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Après Ilo Ilo Caméra D'or
epicentre films présente Après Ilo Ilo Caméra d’or - Festival de Cannes un film de anthony chen yeo yann yann koh jia ler EPICENTRE FILMS PRÉSENTE WET SEASON UNE PRODUCTIOn GIRAFFE PICTURES EN ASSOCiATIOn AVeC HOOQ, REDIANCE ET NEW CENTURY INFLUENCE FILMS UN FILM éCRIT ET RÉALISÉ pAr ANThONY CHEN AVeC YEO YANN YANN, CHRISTOPHER LEE, KOH JIA LER ET YANG SHI BIN IMAGe SAM CARE DIRECTIOn ARTISTIQUE SOON YONG CHOW mONTAGe HOPING CHEN, JOANNE CHEONG sOn kUo LI CHI, ZHE WU CASTING KOO CHIA MENG ASSISTANTe REALISAtriCe CHARLOTTE LIM DIRECTIOn DE PRODUCTIOn IRENE kUnG PRODUcteurs ANTHONY CHEN, hUANG WENHONG, TAN SI EN prOduCteurs déléGués Des tan, menG Xie, peter Bithos, jennifer Batty, Bryan seah jianBin ZhanG, leonG Sze hian, Gina laU vENTES INTERNATIOnALES MEMENTO FILMS INTERNATIONAL DISTRIBUTIOn EPICENTRE FILMS EPICENTRE FILMS PRésente un film de anthony chen sinGaPouR/taiwan - 103 Min - DCP 2K - iMaGe 2.39 - son 5.1 Visa n°152567 SORTIE LE 19 FéVRIER 2020 Matériel de presse téléchargeable sur www.EPICENTREFILMS.COM DISTRIBUTION PRESSE Daniel Chabannes Laurence Granec/Vanessa Fröchen 55, Rue de la Mare 75020 Paris 71, Bd Voltaire 75011 Paris 01 43 49 03 03 01 47 20 36 66 [email protected] [email protected] SYNOPSIS Des trombes d’eau s’abattent sur singapour. C’est la mousson. Ling, professeur de chinois, tente depuis plusieurs années d’avoir un enfant mais son mari est de plus en plus fuyant. alors que sa vie professionnelle et personnelle se fissure, son rapprochement avec un jeune étudiant va tout bouleverser... ENTRETIEN AVEC ANTHONY CHEN D’où est venue l’idée de Wet Season ? Pourquoi le chinois a t-il moins d’importance que d’autres matières ? Le projet a mûri pendant que je voyageais pour la promotion d’Ilo Ilo. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership -
William E. Jones
WILLIAM E. JONES born 1962, Canton, OH lives and works in Los Angeles, CA EDUCATION 1990 MFA, California Institute of the Arts, Valencia, CA 1985 BA, Yale University, New Haven, CT SELECTED SOLO / TWO PERSON EXHIBITIONS, ART (* indicates a publication) 2021 The Modern Institute, Glasgow, Scotland 2020 Screening Room 07: William E. Jones, Galleria Raffaella Cortese, Milan, Italy 2019 Southfield, Detroit, MI Nothing Special, Los Angeles, CA Perverted by Language, Private Places, Portland, OR 2018 Holes in the Historical Record, Galleria Raffaella Cortese, Milan, Italy 2017 Fall into Ruin, microcinema at the 37th Cambridge Film Festival, organized by James Mackay, Heong Gallery, Downing College Cambridge, Cambridge, England Fall into Ruin, David Kordansky Gallery, Los Angeles, CA The Modern Institute, Glasgow, Scotland 2016 The Long Take, curated by Suzy Halajian, Los Angeles Contemporary Archive, Los Angeles, CA 2015 *Model Workers, Wexner Center for the Arts, Columbus, OH Galleria Raffaella Cortese, Milan, Italy 2014 *Heraclitus Fragment 124, Automatically Illustrated, David Kordansky Gallery, Los Angeles, CA [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 2013 The Modern Institute, Glasgow, Scotland William E. Jones: “Killed,” Saint Louis Art Museum, St. Louis, MO *Midcentury, Wexner Center for the Arts, Columbus, OH Two Explosions, 80WSE Gallery, New York, NY 2012 *Inside the White Cube, White Cube, London, England 2011 Upstairs at The Modern Institute, Glasgow, Scotland David Kordansky Gallery, -
The Beauty of the Real: What Hollywood Can
The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics. -
