DOCSLIB.ORG

Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2016 _ annual report Editorial The Memorial to the Unknown Jewish We pursued our cultural activities, Martyr, Europe’s first monument in the hosting After the Holocaust, a major honor of the memory of the six million exhibition on refugees and survivors Jews killed during the Holocaust, was and the displacement of populations at inaugurated rue Geoffroy-l’Asnier, the end of World War II. Another Paris, in 1956. Sixty years later, the exhibition brought to light a virtually Shoah Memorial pursues its role as a unknown genocide, against the Herero beacon of vigilance. It has kept up with and Nama in South-West Africa, at the the times and, in addition to its beginning of the 20th century. historical mandate of preserving, You and your indispensable Éric de Rothschild. commemorating and transmitting the © DR. commitment, donors, the Memorial’s history of the Holocaust, has developed permanent staff and volunteers enable educational and teacher-training our institution to fulfill its task. activities. EDITORIAL Thank you. In January 2016, we signed an agreement with the government to bolster our position as a special Éric de Rothschild partner in matters relating to the fight President of the Shoah Memorial against racism and anti-Semitism; and consolidate knowledge about genocide and the prevention of crimes against humanity in schools. Our activities have increased, both at the Memorial and in schools and cultural institutions, in France and abroad. The bulwark we are building is essential for everybody – here and everywhere else. Over 50,000 young people participated in an educational activity at the Memorial in 2016, a significant rise over the previous year. The year 2016 in figures attendance . 9,782 professionals received training . 5,793 readers in the reading room in France and abroad (8,891 in 2015), (5,003 in 2015) . 212,421 visitors in 2016 including 4,106 teachers from France, (188,077 in Paris and 24,344 in Drancy) 1,407 foreign teachers, . 2,444,840 pages viewed and 1,836 police academy cadets during 780,545 visits . 60,744 people visited our traveling (630,590 in 2015) exhibitions in France and abroad . 6,629 people attended events to the Memorial’s websites in the auditorium (6,920 in 2015) . 2,059 school groups ES (compared to 1,697 in 2015) . 682 visitors to the Multimedia R for a total of 45,000 young people Learning Centre (651 in 2015) GU I N F I 2016 total number of Shoah Memorial visitors AR 227,410 HE YE no. of visitors 24,910 in Drancy 224,970 T 219,000 202,500 in Paris 23,370 in Drancy 201,600 in Paris 17,000 in Drancy 212,421 202,000 in Paris 24,344 in Drancy 188,077 in Paris 205,860 200,249 178,000 2010 2011 2012 2013 2014 2015 2016 2 activities archives visibility . 4 temporary exhibitions: . 15,744 images (15,102 in 2015), . 3,066 mentions 3 at the Paris Shoah Memorial, 282 films (282 in 2015), or dedicated articles in the media and 1 at the Drancy Shoah Memorial 967,547 pages of documents (2,217,728 in 2015) and 3,602 books . 18,952 Facebook likes, . 97 venues hosted traveling and periodicals (1,522 in 2015) 6,000 Twitter followers exhibitions (79 in 2015) were acquired in 2016 . 160,000 folders distributed in the st T . The 1 Shoah Memorial . 163 projects (books, exhibitions, Île-de-France region tourism network HE YE teachers’ conference films, etc.) used photographs . Institutional poster campaign AR from the Memorial’s collections 2016 . 109 teacher training courses on the Paris and Drancy Shoah (227 in 2015) (92 in 2015) Memorials at French railway stations I (platforms and lobbies; 430 locations) N F . 3,531 documents were communicated I . 77 events in the auditorium, from 15 June to 26 July (at the time GU in the reading room (2,315 in 2015) R including two symposia (97 in 2015) of the European soccer football ES championship), and a GPS digital . 7 annual commemorations (8 in 2015) communication system on mobile . 3,694 people (individual visitors, cultural apps schoolchildren, and teachers) . 54 film shoots participated in 32 study and remembrance trips (30 in 2015) . The Shoah Memorial belongs to the leaving from Paris and provincial Network of Places Commemorating France, mostly to Auschwitz the Holocaust in France and the Réseau Marais culture + . 