German Videos - (Last Update December 5, 2019) Use the Find Function to Search This List
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The English Language: Did You Know?
The English Language: Did You Know? **English is the most widespread language in the world and is more widely spoken and written than any other language. Over 400 million people use the English vocabulary as a mother tongue, only surpassed in numbers by speakers of the many varieties of Chinese. **Here are all the countries in which English is the official spoken language: **Of all the world's languages (over 2,700) English is the richest in vocabulary with approximate- ly 250,000 different words. The Oxford English Dictionary lists about 500,000 words, and there are a half-million technical and scientific terms still uncatalogued. **Three-quarters of the world's mail is in English, and the most widely published language is Eng- lish. In fact, more than half of the world's technical and scientific periodicals are in English, and English is the medium for 80% of the information stored in the world's computer and on the In- ternet. **Five of the largest broadcasting companies in the world (CBS, NBC, ABC, BBC and CBC) trans- mit in English, reaching millions and millions of people all over the world. **Of the 163 member nations of the U.N., more use English as their official language than any other. After English, 26 nations in the U.N. cite French as their official tongue, 21 Spanish and 17 Arabic. **English is used as the lingua franca (common language on which to build relations) between nations where English is not the primary language. In a globalized world, the number of English learners around the world is only expected to further grow. -
LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17915 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 31 AOÛT 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI SÉRIES Le président Irak : Chirac ne veut pas de France ’ Télécom sous d’une guerre préventive la pression du DANS un discours prononcé à gouvernement Paris, jeudi 29 août, devant la . OBJETS CULTES conférence annuelle des ambassa- deurs, Jacques Chirac a pris ses dis- FAIT rarissime pour une entre- tances avec la position américaine prise de cette taille, France Télé- La tong sur l’Irak, Washington étant déter- com a annoncé, jeudi 29 août, sa miné à engager une action militaire décision de repousser au 12 septem- De l’Egypte ancienne pour renverser Saddam Hussein. bre la présentation de ses comptes aux créateurs p. 18 « On voit poindre la tentation de légiti- semestriels, initialement prévue mer l’usage unilatéral et préventif de le 4. Ce délai devrait permettre au la force, a déclaré le président de la groupe de définir sa stratégie face à VIEUX MÉTIERS République. Cette évolution est inquié- sa filiale allemande MobilCom, en tante. Elle est contraire à la vision de grande difficulté. Il peut soit acqué- Les couteliers la sécurité collective de la France, une rir la totalité du capital (contre vision qui repose sur la coopération 28,5 % actuellement), soit se retirer, Une profession en des Etats, le respect du droit et l’auto- ce qui reviendrait à provoquer la rité du Conseil de sécurité. » « Nous faillite de cette entreprise. Mais le perte d’emplois p. 11 rappellerons ces règles chaque fois que sort de la filiale allemande n’est pas nécessaire, et notamment à propos de le seul souci du président de France l’Irak, a poursuivi le chef de l’Etat. -
Download (843Kb)
DIPLOMARBEIT Titel der Diplomarbeit ELFRIEDE OTT UND DIE SCHAUSPIELKUNST – Schauspieltechniken im Vergleich Verfasserin Corinna Pumm Angestrebter akademischer Grad Magistra der Philosophie (Mag.phil) Wien, 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Beutreuer: Mag. Dr. Monika Meister 1 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende wissenschaftliche Arbeit selbstständig angefertigt und die mit ihr unmittelbar verbundenen Tätigkeiten selbst erbracht habe. Ich erkläre weiters, dass ich keine anderen als die angegebenen Hilfsmittel benutzt habe. Alle ausgedruckten, ungedruckten oder dem Internet im Wortlaut oder im wesentlichen