Music-Week-1998-07-1

Total Page:16

File Type:pdf, Size:1020Kb

Music-Week-1998-07-1 FOR EVERYONE IN THE BUSINESS OF MUSIC 18 JULY 1998 £3.50 Mfri1111 SW ek They're back... 0 CARRERAS DOMINGO PAVAROTTIWITHLEVINE TIBOR RUDAS PRESENTS PARIS 1998 - 4004-11110:41s" - I I fry RECORDED LIVE CARRERAS DOMINGO PAVAROTTIWITHLEVINE FOLLOWING NUMBER ONE ALBUMS IN 1990 & 1994, THE 3 TENORS RETURN ON AUGUST 17TH WITH THEIR BRAND NEW ALBUM RECORDED AT THE EIFFEL TOWER PREVIOUS 3 TENORS ALBUM SALES NUMBER 2.7 MILLION COPIES IN THE UK TIBOR ROBB PRESENTS ORs JULY 13 SEES THE SINGLE RELEASE FROM THE 3 TENORS PARIS 1998 OF THE FOOTBALL ANTHEM 'YOU'LL NEVER WALK ALONE' .C -A. THE CONCERT Of THECENTORY * SECOND BBC TV BROADCAST IN NOVEMBER MARKETING CAMPAIGN TV: TV advertising tram release on: GMTV, C4, Meridian, West Co, Anglia, Central, HTV, (minimum of 150 TVRs per region) Pre -Christmas TV burst on GMTV, Central, HTV, Meridian, West Country and London. OUTDOOR: 48 sheets from release (400 sites strategically located on arterial routes) Sussex place tower' and building front for month of release PRESS ADVERTISING: Broadsheet and tabloid ads tor album and single w/c 13th July and week of release Lifestyle magazine advertising including Radio Times, Sainsburys Magazine and other selected pre -Christmas publications POINT OF SALE: National displays in-store, tailor-made POS FSDUs, Counterboxes available Catalogue Number: CD 460500-2 028946050026 MC 460500-4 028946050040 VHS 0562121 044005621235 Dealer price: £9.12 (CD) £6.25 (MC) £10.89 (VHS) Single: You'll Never Walk Alone Catalogue Number: CD 460198-2 0289 46079829 MC 460 7984 0289 46079843 Dealer price: £2.69 (CD) £1.42 (MC) DECCA decca u.k., 22 st. peter's square, london w6 9nw Eiffel Tower at night. photo: Decca/Richard Naughton. Lighting of Eiffel Tower c Societe Nouvelle d'Exploitation de la Tour Eiffel. Jose Carreras. Placido Domingo and James Levine, photos: Thomas Reitz. Luciano Pavarotti. photo: Decca/Terry O'Neill. The '3 Tenors' logo is used under licence from Irish Intellectual Property Services Ltd. C4 NEWS: The MPA has MEGASMEANALYSIS: It's A&R: Time for his a new president as back to the future for talent to show 11/ A:9 TOM BRADLEY wins VIRGIN OUR PRICE as through as KAVANA in a head -to -head the chain returns to moves on from the fre with Stephen James its retailing roots boyband ghetto 4f Bradley takes vote 4 Virgin Talent 10 wri wo ts44tr/ FOR EVERYONE IN THE BUSINESS OF MUSIC 18 JULY 1998 £3.:nJt 134t music weekEpic stays on top in sine es 'narket share Polydor fakes shape with B*witched leda strong sales performance by Epic in the sec- ond quarter to strengthenits presence at the top of the sin- gles market share league. The Sony label increased its Grainge's 'loft conversion' share from 8.4% in the first quar- ter to 8.8% after landing three of by Tracey Snell tion within the next few months. artists now that we need to make theperiod's 10 biggesthits, Polydor managing director Lucian Meanwhile,otheraffiliated sure they are all given the best including the Irish act's C'est La Grainge last week outlined a new labels-Go! Beat,Mother, possible attention," he says. Vie. However, its lead was cut to structure and vision for the com- Motown and A&M Inc - will be Polydor has built up a success- just 0.9% by Universal, which pany which could consolidate its unitedunder a newPolydor ful domestic roster under Grainge, moved up to second spot with position as the dominant force Associated Labels division to be who was made managing director 7.9%. Sony stole the top corpo- within the PolyGram group. run by Greg Castell, who has been in February 1997. Boyzone and rate singles slot from PolyGram The company is being split into promoted from marketing director Lighthouse Familyboth had with a 17.5% share. two separate divisions to create to general manager. albums in the Top 10 last week, Virgin was top albums compa- "loftspace" to accommodate Joseph and Castellwillboth while new act Eagle -Eye Cherry ny for the 13th consecutive quar- A&M's US roster and expansion report to Grainge. Sales, press and topped last week's airplay chart. terwith 9.9%, while WEA at its other labels. promotions will continue to func- Grainge: a new vision Last year Polydor increasedits retainedsecondplacewith Polydor UK will be responsible tion centrally across both divisions. marketing manager respectively. albums market share to 3.6%. In 7.0%. PolyGram retained its lead for acts signed to the main label A number of A&M staff will find Likening the changes to con- the second quarter of this year its as top albums corporate group plus the Wildcard imprint. It will be new homes under the restructur- verting