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Boo-Hooray Catalog #10: Flyers
Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon. -
Ismael Rivera: El Eterno Sonero Mayor
• Ismael Rivera, ca. 1982 Ismael Rivera: el eterno Sonero mayor Ismael Rivera, o eterno Ismael Rivera: the eternal Sonero mayor Sonero mayor Robert Téllez Moreno* DOI: 10.30578/nomadas.n45a13 El artículo presenta un recorrido biográico y musical en torno al cantante y compositor puer- torriqueño Ismael Rivera, “El Sonero Mayor”. De la mano del artista, el texto provee claves para entender el surgimiento de la salsa como género musical, así como muestra algunos hitos en la historia del género. Concluye que la intervención de Rivera en la escena musical isleña y continental constituyó una revolución que dispersó las fronteras sociales de la exclusión cultu- ral. Por su parte, su estilo interpretativo se caracteriza por un inmenso sentimiento popular y una gran capacidad de improvisación. Palabras clave: Ismael Rivera, Puerto Rico, música popular, clave de son, salsa, racismo. O artigo apresenta um recorrido biográico e musical acerca do cantor e compositor Ismael Ri- vera, “El sonero mayor”, nascido em Puerto Rico. Da mão do artista, o texto oferece chaves para compreender o surgimento da salsa como gênero musical, ao tempo que mostra alguns marcos da história desse gênero. O autor conclui que a intervenção de Rivera no cenário musical da ilha e do continente constituiu uma revolução que dissipou as fronteiras sociais da exclusão cultural. O estilo interpretativo de Rivera é caraterizado por um enorme sentimento popular e por uma grande capacidade de improvisação. Palavras-chave: Ismael Rivera, Puerto Rico, música popular, clave de son, salsa, racismo. * Director y realizador del programa This article shows a biographical and musical overview of the Puerto Rican singer and son- Conversando la salsa de la Radio gwriter, Ismael Rivera, “El Sonero Mayor”. -
Lbmo.Com, Call (310) 516-6767 Or Request Advertising Information at [email protected]
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues MARCH 2010 ISSUE FROM THE EDITOR Welcome! Bienvenidos to Latin Beat Magazine Online. This Volume 20, Number 2, March 2010 issue features the Dallas, Texas-based powerhouse band Havana NRG, currently enjoying the release of its latest CD production, Receta Perfecta (Perfect Recipe). You can also meet and view the work of Latin music and entertainment photographer Jose M. Hernández. Latin Beat Magazine Online continues in the same vein and focus as our print magazine while adding the multi-media magic of the Internet, allowing us the capability of streaming music, showcasing videos and updating events and information on a more routine basis. And as always, you can count on lots of music and entertainment news, reviews, hit parades and music information for your enjoyment. - Rudy Mangual Latin Beat Magazine is number one in the world of authentic Latin music. For advertising opportunities in lbmo.com, call (310) 516-6767 or request advertising information at [email protected]. Back issues are still in print and available! Please order through the shopping section or by telephone at (310) 516-6767. 3D Ritmo de Vida Que Siga La Rumba HAVANA NRG (New Rhythm Generation) Windows Media By Rudy Mangual Quicktime Hailing from the state of Texas, where everything is Somos Son bigger than life, Havana NRG Bilongo is a Latin octet with a big Windows Media sound, a talented cast of Quicktime players that deliver contagious Cuban and The Estrada Brothers Afro-Caribbean rhythms. Mr. Ray Since its debut in Dallas in Windows Media the summer of 2002, Havana Quicktime NRG has been able to captivate audiences throughout the Lone Star Manny Silvera State via its colorful rhythms Bassed in America and high energy, revealing Windows Media indeed a new era of Cuban Quicktime music. -