6,500 young people attended 217 school workshops 3 2016 highlights Visitors at the exhibition After the Holocaust: Survivors and Refugees (1944-1947). Mémorial de la Shoah/Sandra Saragoussi. Left: European Temporary EXPOSITION Parliament President DU 27 JANVIER Martin Schulz AU 30 OCTOBRE 2016 at the opening of the exhibition exhibitions After the Holocaust: Survivors and Refugees In 2016, the Memorial held (1944-1947). Mémorial de la four temporary exhibitions, Shoah/Sandra including three at the Paris site. Saragoussi. The first focused on the challenges which survivors and refugees faced when they went Opposite: back home after the Holocaust; Polish survivors the second, on women in the getting off a train RESCAPÉS, RÉFUGIÉS, in Nachod, Czechoslovakia, 1945. Resistance, and the third on the SURVIVANTS d’un train. descendent polonais - Des survivants 1944-1947 (www.bronx.fr) Yad Vashem/ Bronx ★ th : Arthur Zegart. / Photo Vashem 1945. Yad Nachod, Tchécoslovaquie, 20 century’s first genocide, which Photo: Arthur Zegart. www.memorialdelashoah.org Exhibition poster. occurred in Namibia. #ApresLaShoah All rights reserved. S S T GH LI GH I After the Holocaust: 2016 H Survivors and Refugees (1944-1947) 27 January-20 November 2016 Institutional partners: ORT-France, Œuvre de secours aux enfants (OSE), Fondation Casip-Cojasor, US Holocaust Memorial Museum, Yad Vashem Media partners: France Culture, Courrier international, When the camps were opened, (EHESS), Constance Pâris La Croix, Toute l’Histoire, Télérama those who survived tried to find their de Bollardière (EHESS) and Simon Press coverage: 229 mentions et articles Promotional campaign: loved ones, return home, and get back Perego (Institut d’Études Politiques Posters in the Paris Metro: 26 January to 1 February to work amidst the postwar chaos. de Paris). On 28 January, European (250 locations), 31 May to 6 June (200 locations), After the Holocaust used maps, Parliament President Martin Schulz and 13 to 19 September (200 locations) Posters in Marais shop windows: 2,000 locations archival documents, films, and nearly opened the exhibition, which echoed Mupi/Decaux billboards: late January (400 copies) 250 photos, most of them from timely issues, namely the refugee offered free of charge by the City of Paris the Shoah Memorial’s collections, crisis, illustrating one of the Memorial’s Promotional folder (12,000 copies) and bilingual flyer (55,000 copies) distributed in order to trace the various stages main roles: providing keys to a better in all hotels and Île-de-France tourism offices which refugees and survivors from understanding of the past Promotional videos: one trailer and two interviews different backgrounds went through as well as the present. with the curator broadcast on social media Street marketing: late January in the Marais in rebuilding their shattered lives. Number of visitors: 20,000 The curators were: CNRS research Guided tours: 31 for groups director Henry Rousso, Laure Fourtage of adults and schoolchildren Exhibition catalogue (Paris 1 University), Julia Maspero Mini-website 6 The exhibition included a gallery of portraits of over 50 women in the Resistance who, with hundreds of others, fought for justice and freedom. Mémorial de la Shoah/Michel Isaac. 2016 H I GH LI GH T Illustrations of the four “Women in the Resistance” S Women in the Resistance album covers published by Casterman. Volume 1 Amy Johnson, drawing: Pierre Wachs. 8 March-23 October 2016 Volume 2 Sophie Scholl, drawing: Marc Veber. Volume 3 Berty Albrecht, drawing: Ullcer. Volume 4 Mila Racine, drawing: Olivier Frasier. In the framework of the Exhibition poster. All rights reserved. International Women’s Day, this exhibition paid homage to the women who fought against the Femmes enemy in France, in occupied : Olivier Frasier. : Olivier Frasier. résistance Europe, in concentration camps and Mila Racine, dessin – en : Ullcer. Tome 4 Tome : Ullcer. killing centres. Featuring many Institutional partner: Casterman Berty Albrecht, dessin Berty Albrecht, – original documents from archives, Press coverage: : Marc Veber. Tome 3 Tome Veber. : Marc photographs, objects and comic des éditions Casterman. 150 mentions and articles Sophie Scholl, dessin – book plates, and organized in Femmes en résistance Promotional campaign: : Pierre Wachs. Tome 2 Tome Wachs. : Pierre Posters in Marais shop windows: 17 rue Geoffroy l’Asnier Amy Johnson, dessin partnership with Casterman, it – Exposition Du 8 mars 75 004 Paris 2,000 locations Illustrations des quatre couvertures des albums couvertures Illustrations des quatre 1 Tome au 30 septembre Métro Saint-Paul ou Pont-Marie depicted those women without 2016 Promotional flyer: 5,000 copies whom, as Henri Rol-Tanguy said, www.memorialdelashoah.org Distribution campaign (20,000 postcards) in Paris cultural circuits “half of our work would have been Guided tours: 18 for groups of adults and schoolchildren impossible”. Expo-femmes-40x60-OK.indd 1 29/02/16 17:37 7 A view of the exhibition The 20th Century’s First Genocide: Herero and Nama in German South-West Africa (1904-1908). Mémorial de la Shoah/Michel Isaac. S S th T The 20 Century’s First Genocide: GH Herero and Nama in German South-West Africa (1904-1908) LI GH I 25 November 2016-12 March 2017 2016 H In 2016, the Memorial hosted an Herero women carrying goods as forced laborers. EXPOSITION The colony’s main infrastructure was built unprecedented exhibition dedicated du 25 novembre 2016 au 12 mars 2017 with the use of forced labor.
Recommended publications
  • From Humiliation to Humanity Reconciling Helen Goldman’S Testimony with the Forensic Strictures of the Frankfurt Auschwitz Trial

