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The Economic Base of Israel's Colonial Settlements in the West Bank
Palestine Economic Policy Research Institute The Economic Base of Israel’s Colonial Settlements in the West Bank Nu’man Kanafani Ziad Ghaith 2012 The Palestine Economic Policy Research Institute (MAS) Founded in Jerusalem in 1994 as an independent, non-profit institution to contribute to the policy-making process by conducting economic and social policy research. MAS is governed by a Board of Trustees consisting of prominent academics, businessmen and distinguished personalities from Palestine and the Arab Countries. Mission MAS is dedicated to producing sound and innovative policy research, relevant to economic and social development in Palestine, with the aim of assisting policy-makers and fostering public participation in the formulation of economic and social policies. Strategic Objectives Promoting knowledge-based policy formulation by conducting economic and social policy research in accordance with the expressed priorities and needs of decision-makers. Evaluating economic and social policies and their impact at different levels for correction and review of existing policies. Providing a forum for free, open and democratic public debate among all stakeholders on the socio-economic policy-making process. Disseminating up-to-date socio-economic information and research results. Providing technical support and expert advice to PNA bodies, the private sector, and NGOs to enhance their engagement and participation in policy formulation. Strengthening economic and social policy research capabilities and resources in Palestine. Board of Trustees Ghania Malhees (Chairman), Ghassan Khatib (Treasurer), Luay Shabaneh (Secretary), Mohammad Mustafa, Nabeel Kassis, Radwan Shaban, Raja Khalidi, Rami Hamdallah, Sabri Saidam, Samir Huleileh, Samir Abdullah (Director General). Copyright © 2012 Palestine Economic Policy Research Institute (MAS) P.O. -
Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
Chag Shavuot Sameach!
The Jewish National Edition Post &Opinion Presenting a broad spectrum of Jewish News and Opinions since 1935. Volume 78, Number 8 • May 23, 2012 • 2 Sivan 5772 www.jewishpostopinion.com ChagChag ShavuotShavuot Sameach!Sameach! Cover Art by Eric Jabloner See About the Cover, p.3. 2 The Jewish Post & Opinion May 23, 2012 Letter to the Editor of this Editorial the Indianapolis Star Inside Issue April 24, 2012 Editorial.....................................................2 In our last issue, I wrote about an article Letter to Star Editor ................................2 that appeared in the Indianapolis Star on the As a son of Holocaust survivors who Rabbi Benzion Cohen topic of a local Holocaust commemoration. has devoted a lifetime of scholarship to (Chassidic Rabbi).....................................3 Included with that article were three photos, the horrible events of the 1930’s and About the Cover ......................................3 one depicting a candlelighting.The caption 1940’s that annihilated two thirds of all Amy Hirshberg Lederman read: “Alex Star lights a candle to remember living Jews in Europe, it was startling to (Jewish Educator) ....................................4 family members who died. The six candles read the article that appeared to the left 18 Reasons to be Jewish.........................4 represent the 6 million Jews who perished.” of two photos published in your April 19, Seth Ben-Mordecai However, in the article to the left of that 2012 edition. You referred to the six (The Roads from Babel) ...........................5 -
Jewish Federation Women's Philanthropy
Jewish Community News www.jfedps.org The Publication of the Jewish Federation of the Desert Iyar/Sivan 5780 - May 2020 The Challenges of Our New Reality By Bruce Landgarten, Jewish Federation Chief Executive Officer There are new questions and new or when summer activities open. So participating together. and timeless. Yes, we need to make realities we find ourselves grappling many unknowns. So much unfamiliar The North American Jewish hard choices now about how to with today. During these difficult times ground. So much to think about. community has evolved an endure the current challenges. And we are questioning what happens to Our responsibilities, however, extraordinary philanthropic we’ll need to adjust our