Alain Resnais 21:00 the FAN - Ed Bianchi

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Domingo 9 17:00 THE SPY WHO CAME IN FROM THE COLD - Martin Ritt 19:00 PROVIDENCE - Alain Resnais 21:00 THE FAN - Ed Bianchi Luns 10 CGAC 17:00 L’AVEU - Constantin Costa-Gavras 19:30 L’AMOUR À MORT - Alain Resnais 21:15 THE RAIN PEOPLE - Francis Ford Coppola Martes 11 17:00 A DANDY IN ASPIC - Anthony Mann, Laurence Harvey 19:00 THE DEADLY AFFAIR - Sidney Lumet 21:00 DER HIMMEL ÜBER BERLIN - Wim Wenders Mércores 12 16:30 SECHSE KOMMEN DURCH DIE WELT - Rainer Simon 18:00 TILL EULENSPIEGEL - Rainer Simon 19:45 JADUP UND BOEL - Rainer Simon 21:30 DIE FRAU UND DER FREMDE - Rainer Simon Xoves 13 17:45 WENGLER & SÖHNE, EINE LEGENDE - Rainer Simon 19:30 DER FALL Ö - Rainer Simon 21:15 WORK IN PROGRESS: CURTAMETRAXES DE MARCOS NINE - Marcos Nine Venres 14 16:00 FÜNF PATRONENHÜLSEN - Frank Beyer 17:30 NACKT UNTER WÖLFEN - Frank Beyer 19:45 KARBID UND SAUERAMPFER - Frank Beyer 21:15 JAKOB, DER LÜGNER - Frank Beyer 23:00 DER VERDACHT - Frank Beyer Mércores 19 21:30 DER TUNNEL - Roland Suso Richter Xoves 20 16:00 CARLOS - Olivier Assayas 21:45 DIE STILLE NACH DEM SCHUSS - Volker Schlöndorff Venres 21 16:00 8MM-KO ERREPIDEA - Tximino Kolektiv (Ander Parody, Pablo Maraví, Itxaso Koto, Mikel Armendáriz) 17:00 PROXECTO NIMBOS (ESCOLMA DE CURTAMETRAXES) - Varios autores 17:45 WORK IN PROGRESS: O LUGAR DOS AVÓS - Víctor Hugo Seoane 20:15 EL CORRAL Y EL VIENTO - Miguel Hilari 21:15 OUROBOROS - Carlos Rivero, Alonso Valbuena Sábado 22 17:00 VIDEOCREACIÓNS - Olalla Castro 18:30 A HISTÓRIA DE UM ERRO - Joana Barros 20:15 TRUE ROMANCE. DIRECTOR’S CUT - Tony Scott (20 ANOS DA SÚA ESTREA NACIONAL NA VIII EDICIÓN DE CINEUROPA COMO PELÍCULA INAUGURAL) Domingo 23 17:00 ESTOS DÍAS - Diego Llorente 18:30 BERNABÉ - Pablo Casanueva 20:00 UN CONTRATO EXTRAÑO - Teresa Marcos 21:15 VOUS N’AVEZ ENCORE RIEN VU - Alain Resnais Luns 24 17:00 SMOKING / NO SMOKING - Alain Resnais 22:00 PROVIDENCE Alain Resnais Martes 25 16:30 NEIL YOUNG, MUSIC IN REVIEW - L. A. Johnson 17:45 THE SUNCHASER - Michael Cimino Mércores 26 21:30 AUTOBIOGRAFIA LUI NICOLAE CEAUSESCU - Andrei Ujica Xoves 27 21:30 LE CHAGRIN ET LA PITIÉ - Marcel Ophüls Venres 28 16:00 NEIL YOUNG UNPLUGGED - Milton Lage, Beth McCarthy 17:15 RED ROCKS LIVE. NEIL YOUNG, FRIENDS & RELATIVES - L. A. Johnson 19:30 LARS OLE, 5C - Nils Malmros* 21:00 DRENGE - Nils Malmros* Sábado 29 16:00 RUST NEVER SLEEPS - Bernard Shakey (pseudónimo de Neil Young) 18:00 LE NOISE - Adam CK Vollick, Daniel Lanois, Mark Howard 18:45 HÔTEL TERMINUS - Marcel Ophüls Domingo 30 17:00 TWIXT - Francis Ford Coppola 18:45 PASSION - Brian De Palma 20:30 BULWORTH - Warren Beatty A entrada será libre e gratuíta até completar as localidades, agás no caso dos filmes marcados cun asterisco. .