    From Humiliation to Humanity Reconciling Helen Goldman’S Testimony with the Forensic Strictures of the Frankfurt Auschwitz Trial

    S: I. M. O. N. Vol. 8|2021|No.1 SHOAH: INTERVENTION. METHODS. DOCUMENTATION. Andrew Clark Wisely From Humiliation to Humanity Reconciling Helen Goldman’s Testimony with the Forensic Strictures of the Frankfurt Auschwitz Trial Abstract On 3 September 1964, during the Frankfurt Auschwitz trial, Helen Goldman accused SS camp doctor Franz Lucas of selecting her mother and siblings for the gas chamber when the family arrived at Birkenau in May 1944. Although she could identify Lucas, the court con- sidered her information under cross-examination too inconsistent to build a case against Lucas. To appreciate Goldman’s authority, we must remove her from the humiliation of the West German legal gaze and inquire instead how she is seen through the lens of witness hospitality (directly by Emmi Bonhoeffer) and psychiatric assessment (indirectly by Dr Walter von Baeyer). The appearance of Auschwitz survivor Helen (Kaufman) Goldman in the court- room of the Frankfurt Auschwitz trial on 3 September 1964 was hard to forget for all onlookers. Goldman accused the former SS camp doctor Dr Franz Lucas of se- lecting her mother and younger siblings for the gas chamber on the day the family arrived at Birkenau in May 1944.1 Lucas, considered the best behaved of the twenty defendants during the twenty-month-long trial, claimed not to recognise his accus- er, who after identifying him from a line-up became increasingly distraught under cross-examination. Ultimately, the court rejected Goldman’s accusations, choosing instead to believe survivors of Ravensbrück who recounted that Lucas had helped them survive the final months of the war.2 Goldman’s breakdown of credibility echoed the experience of many prosecution witnesses in West German postwar tri- als after 1949.
  • FRA Handbook for Teachers