operations perspective when we’re living through oblige us to do more. To broaden tradition, having created perhaps once we re-open in deference to the what feels like an endless alternative our frame of reference. To focus the most expansive Jewish communal economic realities we will confront. reality? After so many weeks of on the inevitable post-crisis period infrastructure in the history of the But our mission isn’t defined in weeks, shutdown, it becomes more and to come. As a Federation we have Diaspora. Much of this organizational months, or even years. Our mission is more difficult to get our arms around played a critical part in building and infrastructure is dependent, on an to strengthen Jewish community and how things will work, how they’ll look strengthening Jewish life. For decades ongoing basis, on continued fund- enrich Jewish life. It’s a mission we and feel when this crisis is over. -
June July 2018 Bulletin
A Congregation Affiliated with the Congregation B’nai Israel United Synagogue of Conservative Judaism 6525 Sylvania Avenue Sylvania OH 43560 151 Years of (419) 517-8400 Consecrated Service to www.cbitoledo.org God, Torah and Israel 5778 1 Notes from the Cantor ………………………………………. POWER OF MUSIC V The past month in Jewish history and in our calendar has been momentous. We experienced Israel’s 70th anniversary, celebrated in several excellent events in our community, the 51st anniversary of the reunification of Jerusalem, and the relocation of the US Embassy in Israel from Tel Aviv to Jerusalem. In the midst of all this euphoria, what might have escaped your attention is Israel’s winning the prestigious Eurovision song contest on May 12th 2018 in Lisbon, Portugal. That night in our Jewish calendar - the 28th of Iyar, commemorates the reunification of Jerusalem during the Six Day War of 1967. This is the fourth time Israel has won Eurovision, one of the world’s most famous international song contests. The winning song “Toy”, a pop anthem about female independence, was performed by 25 year old Netta Barzilai, accompanied by her signature “chicken dance.” Netta had placed third by the official judges, but won thanks to tele-voters from around the world catapulting her to victory. Hours before the victory, Israeli superstar film actress Gal Gadot had urged her twenty million Instagram followers to vote for Israel’s entry. Including words like “I’m not your toy you stupid boy...,” it was influenced by the #MeToo movement. The Eurovision contest has often been embroiled in political and religious controversies, although politically tinged songs are unofficially disallowed. -
Happy Chanukah! Chag Urim Sameach!
DECEMBER 2020 Kislev-Tevet 5781 1011 N. Market Street Frederick, MD 21701 Volume 22 301-663-3437 Issue 5 [email protected] www.bethsholomfrederick.org Happy Chanukah! Chag Urim Sameach! See pages 8-10 for Chanukah fun! THE LAST JEWISH JEWISH GENEALOGY SOUP KITCHEN & 12 TIPS TO CELEBRATE P5 GANGSTER P5 P6 FOOD BANK P9 CHANUKAH AT HOME Rabbinic Reflections - Lessons of the Chanukiah RABBI JORDAN HERSH | [email protected] As we approach the winter festival of Chanukah, the air is getting colder, the days shorter and with the surge of MINYAN AT BSC COVID-19, we are all spending more and more time inside our homes. Please join us on Zoom There is a powerful lesson about what it means to turn inwards which we Thursdays at 8:45 AM for can mine from the ritual of the cha- nukiah, or Chanukah menorah. minyan. Contact Our practice is to light the chanukiah inside our homes, but to Mark Vallon or Rabbi Hersh to join place them in a window facing the main thoroughfare. In this way, it is both an intensely private, family ritual while at the same time being a blatantly visible, public experience. We are all aware, I am sure, of the degree to which a person’s out- ward actions convey the truth about their inner selves. We learn about a person’s character through how they behave, despite the Torah STUDY fact that character is an invisible inner quality. JOIN US EVERY SUNDAY There is a discussion in the Talmud about what kind of oil and AT 11:30 A.M. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
2009 Han Vantade.Pdf
