, and helped us attract the highest caliber of students and faculty—all key to solidifying our reputation among the world’s elite business schools. This year, you also helped set a new record for alumni support of Kellogg. Our applications and admissions numbers are up dramatically. We have outpaced our peer schools in career placements for new graduates. And we have broken ground on our new global hub. Your unwavering commitment to everything that Kellogg stands for helps make all that possible. Your continuing support keeps us on our trajectory to transform business education and practice to meet the challenges of the new economy. Thank you for investing in Kellogg today and securing the future for generations of courageous leaders to come. All the best, Sally Blount ’92, Dean 4 KELLOGG.NORTHWESTERN.EDU/INVEST contentS 6 Transforming Together 8 Early Investors 10 Kellogg Leadership Circle 13 Kellogg Investors Leaders Partners Innovators Activators Catalysts who gave $1,000 to $2,499 who gave up to $1,000 99 Corporate Affiliates 101 Kellogg Investors by Class Year 1929 1949 1962 1975 1988 2001 1934 1950 1963 1976 1989 2002 -
The Bride's Slippers
RambamISSUE No. 9 | April 2012 on call The Bride’s Slippers Successfully treated for degenerating hip joints, a bride dances on her wedding day Backstory IMS – Innovative treatment for back pain 24HOURS in the Department of Anesthesiology The Sperm Bank Great Returns on Deposits Rambam on call American Friends of Rambam Medical Center 521 Fifth Avenue, Suite 1731 Dear Friends, New York, NY 10175 USA Every patient or caregiver who enters www.aforam.org a hospital’s gates has entered a world [email protected] unto itself. The work of physicians, Tel: 212.292 4499 nurses, and hospital orderlies is highly physical, but one cannot work Canadian Friends of on a stranger’s body, or be the patient Rambam Medical Center whose body is being handled, without 64 Merton Street, 1st Floor having deep channels of experience carved into one’s soul. Toronto Ontario M4S 1A1 Even the youngest physician or nurse, coming into daily contact Canada www.cframbam.com with illness, injury, and healing – and certainly every patient and [email protected] family member – quickly learns the lessons of maturity: being Tel: 416.481 5552 human requires effort, courage, and humility. In this issue of Rambam on Call, we present the profound stories British Friends of and voices of several such individuals: a bride, determined to Rambam Medical Center dance at her own wedding, who undergoes hip-joint replacement 1 Opal Court surgery (p.14); infertile couples and single women determined to 120 Regents Park Road conceive and nurture life, for which purpose they seek donated London N3 3HY sperm (p.6); medical psychologist Dr. -
University of California, Santa Cruz Music Department
University of California, Santa Cruz Music Department Music 80-i: Music of Modern Israel Instructor: Avi Tchamni ([email protected]) TAs: Nelsen Hutchison ([email protected]) Class meetings: MWF 12:00-1:05PM Music Center room 101 Instructor’s office: Music Center 126 (phone: 459-4238) Office hours: Wed 2:30-4:00PM, and by appointment The course will examine the development of popular music in Israel from the beginning of the 20th century until the present. We will discuss the complexity of national identity inherent in the study of immigrant and refugee societies, and the power struggle between the different forces involved in the process: the state and its institutions, the people, and the outside world. We will review the course of musical history in Israel, from nationalism and “invented” folk music through the emergence of the Other (“Musiqa Mizrahit”) and the arrival of rock and world music. TEXTBOOK Regev, Motti and Edwin Seroussi. Popular Music and National Culture in Israel (Berkeley: University of California Press, 2004) Available as eBook on UCSC library DOCUMENTARIES During the quarter we will watch episodes from “Sof Onat ha-Tapuzim” (“End of the Orange Season”) – a documentary series on the development of Israeli rock music. CLASS CONCERT AND PERFORMANCES There will be a live concert towards the end of the quarter (TBA). Students who would like to perform songs from the repertoire in class during the quarter, are encouraged to do so. RECORDINGS All playlists will be available on the class website: http://artstream.ucsc.edu/music80i OFF-CAMPUS ACCESS TO ONLINE RESOURCES 1. -
