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Felix Issue 1103, 1998
COLOUR EXTRAVAGANZA SUMMER SOUNDS GOT SOME SPARE TIME? Sixty-page Guide to the Jumbo $f Bumper Issue Festivals Crossword Interview with the Rector Campus Renaissance Game y the Tunnels "of IC 1 'I ^ Trip to Le Mans 7 ' W- & the Embrace War Massive Film Preview Thailand Travel Diaries IN GO EOUS FULL C 4 2 GAME 24 June 1998 24 June 1998 GAME 59 Automatic seating in Great Hall opens 1 9 18 unexpectedly during The Rector nicks your exam, killing fff parking space. Miss a go. Felix finds out that you bunged the builders to you're fc Rich old fo work Faster. "start small antiques shop. £2 million. Back one. ii : 1 1 John Foster electro- cutes himself while cutting IC Radio's JCR feed. Go »zzle all the Forward one. nove to the is. The End. P©r/-D®(aia@ You Bung folders to TTafeDts iMmk faster. 213 [?®0B[jafi®Drjfl 40 is (SoOOogj® gtssrjiBGariy tsm<s5xps@G(§tlI ITCD® esiDDorpo/Js Bs a DDD®<3CM?GII (SDB(Sorjaai„ (pAsasamG aracil f?QflrjTi@Gfi®OTjaD Y®E]'RS fifelaL rpDaecsS V®QO wafccs (MJDDD Haglfe G® sGairGo (SRBarjDDo GBa@to G® §GapG„ i You give the Sheffield building a face-lift, it still looks horrible. Conference Hey ho, miss a go. Office doesn't buy new flow furniture. ir failing Take an extra I. Move go. steps back. start Place one Infamou chunk of asbestos raer shopS<ee| player on this square, », roll a die, and try your Southsid luck at the CAMPUS £0.5 mil nuclear reactor ^ RENAISSANCE GAME ^ ill. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Confessions of Fire Cam'ron Free Mp3 Download Cam'ron
confessions of fire cam'ron free mp3 download Cam'ron. Cameron Ezike Giles (born February 4, 1976 in Harlem, New York), better known as Cam'ron or Killa Cam, is an American rapper, actor, co- founder of Diplomat Records and of the group The Diplomats, also known as Dipset. He began his musical career in 1994, rapping alongside Big L, Mase and his cousin Bloodshed in a group called Children of the Corn. The group dissolved after Bloodshed's death in a car accident in 1997. However, Cam'ron continued to rap, and he released his solo debut album, Confessions of Fire, in 1998. He has since released 2000's S.D.E, 2002's Come Home With Me, 2004's Purple Haze, 2006's Killa Season and 2009's Crime Pays. Cam'ron made his acting debut on the 2002 film Paid in Full, where he played the character Rico, who is based on former Harlem drug dealer Alpo. In 2006, Cam'ron would return to his acting career and make his debut in screen writing in his movie Killa Season. Cam'ron plays a high school basketball player who eventually drops out of high school to begin his own drug ring. The movie was released in 2006, simultaneous with the Killa Season album. Confessions of Fire. Following in the footsteps of Sean "Puffy" Combs, Cam'ron created an accessible fusion of rap and pop that manages to keep some sort of street edge. Of course, that doesn't mean Cam'ron is hardcore -- he may come off as an East Coast gangsta, but his music is polished and melodic, much like that of Puff, his mentor. -
The Hilltop 5-9-1998
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 5-9-1998 The iH lltop 5-9-1998 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 5-9-1998" (1998). The Hilltop: 1990-2000. 216. https://dh.howard.edu/hilltop_902000/216 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. The Voice of Howard University Since 1924 I VOLUME 82, No. 1 SATURDAY, MAY 9, 1998 hilltop.howard.edu Conduct Code Law Students ' Revision Draws Urge Swygert Fierce Debate to Increase By BRIAN J. Cox and SUFIYA ABDUR-RAHMAN School Funds Hilltop Staff Writers The controversy surrounding a proposed revision By APRILL 0. TURNER of Howard University's Student Code of Conduct Hilltop Staff Writer continues to swirl, as students accuse the adminis tration of attempting to seize an undue amount of Frustrated by what they charge is a limiting cur power. riculum, dilapidated facilities and a lack of stu A joint committee of University administrators and dent representation on new hire search commit students is reviewing the code, a move which could tees, Howard University Law School students make it easier for students to be expelled from met with President H. Patrick Swygert Tuesday, school for engaging in activities or voicing opinions after two failed attempts to discuss their griev considered inappropriate by President H. -