©Kim Milrell, 2010 Framställd på www.vulkan.se Ansvarig utgivare: Kim Milrell Han väntade vid Jerusalems portar Kim Milrell Femte bloggboken är här *spridda applåder och uppmuntrande rop*! 2009 var ett okej år. Tänk dig ett diagram: det går upp, upp, upp och så en liten raksträcka. Därefter ner, ner, ner. Och ner. Bilder och annat finns att beskåda på kimmilrell.se. Njut nu! Kim Milrell, Stockholm 1 januari 2010 (det nya årtalet känns lite perverst att skriva). 1 Dagens mail 1 januari Det hela började med ett mail… I promise I won’t sleep with anyone else for twelve months from our first date if we are together… :-) After that you will have to move here and keep an eye on me. :-) I wish I could spend the evening and night with you. Kissing, feeling and touching you. Talking and smoking together. Spending time. Having a walk hand in hand. /superduperhunk, 37, Tel Aviv Svar: Smoking? Människor utvecklas 1 januari Jag hade en väldigt jobbig typ i min högstadieklass. En sån där ondskefull person som naturligtvis var väldigt rasistisk (och gärna delade med sig av sina vanföreställningar). Nu hamnade jag av en slump på hans Facebooksida och noterade att han var medlem i klubbar som “jag lovar att inte tiga när nån säger nåt rasistiskt”. En fin start på 09! 2 Vad är problemet? 2 januari Nu ska vi tala om det där communityt som är det enda stället man kan träffa någon på. Man träffar inte kärleken på ICA (man vill inte riskera att bli misshandlad till döds) och inte via vänner (man känner redan alla deras vänner och bekanta) och sannerligen inte på krogen (de är så upptagna med att inte verka tillgängliga). -
Guida Junior Eurovision 2016
JUNIOR EUROVISION SONG CONTEST: LA FESTA EUROPEA DELLA MUSICA, A MISURA DI BAMBINO Cos’è lo Junior Eurovision Song Contest? E’ la versione “junior” dell’Eurovision Song Contest, ovvero il più grande concorso musicale d’Europa ed è organizzato, come il festival degli adulti dalla EBU, European Broadcasting Union, l’ente che riunisce le tv e radio pubbliche d’Europa e del bacino del Mediterraneo. Lo Junior Eurovision si rivolge ai bambini e ragazzi dai 9 ai 14 anni (età abbassata da questa edizione, fino al 2015 era 10-16), che abbiano avuto o meno esperienze canore precedenti (regola introdotta nel 2008: prima dovevano essere esordienti assoluti) L’idea è nata nel 2003 prendendo spunto da concorsi per bambini organizzati nei paesi Scandinavi, dove l’Eurovision Song Contest (quello dei grandi) è seguito quasi come una religione. Le prime due edizioni furono infatti ospitate proprio da Danimarca e Norvegia. Curiosamente però, dopo le prime edizioni, i paesi Scandinavi si sono fatti da parte, eccezion fatta per la Svezia. Come funziona lo Junior Eurovision Song Contest? Esattamente come allo Eurovision dei grandi, possiamo dunque dire che sono “le televisioni” a concorrere, ciascuna con un proprio rappresentante. Rispetto alla rassegna degli adulti, ci sono alcune sostanziali differenze: Il cantante che viene selezionato (o il gruppo) deve essere rigorosamente della nazionalità del paese che rappresenta. L’unica eccezione è stata consentita per la Repubblica di San Marino (quest’anno assente). Nella rassegna dei “grandi” non ci sono invece paletti in tal senso ma piena libertà. Le canzoni devono essere eseguite obbligatoriamente in una delle lingue nazionali almeno per il 70% della propria durata, che deve essere compresa fra 2’45” e 3’ e completamente inedite al momento della presentazione ufficiale sul sito della rassegna o della partecipazione al concorso di selezione. -
Israeli Settler-Colonialism and Apartheid Over Palestine
Metula Majdal Shams Abil al-Qamh ! Neve Ativ Misgav Am Yuval Nimrod ! Al-Sanbariyya Kfar Gil'adi ZZ Ma'ayan Baruch ! MM Ein Qiniyye ! Dan Sanir Israeli Settler-Colonialism and Apartheid over Palestine Al-Sanbariyya DD Al-Manshiyya ! Dafna ! Mas'ada ! Al-Khisas Khan Al-Duwayr ¥ Huneen Al-Zuq Al-tahtani ! ! ! HaGoshrim Al Mansoura Margaliot Kiryat !Shmona al-Madahel G GLazGzaGza!G G G ! Al Khalsa Buq'ata Ethnic Cleansing and Population Transfer (1948 – present) G GBeGit GHil!GlelG Gal-'A!bisiyya Menara G G G G G G G Odem Qaytiyya Kfar Szold In order to establish exclusive Jewish-Israeli control, Israel has carried out a policy of population transfer. By fostering Jewish G G G!G SG dGe NG ehemia G AGl-NGa'iGmaG G G immigration and settlements, and forcibly displacing indigenous Palestinians, Israel has changed the demographic composition of the ¥ G G G G G G G !Al-Dawwara El-Rom G G G G G GAmG ir country. Today, 70% of Palestinians are refugees and internally displaced persons and approximately one