    FRA Handbook for Teachers

    Excursion to the past – teaching for the future: Handbook for teachers 1 This Handbook covers most of the articles as enshrined in the Charter of Fundamental Rights of the European Union, in particular those relating to Chapter I to IV - dignity, freedoms, equality, solidarity and citizens’ rights. Cover image: © Michael St. Maur Sheil/CORBIS October Auschwitz, Poland Michael St. Maur Sheil Encyclopedia FRA - European Union Agency for Fundamental Rights Schwarzenbergplatz 11 1040 - Wien Austria Tel.: +43 (0)1 580 30 - 0 Fax: +43 (0)1 580 30 - 691 E-Mail: [email protected] www.fra.europa.eu Excursion to the past – teaching for the future: Handbook for teachers FOREWORD Th e Holocaust has taught us that without respect and application of basic human rights the unspeakable can become a reality. Th ere is therefore a close connection between the Holocaust and subsequent human rights developments. Th e adoption of the Universal Declaration of Human Rights in , and later the adoption of European regional human rights instruments, was followed by a gradual coming to terms with the lessons of the Holocaust and its signifi cance for the values that strengthen the European Union today. Th e European Union recognises the Holocaust as a key and seminal event in European history and heritage. Th e values that underpin the European Union and are common to all its Member States have key aspects related directly to the experience of the Jewish populations during the period before, during and after the Second World War. Th e concepts of the universality and indivisibility of human rights become even more pronounced when we look back at the Holocaust and realise the need to remain vocal and vigilant on the question of human rights.
  • Nachwort Zur Dritten Auflage

    Nachwort Zur Dritten Auflage

    Nachwort zur dritten Auflage Seit Erscheinen der Erstauflage dieses Buches im Jahre 1993 haben sich hinsicht- lich der Rezeption des Verfolgungsschicksals der Zeugen Jehovas im „Dritten Reich" eine Reihe gravierender Veränderungen vollzogen. Jahrzehntelang blieb den Zeugen Jehovas eine öffentliche Würdigung als Opfer- gruppe versagt. Auch in der Wissenschaft stieß ihre Geschichte im großen und ganzen auf kein Interesse. Dieses Los teilen die Zeugen Jehovas mit anderen Grup- pen von Nazi-Verfolgten, deren gesellschaftliche Marginalisierang auch nach 1945 fortdauerte, beispielsweise den Sinti und Roma. Im Osten Deutschlands, wo unter Verweis auf die revolutionäre Tradition der herrschenden Partei und die im eigenen Land angeblich erfolgte Einlösung des antifaschistischen Vermächtnisses die Bevölkerung von der Verantwortung für die Vergangenheit freigesprochen bzw. exkulpiert wurde, waren die Zeugen Jehovas, die nach ihrem Verbot in der DDR im August 1950 erneuter Verfolgung ausgesetzt waren, allenfalls ein Thema für die Staatssicherheit. Sie wurden feindlicher Nach- richtentätigkeit und staatsfeindliche Handlungen bezichtigt. Um den für die DDR mißlichen Umstand, daß es sich bei den Zeugen Jehovas um Nazi-Verfolgte han- delte, zu begegnen, wurde vor keiner Diffamierung zurückgeschreckt: Bei der Füh- rung der Zeugen Jehovas habe es sich um „vom Großkapital gekaufte", „faschi- stisch kompromittierte religiös-politische Abenteurer" gehandelt, die um die „Gunst der Nazis" geworben und sich später zum „massenweisen Verrat der eigenen Glau- bensbrüder an die Gestapo" bereit erklärt hätten1. Im Westen Deutschlands, wo in den ersten beiden Nachkriegsjahrzehnten Erin- nerungsverweigerung und Schuldabwehr in der Bevölkerung vorherrschten und der Reintegration der Verantwortlichen aus Verwaltung, Kriegswirtschaft und Wehrmacht weit mehr Aufmerksamkeit geschenkt wurde als der Rehabilitation der Nazi-Verfolgten, beschränkte sich lange Zeit die Beschäftigung mit „Verfolgung und Widerstand" im wesentlichen auf den 20.
  • Thesis Title the Lagermuseum Creative Manuscript and 'Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum' C

