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Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
Live in Concert Dany Sanderson Synagogenkonzert Lesung Und
RF DO A IO R REN“ A TO AN M K I E R D E Konzert I D Sandra Kreisler „ Film Der letzte Mentsch Synagogenkonzert Live in Concert Dany Sanderson S A N DR ER A KREISL Lesung und Gespräch Dominique Horwitz E V I L N O S ER R G E R D E AN B S Z NY L DA A S - Z O A I N A F D Z O IT MIN RW Lesung und Gespräch IQUE HO Fania Oz-Salzberger www.juedischekulturwochen2014-frankfurt.de Kulturamt Dr. Dieter Graumann Prof. Dr. Felix Semmelroth Grußwort Sehr geehrte Damen und Herren, die Jüdische Gemeinde Frankfurt veranstaltet jährlich in Zusammenarbeit mit dem Kulturamt der Stadt Frankfurt am Main die Jüdischen Kulturwochen. Unser Bestreben ist es, nicht nur das Vergangene wieder aufleben zu lassen, sondern auch das heutige lebendige jüdische Leben in Frankfurt deutlich zu machen. Wir freuen uns, Ihnen das Judentum, die Religion, die Tradition und Lebensweise, die Philosophie und die Kultur, durch Musik, Lesungen, Vorträge, Filme, Führungen und Ausstellungen transparenter zu machen. Wir möchten darauf hinweisen, wie aktiv die Jüdische Gemeinde Frankfurt ist. Die Jüdische Gemeinde lebt und sie ist mit ihren regel- mäßig stattfindenden Veranstaltungen ein großer und beliebter Bestandteil der kultu- rellen Szene in Frankfurt. „Die rechte Aufgeschlossenheit ist das kostbarste menschliche Gut“ (Martin Buber). Seien Sie aufgeschlossen und neugierig. Wir heißen Sie herzlich willkommen. Dr. Dieter Graumann Prof. Dr. Felix Semmelroth Kulturdezernent der Kulturdezernent der Stadt Jüdischen Gemeinde Frankfurt am Main Frankfurt am Main K.d.ö.R. Eröffnung Sonntag, 7. September 2014, 17.00 Uhr Westend-Synagoge, Freiherr-vom-Stein-Straße 30 Begrüßung: Dr. -
Yoni Rechter
Yoni Rechter Teev Events Inc. 16501 Ventura Blvd, Encino, CA 91436 Tel (818) 483-8818, Fax (818) 482-2708 www.teev.com Biography Composer, pianist, singer and arranger, Yoni Rechter has made a major contribution to Israeli music in a career spanning more than 40 years, and is considered among Israel’s most important musicians. In the dozens of songs that Yoni composed, he created a wide variety of styles, incorporating numerous influences, from Sixties pop (mostly Beatles) to Jazz, Israeli to classical, east and west, into a fascinating personal statement. Rechter always composes with originality, great sensitivity to text, and for the best performers. He is considered the mark of quality and integrity in Israeli music. Yoni’s music is sophisticated and ever unexpected, constantly shifts tones and beats, and his classical piano training is evident. Many of his compositions have become staples of Israeli music, and one has on several occasions been voted the most popular Israeli song of all times. Yoni has worked closely with many of Israel’s top artists, including Arik Einstein, Gidi Gov, and Yehudit Ravitz. Perhaps his two most well-known collaborations are the legendary Kaveret group (a.k.a. Poogy), and Hakeves Ha-16 (The 16th Sheep), released in 1978 and still Israel’s most-popular album of children’s songs. A sought-after musical director, producer and arranger, Yoni has worked on numerous musicals, films, dance and albums. Rechter has also written classical music, and the Israeli Philharmonic Orchestra performed a concert dedicated to his songs and compositions. Hebrew University, Honoris causa Born in Tel Aviv, Yoni started playing piano at the age of 7, and decided to be a musician at age 12 when he discovered the Beatles. -
Annual Report 2014
Annual Report 2014 1 שנות עשייה למען בני נוער בסיכון A few opening remarks… “I’m already 16 and have come across many people in my areas needed and to be readily available for the youth. The life, but this is the first time I have met people who listen staff also tried to maintain the routine activities in all centers to me, really listen” – the words of a young girl receiving and organize days in the North where possible as an escape support from Elem. from the tensions in the South. For the past 32 years Elem has been “listening” to the voices As part of our actions for social change, our aim has been to of youth and young adults at risk in Israel, and striving to bring the difficult situation of Ethiopian youth born in Israel create appropriate solutions, responding to their distress. to the public agenda, as well as the effects on youth who live Elem initiates procedures and works towards social change outside the main cities, with the aim of influencing decision within the system responsible for teens and youth at risk, makers at a national level. along with dedicated daily work by employees and volunteers committed to the belief that almost anything is possible. Elem’s vision has become a reality partly thanks to cooperation with the business sector which has learnt to Elem sees itself as an additional complimentary organization use its immense resources both financial and human. Elem’s within the framework of the existing social services. Elem cooperation with leading companies in the market creates works in full cooperation with local authorities, government commitment to social and human values and aims to create offices, NPO’s and businesses. -