the loft of a house to cre- total rose to 4.9%. with 22.0%. headed by David Joseph, who is ing. DirectorofpressAndy ate extra space, Grainge says Meanwhile, A&M is gearing up Full market share details will leaving his post as head of mar- Prevezer and marketing manager they are designed to bring greater for a heavy release shedule with a appear in MW next week, includ- keting at RCA to become general SophyAshmore arejoining focustothe company asit newBryan Adams album, a ing for the first time a six -month- manager of the division and is Polydor AssociatedLabels as absorbs A&M's international Suzanne Vega greatest hits and ly performance update alongside expected to take up his new posi- artist development manager and artists. "We have got so many big possibly a new Sheryl Crow album. the quarterly snapshots. BPI/Bard venture Virgin keeps Our Price flag flying The Virgin group underlinedits Headed byVirginEntertain - commitment to the Our Price mentGroup chiefexecutive to oversee charts brand last week after securing a Simon Burke, the new set-up The BPI and Bard have formed a £145m deal to buy WH Smith's sees VOP operations director and new joint venture company to 75% stake in the Virgin Our Price acting managing director Mike oversee theofficial UK sales chain, giving it full control of the McGinley becoming Our Price charts. operation for the first time. managing director,while VEG The organisation, which has The group has appointeda finance director Simon Wright is yet to be formally named, was managing director and manage- made VirginRetailmanaging announced at the BPI agm last ment team specifically for Our director. Wednesday (July 8) by director Price. See Analysis, p6 general John Deacon. It will be responsiblefor commissioning the charts, exploiting publica- tionrightsandsellingthe 4=1 research data. Its formation follows the end- ing on June 30 of the previous E MON TER A LBUM arrangement under which the CD/Cossette/Onall31. WinvI/MiniDissr. 489610 2.4.0.8 chart was owned and managed by CIN, a joint venture between 15 NEW TRACKS INCLUDING THE SINGLES the BPI. Bard and MW publisher Miller Freeman. CINwillstill handle queries on formats and other chart -related matters for the time being and could contin- 2COs/Cassette OUT TODAY 666218 2.5.4 uulture secretary unris sman last vveunesuay kJuly 0) oecame ine Tian uein a managementrole, senior politician in as many years to address the BPI agm when he according to a BPI spokesman. gave the keynote address at the event held at Bafta in London. In his Deacon told the agm that speech, the minister further underlined the government's support for Millward Brown, whose latest the music industry. He said that his department and the DTI would be contract ran out last month, will FEATURING trying to achieve the changes the industry is seeking to the current EU continue to research the chart. Copyright Directive, which was the subject of much music industry "On the face of it you will proba- debate in last week. Smith also said diplomatic pressure would bly see no obvious change," he 2CD,/Ciasieig,tTe, 27/07/90 666284 2.51.4 continue to be exerted on countries with notable music piracy said."Wehopeshortlyto GOOZILLA THE MOVIE OPENS FRIDAY 17TH JULY problems. "If you look across the UK's creative industries as a whole, finalisethe trade publication all of these industries are growing something like three times the rights with Music Week to con- www.godzilln.uk corn average growth of the economy as a whole and that's an enormous tinue to publish the charts," he ,NY 11111,1, strength which we have to build on." he said. added. m..001..=1= !It ..001,11,11,11 fono The best data European radio monitored 24 hours a day, 7 days a week. fono is Europe's new weekly For programmers magazine dedicated to highlighting The only accurate guide to and promoting hit records. radio's up-and-coming hits. fono offers accurate airplay data from Music Control monitoring Hits, tips and all the news on Europe's breaking music. 500 stations 24 hours a day, seven days a week -a new single currency For retailers for the European music industry. The competitive edge to put you ahead of the pack. fono means no more relyingon playlists, rumour or secondhand From the Atlantic to the Oder, information. fono gets inside the from Finland to the Mediterranean. charts to bring you the real story of what's happening in European For record labels We speak to the people music. who turn A&R into sales. kinghits From the publishers of Music Week FONO, MILLER FREEMAN UK LTD, 4TH FLOOR, 8 MONTAGUE CLOSE, LONDON BRIDGE, LONDON SE1 9UR. TEL: +44 (0) 171 620 3636 FAX: +44 (0) 171921 5984 US OFFICE: FONO, MILLER FREEMAN ENT.