Inhalt übernommenen Formulierungen und Konzepte sind gemäß den Regeln für wissenschaftliche Arbeiten zitiert und durch Fußnoten bzw. durch andere genaue Quellenangaben gekennzeichnet. Die während des Arbeitsvorganges gewährte Unterstützung einschließlich signifikanter Betreuungshinweise ist vollständig angegeben. Die wissenschaftliche Arbeit ist noch keiner anderen Prüfungsbehörde vorgelegt worden. Diese Arbeit wurde in gedruckter und elektronischer Form abgegeben. Ich bin mir bewusst, dass eine falsche Erklärung rechtliche Folgen haben wird. Corinna Pumm Wien, 21. Mai 2014 2 Inhaltsverzeichnis 1. Einleitung ……………………………………………………………………. 7 2. Begriffsklärungen ........................................................................................................ 10 2.1. Geschichtliche Entwicklung des Theaters und -
Budget Increase Will Keep Deficit in Check
Campagne de souscription Capital Campaign de l'Urnversite Concordia Concordia University ~DJ Concordia University, Montreal, Quebec Volume 8, Number 25 March 28, 1985 Budget increase will keep deficit in check by Barbara Verity million for resea:rch grants; ast week's announce and $2.3 million for computer ment by Higher Educa training. These figures total Ltion, Science and $73.9 million; however, $3.6 Technology Minister Yves million will go from the Berube that the government universities back to the budget for universities will in government as income from crease by $70.3 million this fees collected from foreign year is good news for Concor students. This brings the dia, says Rector Patrick Ken figure back to $70.3 million. niff. However, the major ef Kenniff pointed out the im fect here will simply be to keep portance to Concordia of the this year's deficit from grow $36. 7 million that will cover ing. the cost of increased The government move enrolments in all seven of creates a relatively good situa Quebec's universities. In tion for I 985-86, but it doesn't previous years, if a university solve the problem of Concor increased its student enrol dia's deficit, expected to reach ment no new government $10 million by the end of this funds were received for these year. The Budget Cutback students. Funds had to be Task Force formed in taken from other universities December still must find ways where enrolment had not in of trimming $3 million from creased and re-distributed to The library centre at the west end campus will consist of the Vanier library, which will be doubled the budget to cover the the growing universities. -
Germans Suffering in Spain: Cold War Visions of the Spanish Civil War In
Document generated on 09/24/2021 3:42 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955) La souffrance des Allemands en Espagne : points de vue de la guerre froide sur la guerre civile espagnole dans Fünf Patronenhülsen (1960) et Solange du lebst (1955) Stefan Soldovieri Mémoires de l’Allemagne divisée. Autour de la DEFA Article abstract Volume 18, Number 1, automne 2007 Since 1989 connections between the once geopolitically divided German movie industries have received increasing attention. This article considers how two URI: https://id.erudit.org/iderudit/017846ar films of the early post-war period—one produced in East Germany and one DOI: https://doi.org/10.7202/017846ar from the West—mobilized in different ways figurations of German suffering and sacrifice. The author argues that despite their diverging politics, the two See table of contents films participate in a trans-German discourse of suffering that persisted in historically variable ways throughout the Cold War period. Publisher(s) Cinémas ISSN 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Soldovieri, S. (2007). Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955). Cinémas, 18(1), 53–69. https://doi.org/10.7202/017846ar Tous droits réservés © Cinémas, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. -
Martin Ritt 19:00 PROVIDENCE - Alain Resnais 21:00 the FAN - Ed Bianchi