    Thesis Title the Lagermuseum Creative Manuscript and 'Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum' C

    Thesis Title The Lagermuseum Creative Manuscript and ‘Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum’ Critical Thesis Author Dr Claire Griffiths, BA (Hons), MA, PhD Qualification Creative and Critical Writing PhD Institution University of East Anglia, Norwich School of Literature, Drama and Creative Writing Date January 2015 Word Count 91,102 (excluding appendices) This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract The Lagermuseum My creative manuscript – an extract of a longer novel – seeks to illuminate a little- known aspect of the history of the Auschwitz concentration and death camp complex, namely the trade and display of prisoner artworks. However, it is also concerned with exposing the governing paradigms inherent to contemporary encounters with the Holocaust, calling attention to the curatorial processes present in all interrogations of this most contentious historical subject. Questions relating to ownership, display and representational hierarchies permeate the text, characterised by a shape-shifting curator figure and artworks which refuse to adhere to the canon he creates for them. The Lagermuseum is thus in constant dialogue with my critical thesis, examining the fictional devices which often remain unacknowledged within established
  • ANNUAL REPORT 2013 Birkenwald

    ANNUAL REPORT 2013 Birkenwald

    ANNUAL REPORT 2013 Birkenwald. Forest of Auschwitz II-Birkenau, the ruins of crematory V in the background. In German, Birkenau means “stand of birch trees.” Ethel Buisson took this photograph as she followed in the footsteps of her grandfather, Srul Ruger, who died in Auschwitz in 1942. Her trip was published in 2014 in the journal Tenou’a. 1 An in-depth work that is more essential than ever Currently, Europe is experiencing a resurgence of anti-Semitism. This disturbing reality is due to an increasingly violent and vociferous minority. The association of disparate movements under the banner of anti-Semitism and conspiracy theories should be a warning. Ridiculed and even denied, the Shoah has been exploited with this hate speech, which shamelessly tramples on the memory of the victims. This dangerous excess is unacceptable; fortunately, it has been widely condemned by public authorities and society at large. Faced with this reality, the Foundation for the Memory of the Shoah intends to pursue the in-depth work it began 13 years ago: education, based on a knowledge of history and action that refuses any “competing memories,” combined with public vigilance. Schools are crucial to this work, and I would like to congratulate the many teachers who, with their students, pursue productive pedagogical initiatives every year. The year 2013 was also marked by two projects, which the Foundation is particularly proud to have supported. The first is the memory site inaugurated in Le Chambon-sur-Lignon, a place that presents the history of the Vivarais Plateau, whose residents sheltered hundreds of Jews fleeing the persecutions of the war.
  • Key Findings Many European Union Governments Are Rehabilitating World War II Collaborators and War Criminals While Minimisin

    Key Findings Many European Union Governments Are Rehabilitating World War II Collaborators and War Criminals While Minimisin