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Martin Ritt 19:00 PROVIDENCE - Alain Resnais 21:00 the FAN - Ed Bianchi
Domingo 9 17:00 THE SPY WHO CAME IN FROM THE COLD - Martin Ritt 19:00 PROVIDENCE - Alain Resnais 21:00 THE FAN - Ed Bianchi Lunes 10 CGAC 17:00 L’AVEU - Constantin Costa-Gavras 19:30 L’AMOUR À MORT - Alain Resnais 21:15 THE RAIN PEOPLE - Francis Ford Coppola Martes 11 17:00 A DANDY IN ASPIC - Anthony Mann, Laurence Harvey 19:00 THE DEADLY AFFAIR - Sidney Lumet 21:00 DER HIMMEL ÜBER BERLIN - Wim Wenders Miércoles 12 16:30 SECHSE KOMMEN DURCH DIE WELT - Rainer Simon 18:00 TILL EULENSPIEGEL - Rainer Simon 19:45 JADUP UND BOEL - Rainer Simon 21:30 DIE FRAU UND DER FREMDE - Rainer Simon Jueves 13 17:45 WENGLER & SÖHNE, EINE LEGENDE - Rainer Simon 19:30 DER FALL Ö - Rainer Simon 21:15 WORK IN PROGRESS: CORTOMETRAJES DE MARCOS NINE - Marcos Nine Viernes 14 16:00 FÜNF PATRONENHÜLSEN - Frank Beyer 17:30 NACKT UNTER WÖLFEN - Frank Beyer 19:45 KARBID UND SAUERAMPFER - Frank Beyer 21:15 JAKOB, DER LÜGNER - Frank Beyer 23:00 DER VERDACHT - Frank Beyer Miércoles 19 21:30 DER TUNNEL - Roland Suso Richter Jueves 20 16:00 CARLOS - Olivier Assayas 21:45 DIE STILLE NACH DEM SCHUSS - Volker Schlöndorff Venres 21 16:00 8MM-KO ERREPIDEA - Tximino Kolektiv (Ander Parody, Pablo Maraví, Itxaso Koto, Mikel Armendáriz) 17:00 PROXECTO NIMBOS (SELECCIÓN DE CORTOMETRAJES) - Varios autores 17:45 WORK IN PROGRESS: O LUGAR DOS AVÓS - Víctor Hugo Seoane 20:15 EL CORRAL Y EL VIENTO - Miguel Hilari 21:15 OUROBOROS - Carlos Rivero, Alonso Valbuena Sábado 22 17:00 VIDEOCREACIÓNS - Olalla Castro 18:30 A HISTÓRIA DE UM ERRO - Joana Barros 20:15 TRUE ROMANCE.
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Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
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German Videos - (Last Update December 5, 2019) Use the Find Function to Search This List
German Videos - (last update December 5, 2019) Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes.