Domingo 9 17:00 THE SPY WHO CAME IN FROM THE COLD - Martin Ritt 19:00 PROVIDENCE - Alain Resnais 21:00 THE FAN - Ed Bianchi Lunes 10 CGAC 17:00 L’AVEU - Constantin Costa-Gavras 19:30 L’AMOUR À MORT - Alain Resnais 21:15 THE RAIN PEOPLE - Francis Ford Coppola Martes 11 17:00 A DANDY IN ASPIC - Anthony Mann, Laurence Harvey 19:00 THE DEADLY AFFAIR - Sidney Lumet 21:00 DER HIMMEL ÜBER BERLIN - Wim Wenders Miércoles 12 16:30 SECHSE KOMMEN DURCH DIE WELT - Rainer Simon 18:00 TILL EULENSPIEGEL - Rainer Simon 19:45 JADUP UND BOEL - Rainer Simon 21:30 DIE FRAU UND DER FREMDE - Rainer Simon Jueves 13 17:45 WENGLER & SÖHNE, EINE LEGENDE - Rainer Simon 19:30 DER FALL Ö - Rainer Simon 21:15 WORK IN PROGRESS: CORTOMETRAJES DE MARCOS NINE - Marcos Nine Viernes 14 16:00 FÜNF PATRONENHÜLSEN - Frank Beyer 17:30 NACKT UNTER WÖLFEN - Frank Beyer 19:45 KARBID UND SAUERAMPFER - Frank Beyer 21:15 JAKOB, DER LÜGNER - Frank Beyer 23:00 DER VERDACHT - Frank Beyer Miércoles 19 21:30 DER TUNNEL - Roland Suso Richter Jueves 20 16:00 CARLOS - Olivier Assayas 21:45 DIE STILLE NACH DEM SCHUSS - Volker Schlöndorff Venres 21 16:00 8MM-KO ERREPIDEA - Tximino Kolektiv (Ander Parody, Pablo Maraví, Itxaso Koto, Mikel Armendáriz) 17:00 PROXECTO NIMBOS (SELECCIÓN DE CORTOMETRAJES) - Varios autores 17:45 WORK IN PROGRESS: O LUGAR DOS AVÓS - Víctor Hugo Seoane 20:15 EL CORRAL Y EL VIENTO - Miguel Hilari 21:15 OUROBOROS - Carlos Rivero, Alonso Valbuena Sábado 22 17:00 VIDEOCREACIÓNS - Olalla Castro 18:30 A HISTÓRIA DE UM ERRO - Joana Barros 20:15 TRUE ROMANCE. -
Tag Des Barrierefreien Tourismus PROGRAMM
Tag des barrierefreien Tourismus Accessible Tourism Day PROGRAMM SCHEDULE 12.03.2021 10:15 – ca. 15:30 Online per Die Anmeldung zu dieser ZOOM Fachveranstaltung erfolgt unter: To register for this professional event, please visit: www.germany.travel/tdbt Supported by © DZT/Jens Wegener © DZT/Jens Anzeige•Advertisement Anzeige GRUSSWORT | A MESSAGE Leichter Reisen Barrierefreie Urlaubsziele in Deutschland Urlaub für Alle in zehn deutschen Regionen: Liebe Leserinnen Eifel und Leser, Erfurt Fränkisches Seenland Barrierefreiheit ist für etwa 10 Prozent der Bevölkerung unentbehrlich, aber für 100 Lausitzer Seenland Prozent der Reisenden komfortabel. Die Magdeburg Teilhabe aller Menschen am Tourismus ist Ostfriesland ein Element von Lebensqualität. „Reisen für Alle“ besitzt damit durchaus ökonomisches Rostock Potenzial für das Reiseland Deutschland. In Ruppiner Seenland den Eckpunkten für eine nationale Touris- musstrategie hat die Bundesregierung be- Sächsische Schweiz schlossen, dass Barrierefreiheit zu den stra- Südliche Weinstraße tegischen Zielen gehört, die wir weiterhin engagiert voranbringen wollen. Wir engagieren uns rund um Ihren Aufenthalt, damit Sie unsere Regionen genießen können. Nutzen Sie unsere barrierefreien Angebote. „Die Teilhabe aller Menschen www.leichter-reisen.info am Tourismus ist ein Element Urlaub für Alle von Lebensqualität.“ in zehn deutschen Regionen “Quality of life is enhanced if tourism is made accessible.” • • EIFEL ERFURT FRÄNKISCHES SEENLAND ROSTOCK THOMAS BAREIß MdB LAUSITZER SEENLAND • MAGDEBURG Dear reader, Parlamentarischer Staatssekretär • beim Bundesminister für Wirtschaft OSTFRIESLAND ROSTOCK OSTFRIESLAND und Energie und Beauftragter der RUPPINER SEENLAND • SÄCHSISCHE SCHWEIZ Accessibility is essential for around 10 per Bundesregierung für Tourismus und SÜDLICHE WEINSTRASSE RUPPINER SEENLAND cent of the population, but can make life für Mittelstand easier for every visitor. -
The Holocaust: Historical, Literary, and Cinematic Y, Timeline
The Holocaust: Historical, Literary, and Cinematic Timeline (Note: Books and films are cited in the following formats: Books: Authorr, Tittle; Films: Tittle (Director, Country). For non-English language texts in all cases the standard English title has been used.) 1933 Januarry 30: Nazistake power March 9: concentration camp established at Dachau, outside Munich Appril1: state-sponsored boycott of Jewish shops and businesses 1935 May 21: Jews forbidden to serve in the German armed forces Septtember 15: promulgation of Nuremberg Laws 1936 June 17: Reichsführer SS Heinrich Himmler appointed head of all German police and security services 1938 March 12: Anschluss [union] of Austria; Austrian Jews immediately deprived of civil rights, subjected to Nazi race laws; by