Recommended publications
  • Andrea Abbate Annie Abbott Rose Abdoo Louisa
    CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • LA GACETA N° 160 De La Fecha 24 08 2017
    La Uruca, San José, Costa Rica, jueves 24 de agosto del 2017 AÑO CXXXIX Nº 160 60 páginas Estimado usuario: Si necesita consultar alguna Gaceta o Boletín Judicial anterior al año 2005 comuníquese con nuestro Archivo Institucional. 2296-9570 ext. 134 [email protected] www.imprentanacional.go.cr Pág 2 La Gaceta Nº 160 — Jueves 24 de agosto del 2017 Estado dentro del término de cinco días hábiles, contados a partir CONTENIDO de la tercera publicación de este edicto, en el Diario Ofcial La Gaceta.—San José, a las 13:20 horas del 27 de julio del 2017.— Pág Unidad de Registro de Agroquímicos y Equipos de Aplicación.— Nº Ing. Esaú Miranda Vargas, Jefe.—( IN2017159588 ). DOCUMENTOS VARIOS................................................. 2 SERVICIO NACIONAL DE SALUD ANIMAL TRIBUNAL SUPREMO DE ELECCIONES DIRECCION GENERAL Edictos ............................................................................. 40 DIRECTRIZ SENASA-DG-D001-2017 Avisos .............................................................................. 40 Considerando: CONTRATACIÓN ADMINISTRATIVA ....................... 41 I.—Que de conformidad con el inciso e) del artículo 6 de la Ley REGLAMENTOS ............................................................ 42 N° 8495 del 6 de abril del 2006, Ley General del Servicio Nacional de Salud Animal (SENASA), es competencia de dicho Servicio INSTITUCIONES DESCENTRALIZADAS ................ 44 “Dictar las normas técnicas pertinentes, elaborar los manuales RÉGIMEN MUNICIPAL ................................................ 47 de
    [Show full text]
  • Chapter Fourteen Men Into Space: the Space Race and Entertainment Television Margaret A. Weitekamp
    CHAPTER FOURTEEN MEN INTO SPACE: THE SPACE RACE AND ENTERTAINMENT TELEVISION MARGARET A. WEITEKAMP The origins of the Cold War space race were not only political and technological, but also cultural.1 On American television, the drama, Men into Space (CBS, 1959-60), illustrated one way that entertainment television shaped the United States’ entry into the Cold War space race in the 1950s. By examining the program’s relationship to previous space operas and spaceflight advocacy, a close reading of the 38 episodes reveals how gender roles, the dangers of spaceflight, and the realities of the Moon as a place were depicted. By doing so, this article seeks to build upon and develop the recent scholarly investigations into cultural aspects of the Cold War. The space age began with the launch of the first artificial satellite, Sputnik, by the Soviet Union on October 4, 1957. But the space race that followed was not a foregone conclusion. When examining the United States, scholars have examined all of the factors that led to the space technology competition that emerged.2 Notably, Howard McCurdy has argued in Space and the American Imagination (1997) that proponents of human spaceflight 1 Notably, Asif A. Siddiqi, The Rocket’s Red Glare: Spaceflight and the Soviet Imagination, 1857-1957, Cambridge Centennial of Flight (Cambridge: Cambridge University Press, 2010) offers the first history of the social and cultural contexts of Soviet science and the military rocket program. Alexander C. T. Geppert, ed., Imagining Outer Space: European Astroculture in the Twentieth Century (New York: Palgrave Macmillan, 2012) resulted from a conference examining the intersections of the social, cultural, and political histories of spaceflight in the Western European context.
    [Show full text]
  • Retrofuture Hauntings on the Jetsons
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello The Graduate Center, City University of New York [email protected] From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015). Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past and lost futures (Fisher 2014, 2-29) in the episodes of the Hanna-Barbera animated series The Jetsons produced for syndication between 1985 and 1987. A product of Cold War discourse and the early days of the Space Age, the series is characterized by a bidirectional rhetoric: if its setting emphasizes the empowering and alienating effects of technological advancement, its characters and its retrofuture aesthetics root the show in a recognizable and desirable all-American past.