    This first-ever report rating individual European Union countries on how they face up their Holocaust pasts was published on January 25, 2019 to coincide with UN Holocaust Remembrance Day. Researchers from Yale and Grinnell Colleges travelled throughout Europe to conduct the research. Representatives from the European Union of Progressive Judaism (EUPJ) have endorsed their work. Key Findings ● Many European Union governments are rehabilitating World War II collaborators and war criminals while minimising their own guilt in the attempted extermination of Jews. ● Revisionism is worst in new Central European members - Poland, Hungary, Croatia and Lithuania. ● But not all Central Europeans are moving in the wrong direction: two exemplary countries living up to their tragic histories are the Czech Republic and Romania. The Romanian model of appointing an independent commission to study the Holocaust should be duplicated. ● West European countries are not free from infection - Italy, in particular, needs to improve. ● In the west, Austria has made a remarkable turn-around while France stands out for its progress in accepting responsibility for the Vichy collaborationist government. ● Instead of protesting revisionist excesses, Israel supports many of the nationalist and revisionist governments. By William Echikson As the world marks the United Nations Holocaust Remembrance Day on January 27, European governments are rehabilitating World War II collaborators and war criminals while minimising their own guilt in the attempted extermination of Jews. This Holocaust Remembrance Project finds that Hungary, Poland, Croatia, and the Baltics are the worst offenders. Driven by feelings of victimhood and fears of accepting refugees, and often run by nationalist autocratic governments, these countries have received red cards for revisionism.
  • Tell Ye Your Children

    Tell Ye Your Children

    Tell Ye Your Children… Your Ye Tell Tell Ye Your Children… STÉPHANE BRUCHFELD AND PAUL A. LEVINE A book about the Holocaust in Europe 1933-1945 – with new material about Sweden and the Holocaust THE LIVING HISTORY FORUM In 1997, the former Swedish Prime Minister Göran Persson initiated a comprehensive information campaign about the Holocaust entitled “Living History”. The aim was to provide facts and information and to encourage a discussion about compassion, democracy and the equal worth of all people. The book “Tell Ye Your Children…” came about as a part of this project. The book was initially intended primarily for an adult audience. In 1999, the Swedish Government appointed a committee to investigate the possibilities of turning “Living History” into a perma- nent project. In 2001, the parliament decided to set up a new natio- nal authority, the Living History Forum, which was formally establis- hed in 2003. The Living History Forum is commissioned to work with issues related to tolerance, democracy and human rights, using the Holocaust and other crimes against humanity as its starting point. This major challenge is our specific mission. The past and the pre- sent are continuously present in everything we do. Through our continuous contacts with teachers and other experts within education, we develop methods and tools for reaching our key target group: young people. Tell Ye Your Children… A book about the Holocaust in Europe 1933–1945 – THIRD REVISED AND EXPANDED ENGLISH EDITION – STÉPHANE BRUCHFELD AND PAUL A. LEVINE Tell Ye Your
  • Dans Nos Classes Actions Éducatives

    Dans Nos Classes Actions Éducatives

    Dans nos classes Actions éducatives Mémoires de la déportation, en savoir plus Marie-Françoise Bonicel* (pour la revue Cultures en mouvement, n° 25, mars 2000.) "Biographie : Une histoire de vie en taille directe(1) " La mémoire, comme les racines de l'arbre Conditionne et maintient notre vie. Ma vie coïncide avec celle de mon peuple. Ma vie d'artiste coïncide avec le retour de ma mémoire… Je voudrais fixer la Mémoire dans la pierre et être l'outil grâce auquel l'Esprit rentre dans la Matière. Shelomo Selinger. Prix Mémoire de la Shoah. C'est le plus souvent par l'approche directe de sa création que nous sommes amenés à découvrir l'œuvre d'un artiste. Lorsque celui-ci est contemporain, elle se fait parfois à travers lui à la faveur d'une rencontre. Ce peut être aussi le fruit d'un travail sur l'histoire collective d'un peuple ou d'une culture transcendant son art qui en ouvre les portes. La vie, peut enfin se transformer en alchimiste de la rencontre, mêlant ainsi ces voies et ces voix .C'est ainsi que je fus accueillie par des mains tendues au seuil de sa vie et de son œuvre : "Les mains sont le prolongement de l'âme…" Au seuil de l'atelier de sculpture de Shelomo Selinger, un néflier issu d'un noyau venu d'Israël, arque ses branchages sur la cour pavée et des sculptures, dans un mouvement immobile, prononcent les mots du silence : Babyar parle de la tragédie du peuple juif ukrainien, Œdipe et Antigone racontent une histoire venue de la nuit des temps, La Femme Chouette a son regard de marbre tourné vers l'intérieur, et La femme aux trois seins vient d'éclore dans le granit.
  • Deportation, Genocide, and Memorial Politics: Remembrance and Memory in Postwar France, 1943-2015