Central Florida Future, September 9, 1998
University of Central Florida STARS Central Florida Future University Archives 9-9-1998 Central Florida Future, September 9, 1998 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, September 9, 1998" (1998). Central Florida Future. 1500. https://stars.library.ucf.edu/centralfloridafuture/1500 • A D I G I T A L C I T Y 0 R L A N D 0 C 0 M M U N I T Y P A R T N E R (AOL Keyword: Orlando) www.orlando.digitalcity.com UCF appoints Director of Computer Science , By ALEX COOK including his role as either the principal them. Gelenbe's main research is on distributed Staff Writer investigator or co-principal investigator on "I have been involved in all aspects of the and parallel computing, networks, and over $2. 7 million in research grants since academic process: the teaching, the neural computation. Dr. Erol Gelenbe was recently named the 1993. He has won awards such as the research, the managing of faculty of Gelenbe brings great knowledge and new director of the School of Computer French Academy of Sciences' Grand research programs of teaching programs," experience to UCF. -
Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS and DISCOURSES
Chaney and Brown: Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS AND DISCOURSES . Representations and Discourses of Black Motherhood in Hip Hop and R&B over Time Cassandra Chaney and Arielle Brown This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative examination of song lyrics related to Black motherhood. Results gave evidence that representations and discourse of motherhood have been largely shaped by patriarchy as well as cultural, political, and racial politics whose primary aim was to decrease the amount of public support for poor, single Black mothers. In spite of the pathological framing of Black mothers, most notably through the “welfare queen” and “baby mama” stereotypes, a substantial number of Hip Hop and R&B artists have provided a strong counter narrative to Black motherhood by highlighting their positive qualities, acknowledging their individual and collective struggle, and demanding that these women be respected. How has patriarchy influenced the production and release of Hip Hop and R&B songs related to Black motherhood? In what ways has Hip Hop and R&B supported and challenged dominant representations and discourses surrounding Black 1 motherhood? How has Black Feminist Theory validated the experiences of Black mothers in Hip Hop and R&B? This manuscript will respond to these three questions by examining how societal changes have directly influenced how Black mothers in Hip Hop and R&B2 are intellectualized. -
Spring Weekend Guide April 2012 1
SPRING WEEKEND GUIDE APRIL 2012 1 2 SPRING WEEKEND GUIDE APRIL 2012 SPRING WEEKEND GUIDE APRIL 2012 3 Editor-in-Chief Sam Knowles TOP TEN THINGS WE WISH WE WERE Managing Editor of Features DANCING IN INSTEAD OF FOAM Charles Pletcher 1. Poppies. 6. Christina Paxon’s scarf. Managing Editor of Arts & Culture Clayton Aldern 2. Job offers. 7. F*cking cocaine. Managing Editor of Lifestyle 8. Somebody else’s Jane Brendlinger 3. Beer. underpants. Features Editor Zoë Hoffman 4. Donald Glover. 9. Blue Room artichoke Arts & Culture Editors hummus. Anita Badejo Ben Resnik 5. Our underpants. 10. The moonlight. Lifestyle Editors Jen Harlan Alexa Trearchis LETTER FROM THE EDITOR Pencil Pusher The Spring Weekend guide is my favorite issue. It’s the issue when the word “magazine” following Post- Phil Lai seems least presumptuous—a chance to show what we can do with beautiful, dazzling color and the glossi- est stock in all the land. Chief Layout Editor Clara Beyer We hope you enjoy what follows. You’ll find our signature profiles of the performers, along with some new features—like an hour-by-hour ingestion timeline and a board game sure to get any and all participants Contributing Editors Emeriti completely shitfaced. Kate Doyle Marshall Katheder Spring Weekend is the time of the year when we can truly live up to the Brunonian ideal—a glorious three days when our reputation for effortless cool and beauty doesn’t give way to the decidedly less glamorous Copy Chiefs reality of the SciLi and Gmail and those classes we occasionally grace with our presence. -
Helping Adolescent African American Males Value Education Through Mentoring in a Threatening Era D