    [Show full text]
  • Felix Issue 1103, 1998
    COLOUR EXTRAVAGANZA SUMMER SOUNDS GOT SOME SPARE TIME? Sixty-page Guide to the Jumbo $f Bumper Issue Festivals Crossword Interview with the Rector Campus Renaissance Game y the Tunnels "of IC 1 'I ^ Trip to Le Mans 7 ' W- & the Embrace War Massive Film Preview Thailand Travel Diaries IN GO EOUS FULL C 4 2 GAME 24 June 1998 24 June 1998 GAME 59 Automatic seating in Great Hall opens 1 9 18 unexpectedly during The Rector nicks your exam, killing fff parking space. Miss a go. Felix finds out that you bunged the builders to you're fc Rich old fo work Faster. "start small antiques shop. £2 million. Back one. ii : 1 1 John Foster electro- cutes himself while cutting IC Radio's JCR feed. Go »zzle all the Forward one. nove to the is. The End. P©r/-D®(aia@ You Bung folders to TTafeDts iMmk faster. 213 [?®0B[jafi®Drjfl 40 is (SoOOogj® gtssrjiBGariy tsm<s5xps@G(§tlI ITCD® esiDDorpo/Js Bs a DDD®<3CM?GII (SDB(Sorjaai„ (pAsasamG aracil f?QflrjTi@Gfi®OTjaD Y®E]'RS fifelaL rpDaecsS V®QO wafccs (MJDDD Haglfe G® sGairGo (SRBarjDDo GBa@to G® §GapG„ i You give the Sheffield building a face-lift, it still looks horrible. Conference Hey ho, miss a go. Office doesn't buy new flow furniture. ir failing Take an extra I. Move go. steps back. start Place one Infamou chunk of asbestos raer shopS<ee| player on this square, », roll a die, and try your Southsid luck at the CAMPUS £0.5 mil nuclear reactor ^ RENAISSANCE GAME ^ ill.
    [Show full text]
  • Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
    Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT.
    [Show full text]
  • A Big Win for the Msd: Mackey Pendergrast Named Superintendent of the Year for the State of New Jersey!
    A joint publication from The Morris School District and The Morris Educational Foundation FALL 2019 FIND OUT WHAT’S HAPPENING IN... DTHE istrict A BIG WIN FOR THE MSD: MACKEY PENDERGRAST NAMED SUPERINTENDENT OF THE YEAR FOR THE STATE OF NEW JERSEY! The New Jersey Association of School Administrators (NJASA) has chosen Mackey Pendergrast, Superintendent of the Morris School District, for New Jersey’s Superintendent of the Year. Mr. Pendergrast will now represent the State as a candidate for the American Association of School Administrators (AASA) National Superintendent of the Year Award, which recognizes the talent, vision, and impact of our nation’s public school leaders. He was named Morris County Superintendent of the Year in June and Region I Superintendent of the Year for North Jersey in September. This distinction comes at the start of Pendergrast’s fifth year as superintendent of the Morris School District and his ninth year overall as a superintendent. He began his public school teaching career as a high school history teacher and varsity basketball coach for the Summit Public Schools and held positions in central office administration for the Westfield Public School District and the West Morris Regional High School District before becoming superintendent of West Morris in 2011. Board of Education President Lisa Pollak and Vice President Nancy Bangiola said they were “absolutely thrilled but hardly surprised” by their superintendent’s recent accolades, including the state’s top honors. more on page 3> MEF and MSD Family Author Experience Kicks Off Love of Reading What do writers and ninjas have in common? District second graders contemplated this question in October during the fall installment of the new Morris Educational Foundation (MEF) and Morris School District (MSD) Family Author Experience.
    [Show full text]
  • Mario Ortiz Jr
    Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year).
    [Show full text]
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
    [Show full text]
  • Rhythms of Relation: Black Popular Music and Mobile Technologies
    Rhythms of Relation: Black Popular Music and Mobile Technologies Alexander G. Weheliye In this essay I focus on the singular performances of the interface between (black) subjectivity and informational technologies in popular music, ask- ing how these performances impact current definitions of the technologi- cal. After a brief examination of those aspects of mobile technologies that gesture beyond disembodied communication, I turn to the multifarious manifestations of techno-informational gadgets (especially cellular/mobile telephones) in contemporary R&B, a genre that is acutely concerned, both in content and form, with the conjuring of interiority, emotion, and affect. The genre’s emphasis on these aspects provides an occasion to analyze how technology thoroughly permeates spheres that are thought to represent the hallmarks of humanist hallucinations of humanity. I outline the extensive and intensive interdependence of contemporary (black) popular music and mobile technologies in order to ascertain how these sonic formations refract communication and embodiment and ask how this impacts rul- ing definitions of the technological. The first group of musical examples surveyed consists of recordings released between 1999 and 2001; the sec- ond set are recordings from years 2009–2010. Since ten years is almost an eternity in the constantly changing universes of popular music and mobile technologies, analyzing the sonic archives from two different historical moments allows me to stress the general co-dependence of mobiles and music without silencing the breaks that separate these “epochs.” Finally, I gloss a visual example that stages overlooked dimensions of mobile tech- nologies so as to amplify the rhythmic flow between the scopic and the sonic.
    [Show full text]