    Deportation, Genocide, and Memorial Politics: Remembrance and Memory in Postwar France, 1943-2015

    University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Deportation, Genocide, and Memorial Politics: Remembrance and Memory in Postwar France, 1943-2015 Rachel Williams University of Central Florida Part of the Cultural History Commons, Jewish Studies Commons, and the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Williams, Rachel, "Deportation, Genocide, and Memorial Politics: Remembrance and Memory in Postwar France, 1943-2015" (2021). Electronic Theses and Dissertations, 2020-. 783. https://stars.library.ucf.edu/etd2020/783 DEPORTATION, GENOCIDE, AND MEMORIAL POLITICS: REMEMBRANCE AND MEMORY IN POSTWAR FRANCE, 1943-2015 by RACHEL L. WILLIAMS B.A. University of Central Florida, 2014 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2021 Major Professor: Amelia H. Lyons © 2021 Rachel L. Williams ii ABSTRACT This thesis examines how the remembrance of deportation from France during the Second World War impacted the creation of two memorials in Paris in the postwar years. The two memorials, located just over 500 meters apart in the center of Paris and inaugurated within seven years of one another, physically embody each of these narratives.
  • Why Are There So Many Diverse Holocaust Museums?: a Journey Through the Holocaust Museums of Five Nations

    Why Are There So Many Diverse Holocaust Museums?: a Journey Through the Holocaust Museums of Five Nations

    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State History Theses History and Social Studies Education 12-2012 Why Are There So Many Diverse Holocaust Museums?: A Journey through the Holocaust Museums of Five Nations Marjorie E. Carignan State University of New York, Buffalo State College, [email protected] Advisor Cynthia Conides, Ph.D., Associate Professor First Reader Cynthia Conides, Ph.D., Associate Professor Second Reader John Abromeit, Ph.D., Assistant Professor Department Chair Andrew D. Nicholls, Ph.D., Professor of History To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/. Recommended Citation Carignan, Marjorie E., "Why Are There So Many Diverse Holocaust Museums?: A Journey through the Holocaust Museums of Five Nations" (2012). History Theses. 12. https://digitalcommons.buffalostate.edu/history_theses/12 Follow this and additional works at: https://digitalcommons.buffalostate.edu/history_theses Part of the History Commons, and the Jewish Studies Commons Why Are There So Many Diverse Holocaust Museums?: A Journey through the Holocaust Museums of Five Nations by Marjorie E. Carignan An Abstract of a Thesis in Museum Studies Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 State University of New York College at Buffalo Department of History and Social Studies Education 1 Abstract of Thesis Holocaust museums around the world are unique in their respective missions, funding, architecture and exhibitions. Some of these distinctions are extreme, leaving museums seemingly opposites of each other. To better understand these diversities, this thesis analyzes Holocaust museums in France, Germany, Poland, Israel and the United States.