Newsletter 12/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 12/13 DIGITAL EDITION Nr. 335 - Dezember 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/13 (Nr. 335) Dezember 2013 editorial Hallo Laserdisc- und DVD-Fans, erlebnis jedoch nicht schmälern!” liebe Filmfreunde! Das IMAX-Kino in Bradford ist noch Man gönnt sich ja sonst nichts. Das eines der wenigen in Europa, das tat- war vermutlich der Leitspruch unseres sächlich noch mit horizontal laufendem Film-Bloggers Wolfram, als er sich 70mm-Film arbeitet. Viele andere spontan dazu entschloss, den zweiten IMAX-Kinos wurden inzwischen be- Teil der HUNGER GAMES Saga im fer- reits digitalisiert. Dort wird mit einer 2K nen England anzuschauen. “Das war Doppelprojektion gearbeitet, die eine mein ganz persönliches Kino-Highlight Leinwand mit einem Bildseiten- 2013!” kam er freudestrahlend von sei- verhältnis von etwa 1:1.78 füllt. Das nem Kurztrip zurück. Wolfram hatte Seherlebnis in den digitalen IMAX- sich natürlich nicht irgendein beliebi- Kinos ist daher leider nicht derart ges Kino ausgesucht, um den Film an- spektakulär wie bei analoger zuschauen, sondern gleich das beste. Projektionstechnik. Seit zwei Wochen Die Rede ist vom IMAX-Kino in hat auch Karlsruhe ein solches digita- Bradford, das dort schon seit über 20 les IMAX-Kino. Es befindet sich im Jahren fester Bestandteil des National Filmpalast am ZKM und war Ziel eines Media Museums ist. “Regisseur kleinen Betriebsausflugs der Laser Francis Lawrence setzte in CATCHING Hotline. -
Chag Pesach Sameach
Pesach 2015/5775 Pesach hag C Sameach In this Issue Flowers in Hatch End The Israeli Kibbutz Blood Sweat and Hummus The story behind the blooms Movement Working with the MDA in Israel An exclusive update report Genocide Memorial Day Celebrating Purim Keeping the memory alive Making Aliya An alternative approach First year in Israel About our members From the editor’s desk HWPS BIRTHDAY WISHES TO: MAZEL TOV TO: BIRTHDAY WISHES TO: Ray Frost, 80 Janet and Alan Solomon on the Robert Benson, 21 Woolf Heymann, 90 occasion of their Golden Wedding Elaine Shoffman, 60 Anniversary David Mushlin, 80 Jordan Grabski, 21 Dear Reader Highlights Estelle Raynaud, 75 Sam Dysch, 21 BIRTHDAY WISHES TO: David Solomon, 70 How time flies. It and life as a career civil servant, are just 24 Ursula Gross Veronica Lansman, 70 was only a year a few of the offerings this month. GET WELL WISHES TO: Genocide Dennis Mitchell ago that the first So as I begin to delete a multitude of Stanley Morris Memorial Day Nina Morris GOOD LUCK IN THEIR NEW Kehila magazines files from my computer and life returns Joy Pearson HOME TO: were coming off the to normal, I need to think about the 30 Phyllis Sanderson Ellen Cook printing press. Over annual task of unpacking the stored The music lives MOSAIC REFORM Deborah and Victor Davis on Jeanette Shindler MAZEL TOV TO: the months we have boxes of Pesach crockery, pans and Richard Sontag Margaret and Michael Abrahams on CONDOLENCES TO refined the contents and presentation cutlery. With my role as an editor ‘on 34 their 50th anniversary of both the monthly and seasonal pause’ till later this year, I am alas, no Flowers in GET WELL WISHES TO: Paul, David and Madeline on the Gloria and Melville Faber on their 65th death of their mother, Rene Bernson Kehilas. -
Noam Lemish Dissertation Final Submission Truly
Israeli Jazz Musicians in the International Scene: A Case Study of Musical Transculturation in Contemporary Jazz Performance and Composition by Noam Lemish A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts in Performance Faculty of Music University of Toronto © 2018 Copyright by Noam Lemish ii Israeli Jazz Musicians in the International Scene: A Case Study of Musical Transculturation in Contemporary Jazz Performance and Composition Noam Lemish Doctor of Musical Arts in Performance Faculty of Music University of Toronto 2018 ABSTRACT This dissertation is a case study of musical transculturation in jazz performance and composition through the examination of the practices of Israeli jazz musicians who began to operate on the international jazz scene starting in the 1990s. An impressive number of Israeli jazz performers have received widespread exposure and acclaim over the last twenty years. Artists such as Omer Avital (bass), Anat Cohen (woodwinds), Avishai Cohen (bass) among many others have successfully established themselves on a global scale, creating music that melds various aspects of American jazz with an array of Israeli, Jewish and Middle-Eastern influences and those from numerous other non- Western musical traditions. While each musician is developing his or her own approach to musical transculturation, common threads connect them all. Unraveling these entangled sounds and related discourses lies at the center of my study. While this is the first comprehensive study of the contributions