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Stage Door Swings Brochure
. 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert. -
MAR DE ASHÉ SONG LIST- by STYLE (Please Feel Free to Request Your Favorites)
MAR DE ASHÉ SONG LIST- BY STYLE (Please feel free to request your favorites) SALSA Ahora Sí (Ismael Miranda) La Bomba (Ricky Martin) Te Amo (Eddie Santiago) Alabanciosa (Manny Oquendo y Conjunto Libre) La Malanga (Eddie Palmieri) Te Quedarás Conmigo (Tito Rojas) Alguien Te Está Hablando Mal De Mi (Ray Sepulveda) La Muerte (El Gran Combo) Todo Empezó (Eddie Santiago) Amar A Muerte (Eddie Santiago) La Paila (Los Hermanos Moreno) Tu Me Haces Falta (Eddie Santiago) A Mi Me Huele (Orquesta Mulenze) La Rebelión (Joe Arroyo) Tu Me Quemas (Eddie Santiago) Amor De Secreto (Orquesta de La Luz) Latinos En Estados Unidos (Celia Cruz) Tu Me Vuelves Loco (Frankie Ruiz) Amor Por Ella (Andy Montañez) Llanto de Cocodrilo (Ray Barretto) Toro Mata (Celia Cruz) Anacaona (Cheo Feliciano) Llorarás (Oscar D’Leon) Una Aventura (Grupo Niche) Antidoto Y Veneno (Eddie Santiago) Lluvia (Eddie Santiago) Uno Mismo (Tony Vega) Apiádate De Mi (Victor Manuelle) Lucía (Luis Enrique) Vivir Lo Nuestro (Marc Anthony y La India) Aquel Amor De Fuego (Tito Nieves) Luna Negra (Rey Ruiz) Ya No Lo Hago Más (Willie Rosario) Aquellos Tiempos (Ray Sepulveda) Me Fallaste (Eddie Santiago) Yo No Se Mañana (Luis Enrique) Arranca En Fa (Sonora Carruseles) Me Sabe A Peru (Grupo Niche) Arrepiéntete (Ray Barretto) Mía (Eddie Santiago) SALSA IN ENGLISH Ay Cucu (Andy Montañez) Mi Primera Rumba (La India y Eddie Palmieri) Betcha By Golly Wow (La Sirena) Baila Que Baila (El Canario) Mírame (Jaime Roviras) How Do You Keep The Music Playing (Tito Nieves) Como Un Huracán (Rubén Blades y Willie -
CBS International's Study
BEFORE THE COPYRIGHT ROYALTY TRIBUNAL WASHINGTON, D.C. In the Matter of ) ) 1984 Juke-Box Royalty ) Docket No. Distribution Proceedings ) SUPPLEMENTAL STATEMENT PURSUANT TO 37 C.F.R. SECTION 305.4 Asociacion de Compositores y Editores de Musica Latino- americana ("ACEMLA"), having duly filed a claim of entitlement pursuant to 37 C.F.R. Sections 305.2, 305.3 and having filed a statement pursuant to 37 C.F.R. Section 305.4 on November 5, 1985, submits this supplemental statement and documentation on November 5th filing. 1. In Paragraph 4 of ACEMLA's November 5th Statement, I ACEMLA cited a study undertaken by Discos CBS International as cited in the publication "Music Video Retailer" in January 1983. Attached hereto as Exhibit 1 is the article concerning Discos CBS International's study. 2. In Paragraph 5 of ACEMLA's November 5th Statement, an article entitled "Spanish Speaking Market on the Move" from the January 1983 issue of "Music Video Retailer" was also cited. This article is attached as Exhibit 2. 3. Paragraph 7 of ACEMLA's November 5th Statement noted that "throughout 1984 a significant number of hits whose copy rights were owned or administered by ACEMLA appeared in trade charts both in 45 rpm or LP form. These trade charts reflect the major songs in the United States Hispanic market." 4. Attached hereto as Exhibit 3 are hit Latin record charts from the publication "Canales", published in New York City, for the months of January 1984 through November 1984. The circled numbers next to the title and the circled titles in- dicate titles that are in in ACEMLA's catalogue. -
Almanaque Marc Emery. June, 2009