  • Gross Rosen Concentration Camp

    Holocaust Education & Archive Research Team www.HolocaustResearchProject.org Search Home - Holocaust Prelude - Euthanasia - Einsatzgruppen - Aktion Reinhard - Ghettos - Revolt & Resistance Other Camps Other Camps - Holocaust Economics - The German Occupation - Survivors Stories - Trials - Image Gallery - Appendix A-Z Key Nazi personalities in the Camp System n Arthur Greiser n Arthur Nebe n Josef Mengele Gross-Rosen n Rudolf Höss Concentration Camp n Theodor Eicke The Labor & The Nazis established Gross-Rosen on the 2 August 1940 in Lower Silesia, as a satellite camp Extermination Camps of Sachsenhausen, in the vicinity of the granite quarry of Gross-Rosen. On 1 May 1941 Gross- Auschwitz/Birkenau Rosen became an independent concentration camp; it remained in operation until mid-February 1945, the camps commandants were as follows: n Historical Timeline n The Basics l SS-Obersturmbannfuhrer Arthur Rodl 1941 -1942 n Chain of Command l SS- Haupsturmfuhrer Wilhelm Gideon 1942 n The Gas Chambers l SS – Sturmbannfuhrer Johannes Hassebroek 1943 – 1944 n Wilhelm Boger n Oswald Kaduk n Robert Mulka The original camp entrance at Gross-Rosen Other notable members of the camp staff were as follows: n Pery Broad Excerpt n Auschwitz Protocol The Vrba-Wetzler n Report Dr.. Karl Babor n n Dr.. Heinrich Rindfleisch n Auschwitz Peter Brandenburg n n Fritz Ritterbusch Remembered Karl Brauer n n Dr.. Karl Schmidt n The Death March Herbert Dillmann n Kuno Schramm who also served at Dachau, Majdanek and n n Dr.. FrieDr.ich Entress, who served at Period Photos Neuengamme n Mauthausen and Auschwitz Modern Photos n n Wilhelm Stoetzler n Walter Ernstberger Auschwitz Today n Otto Stoppel n Georg Guessregen Gallery 2 n Rudolf-Heinrich Suttrop n Waldemar Henneberg n Kremer Diary n Dr.
  • 12 Der Holocaust Und Die Menschenrechte

    12 Der Holocaust Und Die Menschenrechte

    Reise in die Vergangenheit – Lehren für die Zukunft: Ein Handbuch für Lehrer Das vorliegende Handbuch befasst sich mit den meisten Artikeln der Charta der Grundrechte der EuroPäischen Union, vor allem mit den Artikeln der Kapitel I bis IV – Würde des Menschen, Freiheiten, Gleichheit, Solidarität und Bürgerrechte. Titelbild: © Michael St. Maur Sheil/CORBIS 29.Oktober 1996 Auschwitz, Polen Michael St. Maur Sheil Encyclopaedia Agentur der EuroPäischen Union für Grundrechte Schwarzenbergplatz 11 1040 ‑ Wien Österreich Tel.: +43 (0)1 580 30 ‑ 0 Fax: +43 (0)1 580 30 ‑ 691 E‑Mail: [email protected] fra.europa.eu Reise in die Vergangenheit – Lehren für die Zukunft: Ein Handbuch für Lehrer Vorwort DerHolocaust hatuns gelehrt,dassdas Unaussprechliche Realitätwerden kann, wenn grundlegende Menschenrechte nichtgeachtetund aktiv angewendet werden. Zwischen demHolocaust undder nachfolgenden Entwicklungder Menschenrechte bestehtalsoein engerZusammenhang. Nach der Verabschiedung der AllgemeinenMenschenrechtserklärung der VereintenNationenimJahr 1948 undverschiedener euroPäischer Menschenrechtsinstrumente in denJahrendanachfestigten sich allmählich Lehren ausdem Holocaust, undeswurde deutlich,welch großeBedeutung siefürdie Wertehaben,die heutedie Stärkeder EuroPäischen Unionsind. DieEuropäischeUnion anerkenntimHolocaust einepochales Schlüsselereignis fürdie Geschichte unddas Erbe Europas. DieWerte,die der EuroPäischen Unionzugrunde liegen undallen Mitgliedsstaaten gemein sind,beziehensichinSchlüsselaspektendirektauf dieErfahrungen der jüdischenBevölkerunginEuropavor,währendund