half of the people are in exile G G GKfGar GB!lGumG G G G G G G SGalihiya abroad. None of them are allowed to return. L e b a n o n Shamir U N D ii s e n g a g e m e n tt O b s e rr v a tt ii o n F o rr c e s Al Buwayziyya! NeoG t MG oGrdGecGhaGi G ! G G G!G G G G Al-Hamra G GAl-GZawG iyGa G G ! Khiyam Al Walid Forcible transfer of Palestinians continues until today, mainly in the Southern District (Beersheba Region), the historical, coastal G G G G GAl-GMuGftskhara ! G G G G G G G Lehavot HaBashan Palestinian towns ("mixed towns") and in the occupied West Bank, in particular in the Israeli-prolaimed “greater Jerusalem”, the Jordan G G G G G G G Merom Golan Yiftah G G G G G G G Valley and the southern Hebron District. -
Made in Israel: Agricultural Exports from Occupied Territories
Agricultural Made in Exports from Israel Occupied Territories April 2014 Agricultural Made in Exports from Israel Occupied Territories April 2014 The Coalition of Women for Peace was established by bringing together ten feminist peace organizations and non-affiliated activist women in Israel. Founded soon after the outbreak of the Second Intifada in 2000, CWP today is a leading voice against the occupation, committed to feminist principles of organization and Jewish-Palestinian partnership, in a relentless struggle for a just society. CWP continuously voices a critical position against militarism and advocates for radical social and political change. Its work includes direct action and public campaigning in Israel and internationally, a pioneering investigative project exposing the occupation industry, outreach to Israeli audiences and political empowerment of women across communities and capacity-building and support for grassroots activists and initiatives for peace and justice. www.coalitionofwomen.org | [email protected] Who Profits from the Occupation is a research center dedicated to exposing the commercial involvement of Israeli and international companies in the continued Israeli control over Palestinian and Syrian land. Currently, we focus on three main areas of corporate involvement in the occupation: the settlement industry, economic exploitation and control over population. Who Profits operates an online database which includes information concerning companies that are commercially complicit in the occupation. Moreover, the center publishes in-depth reports and flash reports about industries, projects and specific companies. Who Profits also serves as an information center for queries regarding corporate involvement in the occupation – from individuals and civil society organizations working to end the Israeli occupation and to promote international law, corporate social responsibility, social justice and labor rights. -
November 22, 2019/24 Cheshvan 5780 Next Deadline Nov
Non-Profit Organization U.S. Postage PAID Norwich, CT 06360 Permit #329 Serving The Jewish Communities of Eastern Connecticut & Western R.I. CHANGE SERVICE RETURN TO: 28 Channing St., New London, CT 06320 REQUESTED VOL. XLV NO. 22 PUBLISHED BI-WEEKLY NOVEMBER 22, 2019/24 CHESHVAN 5780 NEXT DEADLINE NOV. 29, 2019 16 PAGES HOW TO REACH US - PHONE 860-442-8062 • FAX 860-540-1475 • EMAIL [email protected] • BY MAIL: 28 CHANNING STREET, NEW LONDON, CT 06320 I Love Israel with. Jr. Youth URFEDERATION WORK Marlene Warshawski Yahalom Group # @ This is a post in a se- Together #EngageJewish ries featuring community By Barbara Wolfe members discussing their Again A heart-felt Todah love of Israel. Contact Mimi Rabah for the opportu- at [email protected] if you By Marcia Reinhard, nity to understand the would like to receive the JFEC Assistant Director joys and challenges fac- questionnaire and partici- Bringing together the youth ing the Jewish Federa- pate in this fun column. in our community is not an easy tion and how to help it task. Between soccer, basketball, move through the 21st What is your most family gatherings and the multi- century. Scott and I en- memorable moment in tude of other activities and events joyed a 3-day FedLab Israel? our pre-teens are involved in, it’s conference with Carin Going to the Biblical no wonder on Saturday after- Savel in Washington Zoo to watch the animals noon, after postal mail and email, D.C earlier this month wake up in the morning. I still only had 7 kids registered sponsored by the Jew- It’s so cool to see animals for our event on Sunday.