CONTENIDOS 2CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009. Jan Susler. 6ENERO. 11 LAS FASES DE LA LUNA EN LA AGRICULTURA TRADICIONAL. José Rivera Rojas. 15 FEBRERO. 19ALIMÉNTATE CON NUESTROS SUPER ALIMENTOS SILVESTRES. María Benedetti. 25MARZO. 30EL SUEÑO DE DON PACO.Minga de Cielos. 37 ABRIL. 42EXTRACTO DE SON CIMARRÓN POR ADOLFINA VILLANUEVA. Edwin Reyes. 46PREDICCIONES Y CONSEJOS. Elsie La Gitana. 49MAYO. 53PUERTO RICO: PARAÍSO TROPICAL DE LOS TRANSGÉNICOS. Carmelo Ruiz Marrero. 57JUNIO. 62PLAZA LAS AMÉRICAS: ENSAMBLAJE DE IMÁGENES EN EL TIEMPO. Javier Román. 69JULIO. 74MACHUCA Y EL MAR. Dulce Yanomamo. 84LISTADO DE ORGANIZACIONES AMBIENTALES EN PUERTO RICO. 87AGOSTO. 1 92SOBRE LA PARTERÍA. ENTREVISTA A VANESSA CALDARI. Carolina Caycedo. 101SEPTIEMBRE. 105USANDO LAS PLANTAS Y LA NATURALEZA PARA POTENCIAR LA REVOLUCIÓN CONSCIENTE DEL PUEBLO.Marc Emery. 110OCTUBRE. 114LA GRAN MENTIRA. ENTREVISTA AL MOVIMIENTO INDÍGENA JÍBARO BORICUA.Canela Romero. 126NOVIEMBRE. 131MAPA CULTURAL DE 81 SOCIEDADES. Inglehart y Welzel. 132INFORMACIÓN Y ESTADÍSTICAS GENERALES DE PUERTO RICO. 136DICIEMBRE. 141LISTADO DE FERIAS, FESTIVALES, FIESTAS, BIENALES Y EVENTOS CULTURALES Y FOLKLÓRICOS EN PUERTO RICO Y EL MUNDO. 145CALENDARIO LUNAR Y DÍAS FESTIVOS PARA PUERTO RICO. 146ÍNDICE DE IMÁGENES. 148MAPA DE PUERTO RICO EN BLANCO PARA ANOTACIONES. 2 3 CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS Febrero: Memorias torrenciales inundarán la isla en el primer aniversario de la captura de POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009 Avelino González Claudio, y en el tercer aniversario de que el FBI allanara los hogares y oficinas de independentistas y agrediera a periodistas que cubrían los eventos. Preparado por Jan Susler exclusivamente para el Almanaque Marc Emery ___________________________________________________________________ Marzo: Se predice lluvias de cartas en apoyo a la petición de libertad bajo palabra por parte de Carlos Alberto Torres. -
Chapter 2 Defining Calypso
Cover Page The handle http://hdl.handle.net/1887/45260 holds various files of this Leiden University dissertation Author: Charles, Clarence Title: Calypso music : identity and social influence : the Trinidadian experience Issue Date: 2016-11-22 71 Chapter 2 Defining Calypso In the absence of conclusive evidence that points to a singular ethnic source of origin, analysis is launched from the premise that calypso music is a product of the ethno-cultural mosaics found within the boundaries in which it emerged, was developed, and exists as various strains with features that are characteristic, sometimes unique to its host mosaic. Etymology and Anthropology So far efforts by researchers to establish the origin of calypso music as a definite song type have been inconclusive. The etymology of the term ‘calypso’ in reference to that song type has proven to be as equally mysterious and speculation remains divided among contributors. This chapter of the study will touch upon literature that speculates about these issues relative to the emergence and development of the song type on the island of Trinidad. At one end of the discussion about origin Lamson (1957, p. 60) has reported the use of French melodic material in calypso, and Raphael De Leon aka The Roaring Lion (1987) has argued in Calypsos from France to Trinidad: 800 Years of History, that the genre was given the pseudonym ‘calypso’ some time in 1900, and derives from French ‘ballade’ created in 1295. He has also publicly asserted that, there is no evidence to support the claim that it is either a variant of African folk songs or that it was invented by African slaves in Trinidad. -