Septemberr, all Viennese Jewish busineses (33,000 in March) liquidated May: concentration camp established in the granite quarries at Mauthausen, near Linz (Hitler’s birthplace) June 9: main synagogue in Munich burnt down by Nazi stormtroopers Julyy–September: Jews forbidden to practice law or medicine October 6: Italy enacts anti-Semitic racial laws; 27: 18,000 Polish- born Jews deported to Poland November 10: Kristallnachtt; 191 synagogues fired; 91 Jews murdered; over 30,000 arrested; 20% of all Jewish property levied confiscated to paay for damage; 12: Göring orders the liquidation of all Jewish businesses by year’s end; 15: Jewish children banned from German schools December: no Jewish-owned businesses (of over 6,000 in 1933) remain in Berlin (Kathrine) Kressmann Taylor’s ‘Address Unknown’, published in Storry Magazine 1939 Januarry 30: in his annual speech commemorating the Nazi seizure of power, Hitler predicts that a new world war will result in “the annihilation of the Jewish race in Europe” March 15: Partition of Czechoslovakia: 118,000 more Jews fall under German dominion September 1: Germany invades Poland (Jewish population in 1939: approx. -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jana Krejčířová Australian English Bachelor’s Diploma Thesis Supervisor: PhDr. Kateřina Tomková, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to express my sincere gratitude to my supervisor PhDr. Kateřina Tomková, Ph.D. for her patience and valuable advice. I would also like to thank my partner Martin Burian and my family for their support and understanding. Table of Contents Abbreviations ........................................................................................................... 6 Introduction .............................................................................................................. 7 1. AUSTRALIA AND ITS HISTORY ................................................................. 10 1.1. Australia before the arrival of the British .................................................... 11 1.1.1. Aboriginal people .............................................................................. 11 1.1.2. First explorers .................................................................................... 14 1.2. Arrival of the British .................................................................................... 14 1.2.1. Convicts ............................................................................................. 15 1.3. Australia in the -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Spring 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater JAN. 26-27-28 • USA, 1992 MARCH 2-3-4 • USA, 2013 • SHAKESPEARE FESTIVAL THUNDERHEART WARM BODIES Dir. Michael Apted With Val Kilmer, Sam Shephard, Graham Greene. Dir. Jonathan Levine, In English and Sioux with English subtitles. Rated R, 119 mins. With Nicholas Hoult, Dave Franco, Teresa Palmer, Analeigh Tipton, John Malkovich Thunderheart is a thriller loosely based on the South Dakota Sioux Indian In English, Rated PG-13, 98 mins. uprising at Wounded Knee in 1973. An FBI man has to come to terms with his mixed blood heritage when sent to investigate a murder involving FBI A romantic horror-comedy film based on Isaac Marion's novel of the same agents and the American Indian Movement. Thunderheart dispenses with name. It is a retelling of the Romeo and Juliet love story set in an apocalyptic clichés of Indian culture while respectfully showing the traditions kept alive era. The film focuses on the development of the relationship between Julie, a on the reservation and exposing conditions on the reservation, all within the still-living woman, and "R", a zombie…A funny new twist on a classic love story, conventions of an entertaining and involving Hollywood murder mystery with WARM BODIES is a poignant tale about the power of human connection. R a message. (Axmaker, Sean. Turner Classic Movies 1992). The story is a timely exploration of civil rights issues and Julie must find a way to bridge the differences of each side to fight for a that serves as a forceful indictment of on-going injustice.