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AN ANGEL in HELL: ARTUR BRAUNER and the ATTEMPT to MAKE a GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer
AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer University of East Anglia, UK Abstract Film Studies tends to deal only with film projects that have been completed and pays particular attention to the work of directors, thus largely ignoring the fact that the vast majority of attempts to make movies fail, and marginalising the crucial role played by scriptwriters and producers in the initiation and development of flm projects. To counter this tendency, this essay examines the unsuccessful attempt, between the 1970s and the early 1990s, of Artur Brauner, one of the leading producers in postwar (West) Germany, to make a biopic about Oskar Schindler. Like the Jewish workers rescued by Schindler, Brauner is a Jewish Holocaust survivor from Poland whose career as a producer has combined mainstream entertainment movies with flms about the Third Reich and especially about the Holocaust. The essay explores the full range of his activities as a producer on the Schindler biopic – ranging from script development and fnancing to negotiations with actors and directors; highlights their transnational dimensions (through the involvement of personnel and co- production partners from France, the UK, Israel, the US, Poland, and the Soviet Union); and explores the refusal of (West) German funding bodies to support this project. Keywords: Artur Brauner, Oskar Schindler, unrealised flm projects, pro- ducers, flm funding. Bu çalışma 18 Aralık 2017 tarihinde sinecine dergisine ulaşmış; 06 Mart 2018 tarihinde kabul almıştır. Krämer, P. (2018). An Angel in Hell: Artur Brauner and The Attempt to Make a German Oskar-Schindler-Biopic.
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Zwei Dokumentarfilme der Hochschule für Film und Fernsehen der DDR „Konrad Wolf” “ 9 e 0 DEFA-Spielfilmen nur ansatzweise abgebildet und Sybille Schönemann verhaftet. Bis zu ihrem d 0 n 2 e Sonnabend, Sonntag, wurde. Das Gruppenporträt erstreckt sich auch auf Freikauf durch die Bundesregierung im Juli 1985 n 1 i W l r r e e Montagfrüh den privaten Raum (Sonntag) und die Arbeit verbleiben sie in Haft. d B e n l (Montag). Dadurch rundet sich das Bild und e e t i o p b s schafft Platz für weitere Zwischentöne. Sonn - t r DDR 1979 s o e V f Regie, Drehbuch Hannes Schönemann abend, Sonntag und Montagfrüh ist durch seine Hannes Schönemann e m l h i c Kamera Norbert Schmidt seltene dokumentarische Dichte zu einem Aus - 1946 im mecklenburgischen Lübz geboren; ab F s i e l m Schnitt Gudrun Steinbrück nahmefilm der DDR geworden. Sein Titel ver- 1968 arbeitet er im DEFA-Spielfilmstudio als a l i n F o i Aufnahmeleitung Michael Schorm weist deutlich auf Karel Reisz’ Klassiker Saturday Beleuchter, ein Jahr später als Regieassistent, u. a. – t a é n d Night and Sunday Morning (1960) und damit bei Rottenknechte (R: Frank Beyer, 1970) und r a e t r n e Produktion HFF „Konrad Wolf “, auf die Ansprüche des Cinéma vérité, der Wirk - beim Indianerfilm Tecumseh (R: Hans Kratzert, t I . n i 9 Potsda m- Babelsberg lichkeit möglichst unmittelbar entgegenzutreten. 1972). 197 5–80 studiert er Regie in Potsdam- 5 W „ e Format 16 mm, 1:1,3 7, s/ w, mono Eine solche Perspektive lag nicht im Interesse Babelsberg, danach wird er bei der DEFA als Spiel - h i e Länge 44 min der ostdeutschen Kulturpolitik, der stets mehr an filmregisseur angestellt, kann aber keine Filme r r e d Wunsch- denn an Abbildern gelegen war.