Israel at 70
Rosh Hashana 2018 Vol. 44 No. 2 Distributed to over 5,000 households in Israel and abroad ISRAEL AT 70 With Israel on a high hosting the start of the Giro d’Italia in Jerusalem, winning the 2018 Eurovision in Lisbon and its economy and tourism soaring, SA community joins in year-round festivities celebrating Telfed’s own 70th with family events across the country. שנה טובה ומתוקה! Celebrate your family occasions in one of our 22 “zimmerim” by the sea. Full Israeli breakfast served to you in our dining room. DOLPHIN VILLAGE TheThe MagicMagic TouchTouch ofof DolphinDolphin VillageVillage ForFor thethe PerfectPerfect FamilyFamily HolidayHoliday onon thethe SeaSea ShaveiShavei ZionZion in the Western Galilee, 04-9531153 [email protected] I www.dolphinvillage.co.il “ ” The self-help fund for Kindness can change a person’s life Southern Africans Rachel is one of 400 youth aided each year by in Israel Telfed. Despite an unusual beginning in Israel, she’s determined to make it work. This is her story. “I arrived in Israel at the age of 14. A few months after we arrived, my mom was diagnosed with cancer and started chemo. My father had a brain injury from an accident, so it was a big adjustment for my brother and me, helping our ailing parents, settling in to a new life and trying to learn ‘ivrit’. We joined the PRAS community service programme run by Telfed and a university student (who received a scholarship) met with me weekly. The attention and motivation he gave me had a profound impact on my life, mentoring me through a rough patch when things came crashing down. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Cohen V. Facebook
Case 1:16-cv-04453-NGG-LB Document 1-1 Filed 08/10/16 Page 1 of 113 PageID #: 70 EXHIBIT A Case 1:16-cv-04453-NGG-LB Document 1-1 Filed 08/10/16 Page 2 of 113 PageID #: 71 ~ SUPREME COURT OF THE STATE OF NEW YORK COUNTY OF KINGS --------------------------------------------------------------------- Index No: Pa~1, / l 5 RICHARD LAKIN; and additional plaintiffs listed on Rider A, Date Purchased: 10/~(~C~/ 15 Plaintiffs designate Kings County as the Plaintiffs, place of trial. The basis of vcnue is CPLR 503(a), -against- SUMMONS FA=CEBOOK, Q Plaintiffs residcs at: Defendant. c/o Shurat HaDin — Israel Law Center, 10 ---------------------------------------------- X flata'as Street, Ramat Gan, Israel TO THE ABOVE NAMED DEFENDANTS: YOU ARE HEREBY SUMMONED to answer the complaint in this action and to serve a copy of your answer, on the plaintiff s Attorneys within 20 days afi.er the service of this summons, exclusive ot'the day of service (or within 30 days aftcr scrvice is complctc if this summons is not personally delivered to you within the State ofNew York) and to file a copy of your answer with the Clerk of the above-named Court; and in case of your failure to appear or answer, judgment will be taken against you by default for the relief demanded in the complaint. Dated: Brooklyn, New York Octobcr 26, 2015 Yours, THE BERKMAN LAW OFFICE, LLC 0~ ~ ~ Atull~,r~.Jor he~+f zti/r ~ S`~ a by: 7 +~ '/ ° O' Q _.J Robert J. 111 Livingston Street, Suite 1928 Brooklyn, New York 11201 (718) 855-3627 ZECIA L 1 STS \~ NITSANA DARSHAN-LEITNER & CO Nitsana Darshan-Leitner . -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss. -
MA Thesis: Linguistics: English Language and Linguistics
MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car. -
2009 Han Vantade.Pdf