DON’T FALL BY THE WAYSIDE: HELPING ADOLESCENT AFRICAN AMERICAN MALES VALUE EDUCATION THROUGH MENTORING IN A THREATENING ERA A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment Of the Requirements for the Degree of DOCTOR OF EDUCATION by Olufemi Fadeyibi May 2020 Examining Committee Members: Dr. Michael W. Smith, Chair, Secondary Education, Teaching and Learning Dr. Jennifer Johnson, Higher Education, Policy, Organizational, & Leadership Studies Dr. Joseph Haviland, Secondary Education, Teaching and Learning Dr. Beth Olanoff, External Member, School Leadership, Policy, Organizational, Leadership Studies I © Copyright 2020 by Olufemi Fadeyibi All Rights Reserved II ABSTRACT The greatest and most persistent lag in academic achievement in the United States is between African American males and all other groups of students. This study was designed to investigate one possible approach to ameliorating the gap: a school-based mentoring program that helps African American males internalize a positive racial-ethnic identity regarding their academic-self competency and possible future-selves. This study 1) examined the quality of 6th grade African American young males experience in a school-based mentoring program, 2) examined the impact of the program in terms of participants’ racial-ethnic identities in their grade point averages, academic achievement, behavior, academic self-efficacy, and possible future selves. Qualitative findings showed the mentees enjoyed the mentoring program as it allowed for meaningful interactions with guest speakers and co-learning with classmates. Academic self-efficacy findings revealed the mentees grew in their understanding that academic work may be rigorous, but persistence is key. For possible future-selves, the mentees were motivated to pursue different career-paths, believed that more things were possible in life, along with being prompted to take school more seriously. -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1998 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1998 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. 4th Disciple(1) - 'Heavy Mental'- Killah Priest-/Troy Hightower Bob Power 4th Disciple Alan Douglaa(1) - "Pilgrim"-Eric Clapton-/ Dave Aaron(i) - "40 Dayz & 40 Nightz"- XzibitVRichard 'Segal' Huredia Greg Droman(l) - "I Don't Want To Miss A Thing'-Mark Chesnutt-/ Josh Abrams(1) - "Something For Everybody"-Baz Luhrmann-/ Michael Dumas(1) - "A Long Way Home'-Dwight Yoakam-/ Dusty Wakeman David Leonard Conley Abrams 111(1) - "Let's Ride'-Montell Jordan-/Annie Mae Catalino Claude Achille Kevin Davis Charles Dye(2) - "Growing Pains'-Billie Myers-/ Michael Brauer Greg Calbi + "Red Voodoo" -Sammy Claude Achille(1) - "Let's Ride'-Montell JordanVAnnie Mae Catalino Kevin Davis Hagar-/Toby Wright Tom McWilliams Brian Ackley(l) - "The Christmas Angel"- Mannheim Steamroller-/ Dave Cwirko Dan Charette Jim Ebert(1) - "Blurring The Edges'-Meredith BrooksVGeza X John Agnello(1) - "Wide Swing Tremolo"- Son VolWDavid Barbe Jack Joseph Puig Brett EliasonM) - "Live On Two Legs'- Pearl Jam-/ John Aguto(1) - "Still In The Game'-Keith SweatVKarl Heilbron Kevin 'KD' Davis Geoff Emerick(1) - "Vertical Man'-Ringo Starr-/Scott Gordon Chuck Ainlay(3) - "One Step At ATime'-George Strait-/ + "If You See Him"-Reba McEntire-/ + "Always Chad Evan«(1) - "Kennedy Center Homecoming: A Celebration Of Our Faith & Heritage"-Bill & Gloria Never The Same'-George Strait-/ Scotch Ralston Gaither-/ John Alagia(i) - "Live At Luther College'-Dave Matthews Band & Tim Reynolds-/Jeff Thomas Stephen Fitzmaurice(l) - "Human Being"- Seal-/ Tim Weidner Richard Lowe Stevo Albini(1) - 'Walking Into Clarksdale"-Jimmy Page & Robert Plant-/ Paul Hicks FloodM) - "Is This Desire?"-P.J. -
(MUSIC) DANCE MOVIES by John Trenz BA in C