Wakana Yoshihara Hair and Make up Designer
WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg -
K-Pop Fandom in Lima,Perú
Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Disobedience
Presents DISOBEDIENCE A film by Sebastián Lelio 114 mins, UK, 2017 Language: English, Hebrew and Yiddish Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia DIRECTED BY Sebastián Lelio STARRING Rachel Weisz, Rachel McAdams, Alessandro Nivola PRODUCED BY Frida Torresblanco, Ed Guiney and Rachel Weisz EXECUTIVE PRODUCED BY Rose Garnett, Daniel Battsek, Ben Browning, Glen Basner, Andrew Lowe, Eric Laufer, Giovanna Randall, SCREENPLAY BY Sebastián Lelio and Rebecca Lenkiewicz BASED ON THE NOVEL BY Naomi Alderman DIRECTOR OF PHOTOGRAPHY Danny Cohen BSC LINE PRODUCER Rachel Dargavel EDITOR Nathan Nugent MUSIC BY Matthew Herbert PRODUCTION DESIGNER Sarah Finlay COSTUME DESIGNER Odile Dicks-Mireaux CASTING DIRECTOR Nina Gold HAIR & MAKE UP DESIGNER Marese Langan 2 SHORT SYNOPSIS A woman returns to her Orthodox Jewish community after the death of her rabbi father and stirs up controversy when she shows an interest in an old childhood friend. LONG SYNOPSIS In a Jewish Orthodox Synagogue in Hendon, the frail RAV KRUSHKA (Anton Lesser) collapses whilst giving a sermon. As funeral rites commence in London, the Rabbi’s exiled daughter RONIT KHRUSKA (Rachel Weisz) is living her life as a photographer in Manhattan. During a photo shoot she is told by the Brooklyn Synagogue of her father’s death; wounded by the news and in a vulnerable state, she gets drunk in a local bar and sleeps with an undetermined man. -
June 2019 Stonewall at 50: a Major Anniversary Offers Opportunity For
June 2019 Stonewall at 50: A Major Anniversary Offers Opportunity for New Historical Perspectives by Lexi Adsit Stonewall: For the LGBTQ community, this one word conjures up a range of emotions and beliefs. This month marks the 50th anniversary of the 1969 riots at the eponymous New York City bar, often mistakenly described as the birthplace of the modern LGBTQ movement. As we celebrate this symbolic episode, it's worth remembering that the riots are a complex and contested event, one whose legacy remains a subject of debate. For fresh perspectives on this iconic event, History Happens interviewed Marc Stein, vice chair of the GLBT Historical Society Board of Directors. A professor of history at San Francisco State University, Stein is the author of the new book The Stonewall Riots: A Documentary History (NYU Press, 2019). His research places Stonewall in a broader national context that positions the riots not as a starting point, but as a turning point. How were the Stonewall Riots viewed in California? News didn’t travel as quickly then as it does now, but many people found out via telephone conversations, friendship networks and word- of-mouth. Mainstream media didn’t provide much coverage, but alternative newspapers such as the Berkeley Barb and Berkeley Tribe and LGBTQ periodicals such as The Ladder in San Francisco and The Advocate in Los Angeles did better. Their reports suggest that many Californians viewed the Stonewall rebellion through the prism of recent developments on the West Coast. For everyone who knew about the anti-gay police killings of Howard Efland in Los Angeles (March 1969), Frank Bartley in Berkeley (April 1969), and Philip Caplan in Oakland (June 1969), the police raid on the Stonewall seemed like yet another instance of violent state repression.