©Kim Milrell, 2010 Framställd på www.vulkan.se Ansvarig utgivare: Kim Milrell Han väntade vid Jerusalems portar Kim Milrell Femte bloggboken är här *spridda applåder och uppmuntrande rop*! 2009 var ett okej år. Tänk dig ett diagram: det går upp, upp, upp och så en liten raksträcka. Därefter ner, ner, ner. Och ner. Bilder och annat finns att beskåda på kimmilrell.se. Njut nu! Kim Milrell, Stockholm 1 januari 2010 (det nya årtalet känns lite perverst att skriva). 1 Dagens mail 1 januari Det hela började med ett mail… I promise I won’t sleep with anyone else for twelve months from our first date if we are together… :-) After that you will have to move here and keep an eye on me. :-) I wish I could spend the evening and night with you. Kissing, feeling and touching you. Talking and smoking together. Spending time. Having a walk hand in hand. /superduperhunk, 37, Tel Aviv Svar: Smoking? Människor utvecklas 1 januari Jag hade en väldigt jobbig typ i min högstadieklass. En sån där ondskefull person som naturligtvis var väldigt rasistisk (och gärna delade med sig av sina vanföreställningar). Nu hamnade jag av en slump på hans Facebooksida och noterade att han var medlem i klubbar som “jag lovar att inte tiga när nån säger nåt rasistiskt”. En fin start på 09! 2 Vad är problemet? 2 januari Nu ska vi tala om det där communityt som är det enda stället man kan träffa någon på. Man träffar inte kärleken på ICA (man vill inte riskera att bli misshandlad till döds) och inte via vänner (man känner redan alla deras vänner och bekanta) och sannerligen inte på krogen (de är så upptagna med att inte verka tillgängliga). -
Guida Junior Eurovision 2016
JUNIOR EUROVISION SONG CONTEST: LA FESTA EUROPEA DELLA MUSICA, A MISURA DI BAMBINO Cos’è lo Junior Eurovision Song Contest? E’ la versione “junior” dell’Eurovision Song Contest, ovvero il più grande concorso musicale d’Europa ed è organizzato, come il festival degli adulti dalla EBU, European Broadcasting Union, l’ente che riunisce le tv e radio pubbliche d’Europa e del bacino del Mediterraneo. Lo Junior Eurovision si rivolge ai bambini e ragazzi dai 9 ai 14 anni (età abbassata da questa edizione, fino al 2015 era 10-16), che abbiano avuto o meno esperienze canore precedenti (regola introdotta nel 2008: prima dovevano essere esordienti assoluti) L’idea è nata nel 2003 prendendo spunto da concorsi per bambini organizzati nei paesi Scandinavi, dove l’Eurovision Song Contest (quello dei grandi) è seguito quasi come una religione. Le prime due edizioni furono infatti ospitate proprio da Danimarca e Norvegia. Curiosamente però, dopo le prime edizioni, i paesi Scandinavi si sono fatti da parte, eccezion fatta per la Svezia. Come funziona lo Junior Eurovision Song Contest? Esattamente come allo Eurovision dei grandi, possiamo dunque dire che sono “le televisioni” a concorrere, ciascuna con un proprio rappresentante. Rispetto alla rassegna degli adulti, ci sono alcune sostanziali differenze: Il cantante che viene selezionato (o il gruppo) deve essere rigorosamente della nazionalità del paese che rappresenta. L’unica eccezione è stata consentita per la Repubblica di San Marino (quest’anno assente). Nella rassegna dei “grandi” non ci sono invece paletti in tal senso ma piena libertà. Le canzoni devono essere eseguite obbligatoriamente in una delle lingue nazionali almeno per il 70% della propria durata, che deve essere compresa fra 2’45” e 3’ e completamente inedite al momento della presentazione ufficiale sul sito della rassegna o della partecipazione al concorso di selezione. -
Board Rehires 21 Teachers Without Funds to Pay Them by JA C K ROGERS the Former Board President
BE COMMUNITY MINDED W EA T H ER OUTLOOK TH U RSD A Y & FRID A Y - Chance of showers SATU RD AY & SUNDAY - Sty? Ifilla ito (Utm w Partly cloudy - high In 70's, Io w sln50's SERVING HILLSIDE & NORTH ELIZABETH V O L. 52, NO. 28 T H E HILLSIDE TIMES, THURSDAY, M AY 6,1978 Board rehires 21 teachers without funds to pay them by JA C K ROGERS the former Board president. In another controversial act guidance position. ers of Mrs. Rose Stahnton When contacted by the at the April 28 meeting, the Sources close to the Board over the past few months. The Board of Educatlpo. has TIMES,Tony Panarese disput Board failed to rehire an told the T IM ES that the move M rs. Stahnton, now principal decided to offer 21 non- ed Flannery's remarks about elementary school guidance to save M ellon's job did not of George Washington School tenured teachers contracts the rehiring df the teachers. counselor when a motion was garner a majority because the and acting principal of Calvin for the 1976-77 school year What w e 're talking about is inadvertantly reworded and Board is holding the position Coolidge, reportedly wants to even though it may have to the first three weeks of school defeated by a tie vote. open for Calvin Coolidge vice switch permanently to the fire them In the fall if funding In September, which is usually According to the agenda for principal Stanley Rubin, if Coolidge job. is not made available by the reserved.