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Titel Kino 4/2000 Nr. 1U.2
EXPORT-UNION OF GERMAN CINEMA 4/2000 Special Report: TRAINING THE NEXT GENERATION – Film Schools In Germany ”THE TANGO DANCER“: Portrait of Jeanine Meerapfel Selling German Films: CINE INTERNATIONAL & KINOWELT INTERNATIONAL Kino Scene from:“A BUNDLE OF JOY” GERMAN CINEMA Launched at MIFED 2000 a new label of Bavaria Film International Further info at www.bavaria-film-international.de www. german- cinema. de/ FILMS.INFORMATION ON GERMAN now with links to international festivals! GERMAN CINEMA Export-Union des Deutschen Films GmbH · Tuerkenstrasse 93 · D-80799 München phone +49-89-3900 9 5 · fax +49-89-3952 2 3 · email: [email protected] KINO 4/2000 6 Training The Next Generation 33 Soweit die Füße tragen Film Schools in Germany Hardy Martins 34 Vaya Con Dios 15 The Tango Dancer Zoltan Spirandelli Portrait of Jeanine Meerapfel 34 Vera Brühne Hark Bohm 16 Pursuing The Exceptional 35 Vill Passiert In The Everyday Wim Wenders Portrait of Hans-Christian Schmid 18 Then She Makes Her Pitch Cine International 36 German Classics 20 On Top Of The Kinowelt 36 Abwärts Kinowelt International OUT OF ORDER Carl Schenkel 21 The Teamworx Player 37 Die Artisten in der Zirkuskuppel: teamWorx Production Company ratlos THE ARTISTS UNDER THE BIG TOP: 24 KINO news PERPLEXED Alexander Kluge 38 Ehe im Schatten MARRIAGE IN THE SHADOW 28 In Production Kurt Maetzig 39 Harlis 28 B-52 Robert van Ackeren Hartmut Bitomsky 40 Karbid und Sauerampfer 28 Die Champions CARBIDE AND SORREL Christoph Hübner Frank Beyer 29 Julietta 41 Martha Christoph Stark Rainer Werner Fassbinder 30 Königskinder Anne Wild 30 Mein langsames Leben Angela Schanelec 31 Nancy und Frank Wolf Gremm 32 Null Uhr Zwölf Bernd-Michael Lade 32 Das Sams Ben Verbong CONTENTS 50 Kleine Kreise 42 New German Films CIRCLING Jakob Hilpert 42 Das Bankett 51 Liebe nach Mitternacht THE BANQUET MIDNIGHT LOVE Holger Jancke, Olaf Jacobs Harald Leipnitz 43 Doppelpack 52 Liebesluder DOUBLE PACK A BUNDLE OF JOY Matthias Lehmann Detlev W.
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On the Road to the New Beginning: History and Utopia in Frank Beyer's Karbid Und Sauerampfer (Carbide and Sorrel)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article "On the Road to the New Beginning: History and Utopia in Frank Beyer’s Karbid und Sauerampfer (Carbide and Sorrel)" Thomas Lindenberger Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies, vol. 18, n° 1, 2007, p. 91- 107. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/017848ar DOI: 10.7202/017848ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 10 février 2017 03:36 *Cine?mas 18, 1:Cinémas 18, 1 11/02/08 15:59 Page 91 On the Road to the New Beginning: History and Utopia in Frank Beyer’s Karbid und Sauerampfer (Carbide and Sorrel) Thomas Lindenberger ABSTRACT Today, the film Carbide and Sorrel, by the eminent and recently deceased DEFA director Frank Beyer, is a valuable retrospective look at the construction of the new Germany.
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Children in Frank Beyer's Holocaust Films
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2016 Children in Frank Beyer's Holocaust Films Delene M. White University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Film and Media Studies Commons, and the German Language and Literature Commons Recommended Citation White, Delene M., "Children in Frank Beyer's Holocaust Films" (2016). Doctoral Dissertations. 815. https://doi.org/10.7275/9052390.0 https://scholarworks.umass.edu/dissertations_2/815 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CHILDREN IN FRANK BEYER’S HOLOCAUST FILMS A Dissertation Presented By DELENE CASE WHITE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2016 German and Scandinavian Studies © Copyright by Delene Case White 2016 All Rights Reserved CHILDREN IN FRANK BEYER’S HOLOCAUST FILMS A Dissertation Presented by DELENE CASE WHITE Approved as to style and content by: __________________________________ Barton Byg, Chair __________________________________ Sky Arndt-Briggs, Member __________________________________ Jonathan Skolnik, Member __________________________________ Jon Olsen, Member _____________________________ Andrew Donson, Member and Program Director German and Scandinavian Studies _____________________________ William Moebius, Department Chair Languages, Literature, and Cultures DEDICATION For Jack, my own child with the most agency of all. ACKNOWLEDGMENTS I have many people and institutions to thank for their support of many various kinds.
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Filmfestival Schwerin
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