“INSUBORDINATE” LOOKING: CONSUMERISM, POWER AND IDENTITY AND THE ART OF POPULAR (MUSIC) DANCE MOVIES by John Trenz B.A. in Cinema and Comparative Literature, University of Iowa, 2000 M.A. Literary and Cultural Studies, Carnegie Mellon University, 2003 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Critical and Cultural Studies University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by John Trenz It was defended on August, 8, 2014 and approved by Lucy Fischer, PhD, Distinguished Professor of Film Studies Mark Lynn Anderson, PhD, Associate Professor of Film Studies Randall Halle, PhD, Klaus W. Jonas Professor of German Film and Cultural Studies Dissertation Advisor: Jane Feuer, PhD, Professor of Film Studies ii Copyright © by John Trenz 2014 iii “INSUBORDINATE” LOOKING: CONSUMERISM, POWER AND IDENTITY AND THE ART OF POPULAR (MUSIC) DANCE MOVIES John Trenz, PhD University of Pittsburgh, 2014 The dissertation distinguishes the cultural and historical significance of dance films produced after Saturday Night Fever (1977). The study begins by examining the formation of social dancing into a specific brand of commercial entertainment in association with the popularity of Vernon and Irene Castle as social dancing entertainers around 1914. The Castles branded social dancing as a modern form of leisure through their exhibitions of social dancing in public, through products that were marketed with their name, in a book of illustrations for “Modern Dancing” (1914), and through Whirl of Life (1915), a film they produced about the origination of their romance and popularity as dancing entertainers. -
Aug-Sept 1981
Cover Photo by Ross Gadye CONTENTS KREUTZMANN and HART There are certain musicians who do not merely play an instrument—they live it. Bill Kreutzmann and Mickey Hart, drummer/percussionists with the Grateful Dead, are perfect examples. From the many hours spent practicing, to the con- stant search for new and better instruments, to the physical and mental conditioning, their lives are totally structured around their careers. Bill and Mickey share their thoughts on these matters in an MD interview that is as unique as their music. 10 JAMES BRADLEY, Jr. "You just have to believe in yourself," states James Bradley, who at age 18, became the drummer for Chuck Mangione and recorded the top-selling Feels So Good album. Having acquired his first drum set at the age of 3, James speaks with the knowledge gained from over 20 years of involvement with the drums. 14 BARRY KEANE Canadian studio drummer Barry Keane became involved with the record business by taking a job in the shipping department of a record distributor and working his way up. In addition to his recording work, Barry tours with Gordon Lightfoot, and lectures on recording at colleges in Canada. He offers practical advice on playing, teaching, and surviving in the music business. 20 THE PERCUSSIVE WORLD OF JACK VAN DER THE DRUMS OF AFRICA 26 WYK 18 CASEY SCHEUERELL: WITH FEELING 28 THE CARE AND FEEDING OF CYMBALS 23 COLUMNS: EDITOR'S OVERVIEW 2 PORTRAITS John Robinson ASK A PRO 4 by Robyn Flans 56 READER'S PLATFORM 6 STRICTLY TECHNIQUE Bass Drum Control ROCK PERSPECTIVES by Colin Bailey 62 Modular Rock by David Garibaldi PRODUCT CLOSE-UP 32 Aquarian Accessories 64 JAZZ DRUMMERS WORKSHOP by Bob Saydlowski, Jr. -
Nexus Global Youth Summit on Innovative Returning to Berkeley She Plans to Launch Another Philanthropy and Social Entrepreneurship
I P S E 19-22 SEPTEMBER 2012 NEW YORK CITY INFORMATION PACK ABOUT WELCOME Nexus: Global Youth Summit on Innovative Our inaugural Summit last year was an Philanthropy and Social Entrepreneurship 2012 experiment. We wanted to know what would aims to increase and improve philanthropy and happen if we brought diverse communities of social investment by convening diverse youth together, including young wealth holders communities of youth. and social entrepreneurs. We learned a lot about how to create a space for powerful The Summit will bring together young wealth- conversations. And in doing so we created a holders, social entrepreneurs and allies from new community of change. around the world for a series of inspiring and thought-provoking conversations exploring the Responding both to an urgent need and a most pertinent social issues, the most compelling opportunity that community has innovative approaches to creating change and grown. A little over a year since 400 of the most influential, visionary and resourceful members the most impactful ways to learn and of our generation gathered at the United collaborate together. Nations in New York we have met in ten countries around the world, with regional summits coming together in London and Beijing. This year we will ask not only what can be possible, but what can be promised. Many applied to participate; only a few were chosen. As you take your place, we urge you to make meaningful connections with the people next to you – they are as important as the people on stage. We are a youth movement and a youthful movement.